The female characters in James Joyce's fiction have received considerable critical attention since the publication of his writings and are often denigrated as misogynist portrayals of women. However, a textual and historical analysis of the female characters in A Portrait of the Artist as a Young Man, Dubliners, Ulysses, and Finnegans Wake shows them in a more constructive light. Such an analysis reveals them to be sympathetic portrayals of the situation of Irish women at the turn of the twentieth century. An historical contextualization of the characters is essential in any reading of Joyce, but is particularly important for his female characters. An historical and textual analysis also reveals a noticeable shift in the characterization of women from his early novel to his later novels. Additionally, approaching Joyce's fiction from this angle highlights the significant influence of Nora Barnacle, whom he eventually married, on Joyce's characterizations of women. Joyce started writing A Portrait of the Artist as a Young Man as a very young man, before he met Nora, and this fact coupled with the choice of an adolescent boy as the narrator explains some of the criticism leveled at the novel. The subject of the novel, an artist as a young man, requires that the narrator be a self-centered youth. Consequently, the aesthetics of the novel are not focused on the female characters, but this is a result of the somewhat narcissistic adolescence of the narrator, not Joyce's purported misogyny. A close textual reading reveals the female characters as somewhat fleeting as a result of the age of the narrator, but not misogynist creations. The discussion of Portrait serves as an introduction to the larger subject of the admirable aspects of his female characters in Dubliners, Ulysses, and Finnegans Wake. Numerous parallels can be found between the female characters in "Araby," one of the first short stories in Dubliners, and the female characters in Portrait. However, throughout the progression of the collection of short stories, the female characters become more detailed, in part because the narrator is no longer an adolescent and has become more socially aware. This textual analysis of the female characters in "Araby," "Clay," "Eveline," and "The Dead" is enhanced by an historical analysis that clarifies the similarities between the women in the stories and the situation of Irish women as Joyce observed them, as discussed by Joyce in some of his published letters. An awareness of these close parallels between the characters and the historical setting reveals the characters as sympathetically drawn, eliciting a reader's pity rather than judgments of misogyny. A similar textual and historical analysis, when applied to Molly Bloom in Ulysses, reveals the mosaic-like quality of her characterization. Although she speaks only in the "Penelope" episode, Molly Bloom's characterization is established from the beginning of the novel through frequent references to her by her husband Leopold Bloom, and other characters throughout the novel. The layered or mosaic-like approach to her characterization is a departure from Joyce's earlier style, but the resultant character is engaging and intricately detailed. An historical and textual analysis accounts for the stylistic aspect of her character and allows for a more engaging perspective of Molly. Always innovative, Joyce transforms the mosaic style of characterization used for Molly in the characterization of Anna Livia Plurabelle and Issy in Finnegans Wake and, instead, creates the characters on an entirely differentscale, that of myth. Ulysses is a daytime walk through Dublin that could also function as a founding myth for Ireland; Finnegans Wake is the nighttime counterpart to a walk through Dublin. Joyce chose to stylistically obscure the language in the novel in order to create the nighttime setting for his dream-like comment on Dublin's founding myths. The characters of Finnegans Wake are rooted in mythic tradition also, which serves this aesthetic choice well. An historical and textual analysis of ALP and Issy reveals the universalized and nuanced characterization inherent in their creation and execution. From A Portrait of the Artist as a Young Man to Dubliners, Joyce's early female characters are notable in their own right, and function as important precursors to Joyce's visionary approach to characterization which culminated in Ulysses and Finnegans Wake with Anna Livia Plurabelle.

In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses (1922), James Joyce demonstrates what he perceives to be the paralyzing effects of those institutionalized religions that sit at the center of cultures. Drawing on Michel Foucault's analysis of institutional dressage as well as his use of Jeremy Bentham's Panopticon prison in Discipline and Punish (1981), this thesis argues that Joyce's portrait of the Catholic Church's influence on Irish culture is his attempt to display its ubiquitous and inextricable power. In both works, Joyce focuses on the internalization of this power which emanates from the physical manifestations of the Church's presence, the strict tenets of its doctrine, and its concept of an omnipotent, omniscient God who, embodied in an individual's conscience, becomes the perfect "surveillant." Tracing the influence of Catholic dressage on his first protagonist, Stephen Dedalus, who unequivocally abandons the Catholic faith in A Portrait, Joyce reveals the overwhelming power that the Church held over the cultural consciousness of Ireland, an influence rivaled solely by the British colonial powers. Similarly, in Ulysses, Joyce introduces Leopold Bloom, the Jewish Other, who stands outside the institutional structure of the Church and provides a removed but critical perspective on the Catholic rituals and beliefs which, according to Joyce, were intricately woven into the Irish Weltanschauung. Indeed, while Joyce's critique of the Church's power is clearly evident in the narrative of the novel, in a larger context this criticism is directed at the stifling effects of all institutional powers on individual consciousness. Similarly, Foucault's cultural theories examine the intricacies of such power within a culture and their effect on the individual, who, in short, is a product of these elements. This thesis explores these dynamics in Joyce's works to further understand his position as one of the central novelists of the twentieth century. / Graduation date: 1997

Made available in DSpace on 2014-06-11T19:35:37Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-04-23Bitstream added on 2014-06-13T20:26:33Z : No. of bitstreams: 1 araujo_rb_dr_arafcl.pdf: 832837 bytes, checksum: 15502a1bc67426c8287b032a6312cfb0 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Em nossa pesquisa foi possível constatar que a indústria montadora situada na região do ABC paulista, aqui analisada, a partir de 1992 promoveu intenso processo de mudanças na sua estrutura produtiva, resultando na emergência de um segmento operário jovem-adulto flexível de novo perfil histórico-social e profissional. Trata-se de uma nova parcela de “colaboradores” situados entre 15 e 35 anos de idade, cujo modo de vida “just-in-time” próprio desse segmento metalúrgico - os filhos da reestruturação produtiva -, relaciona-se às estratégias de captura da subjetividade operária por meio de novas formas de gestão/coerção de pessoal, e que, espraiando-se para além do universo fabril, revela a nova forma de ser do novo metabolismo produtivo-social do capital na época do trabalho flexível / Current research analyzes the car-building industry in the greater São Paulo region as from 1992 when a deep modification process in its productive structure occurred. The above-mentioned process caused the emergence of a labor segment, or rather, the flexible young man / adult, featuring a new historical, social and professional profile. Actually it is a new set of ‘collaborators’ within the 15-35-year-old bracket, whose just-in-time life style, proper of the metalworking section hailing from production restructuring, is related to the bonding strategies of worker subjectivity. This fact is brought about by the personnel’s new management/coercion styles which looks beyond the factory environment and reveals the new life style of capital’s productive and social metabolism in a period of flexible labor

Irony and satire in two of James Joyce's works.

This dissertation makes the case that treating digitized corpora of literary works as cognitive artifacts can provide particular insight into how the reading mind apprehends events within an imagined world and, thereby, provide potentially useful functional models for event perception, emotional memory, and determining what’s “real.” Most essentially, it will make the case that the deepest feature of narrative cognition may involve an “information distribution” assessment, wherein the variation of information density over time cues the mind to attend to denser events with increased attention, potentially saving more of their content for long-term memory. This mimics what cognitive research has frequently established for real-world processing of emotionally stimulating events, wherein emotional memory tends to be better retained over time, with more detail, fewer conflations, and more resistance to fading, while neutral events tend to be relegated to gist or forgotten. Put together, this produces an ordering of autobiographical memory that resembles a glimmering string of pearls: densely detailed memories strung together over time, separated by thinner, looser memories and gist, with a particular cluster of these “pearls” towards the middle for the memory bump of the mid-teens to mid-twenties. While many have argued for larger schemas or socially influenced self-regard as the major driver for memory emphasis in one’s Life Story, if autobiographical memory is anything like a novel, it may prove a bit simpler: most of the bigger pearls mark where one’s sensory array “dilated” in moments of arousal, and their lustrous, persistent “shine” may be a matter of how likely it was that one returned to those memories over time. Chapter 1 examines what we do and don’t know about the reading mind, settling on a narrower definition of immersive narrative reading as an exceptional cognitive state which moves in and out of what cognitive psychologists call “flow” and a more passive, vivid “daydream.” This is an inherently unstable activity that requires a great deal of assistance from the text, thereby providing useful targets of analysis for researchers interested in perception, emotion, and memory, with a particular eye towards embodied cognition. It then discusses key gaps in the scientific literature and literary scholarship around event perception and narrative cognition, some of which this project aims to partially fill through quantitative analysis of literary texts. This chapter will also discuss the promise and perils of treating literary corpora like the novels in Project Gutenberg as cognitive artifacts: the known limitations of using “canon” texts as a representative sample of literature in general, the rarity of reading, and what it means to “backsolve” cognition through its artifacts. Chapter 2 describes a series of experiments conducted on a corpus of a few thousand novels and nonfiction narratives contained in Project Gutenberg and the Nickels and Dimes Project. Leaning on the “string of pearls” metaphor for autobiographical memory organization, this chapter will promote a model of long-form narrative’s fundamental mnemonics as something that mimics that organizational pattern: information density that varies over time, predicting not only the pace of in-narrative time passing, but which “moments” or features of the narrative will be important for the reader to remember over multiple reading events, while others will be forgotten or relegated to gist. This pattern closely mimics models of autobiographical memory in cognitive psychology, not only of so-called “flashbulb memory” or surprising, high-affect events, but also of Life Story in general: vast periods of fleeting detail, with dense memory clusters around events that were encoded in moments of arousal, with curious memory affects just before and after those events, possibility illustrating what Jefferey Zacks presents as a “gating” model of event perception. Drawing on the scientific literature on event segmentation, arousal and memory, and time perception, and likewise drawing on literary scholarship on time and stylistics in the novel, this chapter will explore the implications and limitations of using POS tagging to try and tease out quantifiable units of “information” from large corpora of novels utilizing one-way repeated measures MANOVA. Applications for these findings in literary scholarship will be discussed throughout—for instance, while scenes involving sex or violence are predictably information-dense in most texts in the corpus that were hand-scored for accuracy (and subsequently used as training texts for the algorithm), in-book variation from the norm and from nearby passages is more predictive than a raw density score alone. For example, when Stephen Dedalus has sex in Portrait of the Artist as a Young Man, imagistic detail goes down compared to nearby scenes and compared to the more detail-dense passages in the text, which seems to be typical of Joyce: while he does vary density according to temporality and that maps roughly to “significant” scenes, the most emotional scenes tend to be written more sparely (spare for that author, that is—Joyce is not Hemingway). That may be an authorial quirk, or it may be that he relies upon a second strategy to stimulate a reader’s emotional response: semantic content that’s normally cued to a strong negative or positive valence. Chapter 3 will attend to the ways some authors resist narrative’s “ease of use” in order to prompt their readers to interrogate what’s Real. This chapter zooms in on a specific period of American and British literature, and a genre within that brief time: the rise of Creative Nonfiction and/or New Journalism, with a close read or “case study” of George Orwell’s Homage to Catalonia and James Agee’s Let Us Now Praise Famous Men. This chapter proposes that the authors set out to create narratives that would reflect the “real” lives of their subjects, with an objective of making those lives feel real to their readership. But were they successful? Drawing on cognitive psychology research in psychosis, metacognition, and temporal sense, this chapter aims to elucidate how literary narratives like these may “aim to fail” at certain features of deep narrative form (as discussed in the prior chapters) in order to “startle” their readers into a less passive state, in order to better mimic the qualia of witnessing something in the real world, and thereby produce a sense that the subjects within the text are Real. These embedded structural failures are often more subtle than anything Brechtian, but nevertheless can be found both quantitatively and in close reading, which may indicate that when a long-form narrative text purposefully aims to make a reader uncomfortably aware of Reality--especially when motivated by known, deep ethical concerns--it may “work” in ways that have less to do with the subject or content of the text and more to do with form.

Indiana University-Purdue University Indianapolis (IUPUI)

Η παρούσα μεταπτυχιακή διατριβή έχει ως στόχο να μελετήσει την έννοια του σωκρατικού δαιμονίου όπως αυτή εκφράστηκε κυρίως στον φιλόσοφο Πρόκλο, καθώς επίσης να εντοπίσει το περιεχόμενο, την έκταση και τις προθέσεις αλλά και τους μεθοδολογικούς τρόπους με τους οποίους ο ίδιος ο νεοπλατωνικός σχολάρχης θεωρούσε ότι έπρεπε να προσεγγισθεί η παιδαγωγική σχέση ανάμεσα στον Σωκράτη και στον Αλκιβιάδη, ώστε να κατανοηθεί το βαθύτερο περιεχόμενό της. Ως κείμενο αναφοράς και ανάλυσης έχουμε το υπόμνημα του Σχολάρχη της Ακαδημίας: Εἰς τὸν Πλάτωνος πρῶτον Ἀλκιβιάδην , 85.19-93.28, σ’ ένα εδάφιο του πλατωνικού διαλόγου Αλκιβιάδης Ι (103 a-b), στο οποίο παρουσιάζεται η αφετηρία της επικοινωνίας ανάμεσα στον Σωκράτη και τον Αλκιβιάδη, η επικοινωνιακή σχέση δηλαδή μεταξύ δασκάλου – μαθητή, η οποία τροφοδοτείται επαναληπτικά και από την θεϊκή έμπνευση του Σωκράτη, από το σωκρατικό δαιμόνιο. Στο πρώτο κεφάλαιο της εργασίας μας επιχειρούμε μια αναδρομική έρευνα στην έννοια του σωκρατικού δαιμονίου όπως αυτή εμφανίστηκε στην σύγχρονη ιστορία – πορεία της φιλοσοφικής έρευνας. Στο δεύτερο κεφάλαιο γίνεται μια σύντομη εισαγωγή στον πλατωνικό διάλογο Αλκιβιάδης Ι και στο υπόμνημα του Πρόκλου Εἰς τὸν Πλάτωνος πρῶτον Ἀλκιβιάδην αναδεικνύοντας το συνθετικό φιλοσοφικό εγχείρημα του νεοπλατωνικού φιλοσόφου. Στο τρίτο κεφάλαιο γίνεται μία απόπειρα σχολιασμού ενός ευσύνοπτου τμήματος του υπομνήματος του Πρόκλου, με κύριο στόχο να δοθούν απαντήσεις στις «κατηγορίες» που απέδιδαν ορισμένοι στην θεία αυτή έμπνευση του Σωκράτη ως προς την διαφθορά του νεαρού Αλκιβιάδη. Στην συνέχεια, επιχειρήσαμε να οδηγηθούμε σε ορισμένα συμπεράσματα (καταρρίπτοντας τις κατηγορίες), καθώς επίσης έγινε μία προσπάθεια καταγραφής των εννοιών που συναντήσαμε. Προχωρήσαμε επίσης στην σύνταξη ενός ευσύνοπτου φιλοσοφικού λεξικού των εννοιών που χρησιμοποίησε ο νεοπλατωνικός φιλόσοφος στην προσπάθειά του να αναδείξει την θεϊκή αυτή έμπνευση του Σωκράτη ως μία δύναμη αγαθή και προνοητική με «προβλεπτικό» και «γνωστικό» χαρακτήρα, που κατ’ επέκταση καθιστά την σχέση διδασκάλου – μαθητή παιδαγωγικώς και προσωπικώς αναγκαία και θείων προδιαγραφών. Η εν λόγω εργασία ανήκει κυρίως στους θεωρητικούς κλάδους της φιλοσοφίας της θρησκείας και της μεταφυσικής, αλλά και συγχρόνως εντάσσεται στην ιστορία της φιλοσοφίας, καθότι παρουσιάζει ένα στάδιο της εξέλιξης μιας θεωρίας που αναπτύχθηκε τον 4ο αιώνα π.Χ. / The main aim of this M.A dissertation is to explore the sense of the daimonion of Socrates as it was mainly examined by the philosopher Proclus. We will try to identify the content, scope and intentions, but also the methodology by means of which the Neoplatonist scholarch himself approached the pedagogical relationship between Socrates and Alcibiades, in order to understand its deeper content. Our textual source is Proclus' Commentary on Plato's Alcibiades I, 85.19-93.28, which refers to Alcibiades I, 103 a-b. This is the starting point of communication between Socrates and Alcibiades, that is to say the communicative relationship between the teacher and the student, the content of which is repeatedly defined by the divine inspiration of Socrates, the Socratic daimonion. In the first chapter of our study, we attempt a retrospective research on the concept of Socrates’ daimonion as it appeared in the frame of modern philosophical research. The second chapter is a brief introduction to the Platonic dialogue Alcibiades I and to Proclus’ Commentary on Plato's Alcibiades I, highlighting the synthesis which is evident in the philosophical project of the Neoplatonist philosopher. The third chapter is an attempt to analyze a brief part of Proclus' commentary, aiming to provide answers to "accusations" attributed by some against Socrates’ divine inspiration with reference to the corruption of the young Alcibiades. We also attempt to describe the relevant concepts and reach some conclusions after the refutation of these accusations. We also proceed to a compilation of a concise philosophical dictionary of concepts-terms used by the Neoplatonist philosopher in his attempt to prove the divine inspiration of Socrates to be both a good and providential power with the possibility to acquire foreknowledge. This in turn makes the relationship between the teacher and the student pedagogically and personally necessary and gives it divine properties. The dissertation belongs to philosophy of religion, metaphysics, and history of philosophy, as well, since it examines a stage in the evolution of a theory developed in the 4th century B.C.

Orientador: Maria Orlanda Pinassi / Banca: Claudia Mazzei Nogueira / Banca: Fábio Kazuo Ocada / Banca: Sérgio César da Fonseca / Banca: Giovanni Antonio Pinto Alves / Resumo: Em nossa pesquisa foi possível constatar que a indústria montadora situada na região do ABC paulista, aqui analisada, a partir de 1992 promoveu intenso processo de mudanças na sua estrutura produtiva, resultando na emergência de um segmento operário jovem-adulto flexível de novo perfil histórico-social e profissional. Trata-se de uma nova parcela de "colaboradores" situados entre 15 e 35 anos de idade, cujo modo de vida "just-in-time" próprio desse segmento metalúrgico - os filhos da reestruturação produtiva -, relaciona-se às estratégias de captura da subjetividade operária por meio de novas formas de gestão/coerção de pessoal, e que, espraiando-se para além do universo fabril, revela a nova forma de ser do novo metabolismo produtivo-social do capital na época do trabalho flexível / Abstract: Current research analyzes the car-building industry in the greater São Paulo region as from 1992 when a deep modification process in its productive structure occurred. The above-mentioned process caused the emergence of a labor segment, or rather, the flexible young man / adult, featuring a new historical, social and professional profile. Actually it is a new set of 'collaborators' within the 15-35-year-old bracket, whose just-in-time life style, proper of the metalworking section hailing from production restructuring, is related to the bonding strategies of worker subjectivity. This fact is brought about by the personnel's new management/coercion styles which looks beyond the factory environment and reveals the new life style of capital's productive and social metabolism in a period of flexible labor / Doutor

When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities. I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series