This study investigates the representation of narrative space in the novel and the film of The Return of the King. As the two representations belong to two different mediums, the theories on narrative space in the novel and in the film are examined in order to distinguish between their modes of representation of space. In essence, the theory utilised for the spatial analysis focuses on the content, function and symbolic meaning within spaces, as created by the description of objects, the repetition and accumulation of spatial information, as well as the movement of characters within spaces and the interaction between characters and different spaces. This spatial interaction relates to the events, representations of time and the role of the narrator within the different dimensions of narrated space, that is, concrete and abstract space. The three most significant spaces within the novel and the film, namely Minas Tirith, Mount Doom and Hobbiton form the basis of the analysis, which focuses on the narrative spaces as they are represented. From this study, it becomes clear that there are different levels of meaning embodied within a space: the physical and geographical space, the social space of interaction and the abstract, symbolic space. The significant spaces and their meanings in the novel have been subjected to filmic transformation. Essentially, the spaces in both the novel and the film display the fact that space ultimately influences those events and people who interact with it and vice versa. These spaces thus embody specific meanings, which contribute towards the undertaken journey represented in Tolkien's fantastical, imaginative world. / MA (English), North-West University, Potchefstroom Campus, 2014

This study investigates the representation of narrative space in the novel and the film of The Return of the King. As the two representations belong to two different mediums, the theories on narrative space in the novel and in the film are examined in order to distinguish between their modes of representation of space. In essence, the theory utilised for the spatial analysis focuses on the content, function and symbolic meaning within spaces, as created by the description of objects, the repetition and accumulation of spatial information, as well as the movement of characters within spaces and the interaction between characters and different spaces. This spatial interaction relates to the events, representations of time and the role of the narrator within the different dimensions of narrated space, that is, concrete and abstract space. The three most significant spaces within the novel and the film, namely Minas Tirith, Mount Doom and Hobbiton form the basis of the analysis, which focuses on the narrative spaces as they are represented. From this study, it becomes clear that there are different levels of meaning embodied within a space: the physical and geographical space, the social space of interaction and the abstract, symbolic space. The significant spaces and their meanings in the novel have been subjected to filmic transformation. Essentially, the spaces in both the novel and the film display the fact that space ultimately influences those events and people who interact with it and vice versa. These spaces thus embody specific meanings, which contribute towards the undertaken journey represented in Tolkien's fantastical, imaginative world. / MA (English), North-West University, Potchefstroom Campus, 2014

AFRIKAANS: Orrelonderrig word tradisioneel eers vanaf ongeveer dertien- of veertienjarige ouderdom aangebied. Vir toelating tot die studie word ’n gevorderde vaardigheid in klawerbordspel vereis asook die nodige fisieke bou wat pas by die afmetings van die instrument. Die afname in orrelstudentgetalle wat die afgelope aantal jare op sekondêre- sowel as tersiêre vlak opgemerk word, vereis ’n dringende ondersoek na alternatiewe metodes om orrelonderrig meer toeganklik vir ’n leerder op ’n jonger ouderdom te maak. Alternatiewe orrelmetodes wat nie bogenoemde klawerbordvaardigheid as ’n vereiste stel nie, word sedert 1990 in lande soos Brittanje, Verenigde State van Amerika, Nederland en Swede toegepas. Alhoewel hierdie metodes bedoel is vir onderrig aan jong spelers sowel as die volwasse beginner, is die Suzuki-orrelmetode in hierdie navorsingstudie geïdentifiseer as die enigste metode tot op datum wat onderrig in manuaal- en pedaalspel insluit en wat geskik is vir die jonger leerder wat selfs oor geen leesvaardigheid beskik nie. ’n Kritiese evaluering van die Suzuki-orrelmetode het gelei tot die formulering van riglyne om orrelonderrig aan leerders op ’n vroeër ouderdom moontlik te maak. Deur die orrel meer toeganklik te maak word ’n liefde vir die instrument en die unieke klank daarvan by die jong leerder gekweek. Die mening bestaan ook dat ’n koördinasievermoë, wat een van die primêre vereistes vir suksesvolle orrelonderrig is, makliker op ’n jonger ouderdom aangeleer kan word. Met inagneming van die onderskeie ontwikkelingsfases van die jong kind en deur die nodige aanpassings in die wyse van aanbieding, fisiese veranderings aan die instrument, asook die keuse van onderrigmateriaal, kan die afname in belangstelling in orrelonderrig teëgewerk word. Hierdie alternatiewe sieninge kan sodoende ’n bydrae lewer tot die voortbestaan en behoud van orrelonderrig. Verdere navorsing is egter nodig om die praktiese toepassing van hierdie riglyne in ’n Suid-Afrikaanse milieu deur middel van ’n empiriese ondersoek te toets. ENGLISH: In a traditional context, organ tuition usually commences around the age of thirteen or fourteen. In addition to this age prerequisite, an advanced level of keyboard skills is mandatory as well as prospective students’ commensurate physical development in order for them to negotiate the dimensions of the organ console successfully. The general decline in the number of organ students in recent years at secondary and tertiary levels has given rise to an urgent review of alternate approaches to organ teaching which are more accessible to future younger organ students. Approaches that eschew advanced keyboard technique have been used in Britain, the United States of America, the Netherlands and Sweden since 1990. While these organ teaching methods are suitable for young as well as adult beginners, the Suzuki Organ Method highlighted in this study is the only approach to this date that includes manual and pedal technique and that is appropriate for younger students who may not have yet begun to read. In this study, a critical evaluation of the Suzuki Organ Method has led to the development of achievable guidelines for organ method strategies for young students. In so doing, playing the organ is made far more accessible to younger organists as well as developing in them a love for the instrument and an appreciation of its unique sound. This study further recommends that as co-ordination is one of the primary requirements for the successful study of the organ, it is easier to learn this skill at a younger age. It is possible to stem the decline in organ students by taking into account a number of factors, including the various developmental phases of the young child, appropriate adaptations in approaches to teaching, physical modifications to the instrument and the choice of teaching material. In so doing, this alternate method might contribute to a continuation of organ teaching. Ongoing empirical research will be necessary to determine the practical application of these guidelines in a South African context. / Thesis (DMus)--University of Pretoria, 2009. / Music / unrestricted

In hierdie verhandeling reflekteer ek oor my godsdiensdiskoers en die invloed daarvan op my lewe, beide as persoon en as terapeut. My werk vind 'n nis in die wyse waarop dit die 'stil, onsigbare mensa' benader wie se stories gevorm is deur diskoerse van die modemistiese samelewing. In my navorsing kry ek te doen met problema wat in die algemeen met die praktyke van marginalisering geassosieer word. Die narratiewe gesprekvoering met 'medeskrywers' aan my storie en interaksie met hulle verskillende horisonne kristalliseer in 'n bevrydende en veelvlakkige insig. Hierdie kennis stel my in staat om nuwe keuses te maak en 'n alternatiewe storie vir myself te formuleer. Die studie illustreer dus nie net hoe narratiewe terapie die 'stil, onsigbare' produkte van 'n paternalistiese samelewing kan bemagtig nie. Dit wys ook op die waarde van die oopstelling van die terapeut se eie verhaal vir sy/haar vorming as terapeut. / In this dissertation I reflect on my religious discourse, its influence on my life and how it affects me, both as a person and a therapist. It addresses a niche in its approach to the 'silent, invisible people' whose stories are authored by the discourses of a modernistic society. My research stumbles on all kinds of problems that are generally associated with the practices of marginalisation. Acting as both client and therapist, I enter into numerous interactive conversational sessions with 'co-authors' of my story, afJ with different contexts and horizons. This process crystallises in a liberating and multi-faceted truth. The newly gained knowledge enables me to make new choices and formulate tor myself an alternative story. This study illustrates not only how narrative practices may empower the 'silent, invisible' products of a patemalistic society. It also shows how therapists may benefit from the deconstruction of their own story in both a personal and professional way. / Practical Theology / M. Th. (Pastoral Theology)

Text in Afrikaans / Om te luister na mense se verhale is om iets van hulle belewinge en singewing te probeer verstaan. Staatkundige verandering in Suid-Afrika. het die arbeidsposisie van veral die wit werker in onsekerheid geplaas. Saam met die internasionale gemeenskap kan gevolglik gese word: Daar bestaan nie meer iets soos werksekerheid nie. In hierdie studie skets drie wit Afrikanermans en hulle vrouens die invloed en gevolge van onverwagse uitdienstrede op hulself en hul gesinslewe. As gevolg van onsekerheid in die werksituasie het deelnemers bestaande sosiale- en geloofsdiskoerse bevraagteken. Deurdat die deelnemers egter hulle verhale in die teenwoordigheid van persone te midde van dieselfde omstandighede vertel het, kon hulle kom tot die ko-konstruering van betekenis en die skep van alternatiewe verhale. / To listen to the stories of people, is to comprehend something of their experiences and the meaning they apply to it. Political change in South Africa placed the vocational position of especially the white Afrikaner worker in an uncertain position. Together with the international community it can now be said: There is no longer such a thing as job security. In this study three white Afrikaner men and their spouses depict the influence and results of unexpected retirement on themselves and their families. Uncertainty in the job-situation led to the questioning of existing social and faith discourses. By telling their stories in the presence of people amid the same circumstances, participants were however able to co-construct meaning and create alternative stories. / Philosophy, Practical & Systematic Theology / M. Th. (Practical Theology)

In hierdie verhandeling reflekteer ek oor my godsdiensdiskoers en die invloed daarvan op my lewe, beide as persoon en as terapeut. My werk vind 'n nis in die wyse waarop dit die 'stil, onsigbare mensa' benader wie se stories gevorm is deur diskoerse van die modemistiese samelewing. In my navorsing kry ek te doen met problema wat in die algemeen met die praktyke van marginalisering geassosieer word. Die narratiewe gesprekvoering met 'medeskrywers' aan my storie en interaksie met hulle verskillende horisonne kristalliseer in 'n bevrydende en veelvlakkige insig. Hierdie kennis stel my in staat om nuwe keuses te maak en 'n alternatiewe storie vir myself te formuleer. Die studie illustreer dus nie net hoe narratiewe terapie die 'stil, onsigbare' produkte van 'n paternalistiese samelewing kan bemagtig nie. Dit wys ook op die waarde van die oopstelling van die terapeut se eie verhaal vir sy/haar vorming as terapeut. / In this dissertation I reflect on my religious discourse, its influence on my life and how it affects me, both as a person and a therapist. It addresses a niche in its approach to the 'silent, invisible people' whose stories are authored by the discourses of a modernistic society. My research stumbles on all kinds of problems that are generally associated with the practices of marginalisation. Acting as both client and therapist, I enter into numerous interactive conversational sessions with 'co-authors' of my story, afJ with different contexts and horizons. This process crystallises in a liberating and multi-faceted truth. The newly gained knowledge enables me to make new choices and formulate tor myself an alternative story. This study illustrates not only how narrative practices may empower the 'silent, invisible' products of a patemalistic society. It also shows how therapists may benefit from the deconstruction of their own story in both a personal and professional way. / Philosophy, Practical and Systematic Theology / M. Th. (Pastoral Theology)

Text in Afrikaans / Om te luister na mense se verhale is om iets van hulle belewinge en singewing te probeer verstaan. Staatkundige verandering in Suid-Afrika. het die arbeidsposisie van veral die wit werker in onsekerheid geplaas. Saam met die internasionale gemeenskap kan gevolglik gese word: Daar bestaan nie meer iets soos werksekerheid nie. In hierdie studie skets drie wit Afrikanermans en hulle vrouens die invloed en gevolge van onverwagse uitdienstrede op hulself en hul gesinslewe. As gevolg van onsekerheid in die werksituasie het deelnemers bestaande sosiale- en geloofsdiskoerse bevraagteken. Deurdat die deelnemers egter hulle verhale in die teenwoordigheid van persone te midde van dieselfde omstandighede vertel het, kon hulle kom tot die ko-konstruering van betekenis en die skep van alternatiewe verhale. / To listen to the stories of people, is to comprehend something of their experiences and the meaning they apply to it. Political change in South Africa placed the vocational position of especially the white Afrikaner worker in an uncertain position. Together with the international community it can now be said: There is no longer such a thing as job security. In this study three white Afrikaner men and their spouses depict the influence and results of unexpected retirement on themselves and their families. Uncertainty in the job-situation led to the questioning of existing social and faith discourses. By telling their stories in the presence of people amid the same circumstances, participants were however able to co-construct meaning and create alternative stories. / Philosophy, Practical and Systematic Theology / M. Th. (Practical Theology)

The purpose of this dissertation is to assess digital geo-referenced information and standards for exchanging such information, especially the South African National Exchange Standard (NES). The process of setting up a standard is exacting. On the one hand, the process demands a thorough scrutiny and analysis of the objects to be standardised and of all related concepts. This is a prerequisite for ensuring that there is unanimity about their meaning and inter-relationships. On the other hand, the process requires that the standard itself be enunciated as succinctly, comprehensibly and precisely as possible. This dissertation addresses both these facets of the standards process in the context of standards for exchanging digital geo-referenced information. The dissertation begins with an analysis of geo-referenced information in general, including digital geo-referenced information. In chapters 2 and 3, the various aspects of such information are scrutinised and evaluated in more detail. The examination of concepts is backed up by a comprehensive Glossary of terms in the domain under discussion. Chapter 4 examines the nature of standards. It also proposes a novel way to approach a standard for the exchange of digital geo-referenced information: namely, that it can be viewed as a language and can accordingly be specified by a grammar. To illustrate the proposal, NES is fully specified, using the Extended Backus-Naur Form notation, in an Appendix. Apart from the advantages of being a succinct and precise formal specification, the approach also lends itself to deploying standard tools such as Lex and yacc for conformance testing and for developing interfaces to NES, as illustrated in a second appendix. As a final theme of the dissertation, an evaluation of such standards is provided. Other standards that have been proposed elsewhere for purposes similar to that of NES are surveyed in chapter 5. In chapter 6, features of NES are highlighted, including the fact that it takes a relational approach. Chapter 7 concludes the dissertation, summarising the work to date, and looking ahead to future work. AFRIKAANS : Die doel van hierdie verhandling is om versyferde geo-verwysde inligting en standaarde vir die uitruil van sulke inligting te ondersoek, met spesifieke verwysing na die Suid- Afrikaanse Nasionale Uitruilstandaard (NES). Die proses om ’n standaard op te stel is veeleisend. Aan die een kant vereis die proses ’n volledige bestudering en ontleding van die objekte wat gestandaardiseer gaan word, asook van al die verwante konsepte. Hierdie is ’n voorvereiste om te verseker dat daar oor hul betekenisse en onderlinge verwantskappe eenstemmigheid bestaan. Aan die ander kant vereis die proses dat die standaard so kernagtig, volledig en presies moontlik gestel moet word. Hierdie verhandeling spreek beide hierdie fasette van die standaardiseringsproses aan, en wel in die konteks van standaarde vir die uitruil van versyferde geo-verwysde inligting. Dié verhandling begin met ’n oorhoofse analise van geo-verwysde inligting, insluitend versyferde geo-verwysde inligting. In hoofstukke 2 en 3 word verskeie aspekte van dié inligting in meer detail ondersoek en geëvalueer. Hierdie ondersoek van konsepte word deur ’n omvattende woordelys van terme in die veld onder bespreking gesteun. Hoofstuk 4 ondersoek die aard van standaarde. Dit stel ook ’n nuwe manier voor om ’n standaard vir die uitruil van versyferde geo-verwysde inligting te benader, naamlik dat dit as ’n taal beskou kan word, en dat dit gevolglik deur middel van ’n grammatika gespesifiseer kan word. Om die voorstel te illustreer, word NES volledig in ’n aanhangsel deur middel van die Uitgebreide Backus-Naur Vorm notasie gespesifiseer. Afgesien van die voordeel van ’n kernagtige en presiese formele spesifikasie, ondersteun die benadering ook standaardgereedskap soos Lex en yacc wat vir konformeringstoetsing en vir NES koppelvlakke gebruik kan word, soos in ’n tweede aanhangsel illustreer word. As ’n finale tema van die verhandeling word ’n evaluasie van tersaaklike standaarde voorsien. Standaarde wat elders vir soortgelyke doeleindes aan dié van NES voorgestel is, word oorsigtelik in hoofstuk 5 beskou. In hoofstuk 6 word kenmerkende eienskappe van NES uitgelig, insluitend die feit dat dit op ’n relasionele benadering gebaseer is. Hoofstuk 7 sluit die verhandeling af met ’n opsomming van werk tot op datum en ’n blik op toekomstige werk. / Dissertation (MSc)--University of Pretoria, 1993. / Computer Science / unrestricted

This study focuses on the following schizophrenic related elements to be found in the postmodern society and to be represented in selected contemporary video artworks: 1) creation of an alternative world and 2) disturbance in meaning. To confirm that the creation of an alternative world and disturbance in meaning is present in postmodern society, the following elements are investigated as symptoms of schizophrenia and characteristics present in contemporary society: 1) fragmentation, 2) withdrawal from reality, 3) misinterpretation of memories and 3) the creation of 'word salad'. In order to draw a parallel between schizophrenia and the postmodern society, the postmodern theories of Simon Gottschalk, Fredric Jameson, Kenneth Gergen, Jean Baudrillard, Andreas Huyssen, Gilles Deleuze en Paul Virilio as well as the medical studies involving schizophrenia by the Schizophrenia Foundation of South Africa, the University of Iowa se Department of Healthcare and D Sue, DW Sue en S Sue are used. In both conditions of schizophrenia and postmodern society, reality and meaning are altered. This study concludes that schizophrenic related elements are present in the postmodern society and therefore these elements are represented in the selected video artworks of the artists Eija-Liisa Ahtila and myself.AFRIKAANS : Hierdie studie fokus op die skisofrenie-verwante elemente wat voorkom in die postmoderne samelewing naamlik: 1) alternatiewe wêreldskepping en 2) versteuring in betekenisgewing en wat uitgebeeld word in geselekteerde kontemporêre videokunswerke. Fragmentering, onttrekking van realiteit, waninterpretasie van herinneringe en die skepping van 'woordslaai' word as simptome van skisofrenie en as kenmerkende eienskappe in die postmoderne samelewing ondersoek om die argument te versterk dat alternatiewe wêreldskepping en versteuring in betekenisgewing teenwoordig is in die postmoderne samelewing. Die postmoderne teorieë van Simon Gottschalk, Fredric Jameson, Kenneth Gergen, Jean Baudrillard, Andreas Huyssen, Gilles Deleuze en Paul Virilio sowel as die mediese studies deur die Schizophrenia Foundation of South Africa, die University of Iowa se Department of Healthcare en D Sue, DW Sue en S Sue aangaande skisofrenie, word gebruik om parallelle tussen die postmoderne samelewing en die mediese toestand van skisofrenie in hierdie studie te trek. Daar word vasgestel dat realiteit en betekenis in beide toestande van skisofrenie en die postmoderne samelewing verbuig en hervorm word. Die gevolgtrekking van hierdie studie is dat skisofrenie-verwante elemente wel voorkom in die kontemporêre samelewing en dus uitgebeeld word in die geselekteerde videokunswerke van die kunstenaars Eija-Liisa Ahtila en myself. / Dissertation (MA)--University of Pretoria, 2006. / Visual Arts / unrestricted

Hierdie proefskrif bied ʼn nie-empiriese ondersoek en ʼn konseptuele analise van die verhouding tussen ruimte en identiteit in Eben Venter (1954-) se oeuvre binne die konteks van ballingskapliteratuur die postkoloniale diskoers. Die manifestasie van die ruimte- identiteitdialektiek, soos wat dit uitgebeeld word in Venter se skryfkuns, word beskryf aan die hand van postkoloniale teorieë en insigte wat verband hou met aspekte soos ruimte, plek, ballingskap, diaspora, ruimtelike verplasing, seksuele migrasie, intra-nasionale migrasie, internasionale migrasie, empiriese en kulturele landskappe, identiteit as sosio-kulturele konstruksie en Suid-Afrikaanse outobiografieë. Vir die doel van hierdie ondersoek is die volgende vertellings geselekteer: Ek stamel ek sterwe (1996), Twaalf (2000), Horrelpoot(2006) en Brouhaha (2010). In ʼn tydsgewrig van grootskaalse migrasie, globale onsekerheid, transnasionale kapitalisme en radikale dekolonisering in die vorm van geweldsmisdaad, gewelddadige betogings by universiteite, plaasmoorde, grondhervorming, haatspraak, arbeidsonrus, xenofobie en die aftakeling van minderheidsregte, sny Venter in sy verhale en outobiografie ʼn verskeidenheid van kwessies aan. Dit sluit in: die naweë van apartheid, die Afrikaner-diaspora, grondeienaarskap, die ideologiese toeëiening van grond, rassisme, homofobie, queer-migrasie, die haalbaarheid van ʼn inklusiewe Afrika-identiteit en die veranderde rol, plek en identiteit van Afrikaners sedert 1994. Die outobiografiese inslag van Venter se skryfkuns is opvallend en word bespreek deur te verwys na die verhouding tussen fiksionele en reële ruimtes en na outobiografie as hibridiese genre en kreatiewe projek. Hierdie studie bied ook ʼn krities-analitiese besinning van Venter se bemoeienis met skryftemas soos selfopgelegde ballingskap, die vervreemding tussen plek en self, globale plekloosheid en “exile as a discontinous state of being” (Said 2000: 177). Een van die belangrikste insigte wat Venter in sy skryfkuns demonstreer, is dat ruimte, soos identiteit, nie ʼn essensialistiese konsep is nie, maar ’n onvoltooide en vloeibare konstruksie wat voortdurend verander na gelang van sosio-politieke ingrepe, internasionale migrasiepatrone en die individu se subjektiewe gewaarwording van plekke, / This dissertation presents a non-empirical and a conceptual analysis of the relationship between space and identity in the works of prose of Eben Venter (1954) within the context of the postcolonial discourse and exile literature. The manifestation of the space-identity dialectic, as portrayed in Venter’s writing, is described on the basis of postcolonial theories and insights related to terms and concepts like space, place, exile, diaspora, spatial displacement, sexual migration, intra-national migration, international migration, empirical and cultural landscapes and identity as a social-cultural construction. For the purpose of this study the following narratives were selected: Ek stamel ek sterwe (1996), Twaalf (2000), Horrelpoot en Brouhaha (2010). At a juncture of mass migration, global uncertainty, transnational capitalism and radical decolonization in the form of violent crime, violent protests at universities, hate speech, farm murders, land reform, labour unrest, xenophobia and the dismantling of minority rights, Venter addresses an assortment of social issues. This include: the aftermath of apartheid, the Afrikaner-diaspora, landownership, the ideological appropriation of land, racism, homophobia, queer-migration, the viability of an inclusive African-identity and the altered role, place and identity of Afrikaners since 1994. The autobiographical element is evident in Venter’s writing and is discussed by referring to the relationship between fictional and real spaces and to autobiography as a hybrid genre and creative project. This study also presents a critical-analytical reflection of Venter’s involvement with writing topics such as self-imposed exile, estrangement between place and self, global displacement/non-belongingness and “exile as a discontinuous state of being” (Said: 2000: 177). One of the key insights Venter demonstrates in his writing, is that space, like identity, is not an essentialist concept, but an incomplete and diffuse construction that is constantly changing depending on socio-political interventions, international migration patterns and the individual's subjective perception of places. / Afrikaans and Theory of Literature / D. Litt. et Phil. (Afrikaans)