Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-13T14:07:49Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Edmilson Ferreira Marques - 2014.pdf: 5396809 bytes, checksum: 47e85b54d7aec93c4b9050dbd4e8a2b8 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-13T14:08:26Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Edmilson Ferreira Marques - 2014.pdf: 5396809 bytes, checksum: 47e85b54d7aec93c4b9050dbd4e8a2b8 (MD5) / Made available in DSpace on 2015-01-13T14:08:26Z (GMT). No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Edmilson Ferreira Marques - 2014.pdf: 5396809 bytes, checksum: 47e85b54d7aec93c4b9050dbd4e8a2b8 (MD5) Previous issue date: 2014-09-08 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / With this research I propose to present a history of radio in Goiás between 1950 and 1964. This is actually the study I conducted of 19 stations in eleven city of this state. The documentation that I had access led me to pursue a matter that has emerged since the first sources I have taken in hand, namely that this story takes shape as an expression of radio rationalization that period. Divide the survey into four chapters, structured according to this prerogative. In each elaborated topics to discuss the themes that emerged in the course of the study. The basic question to be highlighted was the process of overcoming the professionalism of amateurism. This was an ambiguity that arose as a backdrop and the thesis has come to completion. / Com esta pesquisa me proponho a apresentar a história do rádio em Goiás entre 1950 e 1964. Trata-se na verdade, de um estudo sobre 19 emissoras em onze cidades deste Estado. A documentação que tive acesso me levou a perseguir uma questão que emergiu desde as primeiras fontes que tomei em mãos, ou seja, a de que esta história se configura como expressão da racionalização radiofônica naquele período. Dividi a pesquisa em quatro capítulos, estruturados de acordo com essa prerrogativa. Em cada um elaborei tópicos para discutir as temáticas que emergiram no percurso da pesquisa. A questão elementar que se evidenciou foi o processo de superação do amadorismo pelo profissionalismo. Essa foi uma dubiedade que se colocou como pano de fundo e percorreu a tese até a conclusão.

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The purpose of this study was to increase knowledge about the experiences of adult amateur string players. Through narrative inquiry, this study presents the unique stories of two amateur string players who have sustained their active music-making throughout their adult lives. Leaders in music education have promised lifelong music-making and touted it as a benefit of supporting music in schools. This promise is part of vision statements, symposia, advocacy efforts, and guiding documents for the last century. Yet, the most common outcome for students who participate in school music programs is that they quit before they graduate high school, or soon afterward. The idea of school music segueing into lifetime music-making for large numbers of students remains an aspiration and not the outcome. I used narrative inquiry to explore and present the stories of these two players. Their experiences are unique, and it is not appropriate to generalize their narratives to others. However, I hope that by closely examining the experiences they considered impactful in their lives as music students and amateur musicians, music educators can better understand the ways their teaching practices might lead to students' enjoyment of music-making past their student years. Implications for practicing music teachers and future research are discussed.

No description available.

No description available.

Cette recherche vise à comprendre de quelle manière le dispositif de la web-série autoproduite crée une interdépendance entre créateurs et communautés de spectateurs. Elle se fonde sur l’analyse des commentaires et des interactions relevés sur les plateformes de diffusion d’un corpus de web-séries françaises, relevant de la science-fiction, du fantastique ou de l’heroic fantasy. Les web-séries font partie intégrante d’un champ de création sur le web qui ne cesse de s’élargir. Depuis plus de dix ans, elles ont bâti des univers fictionnels qui ont su fédérer des communautés de spectateurs. Pourtant, leur réalisation est encore loin d’être évidente et leur parcours de production souvent jalonné de difficultés, principalement financières. Nombreuses sont les équipes qui choisissent, volontairement ou à défaut, le circuit de l’autoproduction, que leurs membres soient des professionnels de l’audiovisuel ou des amateurs. Les communautés que parviennent à former et à mobiliser certaines web-séries deviennent alors les rouages indispensables d’un dispositif qui repose sur la visibilité et l’interaction pour exister. Elles possèdent une valeur aussi symbolique que matérielle, et leur engagement est déterminant dans la viabilité de l’objet. Les échanges des communautés sur les différentes plateformes où existent les web-séries, témoignent d’une véritable appropriation de celles-ci et sont marqués par un rapport de proximité avec leurs créateurs. Ainsi, les actions produites par ces communautés tendent à façonner l’image et l’identité de l’objet autour duquel elles se mobilisent dans une perspective collaborative, autant que le dispositif de la web-série conditionne leurs activités. / This research aims to understand how the device of the self-produced web-series is generating interdependence between creators and communities of spectators. It is based on the analysis of the comments and the interactions recorded on the platforms of diffusion of a corpus of French web-series, all belonging to sci-fi, fantastic or heroic fantaisy fields. Web-series are part of a web creative field, which constantly grows. For more than a decade, they have built fictionnal universes that were able to federate communities of spectators and lived beyond the web. Yet, their making is still far from easy and their production path is often marked with difficulties, mainly financial. A lot of crews choose, volontarily or not, a self-produced system, wether their members are audiovisual professionals or amateurs. The communities that managed to form and to mobilize certain web-series then become the essential cogs of a device that relies on visibility and interaction to exist. These communities possess a value as symbolic as material, and their commitment is decisive in the viability of the object. The exchanges of communities on the different platforms where the web-series exist show a real appropriation of these and are marked by a relation of closeness with their creators. Thus, the actions produced by these communities tend to shape the image and the identity of the object around which they unite, in a collaborative perspective, as much as the device of the web-series conditions their activities.

Esta pesquisa apresenta a trajetória de um clube de futebol de várzea, a Associação Atlética Anhanguera, entre o ano de sua fundação (1928) e o final da década de 1930, período de grandes transformações no futebol e na cidade de São Paulo. A investigação recorreu a fontes de imprensa e a documentos internos ao Anhanguera, sobretudo atas e entrevistas com associados veteranos para analisar a forma pela qual a associação de ítalo-brasileiros, situada à margem da cidade e do universo oficial do futebol, apropriouse da novidade que representava esse esporte. Um rico repertório de práticas culturais, como a intensa e criativa vida associativa do bairro, figurou como a base para essa apropriação. Esse mesmo repertório acabou por circular para além dos limites espaciais e simbólicos que a cidade impunha aos varzeanos. O tratamento dado ao futebol de várzea pelo periódico A Gazeta Esportiva, vinculando-o, aos poucos, a uma nova imagem de amadorismo, é um exemplo da ampliação desses limites. / This research features the trajectory of Anhanguera Athletic Association, a floodplain (várzea) soccer club, starting from its founding year (1928) and going up to the end of 1930s, a period of intense changes in soccer practices as well as in urban life in São Paulo. Its establishment and organization, in a suburban district of São Paulo, as an amateur soccer association formed mostly by Italian-Brazilians, are described and analyzed having as resources the internal documents of Anhanguera Association especially the records of meetings and senior associates testimonies , news from the press and data concerning immigration and the city process of urbanization. The practice of soccer was rooted in an intense and creative associative form of living, linked to other common leisure activities. The research also shows how the relationship between the club and the press led to a new image of amateur soccer practice, expanding the limits of its cultural experience in the city.

Two images of British India persist in the modern imagination: first, an eighteenth-century world of incipient multiculturalism, of sexual adventure amidst the hazy smoke of hookah pipes; and second, the grandiose imperialism of the Victorian Raj, its vast public buildings and stiff upper lip. No art historian has focused on the intervening decades, however, or considered how the earlier period transitioned into the later. In contrast, Art in India's 'Age of Reform' sets out to develop a distinct historical identity for the decades between the Charter Act of 1813 and the 1858 Government of India Act, arguing that the art produced during this period was implicated in the political process by which the conquests of a trading venture were legislated and 'reformed' to become the colonial possessions of the British Nation. Over two parts, each comprised of two chapters, two overlooked media are connected to 'reforms' that have traditionally been understood as atrophying artistic production in the subcontinent. Part I relates amateur practice to the reform of the Company's civil establishment, using an extensive archive associated with the celebrated amateur Sir Charles D'Oyly (1781-1845) and an art society that he established called the Behar School of Athens (est.1824). It argues that rather than citing the Company's increasing bureaucratisation as the cause of a decline in fine art patronage, it is crucial instead to recognise how amateur practice shaped this bureaucracy's collective identity and ethos. Part II connects the production and consumption of illustrated print culture to the demographic shifts that occurred as a result of the repeal of the Company's monopolistic privileges in 1813 and 1833, focusing specifically on several costume albums published by artists such as John Gantz (1772-1853) and Colesworthy Grant (1813-1880). In doing so, it reveals how print culture provided cultural capital to a transnational middle class developing across the early-Victorian Empire of free trade. Throughout each chapter, the gradual undermining of the East India Company's sovereignty by a centralising British State is framed as a prerequisite to the emergence of the nation-state as the fundamental category of modern social and political organisation. Art in India's 'Age of Reform' therefore seeks not only to uncover the work and biographies of several unstudied artists in nineteenth-century India, but reveals the significance of this overlooked art history to both the development of the modern British State, and the consequent demise of alternative forms of political corporation.

This is a dissertation on organization in Swedish ice hockey based on four articles. The purpose of the thesis is to contribute knowledge on the direction, management and practice of sport using Swedish elite ice hockey as an example. Knowledge is created by examining four separate but mutually contingent aspects of organizations. Article I contributes to the overall purpose with knowledge on the professionalization of Swedish ice hockey, the reasons behind and the consequences of it. Focusing on the timeframe 1967-2000 the article highlights how norms, values and ideals changed over time and contributed to a change from ice hockey as an amateur sport based on idealistic motives and volunteer efforts to a professional sport based on entertainment and commercial forces. Article II contributes knowledge on the structural organization of Swedish elite ice hockey clubs and contributing factors. The article compares eleven elite ice hockey clubs and shows how they vary in relation to each other from low to high specialization, standardization and centralization but also how they present many similar characteristics such as organizational form, subsidiary businesses, cooperation with farm clubs and upper secondary schools, types of employments and division of workload. Article III contributes with knowledge on how organizational structures are experienced by individuals working or volunteering in the clubs. Comparing experiences in two structurally different clubs, the article shows how more developed structures are experienced more positively than less developed structures are. However, both groups agree that more developed structures are desirable and they also have similar opinions on issues concerning formal education and training, the elite program vs. the youth program, strategic vs. operative tasks and personal freedom. Article IV contributes knowledge on how experiences of mentioned structures are affected by remuneration, authority and centrality. Exploring four positions differing from each other with regard to hierarchical position, distance to the club’s core activities and payment, the article shows that individual experiences of organizational structure vary depending on where in the club the individual works. This variation is shown to result in tensions between the different positions. The knowledge offered in the thesis is based on three data collections. Data have been gathered from official and unofficial documentation from and on the Swedish sports confederation, the Swedish ice hockey association and 11 clubs represented in the highest division 2000/2001, and from individuals working or volunteering in these clubs as board members, general managers, marketing assistants, coaches, volunteers in the youth programs and arena personnel. The studies are carried out within an institutional theory framework and the analysis of the results taken together shows how the structures in elite ice hockey clubs are affected by surrounding environment and societal environments. Norms and ideals concerning legitimate ways of organizing are mediated by authorities, educational establishments, trade organizations and successful models in neighbouring industries. These norms and ideals have changed as new actors such as television networks, commercial sponsors and employed staff have entered ice hockey and as the roles of the government, the associations, the coaches and the players have changed. These ongoing changes are combining to a new context and new circumstances for the direction, management and practice of Swedish ice hockey.

This work develops an opportunity for transgressive resistance to discursively formed structures of material and theoretical power and closure, based on a methodology of amateurism. The concept of amateurism draws heavily on the writing of Edward Said. This work synthesises Said with a broader corpus of postcolonial theory, following a theoretically postcolonial trajectory which applies the lessons from that referent to an engagement with traditional theoretical and cultural closure. The central thesis of the engagement follows a critique of strong ontology and vertical epistemology, or of expertise. Through an examination of health policy around birth, and sociological approaches to health, that critique is deployed to invigorate a new critical direction for the Left with a focus on subjectivity, social policy, social democracy and substantive citizenship. / Thesis (Ph.D.) - University of Adelaide, School of History and Politics, 2008