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Fångna i begreppen? : Revolution, tid och politik i svensk socialistisk press 1917–1924 / Trapped in concepts? : Revolution, time and history in Swedish socialist press 1917–1924Jonsson, Karin January 2017 (has links)
This thesis studies the uses of the concept of revolution in Swedish socialist press from 1917 to 1924. Political revolution and civil wars shook several countries. The Russian February and October Revolutions were soon followed by uprisings in countries such as Germany and Finland. While the social and political history of this period, with its mass demonstrations for bread and voting rights, often called the Swedish revolution, has been covered extensively in existing research, we know much less about the theoretical understanding of revolution among Swedish socialists. This thesis examines the concept of revolution from a perspective inspired by the Begriffsgeschichte of German historian Reinhart Koselleck. This foundation in the history of concepts aims at understanding how Swedish socialists, in a wide sense, understood their own time, how they related to the past and what they expected from the future, during the years of the First World War and the immediately following years. By focusing on what might be the most central, but also the most contested and most difficult to define, concept I hope to complement earlier research focusing on the social and political history of the period and its socialist movements. The main purpose of the thesis is to analyse how the labour movement understood revolution with particular weight placed upon the theoretical and ideological tensions between revolution and reform, determinism and voluntarism and localized and universal revolution. The starting point is the political and social changes in Sweden and abroad at that time and the place of the political press as opinion leaders capable of negotiating the space of political action. A secondary aim is to discuss how focusing on temporality can inspire new perspectives on the use of conceptual history. My research shows that how the concept of revolution was used was shaped both by already established notions regarding the socialist revolution as well as by the political situation at hand. The October Revolution forced a sharpening of its meaning, wherein different factions elaborated their understanding of it in relation to each other, which in turn determined how the concept was used fom that point on.
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"Mot allt, som plågar mej, jag reagerar" : Känslorna och det proletära subjektet i Karl Östmans litterära verk / ”Against all that torments me, I react” : Feeling and the proletarian subject in the literary works of Karl ÖstmanLillhannus, Daniela January 2020 (has links)
This thesis explores the representation of emotion and feeling in the 1910’s and 1920’s fictional works of Swedish working class writer Karl Östman, against the historical background of the working class movement and its social communities. The material consists mainly of three collections of short stories (Pilgrims, A Fiddle and a Woman and Hunger) and one novel (The Broad Road). The author analyses how emotions arise and are represented, the relationship between emotion and action, the individual and collective practices of feeling, as well as the emotional reactions following suffering. Dreams of love and compassion are also addressed to investigate whether the texts point to the possibility of a new emotional community for the working class. The theoretical basis of the thesis is Barbara H. Rosenwein’s concept of ”emotional communities”, along with Sara Ahmed’s theories of emotions as patterns of action. The thesis argues that all actions in Östman’s fiction are, fundamentally, emotional reactions. To gain an understanding of capitalism and class society as the causes of oppression, Östman’s characters must first understand their own emotions from the perspective of a socialist emotional community, rather than the prevailing emotional community of working class men. Only then can their emotional response to suffering become anger and action rather than hopelessness. Östman identifies the great shame of the worker not as his vulnerable position under capitalism but as the culture of non-feeling that workers impose on one another – a change of perspective that becomes a call for action. If read attentive to the role of emotions in the text, the thesis argues, Östman’s fiction possesses an urgency and a complexity previously not accredited to him.
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