Zugl.: Halle (Saale), Univ., Diss., 2006

Zugl.: Aachen, Techn. Hochsch., Diss., 2006

Zugl.: Giessen, Univ., veränd. Diss., 2007

Ch. 1: Introduction: A Destruction without Adequate Precedent. Ch. 2: Rupture and the Holy Ideal: Redemption in the Hebrew Bible. Ch. 3: Giving the Sense: The Rise of Commentary. Ch. 4: Rabbi Eliezer’s Silence. Ch. 5: Gold and Glass: Ethical Rupture in Mystical Union? Ch. 6: Our Impossible Victory.

Diss.--Fakultät für Geschichtswissenschaft--Bochum--Ruhr-Universität, 1998. / Bibliogr. p. 344-402. Index.

The thesis generally deals with the situation of the Roma on the territory of newly formed Czechoslovakia between 1918 - 1945 on the backgroundof the particular example of the Roma settlement in Bohusoudov. The introductory part concentrates on coming of the Roma ethnicities on our territory and on circumstances of formation of the Roma settlement in Bohusoudov. The following one tries to look closer at the state of Roma population in the Czechoslovakia Republic from the point of view of legal framework, subsistence, criminality, schooling and religion. This view is complemented by circumstances in Bohusoudov. The next chapter concentrates on Roma genocide which took place in forced concentration camps in Hodonín u Kunštátu and Auschwitz II-Birkenau. The second part of the thesis contains a survey among contemporary inhabitants of neighbouring villages which tries to find out knowledge of history and life of the perished Roma community in Bohusoudov. The enclosure of the thesis offers a set of preserved texts from Bohusoudov and a nominal list of victims from the settlement.

Beckett donne à la littérature du XXe siècle, suite au traumatisme langagier induit par Auschwitz, une dimension nouvelle, en plaçant au cœur du texte un silence profondément positif, moteur, centre et point de départ de tout événement. Dès lors, le silence devient élément structurant, constructeur. La dialectique traditionnelle entre silence et parole est donc repensée, et les limites entre ces deux instances, gommées. Le silence forge alors une tension palpable, creusant le texte ainsi soumis à un devenir. Or dans l’esthétique beckettienne, la tension devient le socle de l’identité : l’être se constitue en sujet du fait de la tension qui le traverse. Mu par une poussée désirante, le sujet se tient à la limite mais résiste encore au processus de disparition qui l’assaille. / Following the linguistic trauma induced by Auschwitz, Beckett gives to twentieth-century literature a new dimension, placing at the heart of his text a silence that is profoundly positive, motivating, and which serves as the center and point of departure for every event. From this point forward, silence becomes constructive, taking its place as a structuring element. The traditional dialectic between silence and speech is thus rethought, as the limit between these two poles is rubbed away. Silence forges a palpable tension that digs within a text in the process of becoming. Yet, in the Beckettian aesthetic, tension becomes the base of identity: being constitutes itself as a subject because of the tension that traverses it. Impelled by desire, the subject teeters at its limit, yet continues to resist the threat of disappearance that plagues it.

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