The diploma thesis consists of two parts, the theoretic part and practical part. Theoretic part is focused on terms of unique mental dificiencies of learning and discalculation, ways and methods of solutions word problems. The aim of the practical part is finding influence of terms of unique mental dificiencies of learning on succesfull solution of word problems at students of basic school. The enclosure contains a few worksheets, which can be used to reeducation of difficuilties.

FERREIRA, Miquéias Gomes. O ensino de música no município de Sobral: levantamento sobre a implementação da música na disciplina de artes dentro do currículo escolar. 2016. 115f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação Profissional em Artes, Fortaleza (CE), 2016. / Submitted by Gustavo Daher (gdaherufc@hotmail.com) on 2016-11-14T13:14:59Z No. of bitstreams: 1 2016_dis_mgferreira.pdf: 2779295 bytes, checksum: 48a734a836df60eac9b05b3ba3f48bb0 (MD5) / Approved for entry into archive by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2016-11-14T13:33:29Z (GMT) No. of bitstreams: 1 2016_dis_mgferreira.pdf: 2779295 bytes, checksum: 48a734a836df60eac9b05b3ba3f48bb0 (MD5) / Made available in DSpace on 2016-11-14T13:33:29Z (GMT). No. of bitstreams: 1 2016_dis_mgferreira.pdf: 2779295 bytes, checksum: 48a734a836df60eac9b05b3ba3f48bb0 (MD5) Previous issue date: 2016 / This Master research aim to know the implementation of the Musical Education in the Arts classes within the Municipality Education System of Sobral, a city in the interior of Ceará. According the guidelines of the Laws N° 9.394/96 and 11.769/2008, the Municipal Education, installed in 2014, the teaching of arts within the school core curriculum, and music is one of the modalities offered to elementary school students end, 6° to 9° year. The main objective of this research is to survey of these musical incursions in the school, rising if in the municipality of Sobral actually has Arts classes in the core curriculum and consequently if contemplate the music content. The investigation also possibiliting to know how has been the access of these classes by the students, if the teachers have capacity and/or abilities for the teaching of this artistic language, among other character, in other words, to describe how happening the process of teaching and learning of the musical contents on arts discipline. To this, will be utilized a proper protocol of investigation of the survey research (FOWLER, 2011), that will utilize as a data collection a questionnaire to be applied to the arts teachers. This analysis shows that the specific formation of the teachers is little significance, the structure isn’t satisfactory, not all the schools have the musical teaching, presenting thus problems to the Musical Education on Municipal. / Essa pesquisa de mestrado tem como intuito conhecer a implementação da música nas aulas de Artes na Rede Municipal de Educação de Sobral, cidade localizada no interior do Ceará. Atendendo as diretrizes das Leis nº 9.394/96 e 11.769/2008, a Secretaria Municipal de Educação instaura em 2014 o ensino de Artes dentro do currículo básico escolar e música é uma das modalidades oferecidas aos alunos do ensino fundamental final, do 6º ao 9º ano. O objetivo principal dessa investigação é fazer um levantamento destas incursões musicais na escola, averiguando se no município de Sobral realmente têm aulas de Artes no currículo e, consequentemente, se contempla o conteúdo Música. A investigação permite também conhecer como está sendo o acesso dessas aulas pelos estudantes, se os professores têm competências e/ou habilidades para o ensino desta linguagem artística, dentre outras características, ou seja, descrever como se dá o processo de ensino e aprendizagem dos conteúdos musicais na disciplina de Artes. Para isso, será utilizado um protocolo de investigação próprio da Pesquisa de Levantamento (FOWLER, 2011), que utilizará como coleta de dados um questionário a ser aplicado junto aos professores de Artes. Esta análise mostra que a formação específica dos professores é pouco significativa, a estrutura não é satisfatória e nem todas as escolas têm o ensino de música, apresentando assim problemas para Educação Musical no município.

Occurrence of Child Abuse and Neglect (CAN) has recently become quite frequent. Even though the number of experts dealing with this issue is increasing and there is a lot of professional literature available, the numbers of children abused and neglected are on increase. Traumas and pathological behaviour, which children experience in their families, are often carried over to adulthood and new families in the form of behavioural patterns. Basic school teachers, who spend substantial part of the day with children in the classes, play an important role not only in prevention, but also in detecting CAN cases. The objective of the diploma thesis was to observe the level of awareness among teachers regarding CAN and related issues and to find out whether they know what to do in case a child is suspected of being abused or neglected. Also, it was aimed at learning whether the awareness is influenced by microregion the teachers live in and respondents? age. The hypotheses were established to observe whether the teachers of basic schools in Jindřichův Hradec have better awareness of the issues relating to CAN than the teachers of basic schools in Třeboň, and whether the teachers of basic schools in Jindřichův Hradec have better awareness of the issues relating to CAN than the teachers of basic schools in Dačice. Next hypothesis dealt with whether basic school teachers under 40 years of age demonstrate better CAN awareness than teachers above 40 years of age. A quantitative research using the method of interview and technique of questionnaire was used to verify the hypotheses. The research corpus comprised of teachers of basic schools in the microregions of Dačice, Jindřichův Hradec and Třeboň. The finite corpus comprised of 193 respondents. The teachers of basic schools in the microregion of Jindřichův Hradec did not demonstrate better awareness of the issues relating to CAN than the teachers of basic schools the microregions of Třeboň and Dačice. Also, the teachers under 40 years of age did not demonstrate better awareness of the issues at hand than the teachers above 40 years of age. Analysis of the outcomes retrieved from the performed research did not confirm validity of the hypotheses H1, H2 and H3. The outcomes of the thesis imply that awareness of the basic school teachers, who were included in the research corpora in the given microregions, regarding the issues relating to CAN do not relate either to given microregions, where teachers work, or the age of the respondents. In general, respondents showed substantial awareness of CAN. It should be noted that CAN is very serious social problem and each society should pay proper attention to it.

My diploma thesis deals with the creation of differentiated worksheets for teaching physics on upper primary schools. It is focused specifically on optics and acoustics. The worksheets are used during the physics courses as the variety and supplement teaching in subsequent exercises at home, the development of selected key competencies, enhancing physical and logical thinking, the acquisition and consolidation of concepts and skills in the field of physics. Also in support of homework and even in extracurricular student experiments.

O objetivo desta pesquisa é investigar a cena contemporânea e o ensino de teatro em escolas de educação básica. O ensino das artes nos diversos níveis de educação básica, a partir da LDB 9.394/96, passou a ser consideradoárea de conhecimento e tornou-se obrigatório, colocando-o no mesmo grau de importância das demais disciplinas do currículo escolar. Sob tal aspecto, torna-se relevante inteirar-se do campo de conhecimento epistemológico das artes e nos leva a refletir sobre a sistematização de saberes articulados às concepções das práticas cênicas contemporâneas. Nesse sentido, esta pesquisa pretende trazer à luz procedimentos metodológicos e sistematização de saberes que subsidiem o ensino de teatro em escolas de educação básica em consonância à cena contemporânea. Evidenciamos, portanto, que foi realizado um estudo etnográfico de três experimentos teatrais com alunos do Ensino Médio da Escola de Aplicação da Faculdade de Educação da Universidade de São Paulo. Para delimitar um recorte da cena contemporânea, elegemos três paradigmas - espaço, coletivo e textopalavra-performance text - no sentido de tornar possível a confrontação e verificação de suas possíveis conexões com os nossos experimentos. / The aim of this research is to investigate the contemporary scene and theater education in elementary schools. The teaching of arts in different basic levels of education, from LDB 9.394 / 96, came to be considered an area of knowledge and became mandatory, placing it in the same degree of importance of other subjects of the school curriculum. Under this aspect, it becomes relevant to acquaint with the field of epistemological knowledge of arts and leads us to reflect on the systematization of articulated knowledge to the concepts of contemporary performing practices. In this sense, this research aims to highlight methodological procedures and systematization of knowledge that subsidize the theater teaching in basic education schools in accordance to the contemporary scene. We evidenced, therefore, it was conducted an ethnographic study of three theatrical experiments with high school students of the School of Application of the Faculty of Education, University of São Paulo. To define a framework of the contemporary scene, we have chosen three paradigms - space, collectivities and textword performance text in the sense of making possible the confrontation and verification of their possible connections with our experiments.

The widespread epidemic HIV/AIDS still remains a confirmed and terminal disease without any currable vaccine and therapy. The only means of protection to resist an infection and HIV spread is a patient´s education, motivation and proper prevention, whose essential tool for everybody is getting information. Especially young people are threatened by the attack of that infection, so mainly basic school should participate in the HIV/AIDS prevention. The first aim of my thesis is to find out, whether and what preventive activities are accomplished at basis schools in Pilsner Region. The research work has a qualitative character. The applied method was a questionaire which was sent and applied to 31 organizations associated in Forum of non-governmental organizations at National Comisssion for HIV/AIDS problem solving in 2006. Another applied method was the derived analysis of data and documents. The second aim of my thesis was to find out basic pupil´s knowledge about HIV/AIDS infection. A qualitative research was chosen to achieve objective results. A questionaire was a research method. 319 pupils from 8th and 9th classes created a selective group. HIV/AIDS problems are always included in some school subjects at all the basic schools. Tution of the appropriate topic is provide only by school teachers and outweighs the use of supporting preventive programmes. Increased demands on school teachers education about HIV/AIDS result from that fact. Basis school pupils have basic knowledge about HIV/AIDS infection. Most pupils acquired information about HIV/AIDS at basic schools. Pupils consider a condom to be a hundrer-per-cent protection to resist veneral diseases. Despite the knowledge of this danger pupils don´t feel threatened by HIV/AIDS infection. Results of my thesis proved that as for information handover, the prevention accomplished at basic schools is efficient. Pupils´ have information about HIV/AIDS. If they act up to them even in possible risky situations that is another question. Since it is a serious problem, it seems to be necessary to keep acting this prevention whose part should be not only the information handover, but also the action at pupil´s behaviour and their responsibility.

CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior / nÃo hà / Essa pesquisa de mestrado tem como intuito conhecer a implementaÃÃo da mÃsica nas aulas de Artes na Rede Municipal de EducaÃÃo de Sobral, cidade localizada no interior do CearÃ. Atendendo as diretrizes das Leis n 9.394/96 e 11.769/2008, a Secretaria Municipal de EducaÃÃo instaura em 2014 o ensino de Artes dentro do currÃculo bÃsico escolar e mÃsica à uma das modalidades oferecidas aos alunos do ensino fundamental final, do 6 ao 9 ano. O objetivo principal dessa investigaÃÃo à fazer um levantamento destas incursÃes musicais na escola, averiguando se no municÃpio de Sobral realmente tÃm aulas de Artes no currÃculo e, consequentemente, se contempla o conteÃdo MÃsica. A investigaÃÃo permite tambÃm conhecer como està sendo o acesso dessas aulas pelos estudantes, se os professores tÃm competÃncias e/ou habilidades para o ensino desta linguagem artÃstica, dentre outras caracterÃsticas, ou seja, descrever como se dà o processo de ensino e aprendizagem dos conteÃdos musicais na disciplina de Artes. Para isso, serà utilizado um protocolo de investigaÃÃo prÃprio da Pesquisa de Levantamento (FOWLER, 2011), que utilizarà como coleta de dados um questionÃrio a ser aplicado junto aos professores de Artes. Esta anÃlise mostra que a formaÃÃo especÃfica dos professores à pouco significativa, a estrutura nÃo à satisfatÃria e nem todas as escolas tÃm o ensino de mÃsica, apresentando assim problemas para EducaÃÃo Musical no municÃpio. / This Master research aim to know the implementation of the Musical Education in the Arts classes within the Municipality Education System of Sobral, a city in the interior of CearÃ. According the guidelines of the Laws N 9.394/96 and 11.769/2008, the Municipal Education, installed in 2014, the teaching of arts within the school core curriculum, and music is one of the modalities offered to elementary school students end, 6 to 9 year. The main objective of this research is to survey of these musical incursions in the school, rising if in the municipality of Sobral actually has Arts classes in the core curriculum and consequently if contemplate the music content. The investigation also possibiliting to know how has been the access of these classes by the students, if the teachers have capacity and/or abilities for the teaching of this artistic language, among other character, in other words, to describe how happening the process of teaching and learning of the musical contents on arts discipline. To this, will be utilized a proper protocol of investigation of the survey research (FOWLER, 2011), that will utilize as a data collection a questionnaire to be applied to the arts teachers. This analysis shows that the specific formation of the teachers is little significance, the structure isnât satisfactory, not all the schools have the musical teaching, presenting thus problems to the Musical Education on Municipal.

Submitted by Mario BC (mario@bc.ufrpe.br) on 2017-05-05T15:45:05Z No. of bitstreams: 1 Maria da Paz dos Santos Souza e Silva.pdf: 3430361 bytes, checksum: a8ccdcbc025fa1a93f54775daccf5b5f (MD5) / Made available in DSpace on 2017-05-05T15:45:05Z (GMT). No. of bitstreams: 1 Maria da Paz dos Santos Souza e Silva.pdf: 3430361 bytes, checksum: a8ccdcbc025fa1a93f54775daccf5b5f (MD5) Previous issue date: 2016-10-19 / This task has how focus to study the practices of social literacy and educational in a school of resettlement and introduce as siggestion of linking's instrument of these literacy, public the debate regimented. The motivation for this seach emerge of necessary to undestand the why studants complete the 9º grabe basic school with difficulties related field of public formal oral genres, especialy the public debate regimented, even though constant accurrence this kind textual, in the context social that part and the domain of thir genre be necessary in the struggle for maintenence of community rights, showing historial reasons, this study. It was adopted, methodology as action reseaech (THIOLLENT, 2011; TRIPP, 2005) by his participatory character, with a views to on intervention in reality and from the point of view of the methods employed, to be the one that best meets the objectives proposed research. As the theoretical uwe choose interationism discursive social, represented by Bronckart ( 2006, 2007). Guimarães e Machado (2007), Paviani ( 2011), for referenced the importance of interactions together the fellow to the learning process - apprenticeship end formation of same. Associated at conceptional of literacy and your importance in and to transcend the walls of these schools, appealed to Soares (2004), Rojo (2009), Rojo e Moura (2012), Street (2014). Also, brought the contribution of Santos (2007), BRASIL (1996), Costa e Vieira (2006), Young (2007), Ferrarezi Jr (2014) relative social functions of school under perspective of literacy and prominence. On study of respect of oral formal genres, especially the public debate regimented, adopted the Marcuschi conceptions (2007), Bakhthin (2011), Cordeiro Pinto (2015), Goulart (2005) Schneuwly and employees (2004), PCN/LP (BRASIL, 2001) and Leitão (2011). Stem from additional theoretical and diagnostic, planned and implement a didactic sequence, adapted of the pattern presented by Dolz, Noverraz and Schneuwly (2004), for the study about the public debate regimented, by having as one of the methodological goals for a analysis of results, to indicate the progress uncovered between the first and the second debate executed for this study participants. Behind the intervention was possible to prove that the students get mobilize, with more property, the verbal resources (arguments, counterarguments) and nonverval (posture, intention) for defend your arguments also to fortification of protagonist these subject. The exposed, this study signals for the pratice of systematic with the formal oral genres, with study object, for example the public debate regimented, to school, comply its function of qualify the students act socially through the linking of social literacy and school. / Este trabalho tem como foco de estudo as práticas de letramento social e escolar em uma escola de reassentamento e apresenta como sugestão de instrumento de vinculação destes letramentos, o debate regrado público. A motivação para esta pesquisa surgiu da necessidade de entender o porquê de os alunos concluírem o 9º ano do Ensino Fundamental com dificuldades relacionadas ao domínio dos gêneros orais formais públicos, especialmente o debate regrado público, mesmo sendo constante a ocorrência desse gênero textual, no contexto social de que fazem parte e o domínio deste gênero ser necessário na luta pela manutenção de direitos da comunidade, demonstrado na fundamentação histórica, deste estudo. Foi adotada, como metodologia, a pesquisa-ação (THIOLLENT, 2011; TRIPP, 2005) pelo seu caráter participativo, com vistas a uma intervenção na realidade e do ponto de vista dos métodos empregados, por ser a que melhor atende aos objetivos proposto na pesquisa. Como aporte teórico escolhemos o interacionismo sociodiscursivo, representado por Bronckart (2006; 2007), Guimarães e Machado (2007), Paviani (2011), por referendarem a importância das interações entre os sujeitos para o processo de ensino – aprendizagem e constituição dos mesmos. Concernente às concepções de letramentos e sua importância dentro e além dos muros escolares, recorremos a Soares (2004), Rojo (2009), Rojo e Moura (2012), Street (2014). Além disso, trouxemos as contribuições de Santos (2007), BRASIL (1996), Costa e Vieira (2006), Young (2007), Ferrarezi Jr (2014) relativas à função social da escola sob a perspectiva do letramento e do protagonismo. No estudo a respeito dos gêneros orais formais, especialmente o debate regrado público, adotamos as concepções de Marcuschi (2007), Bakhthin (2011), Cordeiro Pinto (2015), Goulart (2005) Schneuwly e colaboradores (2004), PCN/LP (BRASIL, 2001) e Leitão (2011). A partir do aporte teórico e do diagnóstico, planejamos e executamos uma sequência didática, adaptada do modelo apresentado por Dolz, Noverraz e Schneuwly (2004), para o estudo do gênero debate regrado público, tendo como uma das metas metodológicas para a análise dos resultados, apontar o progresso revelado entre o primeiro e o segundo debate executado pelos participantes deste estudo. Após a intervenção foi possível comprovar que os alunos conseguiram mobilizar, com mais propriedade, os recursos verbais (argumentos, contra-argumentos) e não verbais (postura, entonação) para defender seus argumentos, além do fortalecimento do protagonismo destes sujeitos. Pelo exposto, este estudo sinaliza para a prática de ações sistemáticas com os gêneros orais formais, como objetos de estudo, a exemplo do debate regrado publico, para que a escola cumpra sua função de habilitar os alunos a agirem socialmente através da vinculação do letramento social ao escolar.

Este trabalho apresenta um arcabouço conceitual para ser aplicado à formação de professores, em curso universitário de especialização (lato sensu), para o desenvolvimento de atividades no campo da linguagem e da produção audiovisual. Profissionais da Educação Básica, que compreende os nove anos do Ensino Fundamental e os três anos do Ensino Médio, representam o público preferencial dessa formação. As diretrizes aqui propostas correspondem também às oportunidades para a inserção do audiovisual na Educação Infantil, no Ensino Superior e na Educação de Jovens e Adultos. O referencial aqui estabelecido procura estar em sintonia com o atual cenário no campo da comunicação social e das artes, bem como com as diretrizes educacionais do país. A partir desse mapeamento conceitual, devidamente conectado com o desenvolvimento do audiovisual ao longo do século XX e na primeira década do século XXI, configura-se a grade de um curso de especialização voltado para a qualificação, nessa área, de profissionais egressos dos cursos de formação de professores e de gestores de educação. O resultado pode ser adaptado para dar origem a uma licenciatura em audiovisual e também, a partir do desmembramento de seus eixos, a cursos de formação pontuais oferecidos por redes de ensino ou estabelecimentos isolados. O uso do termo \"educação audiovisual\" busca traduzir compreensão mais aguda dos fenômenos que, sob efeito do que se convencionou chamar de \"convergência de meios\", de \"revolução digital\" e de \"economia do audiovisual\", geraram transformações profundas nos campos do cinema, da televisão e do vídeo, interligados nas esferas da linguagem, da produção, da difusão e da recepção. / This dissertation presents a conceptual framework to be applied to the formation of teachers, in a university course of specialization (lato sensu), for the development of activities in the field of audiovisual language and production. Professionals of Basic Education, which encompasses the nine years of Elementary School and the three years of Middle School, make up the preferential public for this formation. The directives proposed here correspond also to the opportunities for the insertion of audiovisual in Early Education, Higher Education and Adult and Youth Education. The referential established here seeks to be attuned to the current scenario in the area of social communications and arts, as well as with Brazils education directives. From that conceptual mapping, which here is connected to the development of audiovisual along the 20th Century and the first decade of the 21st Century, is configured the grid of a course of specialization directed to the qualification, in this area, of professionals from the courses of teachers and education managers formation. The results may be adapted to become the source of a teaching degree in audiovisual and also, by separating its main axes, of targeted formation courses offered in education networks or in individual establishments. The use of the term \"audiovisual education\" seeks to translate a more accurate comprehension of the phenomena that, under the effect of what has been agreed to be called media convergence, digital revolution and audiovisual economics, have generated deep changes in the fields of cinema, television and video, which are interconnected in the spheres of language, production, diffusion and reception.

Submitted by Nadir Basilio (nadirsb@uninove.br) on 2018-03-06T18:53:57Z No. of bitstreams: 1 Ricardo Stefanelli.pdf: 3095071 bytes, checksum: 77cc9875e2c119c6eb0f2289503a6d7d (MD5) / Made available in DSpace on 2018-03-06T18:53:57Z (GMT). No. of bitstreams: 1 Ricardo Stefanelli.pdf: 3095071 bytes, checksum: 77cc9875e2c119c6eb0f2289503a6d7d (MD5) Previous issue date: 2017-12-19 / The objective of this research is to analyze the theoretical and methodological foundations that support pedagogical practices present in the teaching and learning with basic school developed audiovisual, highlighting your condition of active and collaborative method in which explicit theoretically the connectivity and dodiscencia category, as manifested in the theorizing of freiriana base. Methodologically, documentary analysis was performed of the legal provisions on the teaching of the curriculum components of the field of Arts, Communication and Technologies present in the guidelines and Bases for national education (LDBEN 9394/96) and in your subsequent amendment by law nº 13,006, 2014; 9795/99 and 12,603, 2012, besides the PCNs and DCNs on the same components; literature review was made about teaching with audiovisual use in education, particularly for parsing the areas of Art-Education and Educommunication relevant just because they're theorizing considered in structuring of curriculum documents; data was collected through in-depth interviews with the following subjects: three students who attended the course of audiovisual projects in high school; three teachers from Brasilia that also utilize audiovisual in their lessons and a teacher of Belo Horizonte; besides an epistemological circle with 23 students, between 11 to 18 years of age, three State and one federal public schools. It was sought, in the interviews and epistemological circle, the subjects theoretical understanding of their teaching-learning practices with audiovisual was sought, and later, to analyze the statements through the technique of Categorical Analysis, oriented by the categories-synthesis, connectivity and dodiscence, based on the theorizations of authors affiliated with the Frerian pedagogical tradition, in comparison with the theoretical production resulting from the bibliographical revision on teaching using audiovisual. The main conclusion of the study is that teachers and students understand their pedagogical practices with audiovisual as a result of a collective effort involving connectivity and dodiscence, integrating the teacher's learning-teaching knowledge with the students' teaching-learning knowledge, since both complement each other in activities of teaching with the audiovisual in the classroom, providing a more mainstream education and fostering student autonomy. / El objetivo de esta investigación es analizar los fundamentos teórico-metodológicos que dan soporte a las prácticas pedagógicas presentes en la enseñanza-aprendizaje con audiovisual desarrollado en la escuela básica, destacando su condición de método activo y colaborativo en que se explicita teóricamente la categoría conectividad e la dodiscencia, según explicitadas en las teorizaciones de base freiriana. Metodológicamente, el análisis documental se realizan de las disposiciones legales sobre la enseñanza de los componentes del plan de estudios del campo de las Artes, Comunicación y Tecnologías presentes en las directrices y Bases para la educación nacional (LDBEN 9394/96) y en su posterior modificación por Ley nº 13.006, 2014; 9795/99 y 12.603 de 2012, además de los PCNs y DCNs en los mismos componentes; se realizó revisión de literatura sobre la enseñanza con el uso de audiovisual en la educación, particularmente para el análisis de las áreas de Arte-Educación y Educomunicación relevante sólo porque estás teorizando considerado en la estructuración de documentos curriculares; los datos fueron recogidos mediante entrevistas en profundidad con los siguientes sujetos: los tres estudiantes que asistieron al curso de proyectos audiovisuales en la escuela secundaria; tres profesores de escuelas públicas de Brasilia y una profesora de escuela pública de Belo Horizonte utilizan el audiovisual en sus aulas; además de un círculo epistemológico con 23 alumnos, entre 11 a 18 años de edad, de tres escuelas públicas estatales y una federal. Se buscó, en las entrevistas y círculo epistemológico, la compresión teórica de esos sujetos acerca de sus prácticas de enseñanza-aprendizaje con audiovisual, para posteriormente analizar los testimonios por medio de la técnica de Análisis Categorial, orientada por las categorías-síntesis conectividad y dodiscencia, a partir de las teorizaciones de autores afiliados a la tradición pedagógica freiriana, en cotejo con la producción teórica resultante de la revisión bibliográfica sobre enseñanza con uso audiovisual. La principal conclusión del estudio es que profesores y estudiantes comprenden sus prácticas pedagógicas con audiovisual como resultado de un esfuerzo colectivo que involucra conectividad y dodiscencia, integrando el saber aprender- enseñar del profesor con el saber enseñar-aprender de los alumnos, ya que ambos se complementan en actividades de enseñanza con el audiovisual en el aula, propiciando una educación más protagonista y fomentando la autonomía de los estudiantes. / O objetivo desta pesquisa é analisar os fundamentos teórico-metodológicos que dão suporte às práticas pedagógicas de ensino-aprendizagem com audiovisual desenvolvida na escola básica, destacando sua condição de método ativo e colaborativo, explicitado teoricamente com as categorias conectividade e dodiscência, conforme teorizações de base freiriana. Metodologicamente, foi realizada análise documental das disposições legais sobre o ensino dos componentes curriculares do campo das Artes, Comunicação e Tecnologias presentes na Lei de Diretrizes e Bases da Educação Nacional (LDBEN 9394/96) e em sua posterior alteração pelas leis nº 13.006, de 2014; 9795/99 e 12.603, de 2012, além dos PCNs e DCNs sobre os mesmos componentes; foi feita revisão bibliográfica sobre ensino com uso do audiovisual na educação, destacando para análise as áreas de Arte-Educação e Educomunicação, relevantes pelo fato de serem teorizações consideradas na estruturação dos documentos curriculares oficiais; foram coletados dados por meio de entrevistas em profundidade com os seguintes sujeitos: três estudantes que cursaram a disciplina de projetos audiovisuais no Ensino Médio; três professores de escolas públicas de Brasília e uma professora de escola pública de Belo Horizonte que utilizam o audiovisual em suas aulas; círculo epistemológico com 23 alunos, entre 11 a 18 anos de idade, de três escolas públicas estaduais e uma federal. Buscou-se a compreensão teórica desses sujeitos acerca de suas práticas de ensino-aprendizagem com audiovisual, para, posteriormente, analisar os depoimentos por meio da técnica de Análise Categorial, orientada pelas categorias-síntese conectividade e dodiscência, a partir das teorizações de autores afiliados à tradição pedagógica freiriana, em cotejo com a produção teórica resultante da revisão bibliográfica sobre ensino com uso de audiovisual. A principal conclusão do estudo é que professores e estudantes compreendem suas práticas pedagógicas com audiovisual como resultado de um esforço coletivo que envolve conectividade e dodiscência, integrando o saber aprender-ensinar do professor com o saber ensinar-aprender dos alunos, já que ambos se complementam em atividades de ensino com o audiovisual em sala de aula, propiciando uma educação protagonista e fomentando a autonomia dos estudantes.