Thesis (Ph. D.)--Rijksuniversiteit te Utrecht, 1865. / Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1957. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Bibliography, leaves [271]-285.

Zugl.: Würzburg, Univ., Diss., 2009

Texte remanié de: Doctoral thesis--Saint Louis--Washington University. / Bibliogr. p. 137-145. Index.

No description available.

Ce mémoire de maîtrise se penche sur les différentes figures de la filiation littéraire dans Bourlinguer de Blaise Cendrars. Le premier chapitre aborde les rapports intertextuels qu’entretient Bourlinguer avec un certain nombre d’œuvres, notamment celle de Rudyard Kipling, et montre bien que Cendrars emploie la connaissance à des fins de compréhension du réel et de sa propre identité. Il met aussi en lumière un procédé étonnant : un double mouvement d’invocation et de rejet des intertextes, permettant la récupération d’un héritage prestigieux et la posture désinvolte de l’auteur épris de liberté. Le second chapitre analyse la bibliothèque, la lecture et les maîtres de Cendrars. Il met en relief la place capitale qu’occupent dans Bourlinguer l’expérience et la lucidité dans l’exercice de la lecture. L’analyse des relations aux maîtres (surtout Rémy de Gourmont) soulève l’importance de l’émancipation de l’autorité, paternelle ou littéraire, qui traverse l’œuvre de Cendrars. / The main objective of this thesis is to explain the intricacies of the representations of literary heritage in Blaise Cendrars’ Bourlinguer. The first chapter studies the intertextual relationships between Bourlinguer and a handful of texts (mainly Rudyard Kipling’s Kim) and thus shows how Cendrars uses knowledge as a tool to understand his identity and reality. The same chapter also sheds light on a peculiar process by which Cendrars simultaneously invokes and rejects literary influences, granting him prestige and impertinence at the same time. The second chapter analyses several types of libraries, the act of reading itself and Cendrars’ esthetic masters. Bourlinguer insists on experience and lucidity in reading, as well as on the importance of liberating oneself from authorities, paternal, literary or otherwise.

Ce mémoire de maîtrise se penche sur les différentes figures de la filiation littéraire dans Bourlinguer de Blaise Cendrars. Le premier chapitre aborde les rapports intertextuels qu’entretient Bourlinguer avec un certain nombre d’œuvres, notamment celle de Rudyard Kipling, et montre bien que Cendrars emploie la connaissance à des fins de compréhension du réel et de sa propre identité. Il met aussi en lumière un procédé étonnant : un double mouvement d’invocation et de rejet des intertextes, permettant la récupération d’un héritage prestigieux et la posture désinvolte de l’auteur épris de liberté. Le second chapitre analyse la bibliothèque, la lecture et les maîtres de Cendrars. Il met en relief la place capitale qu’occupent dans Bourlinguer l’expérience et la lucidité dans l’exercice de la lecture. L’analyse des relations aux maîtres (surtout Rémy de Gourmont) soulève l’importance de l’émancipation de l’autorité, paternelle ou littéraire, qui traverse l’œuvre de Cendrars. / The main objective of this thesis is to explain the intricacies of the representations of literary heritage in Blaise Cendrars’ Bourlinguer. The first chapter studies the intertextual relationships between Bourlinguer and a handful of texts (mainly Rudyard Kipling’s Kim) and thus shows how Cendrars uses knowledge as a tool to understand his identity and reality. The same chapter also sheds light on a peculiar process by which Cendrars simultaneously invokes and rejects literary influences, granting him prestige and impertinence at the same time. The second chapter analyses several types of libraries, the act of reading itself and Cendrars’ esthetic masters. Bourlinguer insists on experience and lucidity in reading, as well as on the importance of liberating oneself from authorities, paternal, literary or otherwise.

Made available in DSpace on 2014-12-17T14:36:01Z (GMT). No. of bitstreams: 1 SeverinoBM.pdf: 2227393 bytes, checksum: 8aa9c8f864998f2e4964a024004970ba (MD5) Previous issue date: 2009-03-23 / The aim of the present study is to investigate the way through which the relations between Mathematics and Religion emerge in the work of Blaise Pascal. This research is justified by the need to deepen these relations, so far little explored if compared to intersection points between Mathematics and other fields of knowledge. The choice for Pascal is given by the fact that he was one of the mathematicians who elaborated best one reflection in the religious field thus provoking contradictory reactions. As a methodology, it is a bibliographical and documental research with analytical-comparative reading of referential texts, among them the Oeuvres compl?tes de Pascal (1954), Le fonds pascalien ? Clermont-Ferrand (2001), Mathematics in a postmodern age: a cristian perspective by Howell & Bradley (2001), Mathematics and the divine: a historical study by Koetsier & Bergmans (2005), the Anais dos Semin?rios Nacionais de Hist?ria da Matem?tica and the Revista Brasileira de Hist?ria da Matem?tica. The research involving Pascal's life as a mathematician and his religious experience was made. A wider background in which the subject matter emerges was also researched. Seven categories connected to the relation between mathematics and religion were identified from the reading of texts written by mathematicians and historians of mathematics. As a conclusion, the presence of four of these seven categories was verified in Pascal's work / O presente estudo tem como objetivo investigar o modo pelo qual emergem as rela??es entre a matem?tica e a religi?o na obra de Blaise Pascal. A pesquisa justifica-se pela necessidade de se aprofundar estas rela??es, at? agora pouco exploradas se comparadas com pontos de interse??o entre a matem?tica e os outros campos do conhecimento. A escolha de Pascal deve-se ao fato dele ter sido um dos matem?ticos que melhor elaborou uma reflex?o no campo religioso provocando rea??es contradit?rias. Como metodologia, ? uma pesquisa bibliogr?fica e documental com leitura anal?tico-comparativa de textos referenciais; dentre os quais as Oeuvres compl?tes de Pascal (1954), Le fonds pascalien ? Clermont-Ferrand (2001), Mathematics in a postmodern age: a cristian perspective de Howell e Bradley (2001), Mathematics and the divine: a historical study de Koetsier e Bergmans (2005), os Anais dos Semin?rios Nacionais de Hist?ria da Matem?tica e a Revista Brasileira de Hist?ria da Matem?tica. Foi feita uma pesquisa sobre a vida de Pascal como matem?tico e sua experi?ncia religiosa. Al?m disso, foi pesquisado um cen?rio mais amplo no qual emerge o tema em quest?o. Foram identificadas sete categorias a partir da leitura de textos escritos por matem?ticos e historiadores da matem?tica, no que se refere ? rela??o matem?tica e religi?o. Como conclus?o, constatou-se que quatro destas categorias aparecem na obra de Pascal

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-09-03T12:58:43Z No. of bitstreams: 1 Cristine Reis Oittica.pdf: 874905 bytes, checksum: 22b28ed8f737a7e16bf74f834fdef6c3 (MD5) / Made available in DSpace on 2018-09-03T12:58:43Z (GMT). No. of bitstreams: 1 Cristine Reis Oittica.pdf: 874905 bytes, checksum: 22b28ed8f737a7e16bf74f834fdef6c3 (MD5) Previous issue date: 2018-08-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The dissertation has no abstract / O objstivo desta Dissertação aporta-se nos conceitos de Ennui e Divertssement, termos abordados na obra do teólogo e matemático francês Blaise Pascal. Discutiremos a natureza do homem e sua condição humana atrelada pela busca ao divertimento como fuga de sua estrutura ontologica de miserabilidade e condicionada a desviar-se da angústia, estado atávico da natureza do homem. Para tanto, faremos uma tragetória conceitual pelos principais influenciadores da filosofia de Pascal: Santo Agostinho e Cornelius Jansenius, seguindo pelo desmembramento do paradoxo grandeza e miséria, discussão essencial na obra do filósofo, o que nos ajudará a compreender a função do divertimento pascaliano no terceiro capítulo. Por fim, a compreensão dos conceitos de Ennui e Divertissemnt, através do Fragmento 199 dos Pensées. A obra do filosofo será tratada a partir da condição trágica, a qual os escritos pascalianos estão submetidos

Texte remanié de : Thèse de doctorat : Littérature française et comparée : Paris 4 : 2004. / La page de titre porte en exergue : "Rien ne nous plaît que le combat" Bibliogr. p. [781]-805. Index.