This thesis argues that the short fiction of Elizabeth Bowen is acutely preoccupied with reading emotion. Despite the growth of Bowen criticism, her stories remain understudied and this project proposes that their marginal status corresponds to this preoccupation. Through a close engagement with the literary representations of emotion at work in selected Bowen's stories, read alongside Bowen criticism, short story theory, and work on emotion, however, I show how her stories not only anticipate, but radically disrupt, current emotion theory. Recent theorisations of, and research on, emotion and affect across the disciplines tend to rely on the readability of emotion, emphasising the interpretation of specific emotions and reviving practices of affective criticism. Yet Bowen‟s short fiction foregrounds emotion‟s textuality: rather than allow us to read emotion „in‟ literature, I argue that her stories theorise the literariness of emotion. The project begins by suggesting a correspondence between her stories‟ engagement with emotion and their status, both within her literary oeuvre and in Bowen scholarship, to suggest that the complexity of her short fiction is often under-represented by occluding the deconstructions emotion mobilises. This enables us to map critical debates amongst Bowen scholars about the radicality of Bowen‟s fiction onto wider narratives about emotion and critical resistances to its textuality. I go on to undertake close readings of selected stories to show how Bowen‟s short fiction destabilises, rather than reinforces, the geographies of subjectivity, reality, time, and materiality to which emotion is presumed to belong. This project extends Bowen criticism that observes the ways her work anticipates psychoanalytical and Derridean readings, but through its focus on the short story it offers the second focused study of Bowen‟s short fiction, and the first study of her short fiction to be informed by critical emotion theory. Not only does this thesis carve out a new territory within Bowen scholarship, but it offers a timely contribution to problems in thinking emotion and affect in literary criticism and theory. More broadly, it is my hope that my reading of Bowen demonstrates the necessity of attending to the textuality of emotion in the reading and theorisation of emotion across the disciplines.

This dissertation examines sensation in twentieth-century narratives of London and argues that vulnerability is a constitutive experience of the post-imperial city. Sensations of vulnerability in London arise because of the built environment of the city: its status as an imperial center and a global capital create important intersections of local, national, and global concerns which render the city itself vulnerable. I chart the trajectory of vulnerability as an affective history of London that is documented in cultural texts ranging from fiction and film to political debates and legal materials. Since the sensational experiences of the present partly arise from the materials of the past embedded in the landscape, affective histories create new ways of understanding history as a spatial experience. The narrated sensations of the city make vulnerability legible as a persistent feature of twentieth-century London life. I begin with a modernist, imperial London, in Virginia Woolf's Mrs. Dalloway and in Parliamentary debates from the same year (1925). Ambivalence about London's dual status as a local site and as a national and international capital is a response to London's vulnerable position at the end of the Great War. Next, I turn to World War Two London and Elizabeth Bowen's The Heat of the Day. I discuss intimacy as an important national feature in narratives of London during the crisis of this war. National narratives about intimacy constructed by Winston Churchill and heard on BBC radio respond directly to London's defensive vulnerability. My third chapter concerns Margaret Thatcher's 1980s London and the crucial role autonomy plays in constructing London as an invulnerable, international financial and civic capital. Alan Hollinghurst's The Swimming-Pool Library documents Londoners' attempts to make sense of their autonomy in a postimperial capital. My final chapter examines sensations of social and political belonging in contemporary London through reading Stephen Frears's Dirty Pretty Things alongside legal documents about immigration. I contend that reading cultural texts affectively creates counter-histories of the city that accommodate a deeper range of experiences than do traditional histories and offers to literary studies a new way of understanding the relationship between official and unofficial histories. / text

Family secrets can be a driving force, whether explicitly or implicitly, for many seeking therapy. Despite this, there is little qualitative research examining how individuals experience and make sense of their family secrets. Through this study the researcher examined the phenomenon of family secrets amongst five individuals from different families. Qualitative research using Interpretative Phenomenological Analysis (IPA) along with a Bowen Family Systems Theory approach was used to explore multigenerational family secrets. Purposive sampling was used to select that participants and data was collected through semi-structured interviews. A genogram was also drafted to identify multigenerational relationships and the history of family secrets. By exploring and mapping the functions of multigenerational family secrets, the researcher examined in detail how participants make sense of their lived experience with holding a family secret. Through semi-structured interviews, the researcher was able to extract the meanings found within keeping a secret and the functions that secrets serve within families. Six superordinate themes were identified: what’s in a secret, living with a secret, finding meaning, anxiety and differentiation, multigenerational transmission process, and functions of family secrets. The data collected and analysis reflecting the experiences shared by the five participants add to the existing literature on the phenomenon of keeping family secrets and details the implications for the emotional system and marriage and family therapy. By mapping the hidden, a new conversation on the taboos of family secrets can lead to new hope for individuals and generations to come.

Bowen Family Systems Theory’s (BFST) concept of differentiation of self has the ability to contribute to the self-development of the therapist, and is considered the technique of this theory (Kerr & Bowen, 1988). Emotional intelligence is an essential skill for Marriage and Family Therapists (MFTs), as it provides the ability to accurately perceive, express, and evaluate emotions in one’s self and others to facilitate thought, and the regulation of emotions in order to enhance emotional and intellectual growth (Salovey & Mayer, 1997). This study explored the lived experiences of Marriage and Family Therapy students who studied BFST and related those experiences to concepts of differentiation of self and emotional intelligence. This qualitative study utilized Interpretative Phenomenological Analysis (IPA) to gather, process, and analyze the essence of students’ experiences. This process included semi-structured open-ended interviewing of six doctoral students, transcribing, and analyzing the data in accordance with IPA. This study led to the outcome of the coined term differentiated intelligent emotion. The findings of the study produced nine themes: (1) BFST impact on clinical work, (2) BFST impact on personal development, (3) Differentiation of self, (4) Emotional intelligence, (5) Anxiety, (6) Nuclear family emotional process, (7) Multigenerational transmission process, (8) Triangulation, and (9) Individuality and Togetherness. The findings suggest the study of BFST resulted in awareness and an increase in the differentiation of self supported by an increase in emotional intelligence. This led to improvements in personal development, professional development in therapeutic relationships, anxiety, nuclear family functioning, multigenerational transmission process, detriangulation, and sense of individuality. This study contributes to the existing training and development literature concerning MFT’s in terms of their differentiation of self and emotional intelligence. The research presents implications for future research, clinical practice and training.

Similar to other immigrant populations in the United States, Haitians have a migratory history of escaping from political turmoil, natural disasters, and extreme poverty (Zephir, 2004). However, Haitian Americans remain one of the underserved populations in the United States. Marginalized yet resilient, Haitian families in the U.S. continue to display strength in the face of adversity. Second-generation Haitian-American college graduates are the evidence of such strengths. There is very little research focused on second-generation Haitian-American college graduates’ perspective on the possible familial influences pertaining to education. Using an Interpretative Phenomenological Analysis (IPA) design and Bowen’s Family Systems Theory as a theoretical framework, this study explored the lived experiences of seven selected selfidentified second-generation Haitian-American college graduates. The study was driven by three questions: 1. How do second-generation Haitian-American college graduates describe their cultural views on education? 2. How do these cultural views on education inform or influence Haitian families living in South Florida? 3. What are the lived experiences of second-generation Haitian-American college graduates regarding their family of origin’s influences on them as it pertains to education? Six themes emerged as a result: Multigenerational Method of Transmission, Reminiscent Educational Dialogue, Education as Economic Protection, Expected Educational Momentum, Future Multigenerational Method of Transmission, and Broadening the Educational View. It is the hope of the researcher that this study will expand marriage and family therapists’ understanding of the possible cultural/familial concerns, as well as, possible strengths and resources when working with Haitian families.

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Par la présente recherche nous tentons de comprendre la croissance du mouvement pentecôtiste québécois dans les années soixante-dix et quatre-vingt. Dans une première section nous traitons les développements internes des Assemblées de la Pentecôte du Canada : leur méthodologie missionnaire, le programme FLITE, la fondation du Collège biblique Formation Timothée, les leaders principaux ayant contribué à l'expansion pentecôtiste, et la gérance d'un conflit culturel et politique qui a porté ombrage au réveil. Dans la deuxième section nous établissons le contexte socio-historique dans lequel la croissance du mouvement pentecôtiste a eu lieu. Nous abordons, dans la troisième section, la notion polysémique du réveil. Ainsi, nous montrerons que la compréhension pertinente de l'essor du mouvement implique de considérer celui-ci comme un réveil parmi d'autres apparus dans le cadre de l'éveil qu'était la Révolution tranquille.

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ix, 182 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / My dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulus and the years immediately preceding and following it. My first chapter studies the most critically disregarded author of the project: Sackville-West. Her 1922 volume of short stories The Heir: A Love Story deserves attention for its examination of social hierarchies. Although her stories ridicule characters regardless of their class background, those who attempt to change their class status, especially when not sanctioned by heredity, are treated with the greatest contempt. The volume, with the reinforcement of the contracted short form, advocates staying within given class boundaries. The second chapter analyzes social structures in Bowen's first book of short stories, Encounters (1922). Like Sackville-West, Bowen's use of the short form complements her interest in how class hierarchies can confine characters. Bowen's portraits of classed encounters and of characters' encounters with class reveal a sense of anxiety over being confined by social status and a sense of displacement over breaking out of class groups, exposing how class divisions accentuate feelings of alienation and instability. The last chapter examines Chaplin's final short films: "The Idle Class" (1921), "Pay Day (1922), and "The Pilgrim" (1923). While placing Chaplin among the modernists complicates the canon in a positive way, it also reduces the complexity of this man and his art. Chaplin is neither a pyrotechnic modernist nor a traditional sentimentalist. Additionally, Chaplin's shorts are neither socially liberal nor conservative. Rather, Chaplin's short films flirt with experimental techniques and progressive class politics, presenting multiple perspectives on the thematic of social hierarchies. But, in the end, his films reinforce rather than overthrow traditional artistic forms and hierarchical ideas. Studying these artists elucidates how the contracted space of the short form produces the perfect room to present a nuanced portrayal of class. / Committee in charge: Paul Peppis, Chairperson, English; Michael Aronson, Member, English; Mark Quigley, Member, English; Jenifer Presto, Outside Member, Comparative Literature

In the reading of the servants in examples from the period 1920-1950, the servant question is invoked to expose the workings of class. The servants in these narratives of Bowen, Green, Taylor, Waugh, Mansfield and Panter-Downes, lady’s maids, housekeepers, nannies, a butler and a chauffeur, are in thrall to the collective structures of societal ordering, and reluctant with respect to social mobility. Class was not fully being negotiated in this period, in fact little change was visible. Fer example intimacy, such as that between the lady’s maid and her mistress, meant that class confrontation was unlikely. The nanny showed that culturally constructed mechanisms such as nostalgia could be employed to discourage the desire for change. In terms of the socio-historical context any transformation in the make-up of domestic life – that is, the move towards homes without servants - was a fairly gradual business. But, there was a widespread belief in a change that had not really taken place – and that certainly had not taken place within domestic service. Any transformation of society was superficial; the governing ranks would not permit their disempowerment through genuine class change. I contend that the literature supports this perspective. Servants desire subservience; they find comfort in the familiarity of the system of household ranking-by-status. In the process, authority itself is portrayed as being less immutable, more malleable and thereby equipped for the future. In this sense the narratives read in this thesis go to make up a literature of resistance, in refutation of the overwhelming narrative of the time, progressing instead the notion that class must persist with its boundaries intact, as its hegemony is desirable and necessary for the smooth, successful operation of society.