No description available.

No description available.

The presentation presents the state of discussion for guidelines for TEI XML encoding of Ancient Egyptian text artefacts in Egyptology as of middle of 2016. It introduces Egyptological projects actively involved in the development of TEI encoding recommendations and online thesauri/ontologies. Special attention is paid to the TEI encoding of toponyms, personal names, relative and absolute dates, as well as language varieties and script varieties. Furthermore, the presentation introduces the current state of an EpiDoc Cheatsheet for Egyptology compiled by Daniel A. Werning, which gives recommendations for the encoding of traditional philological markup in Egyptology which, in turn, is largely conform to the EpiDoc Guidelines (v8.21). A specific topic, in this respect, is the adaptation of the TEI ‘regularization’ tag <reg> to the needs of Egyptology.

The subject of the diploma thesis is a data completion and evaluation of the finds of copper tools and model tools in the 3rd Millennium BC, in the Early Dynastic Period, Old Kingdom and First Intermediate Period, in Egypt and Nubia. The first part of the thesis contains subject definition, chronological and chorological definitions and short introduction in the copper metallurgy of Ancient Near East and Egypt in the examined periods. The thesis is based on the catalogue of the archaeological contexts, the description of method and structure is followed by the synthesis of facts about archaeological context of finds. The main part of the thesis is a register of tool classes, examining their chronology, morphology and selectively also the occurrence in other sources. The conclusion brings together the facts and delineates the role of copper tools and model tools in the Ancient Egyptian society of the examined periods.

(in English) Combs are used as toilet objects for adjustment of hair and beard, or as a decoration of hairstyle all over the world. Combs have also a number of symbolical and magical significances. The aim of this work is a comprehensive view on combs as a one part of medieval material culture. The first part deals with the manufacture of medieval combs, particularly materials used for comb making, manufacturing processes, decoration, the degree of specialization of bone and antler objects manufacturing and manufactures in which bone and antler objects were produced. The second part is applied to the function of combs, evolution of hairstyles in the Middle Ages, symbolical significance and the associated magical significances of human hair and beard and different rituals connected with their cutting and combing. The core of this thesis is analysis, synthesis and interpretation of selected finds of medieval combs from what now is the territory of the Czech Republic. The aim of the analysis, synthesis and interpretation is the comparison of morphology and decoration of combs from different periods of Middle Ages. Chapters, which are devoted to chronology, morphology and typology of medieval combs and social-representational aspects of using combs are largery based on this part.

Coins of the 9th and 10th centuries in archaeological discoveries from the Czech lands and their contribution to the beginning phase of the Czech history. The dissertation is focused on coins of the 9th and 10th centuries found on the territory of the Czech lands. Their archaeological context and detailed numismatic description bring new data, which can help to complete and precise our knowledge of the early medieval phase of the Czech history. Number of coins dating to the period before production of the first issues in the Czech lands (i.e. the coins of the 9th century and the first half of the 10th century) discovered on the mentioned territory increased. Their chronology is the following: the Old- Bohemian phase, the Old-Moravian phase and the Early Přemyslid phase, which is described in the first chapter of the dissertation - Coin finds before the beginning of the coinage in the territory of the Czech lands. The text brings results pointing to different monetary development of Bohemia and Moravia of that period. The new finds indicate a specific role of Bohemia in relationship with the Bavarian centre of the Frankish Empire. This situation culminates in production of the first coins in the Czech lands during the first half of the 960s. The second chapter of the dissertation - Beginning of the coinage...

No description available.

Cette thèse présente le fruit de cinq années d’études et de travail au doctorat à l’Université de Montréal. Elle est le support théorique derrière un cycle de onze compositions instrumentales narratives et autonomes, suivant la définition du cycle donnée par la chercheure Anne Besson dans son livre D’Asimov à Tolkien : cycles et séries dans la littérature de genre 1 . L’objectif a été de créer des compositions constituant un univers fictif cohérent et uni, qui se penche sur le concept de la chronologie narrative dans la musique. Les œuvres ont été composées dans un ordre différent de celui dans lequel les événements du récit se déroulent. Cela permet d’explorer la notion d’antépisode (prequel) et de suite (sequel) en musique. Composées tout d’abord pour le concert, ces pièces, écrites pour des formations allant de la musique de chambre jusqu’au grand orchestre, ont été adaptées afin d’être enregistrées et travaillées en studio, ce qui permet d’ajouter une nouvelle couche de procédés compositionnels. Présentant plusieurs concepts théoriques tels que la narrativité (générale et propre à la musique), la notion de cycle dans un ensemble d’œuvres ainsi que la définition d’un univers fictif, cette thèse analysera ces onze œuvres et apportera des pistes de solution afin d’adapter ces procédés fréquemment utilisés en littérature et à l’écran à la musique. / This thesis is the outcome of five years of doctoral studies at the University of Montreal. It presents the theory behind a cycle of eleven autonomous narrative instrumental pieces, following the definition of cycle as defined by researcher Anne Besson in her book “D’Asimov à Tolkien : cycles et séries dans la littérature de genre.” The goal was to create a coherent and unified fictional universe that explores the concept of narrative chronology in music. The pieces were composed in a different order than the one in which the events of the story occur. It allows us to explore the idea of prequel and sequel in music. Originally composed for the concert hall, for ensembles ranging from chamber music to symphonic orchestras, they were afterwards adapted to be recorded and edited in a studio, allowing the composer to explore an array of new compositional techniques. Presenting many theoretical concepts such as narrativity (in general and pertaining specifically to music), the cyclic concept in a body of works and also the definition of a fictional universe, this thesis will analyze these eleven works while suggesting possible solutions for bringing processes that occur frequently in literature and film to the world of music.

Southern Turkey’s Amuq Valley has been described as a point of convergence bridging distant regions within the ancient Near East. Through an in depth techno-typological and chemical characterization study of 290 obsidian artefacts, this research details changes in deep-time patterns of obsidian use from the Late Neolithic to Early Bronze Age (6000 BCE – 2400 BCE), arguing that shifting traditions of consumption reflect socio-economic developments both within and beyond the Northern Levant. These artefacts come from the three sites of Tell al-Judaidah, Tell Dhahab and Tell Kurdu, the material excavated during the 1930’s by the University of Chicago’s Oriental Institute. Methodologically raw material sourcing was achieved using energy dispersive X-ray fluorescence spectroscopy (EDXRF) in the well-established McMaster XRF Lab [MAX Lab]. With these artefacts’ raw materials all being exotic to the Amuq Valley, originating from various outcrops in Cappadocia, the Lake Van region and Transcaucasia (Turkey and Armenia), over 1000km away, this study not only offers new insight into how Amuq Valley communities engaged in long-distance relations, but also contributes to a larger, deep-time regional study of obsidian consumption as a proxy for understanding significant shifts in Near Eastern socio-economics, from hunter-gatherers to the earliest states. In turn, this study, by employing an Annales school framework to consider practice over deep time at the local and supra-regional level further contributes to an ‘archaeology of the long-term’. / Thesis / Master of Arts (MA) / This research involved the chemical analysis of 290 artefacts of archaeological obsidian – a naturally occurring substance made of crystallized lava - as a means of studying ancient exchange systems in the Near East. More specifically, this study covers archaeological periods from 6000 B.C.E. (Late Neolithic) to 2400 B.C.E. (Early Bronze Age) in the Amuq Valley region of southern Turkey. These artefacts were procured during excavations under the Oriental Institute Museum (University of Chicago) beginning in the 1930s. All artefacts are exotic to the Amuq Valley from several known obsidian outcrops in Anatolia (Turkey), some over 1000km away. Analysis was conducted using X-ray fluorescence (XRF) to match each artefact to its geological origin thereby identifying the range of exotic materials were exchanged across long-distances. The goal of this research was to uncover social and/or economic dynamics of the Amuq Valley through deep-time with regards to the greater obsidian trade network of the Near East.

This thesis is designed to outline the systematic-theological and theological-historical basis for the Eschatological Gospel of Both Comings of Jesus Christ (Yeshua Ha Mashiach). This cohesively combines Jesus‘ First Coming (for redemption, reconciliation and restoration) with His Second Coming (for the Rapture/Resurrection of the Church/Body of Christ and judgment at the Day of the Lord/Yahweh) into the complete salvation of the Church. The historical writings of the Patristic, Ante- and Post-Nicene Fathers are examined to ensure the continuity of this Eschatological Gospel message being communicated through their writings to the Early Church. The remainder of Church history is examined to ensure the Eschatological Gospel continued to be communicated by the Church as a part of the Great Commission in Matthew 28:18-20. Then, in keeping with the eschatological prophetic intent of the Parable of the Wheat and Tares (Weeds) in Matthew 13:24-30, 36-43, of both the kingdom of God and the kingdom of Satan coexisting and growing until ―the end of the age,‖ the antithesis of the Eschatological Gospel is examined—Satan‘s plan of lies, deception and heresy throughout history, culminating with the explosion of activity since 1948. This satanic plan is described as being not only insidiously deceptive by recruiting converts to the kingdom of darkness in rebellion and opposition to the kingdom of God, but also as preparing the way for the End-time/Last Days‘ ten-nation confederacy to be led by the antichrist. Biblical chronology is used to trace the history of both the kingdom of God and the kingdom of darkness to the present day. Finally, the ―Signs of the Times‖ in modern history are examined, thereby showing the need for the Eschatological Gospel to be taught in the twenty-first century, especially as the day of the Lord Jesus Christ‘s Parousia rapidly approaches. / Systematic Theology and Theological Ethics / D.Th. (Systematic Theology)