O Código Civil entrou em vigor trazendo uma inovação como parâmetro interpretativo: as normas com aspecto maleável, pois o legislador intencionou essa flexibilidade, sem que isso significasse qualquer comprometimento com a tão festejada segurança jurídica. Por esse motivo, faz-se importante o devido conhecimento do conteúdo e natureza das normas jurídicas. Com o escopo de compreender e encaminhar o assunto, buscou-se o conhecimento dos princípios gerais de Direito e dos standards jurídicos, sendo que o trabalho assume posicionamento em reconhecer um Direito natural, não fundamentado unicamente na razão, pois os homens não são meras fórmulas matemáticas ou um programa de computador, mas no Direito natural clássico, o mesmo que teve sua doutrina delineada por Aristóteles, que permite sua evolução, contudo possui como imutável sua referência ao ser humano. É nesse sentido que, para a correta interpretação dos textos jurídicos, deve-se encontrar no outro o que há em nós mesmos, passível de fazer respeitar as individualidades, entendido como uma identificação, em que o outro não é coisificado, mas continua tão humano como se reconhece a si próprio. Como método interpretativo que permita diferenciar os institutos, validando o processo de revelar o direito, optou-se pela corrente fenomenológica, porque o retorno das coisas a elas mesmas, não como se manifesta, pois se manifestar não é apenas o que aparenta e não algo em si mesmo, trazem à consciência de que a justiça é a intenção da interpretação, razão pela qual se deve revelar essa essencialidade. Na redução fenomenológica devem ser percebidas as essências do objeto interpretado, reconhecendo as influências externas ao objeto, mas internas ao sujeito que o interpreta em uma atitude compreensiva e não explicativa. Com efeito, buscou-se o retorno às coisas mesmas, na apreciação do fenômeno que Heidegger indica como o ser-com, em que a presunção da minha existência pressupõe a existência do outro, assim como a existência do outro para mim e a minha existência para o outro, pois pensar, dizer e ser tem o mesmo reconhecimento. / The Civil Code became effective bringing an innovation as interpretation parameter: rules with ductile aspect, as the legislator intended that flexibility, without that meaning any compromise with the so acclaimed legal security. For that reason, the due knowledge of the contents and nature of the legal rules is important. With the scope of understanding and approaching the subject, knowledge was searched from the general principles of Law and the legal standards, and the work takes a position for recognizing a natural Law, not solely based on reason, as men are not mere mathematical formulas or a computer program, but on the classic natural Law, the same one that had its doctrine outlined by Aristotle, that permits its evolution, however, has as unchangeable its reference to the human being. It is in that sense that, for the correct interpretation of the legal texts, one must find in the other what exists in ourselves, susceptible of having individualities respected, understood as an identification, in which the other one is not considered as a mere thing, but continues so human as one recognizes him/herself. As a method for interpretation that permits to distinguish the institutes, validating the process of disclosing law, it was opted for the phenomenological current, because the return of things to themselves, not as it manifests, because manifesting is not only about what it appears and not something in itself, they bring to the consciousness that justice is intention of the interpretation wherefore such essentiality must be disclosed. In the phenomenological reduction, the essences of the interpreted object must be perceived, recognizing the influences that are external to the object, but internal to the subject that interprets it in a comprehensive and not explanatory attitude. Accordingly, what was sought was the return to the same things, in the appreciation of the phenomena that Heidegger indicates as the being-with, in which the assumption of my existence assumes he existence of the other, as well as the existence of the other for me and my existence for the other, since thinking, saying and being has the same acknowledgement.

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La scène de théâtre, élément encore inexploré et pourtant clef dans de nombreux romans, questionne les liens entre l’œuvre et le médium enchâssé. À l’aide d’un corpus de romans français et canadiens-français, parus entre 1871 et 1949, cette étude repère les traits récurrents de la scène de théâtre, quels que soient l’époque, l’esthétique ou le lieu d’écriture du romancier. Topos privilégié pour le texte qui opère par ce biais un « retour sur lui-même », les questions de la réflexivité et de la spécularité éclairent ce que peut le théâtre dans le texte. À partir d’une lecture sociocritique, articulant l’art et le social, notre étude de la scène de théâtre couvre à la fois la dimension propre à l’art dramatique et celle inhérente au théâtre envisagé comme outil de classification sociale. Le costume, le corps des artistes, les lumières, ainsi que les espaces théâtraux, les types de public et la mondanité à l’œuvre dans la salle sont, entre autres, autant de facettes que notre analyse met au jour. Le prisme de la scène de théâtre ainsi révélé transcende l’intériorité de l’art et l’extériorité du social par le truchement du corps. Entre ce qu’André Belleau nomme le « code » et la « parole », la scène de théâtre incarne les deux aspects, elle les lie étroitement et les dépasse grâce aux corps tout à la fois érotisés et socialisés. / The theater scene, key element of several novels yet unexplored, questions the bounds between the medium and the œuvre within. Supported by a corpus made of French and French Canadian novels published between 1871 and 1949, this work argues the recurrent specificities of the theater scene, whatever the time, the aesthetics or the place from which the novelist writes. Becoming a privileged topos for the text that operates « a return on itself », the questions of reflexivity and specularity enlighten what theater can do to the text. From a sociocritic reading articulating social and art matters, our study on the theater scene covers not only the dramatic art’s aspect but also the theater aspect thought as a social classification tool. The costume, the body of the artist, the lights, but also the theatrical spaces, the category of public and the society life happening in the theater hall are, if anything else, some facets our work would like to point out. The prism of the theater scene once revealed goes beyond the interiority of art and the exteriority of the social behavior through and thanks to the body. Between what André Belleau calls the « code » and the « parole (speech)», the theater scene embodies both aspects, links them both tight and goes past them thanks to the bodies that are both eroticized and socialized.

Orientador: Symone Cristina Teixeira / Banca: João Carlos da Rocha / Resumo: O trabalho teve como objetivo caracterizar o perfil socioeconômico e hábitos alimentares e de higiene de jovens, com idade entre 18 e 24 anos, livres de cárie, beneficiando a odontologia no sentido de estudar dados relacionados à saúde e não a doença como já bem relatado na literatura. Através de exame clínico simples foram selecionados os alunos livres de cárie (88) que então responderam a um questionário com questões sobre o perfil socioeconômico da família, os hábitos alimentares, de higiene, de rotina ao consultório odontológico e incentivo dos responsáveis da infância até os dias atuais. O perfil socioeconômico mais prevalente foi entre os estratos A a B2, com o nível de escolaridade dos pais entre médio completo e pós-graduação. Em relação à água fluoretada e a informações sobre saúde bucal 93% responderam ter tido acesso. As escovações foram relatadas no mínimo de 1 a 3 vezes por dia, chegando até a 5 vezes. Os consultórios particulares foram os mais visitados, com um intervalo de 3 a 6 meses entre as consultas por motivo de prevenção. A escovação foi supervisionada pelos pais até os 7 anos de idade por 63,64% dos entrevistados. Desta forma, os dados colhidos durante esta pesquisa podem auxiliar na formação, reorientação ou adaptação de políticas públicas de saúde através da organização do serviço, planejamento de estratégias para os trabalhos principalmente de educação, atenção e prevenção em saúde bucal, trazendo benefícios não só a odontologia, mas à toda população / The objective of this study was to characterize the socioeconomic profile and eating and hygiene habits of young people., aged 18 to 24 years old, caries-free, benefiting dentistry in order to study data related to health and not the disease as already reported in the literature. Through a simple clinical examination, caries-free students were selected (88), who then answered a questionnaire with questions about the family's socioeconomic profile, eating habits, hygiene, routine dental appointments, and indulcement of parents or guardians for childhood to the present day. The most prevalent socioeconomic profile was between the strata A and B2, with the level of schooling of the parents between full middle and postgraduate. Regarding fluoridated water and oral health information, 93% said they had access. Brushing has been reported at least 1 to 3 times a day, up to 5 times. Private practices were the most visited, with a 3-6 month interval between consultations due to prevention. Brushing was supervised by parents up to 7 years of age by 63.64% of the interviewees. Therefore, the data collected during this research can help in the formation, reorientation or adaptation of public health policies through the organization of the service, planning strategies for the work mainly education, attention and prevention in oral health, bringing benefits not only dentistry, but the entire population / Mestre

There are many different traditional costumes in the world. In Zanzibar, a Swahili man is said to be fully attired when he puts on an embroidered cap, locally known as kofia ya viua or just kofia, robe (kanzu) with a coat, and sandals taking a Swahili name of makubadhi. The Kofia is round-shaped with a flat top, adorned with embroidered designs all over For convenience of simplicity in classification kofia are divided into two main groups, simple designed and complex-designed caps.

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The purposes of the study were to identify laces located on the fifteen white dresses worn between 1900 and 1922. The dresses selected for study were chosen from the Dallas Fashion Museum located at North Texas State University. All laces were identified and the history of each lace was traced.

This thesis represents an analysis of symbolic expressions used to convey traditional Chinese cultural values in marital relations as expressed through costumes and lyrics in Peking Opera plays and performances. Two symbols, dragon and phoenix, were selected from the costume collection. Four symbols--bird, tiger, wild goose, and dragon--were selected from compilations of lyrics. These symbols were selected because they expressed Chinese core cultural values, an imperial ideology based on Confucian thoughts, which were practiced rigidly during Qing Dynasty (1644-1911). Modeling Theory is applied to argue that dragon and phoenix as visual symbols convey ideas about characters' background, marital relationship, social status shifts, and socio-culturally desirable values. Social Drama Theory is employed to analyze the lyrics to understand how ideal images of husband and wife are constructed. The archetypes of Chinese traditional culture that have influenced Chinese thought and action for centuries are discovered and discussed.

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A historical study of women's costumes for selected periods as a reflection of the culture in Virginia was designed to gain some understanding of the costumes worn, to observe the role that clothing played in the lives of the settlers and of the influences that brought about changes in costume. Much information pertaining to this subject was found in books on history. The researcher conducted this study by visiting various museums, reviewing related books and studying historical portraits. The researcher found that most of the information that is recorded about clothing belonged to persons of some wealth and station of life. The costumes, fabrics, shoes, and other apparel still in existence are relics of past days. Thirty-eight illustrations on costumes have been included in this study. / Master of Science