Conversation analytic (CA) and ethnomethodological (EM) techniques are employed in this study to explore the ways speakers within and between interactional turns build and resist gender category by resisting its activities/predicates. It aims to reveal how a sex-reassigned child’s identity is pertinent to the construction of membership categorization and the doing of resistance towards category-bound activities/predicates.  The study attempts to explain how the child tries to design her answers in a way that - both explicitly and implicitly - resist both the gender membership categorization she is being assigned to be and its ties (predicates/activities) she is being asked to accomplish. Membership categorization analysis (MCA), formulated by Sacks (1979), is employed here to show that the identity categories used in talk are tools by which participants organize and perform activities/predicates to establish their categories. The human subject that this project concentrates on is an immigrant family having a sex-reassigned child called Aidan. The data, which is analyzed, was collected during a dispute around the haircut and clothing style for the sex-reassigned child between the child and the parents. During the interaction the parents try to generate the category predicates for building up a set of activities around what might be considered ‘normal’ within a community that enables them to define and validate the child particular membership category. The main resistance strategies adopted by the child are dispreferred actions such as refusals mainly through accounting (e.g., justification and explanation) and disagreement.

Scholars in the field are of the opinion that the early simultaneous bilingual and bicultural exposure not only does not harm the bilinguals, but also strengthens their social and cultural foundations and keeps them from getting vulnerable to external environment (Deuchar and Quay 1999, 2000; Genesee 1989; Genesee, Nicoladis, and Paradis 1995; Holowka, Brosseau-Lapre ́, and Petitto 2002; Lanza 1992; Meisel 1989; Petitto et al. 2001). Also it has been demonstrated that bilingual children have differentiated systems to provide them with the ability to distinguish between their two input languages from the beginning of language acquisition (Petitto & Holowka, 2002). However, the driver of the children’s language preference patterns at home needs to be further explored. The present study is indeed an attempt to answer the question of why it is that some children regularly exposed to their heritage language from a very young age actually continue to actively use it, and other children involving in similar parental policy about bilingualism do not? It aims to examine the impacts of parental language strategies during the childhood on children language preference at home after they achieve the key competences in each of the two languages. The foci are parental attitudes towards the patterns of language choice and their influence on child language preference. Data are collected from two Iranian immigrant families; one has been experiencing additive bilingualism, while the other has been involved in the process of subtractive phenomenon. Some implications for parent-child closeness, heritage language and the risk of language contamination are touched on briefly.

The Chapter shows the phenomenon of “Doing Gender” taking place in a part of the Bavaria-Lesson. And what is more, it shows, that boys are “doing girl” and girls are “doing boy”. The chapter doesn’t offer implications for music educators explicitly, but shows an Analytical Short Film (ASF) serving as evidence.

Syftet med undersökningen är att studera hur grammatiska konstruktioner av Katniss, Gale, Prim, Cinna, Rue, Peeta, och Haymitch i Suzanne Collins ungdomsroman Hungerspelen (2012) kan bidra till karaktärernas görande av manligt eller kvinnligt genus. Frågeställningen som ska besvaras är på vilket sätt framställs Katniss och de sex andra utvalda karaktärerna grammatiskt utifrån den systemisk-funktionella grammatikens transitivitetssystem processer och deltagare? Och på vilket sätt kan framställningen tolkas ur ett genusperspektiv? Genom att analysera sex utvalda delar ur boken med systemisk-funktionell grammatiks transitivitetssystem och se till processer och deltagare gjordes en grammatisk analys. Analysen tolkades sedan utifrån ett genusperspektiv gällande vilka föreställningar det finns kring manligt och kvinnligt beteende. Resultaten visar att de grammatiska konstruktionerna av Katniss och Peeta kan tolkas som görande av både manligt och kvinnligt genus, Gales och Haymitchs konstruktioner som görande av manligt genus och Cinnas, Rues och Prims grammatiska realiserande som görande av kvinnligt genus. Tillsammans visar resultaten på att karaktärernas grammatiska konstruktioner bidrar till görandet av manligt eller kvinnligt genus som inte behöver avspegla deras ”naturliga kön”. / The aim of this thesis is to study how grammatical constructions of the characters Katniss, Gale, Prim, Cinna, Rue, Peeta and Haytmich, from Suzanne Collins The Hunger Games (2012), contribute to their doing of gender. The thesis set to explore this using two research questions: How is Katniss and the six other characters presented grammatically and accordingly to systemic functional grammars transitivity system’s processes and participants? And, how can the grammatical analysis be interpreted from a gender perspective? By analysing six selected excerpts from the book with systemic functional grammars transitivity system’s processes and participants a grammatical analysis was done. The grammatical analysis was then interpreted from a gender perspective regarding the conceptions of what is considered as a doing of male or female gender behaviour. The result show that the grammatical constructions of Katniss and Peeta can be understood as a doing of both male and female gender. Futhermore, Gale’s and Haymitch’s constructions can be understood as a doing of male gender and Cinna’s, Rue’s and Prim’s constructions as a doing of female gender. Together these results show that the grammatical constructions in The Hunger Games (2012) affect the characters’ doing of gender and that their doing of gender does not have to reflect their sex.