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Filmando a musica : uma interpretação do cinema de François Girard / To film the music: an interpretation of François Girard's cinemaMiranda, Suzana Reck 01 April 2006 (has links)
Orientador: Lucia Nagib / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-05T13:11:24Z (GMT). No. of bitstreams: 1
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Previous issue date: 2006 / Resumo: Esta tese propõe uma análise da relação música/cinema fundamentada em discussões que demandam uma interface entre a Musicologia e a Teoria do Cinema. O objeto de estudo é o filme Thirty Two Short Films about Glenn Gould (1993), do canadense François Girard. O universo musical do filme sugere uma análise específica, muito além da mera funcionalidade da música em relação à diegese. O objetivo é evidenciar como Girard executa cinematograficamente uma leitura sobre posicionamentos estéticos do pianista Glenn Gould e, com isto, ampliar a reflexão em torno da interface música/cinema. A metodologia adotada dialoga, em parte, com a abordagem de cunho fenomenológico de Michel Chion. Entretanto, pelo fato de ser um filme no qual a presença da música, além de assunto, constitui o principal modo de expressão, optou-se por estabelecer, sempre que necessário, aproximações entre a teoria do cinema e da música / Abstract: This thesis proposes an analysis of the film/music relationship through discussions at the interface between Musicology and Film Theory. The chosen subject is François Girard¿s film Thirty-two short films about Glenn Gould (1993). A specific approach is required in order to study the music in this film because of the musical world interpreted here by Girard. The idea is to show how Girard gives a cinematic reading of Glenn Gould¿s aesthetical position and, through this reflection, to provide a contribution to the field of Film Music. The theoretical support for this thesis comprises a number of influential authors on music and cinema theory, with focus on Michel Chion¿s phenomenological orientation / Doutorado / Doutor em Multimeios
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A expressão dos afetos em peças para cravo de François Couperin (1668-1733)Gatti, Patricia, 1961- 07 August 1997 (has links)
Orientador: Helena Jank / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-07-22T22:39:46Z (GMT). No. of bitstreams: 1
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Previous issue date: 1997 / Resumo: Este trabalho propõe uma abordagem para a análise da música barroca, baseada na chamada ¿teoria dos afetos¿. A análise musical referenciada nessa perspectiva é aplicada a algumas das Pièces de Clavecin de François Couperin. Os textos chave utilizados foram o Tratado das Paixões da Alma e o Compendium Musicae, de Descartes, como base do pensamento de época no tocante aos afetos; e parte da obra Der Vallkommene Capellmeister, de J. Mattheson, bem como outros tratadistas que ofereceram as formulações da doutrina dos afetos, base do pensamento musical do barroco, ou seja: a música entendida como representação das paixões e emoções humanas. Neste trabalho realizou-se o levantamento dos afetos ou paixões, conforme são definidos por Descartes e como são apropriados pelos tratadistas musicais. Em um segundo passo, buscou-se sistematizar a expressão musical para cada sentimento e diferentes estados de espírito, seguindo as observações e indicações dos tratadistas. A partir dessas leituras obteve-se subsídios suficientes para uma análise de peças de Couperin, demonstrando o uso coerente dos elementos musicais na expressão dos afetos tendo em vista as suas intenções expressivas explicitadas nos títulos, de acordo com as proposições teóricas mencionadas / Abstract: Not informed. / Mestrado
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O gestual humano e o barroco mineiro a luz dos estudos de François Delsarte / The human gesture and the brazilian baroque of Minas Gerais to light of the studies of François DelsarteAndrade, Carolina Romano de 08 November 2006 (has links)
Orientador: Marilia Vieira Soares / Acompanha 8 cartões, plastificados, das figuras analisadas, em bolso / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-08T14:33:23Z (GMT). No. of bitstreams: 1
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Previous issue date: 2006 / Resumo: A presente dissertação baseia-se no legado de François Delsarte, para estudar analiticamente e procurar entender a dramaticidade e expressividade do gestual humano nas pinturas barrocas de igrejas de Ouro Preto-MG. Analisamos minuciosamente o forro da Igreja Nossa Senhora da Conceição, pintado por Lourenço Petriza. Procuramos relacionar as idéias de Delsarte para entender as emoções impressas nas pinturas deste forro. Ademais, elaboramos uma composição cênica que procura sintetizar a poesia de tudo que vivemos nesta pesquisa, que examinou e agregou elementos pictóricos, pesquisa de campo e a subjetividade artística como inspiração fundamental para nossa criação coreográfica / Abstract: This essay is based on the works of François Delsarte to study analytically and understand the dramatic nature and expressiveness of human gesture on the Baroque painting of the Ouro Preto's churches. We analised minutely the ceiling of Nossa Senhora da Conceição's church painted by Lourenço Petriza. To understand the emotions impressed on this ceiling we report to Delsartes's ideas. We organize a scenic composition that resume the poetry of all moments that we lived in this essay, that examinated and added pictorial elements, search and artistical subjectivity to our coreografic creation / Mestrado / Artes Visuais / Mestre em Artes
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Le grand large dans la politique étrangère française : penser le changement de la fin de la guerre d'Algérie à la fin de la guerre froide / Le grand-large in the French foreign policy : Thinking the change - between the end of the Algerian War until the end of the Cold WarDurez, Aymeric 07 December 2016 (has links)
La politique étrangère de la France peut être appréhendée à travers trois cercles d'appartenance privilégiés: le cercle européen, le cercle transatlantique et le cercle du "grand-large". Alors que le premier cercle correspond à la politique de voisinage et renvoie à l'Union européenne, que le deuxième cercle correspond au partenariat de sécurité et renvoie à l'OTAN, le cercle du grand-large ne peut être identifié aussi facilement par une aire géographique, une fonction ou un processus institutionnel. En partant de la fin de la guerre d'Algérie, cette thèse analyse les transformations de la politique étrangère du grand-large en articulation avec les deux autres cercles entre 1958 et 1991. A travers cet objet, ce travail a pour ambition de montrer que la politique étrangère de la France sous la Vème République ne se caractérise pas par une continuité "gaullo-mitterrandienne" mais au contraire par une inégale aptitude entre le général de Gaulle et François Mitterrand pour articuler l'ampleur du changement dans la politique des trois cercles (révision de la politique à l'intérieur d'un cercle d'appartenance/ permutation hiérarchique entre les cercles/ apparition ou disparition d'un cercle) avec les différentes formes du changement dans l'environnement extérieur (reconfiguration de la polarité à l'échelle internationale/ modification des relations entre les principaux pôles/ restructuration de la polarité au niveau régional). L'absence d'institutionnalisation de la politique du grand-large, les tentatives avortées pour modifier le contenu de ce cercle et les difficultés pour en faire un levier ont conduit à sa relégation par rapport à une dynamique euro-atlantique. / France’s foreign policy can be understood through three major concerns: the European circle, the transatlantic circle and the circle of le grand-large. While the first matter corresponds to the European Neighbourhood Policy, and the second matter is asecurity partnership and refers to the NATO, the circle of le grand-large cannot be easily identified by neither a geographical area, a function, nor an institutional process. Starting from the end of the Algerian War, this thesis analyses the transformation of the foreign policy of le grand-large in coordination with the other two incidents between 1958 and 1991. This study aims to illustrate that France’s foreign policy under the Fifth Republic is not characterised by "gaullo-mitterrandienne" continuity, but rather by unequal ability between General de Gaulle and François Mitterrand to articulate the magnitude of change in politics of the three circles (alteration of the policy within a circle of belonging / hierarchical switching between the circles / appearance or disappearance of a circle) with different forms of change in the external environment (reconfiguration of the international polarity / modification of the relations between the main poles / restructuration of the polarity at regional level). The lack of institutionalization of le grand-large policy, abortive attempts to modify the content of this circle and difficulties for this policy to become a lever, led to his relegation compared to a Euro-Atlantic dynamic.
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Wild Normativity: Lyotard's Search for an Ethical AntihumanismMcLennan, Matthew January 2011 (has links)
In spite of its thematic and stylistic heterogeneity, Jean-François Lyotard’s corpus may be plausibly interpreted as, by and large, an attempt to grapple with the following problem set: a) In general: if we reject all transcendent/systematic philosophical frameworks, can we consistently make normative claims? Can we ground them in any way? Do we need to? b) In particular: if we reject the philosophical framework of humanism, what does this mean for ethics and/or politics? Can one be an antihumanist without abandoning ethics? The basic issue is over the titular possibility of a “wild normativity” – that is, a normativity that does not derive its force from any kind of transcendent guarantor. As I reconstruct him, Lyotard begins from a methodological rejection of transcendent guarantors in general; this plays itself out in particular terms as a rejection of humanism. Thus, beginning from a thought not of universality and totality but of singularity and difference, and wishing at a certain point in his career to ensure that the problem of justice stays firmly on the agenda, Lyotard gives us to think the very possibility of an ethical antihumanism. My dissertation is both an interpretation of Lyotard’s work as it unfolds in time, as well as a contribution to thinking through the general-particular problem set that I argue is at play in his work.
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François Cheng dans son temps : pour une création humaniste / François Cheng in his time : for a humanistic creationWu, Chunfeng 13 December 2013 (has links)
Cette étude consiste à mettre en lumière la double dimension du temps chez François Cheng. Partant du principe qu’il est un homme de dialogue, on ne peut que remarquer sa situation particulière dans son époque. En effet, il est à la fois contemporain des grandes remises en cause révolutionnaires de l’humanisme littéraire et des voix comme celles d’Yves Bonnefoy ou de Philippe Jaccottet C’est ainsi que nous nous proposons, dans notre première partie, de mettre en parallèle l’œuvre poétique de François Cheng avec les diverses voix de la poésie française de la deuxième moitié du XXe siècle. Pour mieux cerner la place qu’il occupe dans cette époque et montrer le rapprochement avec ses contemporains, nous tâchons de retracer les mutations principales en ce qui concerne la méfiance envers les images, une redéfinition du sujet et un renouveau de la notion d’humanisme. La deuxième partie est centrée sur des analyses détaillées de l’écriture poétique chengienne dont le but est de mieux comprendre une poésie de l’élémentaire qui a souci de renouer le lien avec l’univers vivant. La troisième partie tâche d’éclairer le temps lui-même, qui est fondé sur le Vide et le Change. Habité par cette conviction, le poète conçoit sa création comme une Œuvre inachevable. A travers les analyses des thèmes traditionnels de la poésie occidentale comme la nuit ou l’amour, et de certains de ses usages (celui la sonorité et du rythme notamment), notre étude se propose d’interpréter la vitalité d’une démarche d’écriture qui rompt avec les conventions et ouvre la parole à un dynamisme certain. / This study consists in showing François Cheng’s double dimension of time. Assuming that he is a man of dialogue, we can only remark his particular situation in his time. Indeed, he is a both contemporary of the revolutionary cause of humanism and the literary and of voices like Yves Bonnefoy or Philippe Jaccottet. Thus we propose in the first part a parallel study between the poetic work of François Cheng and the diverse voices of the French poetry of the second half of twentieth century. To better understand Cheng’s place in that time and show the comparison with his contemporaries, we try to trace the major changes regarding distrust of images, a redefinition of the subject and a revival of the concept of humanism. The second part focuses on the detailed analysis in Cheng’s poetry work to better understand a poetry of elemental who desire to renew the relationship with the world. The third part of our research seek to clarify his own time based on the Empty and the Change. With this conviction, the poet sees his creation as an unachievable Work. Through the analysis of traditional themes in Western poetry such as night, love, the sound and rhythm, our study is to interpret the vitality of a writing process who breaks with conventional and opens the speech to the dynamism.
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Frank Zappa and Mikhail Bakhtin: Rabelais's carnival made contemporaryAntinora, Sarah Hill 01 January 2008 (has links)
For this project, the author uses Bakhtin's theory of carnival to illuminate Zappa's sound and rhetoric. The author hopes that by using this theoretical lens allows audiences to understand Zappa's choices in subject matter. Those who can see his work as satire and understand the use of carnivalesque techniques in challenging authority see the genius in his work.
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The co-existence of endangered primate species and ethnic groups in southwest China / 中国南西部における絶滅危惧霊長類と現地少数民族との共存Liu, Jie 23 March 2020 (has links)
付記する学位プログラム名: 霊長類学・ワイルドライフサイエンス・リーディング大学院 / 京都大学 / 0048 / 新制・課程博士 / 博士(理学) / 甲第22300号 / 理博第4614号 / 新制||理||1662(附属図書館) / 京都大学大学院理学研究科生物科学専攻 / (主査)教授 平田 聡, 教授 幸島 司郎, 教授 伊谷 原一 / 学位規則第4条第1項該当 / Doctor of Science / Kyoto University / DGAM
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Interpretační sémantika jako příspěvek k recepci literárního textu / Interpretative Semantics as a Contribution to Reception of a Literary TextKoblížek, Tomáš January 2014 (has links)
The thesis deals with the project of interpretative semantics as it has been developed by the French linguist François Rastier. The aim of the thesis is twofold: Firstly, to introduce and to further elaborate on the principles of this theory. Secondly, to point out possible benefits of Rastier's project for interpretation and analysis of literary texts. The key issue which characterizes the Rastier's semantics and which also represents the main axis of the present thesis can be put forward as follows. On one hand, the interpretative semantics grasps the text as a linguistic object which is open to various formal arrangements and to various articulations of semantic units. On the other hand, each text in its linguistic and non-linguistic context receives a particular shape and particular meaning. This general issue is discussed in detail in four mutually bound chapters where it is also applied on literary texts: (1) The first chapter deals with the notion of isotopy as the main textual principle. From the perspective of this concept a text cannot be grasped as a "big sentence" with an apriori determined syntax. Textuality rather resides in relationships between iterated (isotopic) elements which can be detected in the particular text on different linguistic levels (morphemes, lexies, sentences)....
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Francie a reforma eurozóny - od Sarkozyho k Hollandovi / France and the reform of the eurozone - from Sarkozy to HollandeJuhás, Tomáš January 2015 (has links)
Bibliografický záznam JUHÁS, Tomáš. France and the reform of the eurozone - from Sarkozy to Hollande. Praha, 2015. 68 s. Diplomová práce (Mgr.) Univerzita Karlova, Fakulta sociálních věd, Institut mezinárodních studií. Katedra západoevropských studií. Vedoucí diplomové práce Doc. JUDr. PhDr. Ivo Šlosarčík, LL.M., Ph.D. Abstract The thesis seeks to map and explain the change of mind of President François Hollande with regard to the overall austerity in the eurozone. In early 2012, the President-to-be Hollande campaigned on a wave of desire for change and his campaign promises and election program promised a radically new approach towards economic and fiscal policies in the eurozone once he became president. The most explicit manifestation of this change should have been the renegotiation of the fiscal compact, formally the Treaty on Stability, Coordination and Governance in the Economic and Monetary Union. However, once in office, the new socialist president made very little to change the overall course of austerity at home and in the euro area. To explain this unexpected outcome, the thesis employs the sociological-political concept of the field of Eurocracy, derived from the sociology of Pierre Bourdieu and developed in the French academia by Didier Georgakakis and Jay Rowell. In such context, President...
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