This dissertation analyses seven modern Bible translations in French with respect to their renderings of Koine Greek participles. The sample consists of the Passion Story from the four Gospels (Matt 26-28, Mark 14-16, Luke 22-24 and John 18-21), and is comprised of 603 Hellenistic participles in all. The participle forms are studied in six categories according to their syntactic function. The comparison focuses on differences in translation strategy, i.e. formal equivalence, omission and different kinds of transpositions, with special attention given to the choice of verb form. There is a discussion of the adequacy of contemporary, explicative theories of systemic differences between the passé simple/passé composé and the imparfait. A large number of examples are analysed in detail. The results of the survey show that the most prominent differences in translation strategies concern the predicative participle. Furthermore, this was the category that occurred most frequently in the sample. The Catholic scientific and literary translation La Bible de Jérusalem (1998) is the most literal of the seven versions. A high level of formal equivalence is also registered in the other scientific translation, La Traduction Œcuménique de la Bible (1988), even though application of this strategy outweighs the use of finite verbs, that is to say, the most common transposition. La Bible en français courant (1996) is the least literal: generally, it transposes the participle of the source text with a finite verb. This transposition is also very frequent in the literary La Bible de la Pléiade (1971). Most of the omissions are recorded in the recent literary La Bible, Nouvelle traduction (2001), which is shown to be the most divergent translation. Omissions are also frequent in the pastoral La Bible des moines de Maredsous (1968) and the liturgical La Traduction liturgique de la Bible (1977). When translated in conjunction with an element comprising a verb in one of the non-indicative moods (infinitive, imperative, participle and subjunctive), both the present and the aorist predicative participles are, to a large extent, rendered by a simple form, expressing non-accomplishment. However, the Bible de Jérusalem stands out with its greater use of compound present participles than any other version. When the predicative participle of the source text is transposed with a verb in the indicative mood, the passé simple is generally used to render the aorist; for the present participle, the imparfait is more frequent than the passé simple. Nevertheless, here too the passé simple accounts for a significant portion of the equivalents, especially in the two translations where transpositions formed by finite verbs are particularly important. There exist a few cases where some translators chose to use the passé simple/passé compose, while others chose the imparfait. The various details, tables and linguistic analyses in this dissertation provide a solid basis for accurately characterizing the various modern attempts made at reproduce this ancient text – a text so often translated, paraphrased, interpreted and deeply integrated in our cultural heritage.

This study explores the use of war metaphors, more specifically metaphors centred on the verb, in modern French newspaper prose from three principal angles.  The first part of the analysis shows that the verbs of war used are metaphorical rather than concrete. However, the vast majority of the metaphors stem from only five verbs, namely attaquer, affronter, combattre, défendre and lutter.  The second part of the analysis focuses on these five verbs and their metaphorical uses. It is shown that it is the semantic role of patient that separates a metaphorical use from a concrete use. A classification of the patients according to semantic fields reveals that each of the five verbs shows a distinct preference for a certain type of patient and the verbs also differ in whether their patients have negative or positive connotations. This creates an image of five verbs, each of which is conventionalised in a certain linguistic context.  The final chapter of the analysis investigates war metaphors from a textual perspective, analysing their usage according to three parameters: position, function and target domains. The position that is the most susceptible to war metaphors is the initial position. The textual functions of metaphors are divided into one semantic and three pragmatic functions. The semantic function structures the theme of an article in terms of war, construing an antagonism by means of elaborating or extending a conventional metaphor. The pragmatic functions considered are argumentative, descriptive and expressive. In the articles studied, war metaphors have mostly a descriptive or argumentative function. Finally, the target domains and their interconnections with the source domain WAR are considered, showing that the war metaphors are linked to power or the lack thereof. The metaphor often describes the person in power, but the case can be reversed with the metaphor describing the powerless resisting or fighting the person in power.

This thesis investigates the use and development of dislocations in oral productions by Swedish users of French as a second language (L2). Dislocations are highly frequent in French oral speech and play an essential role in building utterances. L2 users of French must therefore acquire the grammatical means necessary to build this structure as well as the pragmatic principles underlying its use. The study is empirical, and based on a corpus of oral productions from a wide range of non-native speakers (NNS), from beginners studying at university to L2 users who have spent many years in France. The analysis also includes oral productions from a control group of native speakers (NS). The aim is to identify a path of development by which the different forms and functions of dislocations are acquired. Furthermore, the study examines the influence of tasks on the use of dislocations, by analysing two tasks which place very different demands on the informants in terms of cognitive effort, namely interviews and retellings. The analysis focuses on two main kinds of dislocations: on the one hand, [moi je VP] (and its syntactical variants); on the other hand, dislocations referring to third entities (such as [NP il VP] and [NP c’est X]). The results show that both kinds go through a process of development in French L2. However, French learners seem to master the lexical dislocations referring to third entities as well as their pragmatic rules of use from the first stages of acquisition, yet with deviances in some cases. On the other hand, the frequency of use of [moi je VP] and its syntactical variants correlates highly with the level of development of the NNS. Moreover, there is a significantly greater frequency of dislocations in the NNS retelling tasks than in their interviews. In the NS group, the frequency of use remains comparable in both tasks. This difference between NS and NNS is probably due to the additional cognitive load that retellings demand compared with interviews—e.g., recalling the succession of events, solving the lexical problems posed by the story that is to be retold. It is proposed that this additional load may trigger, as a compensation strategy, an increase in the frequency of use of dislocations in the NNS speech.

The present study addresses, in a comparative Swedish-French perspective, the derived adverb and its modification by a following adjective. From a translational point of view, the structure derived adverb + adjective is interesting, since its translation into French is reputed to generate problems. In this study, a linguistic approach is adopted to these translation problems. For the investigation, a corpus of 510 Swedish tokens representing the structure derived adverb + adjective, and their respective translations into French, was compiled. The tokens originate from 22 contemporary Swedish novels. The number of translators represented in the corpus amount to 14. The tokens were classified into two major groups: intensifying adverb + adjective and qualitative adverb + adjective. The former group was further divided into subcategories according to the semantic nature of the adjective from which the adverb is derived. The main objectives of the study are (1) to investigate the solutions adopted by the translators when rendering the construction derived adverb + adjective in French, (2) to analyse the factors − those inherent to the language and those situated on the contextual level − involved in the cases where the original structure is not maintained in the French translations, (3) to show that the solutions adopted by the translators differ according to which semantic category the adverb belongs to − the intensifying group or the qualitative group. Furthermore, the difficulties of making a clear division between intensifying adverbs and qualitative adverbs placed before the adjective are discussed at some length. The results show that when the adverbial element is intensifying, the same structure is more often maintained in the French translations than in those cases where the adjective is modified by a qualitative adverb. The study also demonstrates the great variety of factors involved in the cases where the structure derived adverb + adjective is not maintained in the French translations. These cases may be due to the fact that the equivalent of the Swedish phrase in question would form a non-established unit in French, to the lack of an equivalent adverb in French, to the tendency of the French language to favour nominal constructions, or to individual preferences of the translator.

The overall aim of the present study is to investigate how teachers deal with linguistic and cultural otherness in the French foreign language classroom at upper secondary school level in Sweden. The foreign language classroom is seen as a cultural meeting place where images of otherness are natural elements. In this respect, otherness should be regarded as one cultural aspect among others implying human as well as language phenomena. Analyzing the way in which the teachers in the study mediate this otherness to their students is expected to contribute to the pedagogical debate on intercultural understanding in language teaching and learning.   The study is based on empirical data consisting of video recorded observations in three different classrooms. One class (class A) is treated as primary data where two activities are especially focused, namely working with texts and working with grammar. The verbal interaction from these activities has been transcribed and analyzed qualitatively.   The first step of analysis concerns the learning aims which are transmitted to the students in the teacher’s introduction to the two activities. The second step deals with the teacher’s procedures to involve the students in the construction of knowledge which focuses on linguistic and cultural otherness.   Finally, a comparative perspective is adopted. On the one hand, the two different activities are compared with each other, while on the other hand, the findings from class A are compared with class B and C. From a dialogical point of view, the way in which the classroom setting and the teachers’ acting can favour intercultural understanding is discussed.   The results of the analyses highlight the fact that teachers seem to pay more attention to linguistic otherness than to cultural otherness. Furthermore, the study shows that the foreign language classroom has a dialogical potential when it comes to human relations and discourse. More attention could be paid to these aspects of teaching in order to pave the way for better intercultural understanding. The teachers in the present study seem to favour dialogical relationships in the classroom and neglect discursive issues in the situation. Our conclusion is that the way in which teachers deal with otherness is tradition-bound. Texts, for instance, even those with an obvious intercultural content, are treated as pre-texts for studying linguistic phenomena. Cultural phenomena, when dealt with, are limited to a product paradigm and are transmitted without reflection and with no apparent awareness of any intercultural understanding.

This thesis deals with the correlative markers d’une part… d’autre part, d’un côté… de l’autre and non seulement… mais in French and their Swedish counterparts dels… dels, å ena sidan… å andra sidan and inte bara… utan. These markers are composed of two separate parts generally occurring together, and announce a serial of at least two textual units to be considered together. The analyses of the use of these three French and three Swedish markers are based upon two corpora of non-academic humanities texts. The first, principal corpus, is composed only of original French and Swedish texts. The second, complementary corpus, is composed of source texts in the two languages and their translations in the other language. By the combination of these two corpora, this study is comparative as well as contrastive. Through application of the Geneva model of discourse analysis and the Rhetorical Structure Theory, a semantic and functional approach to correlative markers and their text-structural role is adopted. The study shows similarities as well as differences between the six markers, both within each language and between the languages. D’une part… d’autre part and dels… dels principally mark a conjunctive relation, whereas d’un côté… de l’autre and å ena sidan… å andra sidan more often are used in  a contrastive relation, even though they all can be used for both kinds of relations. Non seulement… mais and inte bara… utan mark a conjunctive relation, but can also indicate that the second argument is stronger than the first one. By the use of these two markers, the language users also present the first one as given and the second one as new information. In general, the French correlative markers appear to have a more argumentative function, whereas the text-structural function is demonstrated to be the most important in Swedish.

The overall aim of the present study is to investigate how teachers deal with linguistic and cultural otherness in the French foreign language classroom at upper secondary school level in Sweden. The foreign language classroom is seen as a cultural meeting place where images of otherness are natural elements. In this respect, otherness should be regarded as one cultural aspect among others implying human as well as language phenomena. Analyzing the way in which the teachers in the study mediate this otherness to their students is expected to contribute to the pedagogical debate on intercultural understanding in language teaching and learning.   The study is based on empirical data consisting of video recorded observations in three different classrooms. One class (class A) is treated as primary data where two activities are especially focused, namely working with texts and working with grammar. The verbal interaction from these activities has been transcribed and analyzed qualitatively. The first step of analysis concerns the learning aims which are transmitted to the students in the teacher’s introduction to the two activities. The second step deals with the teacher’s procedures to involve the students in the construction of knowledge which focuses on linguistic and cultural otherness. Finally, a comparative perspective is adopted. On the one hand, the two different activities are compared with each other, while on the other hand, the findings from class A are compared with class B and C. From a dialogical point of view, the way in which the classroom setting and the teachers’ acting can favour intercultural understanding is discussed. The results of the analyses highlight the fact that teachers seem to pay more attention to linguistic otherness than to cultural otherness. Furthermore, the study shows that the foreign language classroom has a dialogical potential when it comes to human relations and discourse. More attention could be paid to these aspects of teaching in order to pave the way for better intercultural understanding. The teachers in the present study seem to favour dialogical relationships in the classroom and neglect discursive issues in the situation. Our conclusion is that the way in which teachers deal with otherness is tradition-bound. Texts, for instance, even those with an obvious intercultural content, are treated as pre-texts for studying linguistic phenomena. Cultural phenomena, when dealt with, are limited to a product paradigm and are transmitted without reflection and with no apparent awareness of any intercultural understanding.

<p>The present study concerns cross-linguistic influence in the spoken French of multilingual learners. The main purpose is to investigate to what degree, and in what manner, previously acquired languages (L1, L2(s)) influence the target language, L3. Given the fact that the study only concerns spoken interlanguage, it makes use of a psycholinguistic perspective, which takes models of oral production into account.</p><p>The analysis is divided into two main parts. The first concerns the oral production of 30 Swedish learners of French, who fall into three groups according to their previous exposure to French: beginners, secondary school students and university students. The results show that proficiency in the L3 is crucial in at least two ways. First, there is a correlation between the level of proficiency in the L3 and the number of instances of cross-linguistic influence in that the least advanced learners produce the highest number of cross-linguistic lexemes, whereas the most advanced learners produce the lowest number. Second, the level of proficiency in the L3 is decisive for the number of background languages (L1, L2) used during oral production in L3: the lower the proficiency in the L3, the more background languages are used, and vice versa.</p><p>The second part of the analysis contains six case studies of learners with partly different L1s and L2s. It focuses on the roles of the background languages during conversation in L3 and on the factors contributing to the attribution of these roles. The results point at both similarities and differences between the learners with respect to the roles of the background languages. A result common to all the learners is the use of Swedish L1/L2 and English L1 as an instrumental language, i.e. a language used rather strategically with a communicative purpose. The use of these languages in this function seems to be due to the fact that Swedish and English are shared languages between the learner and the interlocutor.</p>

The aim of the present study is, firstly, to investigate the amount of Swedish and French that is produced by teachers and students in the foreign language classroom and, secondly, to examine in which situations the interlocutors code-switch and for what purposes the two languages are used. The study is based on empirical data consisting of audio recordings of interactions taking place in two different classrooms in Sweden. The study is carried out within an interactionist perspective on language teaching and learning, stressing that learning is situated in learners’ social and interactional practices. The empirical material has been categorized into five different groups according to the participation structure of each interaction and then analysed in two different parts, one quantitative and one qualitative. The quantitative analysis of the corpus established that the Swedish language is present in each of the categories. The results of the count of every turn and word pronounced in each language in the corpus show that many turns expressed by both teachers and students consist of a mixture of Swedish and French. This switching between different codes is the main object of the qualitative analysis of the corpus. The results of the qualitative analysis indicate that the participation structure and the choice of activity types and how these are organised in the classroom are decisive for teachers’ and students’ code-switching. Furthermore, the teachers’ actions concerning the choice of language for the interaction as well as their strategies to deal with the presence of both languages are conclusive for the students’ oral production of French in class. The analysis also reveals that the more the teachers use the target language in a consistent way, the more the students try to express themselves in French even if they often code-switch. The study points out the complexity of speaking French in a classroom context, where the teachers have to deal with the fact that the Swedish language is almost always present and used by the learners for different purposes. / IPACLE

<p>Inferno constitutes a turning point in Strindberg's literary production in that scriptural quotations appear more frequently and a new style emerges. This thesis presents the characteristics of the scriptural quotations appearing in Inferno (1897) and Jacob Wrestles (a fragment following Légendes, written in French and in Swedish in 1898). Comparative, discourse, textual and intertextual approaches are used to define the place and role of scriptural quotations in this literary corpus.</p><p>From a historical point of view, both novels are part of the religious history of late 19th century France, where religion played a more important role than during the scientific, rationalist era characterizing the preceding decades. Strindberg adopts a new style corresponding to the spirit of his time. The art of "quoting the Bible at random" is a rhapsodic style, which appears mainly in Strindberg’s correspondence, in his Occult Diary (writings contemporary with Inferno) and in the work of some French 19th century writers. This style originates, above all, in the occult tradition, but it is also a means of imitating the Bible and identifying with a prophetic figure.</p><p>The research discussed in this dissertation has made it possible to determine, for the first time, what Bible translations are used in the two novels by Strindberg (translations by Ostervald and Martin / Roques). Five different types of rewritings of quotations were found: omissions, cutting of verses, substitutions, typographical changes and inversions. These variations were aimed at harmonising the Biblical text and the Strindbergian text, while removing contextual and theological elements that bothered the writer. The discourse analysis has concentrated on the quotations viewed as reported speech, distinguishing different ways of introducing Biblical verses in the novel. It was found that the narrator's subjectivity is present in the comments leading up to the quotations. The polyphonic character of some quotations has stressed the importance of identification play between the narrator and certain quotations characters such as Christ, Job and the psalmist.</p><p>The intertextual analysis has revealed a large number of similarities in the scriptural quotations in the literary production of Strindberg, Swedenborg and French 19th century literature. It is shown that Inferno contains various quotations that appear in Occult Diary and in other writers’ works, such as those of Swedenborg, Péladan, Zola, Huysmans and Chateaubriand. Jacob Wrestles, on the other hand, does not include as many intertextual elements but instead reassembles many scriptural quotations that were underlined in the Bible translation used for this novel: La Sainte Bible, Ostervald's translation from 1890, which can be found in Blå Tornet (The Strindberg Museum in Stockholm). Strindberg is consequently recycling Biblical material when he writes Inferno, while resorting to the French Bible of Ostervald from 1890 to write Jacob Wrestles.</p><p>The quotations strewn in Inferno constitute a crescendo and reveal the narrator’s unsuccessful attempt at conversion, at the same time forming the structure of a complaint psalm in which the narrator cries out his suffering and awaits liberation. In the French text of Jacob Wrestles, the writer offers a package of scriptural quotations in order to identify the narrator as "a religious man", imploring God's mercy like Moses and Job. In the Swedish text of Jacob Wrestles, a new perspective is introduced as a result of the change in language, the change from Old to New Testament, the new spiritual disposition of the narrator and the sudden intrusion of the writer in the narrator’s space. The role of scriptural quotations in the entire fragment of Jacob Wrestles is a true linguistic, thematic and theological revolution, which accounts for the narrator's extraordinary religious evolution. The misery of the narrator in Inferno allows a ray of Christian hope, which will persist in Strindbergs’s literary production post-Inferno.</p>