The Voronezh poetry of Osip Mandelstam (1935-1937) is viewed by many critics as one of the most heroic of Russian literature's many confrontations between the poet and the tyrant. Recently, however, Mandelstam's image has seemed to be compromised by the existence of poems revealing a more loyalist Mandelstam, in particular an Ode written in January 1937 in praise of Stalin. Critics are divided as to whether this poem is an expression of genuine praise and loyalty, whether it was written out of pragmatic considerations, or whether it is in fact an attack, in Aesopian language, on Stalin. This thesis argues that the lack of critical concensus on this and other matters is caused in large part by certain dangers inherent in the main method (intertextual analysis) used to study Mandelstam. The thesis therefore has a dual focus: it investigates theories of intertextuality and influence as issues of central importance to current literary debates, and attempts to establish an eclectic theory which fuses elements of various approaches to intertextuality and influence; but it does so in order that the poetry of Mandelstam and other Russian poets may be better understood. The thesis provides a detailed examination of Harold Bloom's theory of influence and applies it to Mandelstam's poetry, and argues that it is possible that it may be applied fruitfully to other Russian poets. Yet Russian poetry also provides a corrective to Bloom's tendency to see poetic influence as almost exclusively a relationship between literary texts. The thesis argues that Mandelstam's poetic precursor is Pushkin, and that his sense of being Pushkin' & heir seems to place him under some sort of obligation to imitate Pushkin's life and death as well as his art an extreme case of zhlznetvorchestvo ("life-creation"). Mandelstam's most significant description of his own death as an imitation of Pushkin's is found in his "Stikhi o neizvestnom soldate" ("Verses on the Unknown Soldier"). Bloom's theory helps one realise that the "Ode to Stalin" is only a part of Mandelstam's rewriting of Pushkin's own uncertainties in his relationship with Nicholas I; one may view the "Ode to Stalin" and "Stikhi o neizvestom soldate" as a single text equivalent to Pushkin's examination in Mednyl vsadnik (The Bronze Horseman) of the conflicting claims of state and individual. Mandelstam's willingness to give the devil some of his best words is thus not incompatible with the anti-Stalin conclusions reached by his work taken as a whole.

Submitted by Roberth Novaes (roberth.novaes@live.com) on 2018-07-16T13:14:30Z No. of bitstreams: 1 MESTRADO_Dissertacao_Plutarco_Ryszard.pdf: 1444483 bytes, checksum: 407185b2d5e4e4ac4a62da590ca53462 (MD5) / Approved for entry into archive by Setor de Periódicos (per_macedocosta@ufba.br) on 2018-07-16T20:01:36Z (GMT) No. of bitstreams: 1 MESTRADO_Dissertacao_Plutarco_Ryszard.pdf: 1444483 bytes, checksum: 407185b2d5e4e4ac4a62da590ca53462 (MD5) / Made available in DSpace on 2018-07-16T20:01:36Z (GMT). No. of bitstreams: 1 MESTRADO_Dissertacao_Plutarco_Ryszard.pdf: 1444483 bytes, checksum: 407185b2d5e4e4ac4a62da590ca53462 (MD5) / Plutarco de Queroneia (46-120) foi um prolífico polímata grego do período do Império Romano. Plutarco se destacou nos campos da Literatura, História, biografia, retórica e da filosofia. A obra de Plutarco teve o objetivo de preservar a cultura e a identidade gregas e promover esta cultura grega perante Roma, acentuando a helenização do povo romano. Este presente texto constitui uma experiência de crítica literária baseada, sobretudo, no método de Otto Maria Carpeaux associado com a crítica de Harold Bloom. Neste texto são estudados os elementos literários das duas principais biografias de Plutarco: Vida de Alexandre e Vida de Júlio César, além da atividade comparativa entre Plutarco, Homero e Platão. / Plutarch of Queroneia was a prolific Greek polymath of the Roman Empire. The work of Plutarch excelled in the fields of Literature, History, biography, rhetoric and philosophy. The Plutarch‟s work aimed to preserve the Greek culture and Greek identity and promote this Greek culture in Rome, accentuating the Hellenization of the Roman elite. This present text is an experience of literary criticism based primarily on Otto Maria Carpeaux Method associated with the criticism of Harold Bloom. Here, have studied the literary elements of the two major biographies of Plutarch: Life of Alexander and Life of Julius Caesar, in addition to comparative activity among Plutarch, Homer and Plato.

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Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-01-30T10:58:26Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Gismair Martins Teixeira - 2014.pdf: 2232922 bytes, checksum: 7bfe49c4d5e64091437f71833f82f883 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-30T13:28:20Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Gismair Martins Teixeira - 2014.pdf: 2232922 bytes, checksum: 7bfe49c4d5e64091437f71833f82f883 (MD5) / Made available in DSpace on 2015-01-30T13:28:20Z (GMT). No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Gismair Martins Teixeira - 2014.pdf: 2232922 bytes, checksum: 7bfe49c4d5e64091437f71833f82f883 (MD5) Previous issue date: 2014-09-19 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This thesis aims to present, in an epistemological perspective and fictional, the relationship between the Bible and the Literature. Divided into two parts, this study includes first, an approach around the literary criticism, which has been focusing on the relationship between the biblical text and the universe of literary studies. Of the number of experts who have devoted their lives to studying it, we have selected two important names of the literary criticism international in the 20th century, that have stood on this interaction in perspective that we can say of complementary and rhizomatic as the postulates of epistemology proposed by Gilles Deleuz and Félix Guattari. They are the Canadian Northrop Frye and the American Harold Bloom. Of both, the latter is the one that more intensely established the dialog between the Jewish-Christian book and the Literature. From the intriguing conclusions of these theorists, we opened for a second time that establishes the relationship between the thoughts of these experts, with emphasis in Bloom, and the lusophone fiction of three Romanesque clippings: A mulher que escreveu a Bíblia, by Moacyr Scliar; Caim, by José Saramago and Grande sertão: veredas, by João Guimarães Rosa. These works are analyzed in inter-textual dialogs with other literary representations national and international, that include the relationship between the Bible and the Literature in an approach of hypertextuality of conceptualization by Gerard Genette, that in turn converses with considerations of Linda Hutcheon alluding to studies on the parody. As a methodology, we are employing the bibliographic research relating to the object of research relevant to the thesis. As a result of our research, we conclude that there is a plentiful cartography, that this work is an example, which contradict the existence of biblical-literary rhizome, which leads to the proposition that the Bible, one of the most important artistic codes of Western culture, it is a work that can be seen as a literary piece as advocates Harold Bloom, without prejudice of the rhizome that links it to the religiosity, working as one of the most intrigu ing hypo-texts of Western Literature, which can also be researched on a level of high erudition in his hypertextuality. / A presente tese objetiva apresentar, numa perspectiva epist emológica e ficcional, a relação entre a Bíblia e a Literatura. Dividido em duas partes, este estudo contempla primeiramente uma abordagem em torno da crítica literária que tem se debruçado sobr e a relação entre o texto biblista e o universo dos estudos literários. Do conjunto de estudiosos que se dedicaram a estudá-la, pinçamos dois importantes nomes da crítica literária internacional no século XX que se detiveram sobre esta interação em perspectiva que se pode dizer complementar e rizomática, conforme os postulados da epistemologia proposta por Gilles Deleuze e Félix Guattari. São eles o canadense Northrop Frye e o norte-americano Harold Bloom. De ambos, Harold Bloom é o que mais intensamente estabeleceu o diálogo entre o livro judaico -cristão e a Literatura. A partir das instigantes ilações destes teóricos, abrimo s para um segundo momento que estabelece a relação entre o pensamento desses estudiosos, com ênfase em Bloom, e a ficcionalidade lusófona de três recortes romanescos: A mulher que escreveu a Bíblia, de Moacyr Scliar; Caim, de José Saramago e Grande sertão: veredas, de João Guimarães Rosa. Estas obras são analisadas em diálogos intertextuais com outras representações literárias nac ionais e internacionais que contemplam a relação entre a Bíblia e a Literatura numa abordagem de hipertextualidade da conceituação de Gérard Genette, que por sua vez dialoga com as considerações de Linda Hutcheon alusivas aos estudos sobre a paródia. Como metodologia, servimo -nos da pesquisa bibliográfica relativa ao objeto de pesquisa pertinente à tese. Como resultado de nossa pesquisa, chegamos à conclusão de que há uma farta cartografia, de que este trabalho constitui um exemplo, que referenda a existência do rizoma bíblico-literário, o que conduz à proposição de que a Bíblia, um dos mais importantes códigos artísticos da cultura Ocidental, é uma obra que pode ser vista como uma peça literária, como advoga Harold Bloom, sem prejuízo algum do rizoma que a vincula à religiosidade, funcionando como um dos mais instigantes hipotextos da Literatura no Ocidente, passível de ser também pesquisado em um nível de alta erudição em sua hipertextualidade.

Made available in DSpace on 2014-06-11T19:26:52Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-07-29Bitstream added on 2014-06-13T20:15:57Z : No. of bitstreams: 1 lima_lfm_me_assis.pdf: 697871 bytes, checksum: 0bbe9220f62fcc4c0238339196d33e3c (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Harold Bloom (1930) é, para muitos, o crítico norte-americano de maior destaque nos estudos literários da atualidade. Sua teoria da influência, além de possuir sua própria retórica, resgatou à literatura seus aspectos mais subjetivos. O presente trabalho tem por objetivo empreender uma leitura de dissertações e teses acadêmicas brasileiras que tenham lançado mão da teoria da angústia da influência e seu mapa de desleitura, ou que discutam temas como o cânone literário, tão usualmente associado à figura do professor de Yale, enfático debatedor desse assunto. Para esse propósito foi feito o levantamento do corpus por meio de uma pesquisa nos principais sites e bancos de dados científicos brasileiros, como a Plataforma Lattes e o Banco de Tese da CAPES, e estabelecido os critérios de análise com base nas teses e dissertações que compõem esse corpus. A leitura desses trabalhos acadêmicos buscou identificar em que medida o crítico norte-americano está sendo lido no meio acadêmico brasileiro e compreender qual a amplitude dessas leituras. Por conseguinte, esta dissertação tem o intuito de entender qual a relevância das idéias de Bloom para o intelectual brasileiro da área de Letras. / Nowadays, Harold Bloom (1930) is, to many, the North-american critic of major projection in literary studies. His theory of influence, besides to have its own rhethorics, brought back to literature its more subjective aspects. The present work has as its objectives to engage in a reading of Brazilian academic dissertations and thesis which have made usage of the theory of anxiety of influence and his map of misreading, or which discuss themes as the literary canon, so usually associated to the professor of Yale´s figure, an emphatic debater of this subject. With this purpose in mind it was made the survey of the corpus through a research in the main Brazilian scientific websites and databases, like Plataforma Lattes and CAPES thesis database, and it was established the criteria of analysis based upon the thesis and dissertations which compound this corpus. The reading of these academic works sought to identify in what extent the North-American critic is been read in Brazilian academic environment and comprehend how wide have been these readings. Therefore, this dissertation has as its aim to understand how relevant to the Brazilian scholar of Language and Literature the ideas of Bloom area.

Orientador: João Luís Cardoso Tápias Ceccantini / Banca: Sílvia Maria Azevedo / Banca: Alice Áurea Penteado Martha / Resumo: Harold Bloom (1930) é, para muitos, o crítico norte-americano de maior destaque nos estudos literários da atualidade. Sua teoria da influência, além de possuir sua própria retórica, resgatou à literatura seus aspectos mais subjetivos. O presente trabalho tem por objetivo empreender uma leitura de dissertações e teses acadêmicas brasileiras que tenham lançado mão da teoria da angústia da influência e seu mapa de desleitura, ou que discutam temas como o cânone literário, tão usualmente associado à figura do professor de Yale, enfático debatedor desse assunto. Para esse propósito foi feito o levantamento do corpus por meio de uma pesquisa nos principais sites e bancos de dados científicos brasileiros, como a Plataforma Lattes e o Banco de Tese da CAPES, e estabelecido os critérios de análise com base nas teses e dissertações que compõem esse corpus. A leitura desses trabalhos acadêmicos buscou identificar em que medida o crítico norte-americano está sendo lido no meio acadêmico brasileiro e compreender qual a amplitude dessas leituras. Por conseguinte, esta dissertação tem o intuito de entender qual a relevância das idéias de Bloom para o intelectual brasileiro da área de Letras. / Abstract: Nowadays, Harold Bloom (1930) is, to many, the North-american critic of major projection in literary studies. His theory of influence, besides to have its own rhethorics, brought back to literature its more subjective aspects. The present work has as its objectives to engage in a reading of Brazilian academic dissertations and thesis which have made usage of the theory of anxiety of influence and his map of misreading, or which discuss themes as the literary canon, so usually associated to the professor of Yale's figure, an emphatic debater of this subject. With this purpose in mind it was made the survey of the corpus through a research in the main Brazilian scientific websites and databases, like Plataforma Lattes and CAPES thesis database, and it was established the criteria of analysis based upon the thesis and dissertations which compound this corpus. The reading of these academic works sought to identify in what extent the North-American critic is been read in Brazilian academic environment and comprehend how wide have been these readings. Therefore, this dissertation has as its aim to understand how relevant to the Brazilian scholar of Language and Literature the ideas of Bloom area. / Mestre

No description available.

Este trabalho procura compreender a relação entre as culturas literárias do Novo Mundo e a tradição ocidental em termos de idiomas, espaços geográficos, unidades políticas, regiões culturais e centros de população. A partir dessa perspectiva, são analisadas as abordagens históricas do australiano Henry Green, do estadunidense Harold Bloom, do brasileiro Antonio Candido e do argentino Jorge Luis Borges em relação aos seus respectivos contextos intelectuais: Sydney, Nova York, São Paulo e Buenos Aires. Ao fim, se propõe um projeto para elaborar uma história da literatura no Novo Mundo a partir da comparação das perspectivas de várias regiões dos Novos Mundos latino e anglófono. / This study aims to comprehend the relationship between the literary cultures of the New World and the Western tradition in terms of languages, geographical spaces, political units, cultural regions and population centres. On the basis of this perspective, it compares the historical approaches of the Australian Henry Green, the US American Harold Bloom, the Brazilian Antonio Candido and the Argentinean Jorge Luis Borges in relation to their respective intellectual contexts: Sydney, Nova York, São Paulo and Buenos Aires. Finally, it proposes the elaboration of a history of literature in the New World on the basis of the comparison of perspectives from different regions of the Latin and Anglophone New World.

Este trabalho procura compreender a relação entre as culturas literárias do Novo Mundo e a tradição ocidental em termos de idiomas, espaços geográficos, unidades políticas, regiões culturais e centros de população. A partir dessa perspectiva, são analisadas as abordagens históricas do australiano Henry Green, do estadunidense Harold Bloom, do brasileiro Antonio Candido e do argentino Jorge Luis Borges em relação aos seus respectivos contextos intelectuais: Sydney, Nova York, São Paulo e Buenos Aires. Ao fim, se propõe um projeto para elaborar uma história da literatura no Novo Mundo a partir da comparação das perspectivas de várias regiões dos Novos Mundos latino e anglófono. / This study aims to comprehend the relationship between the literary cultures of the New World and the Western tradition in terms of languages, geographical spaces, political units, cultural regions and population centres. On the basis of this perspective, it compares the historical approaches of the Australian Henry Green, the US American Harold Bloom, the Brazilian Antonio Candido and the Argentinean Jorge Luis Borges in relation to their respective intellectual contexts: Sydney, Nova York, São Paulo and Buenos Aires. Finally, it proposes the elaboration of a history of literature in the New World on the basis of the comparison of perspectives from different regions of the Latin and Anglophone New World.

Este trabalho procura compreender a relação entre as culturas literárias do Novo Mundo e a tradição ocidental em termos de idiomas, espaços geográficos, unidades políticas, regiões culturais e centros de população. A partir dessa perspectiva, são analisadas as abordagens históricas do australiano Henry Green, do estadunidense Harold Bloom, do brasileiro Antonio Candido e do argentino Jorge Luis Borges em relação aos seus respectivos contextos intelectuais: Sydney, Nova York, São Paulo e Buenos Aires. Ao fim, se propõe um projeto para elaborar uma história da literatura no Novo Mundo a partir da comparação das perspectivas de várias regiões dos Novos Mundos latino e anglófono. / This study aims to comprehend the relationship between the literary cultures of the New World and the Western tradition in terms of languages, geographical spaces, political units, cultural regions and population centres. On the basis of this perspective, it compares the historical approaches of the Australian Henry Green, the US American Harold Bloom, the Brazilian Antonio Candido and the Argentinean Jorge Luis Borges in relation to their respective intellectual contexts: Sydney, Nova York, São Paulo and Buenos Aires. Finally, it proposes the elaboration of a history of literature in the New World on the basis of the comparison of perspectives from different regions of the Latin and Anglophone New World.