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21	Från en lärd, till en man av värld : En ikonologisk analys av nitton porträtt av kända 1600-tals män Karlsson, Johanna January 2013 (has links) Denna uppsats gör med hjälp av Erwin Panofskys ikonologiska metod en analys av en serie på nitton porträtt av kända 1600-tals män. Dessa porträtt, vilka idag är placerade i biblioteket på Skoklosters slott utreds i sin ikonografi och sätts in i ett större ikonografiskt sammanhang. Porträtten har ett unikt utseende då de är målade på furupannå och sedan kontursågade kring den porträtterades huvud. Avsikten med uppsatsen är att förstå deras syfte och ursprung. Uppsatsen behandlar frågor som varför man har valt att göra dessa porträtt och om det finns en koppling mellan dessa och bibliotekskonst i stort. Likväl vilka som är avporträtterade, varför just dessa personer är det och vem som låtit göra porträtten undersöks. Det är en uppsats som till stora delar handlar om det adliga idealet på 1600-talet och hur det gav sitt uttryck i konsten. / This essay does, with the help of Erwin Panofsky’s iconological method, provide an analysis of a series of nineteen portraits of famous men of the 17th century. These portraits, which today are placed in the library of Skokloster castle, are analysed in their iconography, and placed in a larger iconographic context. The portraits all have unique appearances, since they are painted on pine panel and then sawed after the contour of the head of the portrayed. The aim with the essay is to understand purpose and origin of the portraits. The essay deals with questions such as why these portraits were chosen to be made, and if a connection exists between these works and library art in a bigger context. Who is being portrayed, why these people in particular, and who has taken the initiative of making the portraits are questions that are investigated as well. It is an essay that to a large extent treats the noble ideal of the 17th century, and how it gave its expression to art. The 17th century Portrait Baroque Swedish Empire Library art Man of learning Noble ideal Aristocrat Panofsky Iconologic Iconography Skokloster Salsta Bielke. 1600-tal Porträtt Barock Stormaktstiden Bibliotekskonst Lärda män Adligt ideal Aristokrat Panofsky Ikonologi Ikonografi Skokloster Salsta Bielke.
22	En pixlad analys : Hur applicerbara är äldre bildanalysmetoder på pixel art? / A pixelated analysis : How applicable are older image analysis methods on pixel art? Holm, Anna January 2022 (has links) This thesis examines the possibility of expanding the toolset for art historical studies of digital art, doing so by studying if older influential art theories can be used in image analysis of digital artworks. More specifically, the study centers around the application of Heinrich Wölfflin’s objective classifying principles as well as Erwin Panofsky’s iconology and iconography on the digital art form pixel art. The aim of the thesis is to research the level of applicability of these well-used image analysis methods on the art style, arguing for the legitimacy of pixel art as an art form as well as contributing to the expanding knowledge about digital art within the Swedish art history field. The results of the study showed that both Wölfflin’s and Panofsky’s image analysis methods are applicable on pixel art artworks, but in different ways with different prerequisites. The objective classifying principles of Wölfflin as well as the pre-iconographical stage of Panofsky’s method center around “surface level” aspects of a work of art such as lines, shading or image composition. These are aspects that in many ways differ greatly in execution between traditional painted art and pixel art, so for these methods to work there needs to be some translation to terms and aspects more applicable to pixel art. Panofsky’s iconography and iconology are on the other hand interested in “deeper” as well as contextual aspects of a work of art such as symbols or references. These aspects of pixel art artworks function in the same way as most other art, traditional or otherwise, and can therefore be directly applied without “translation”. Art History Pixel Art Digital Art Heinrich Wölfflin Erwin Panofsky Iconology Principles of Art History Image Analysis Konstvetenskap Pixel Art Digital Konst Heinrich Wölfflin Erwin Panofsky Ikonologi Konsthistoriska Grundbegrepp Bildanalys Art History Konstvetenskap
23	Fängslad skönhet : En ikonografisk/ikonologisk analys av Julia Margaret Camerons fotografi The Rosebud Garden of Girls / Imprisoned Beauty : An iconographic/iconologic analysis of Julia Margaret Cameron’s photograph The Rosebud Garden of Girls Lilja, Linnéa January 2024 (has links) This study aims to analyze the motif of Julia Margaret Cameron’s photograph The Rosebud Garden of Girls from 1868 regarding its literary sources, codes and how the women are depicted. The purpose is to find out whether the photograph romanticize or challenge the Victorian conventions. The applied method is Erwin Panofskys iconographical and iconological analysis methods. The theoretical framework consists of art historian Griselda Pollocks report regarding private and public spheres and how women and men are divided between these. Art historian Leena-Maija Rossi’s reasoning concerning female masquerade has also contributed a theoretical basis. The result shows a paradoxical picture of the Victorian view on women and how this is reflected in The Rosebud Garden of Girls. Julia Margaret Cameron 1860-talet ikonografi ikonologi Panofsky kvinnlighetens rum kvinnlig maskerad iscensatt fotografi The Rosebud Garden of Girls fotografi viktorianska eran prerafaeliterna dräktreform Griselda Pollock Leena-Maija Rossi Alfred Tennyson Maud Sandro Botticelli La Primavera allegori blommor som kvinnliga koder konventioner normer ideal kvinnoförtryck Art History Konstvetenskap

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