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1	Ett fönster mot det förflutna : Politiska satirteckningar i historieundervisning Hansson, Erik, Hedlund, John January 2016 (has links) Syftet med studien är att med utgångspunkt i begreppet historiebruk inleda en didaktisk diskussion kring användbarheten av politiska satirteckningar i historieundervisning. Som ett led i att nå fram till en didaktisk diskussion analyseras tre politiska satirteckningar för att undersöka på vilka sätt motsättningar i den samtida debatten kommer till uttryck. Studiens teoretiska utgångspunkt är dels satir som begrepp och dess roll som historisk källa, och dels begreppet historiebruk utifrån Klas-Göran Karlssons typologi. Därtill används begreppen historiemedvetande och historiekultur för att förstå hur och varför historia används i de analyserade politiska satirteckningarna. För att samla in materialet har Dagens Nyheters historiska arkiv används, där de tre politiska satirteckningarna representerar tre olika folkomröstningar i Sverige. I analysen används en ikonologisk bildanalysmetod som vi anpassat för studiens syfte. Analysen visar att de politiska satirteckningar reflekterar sin tids politiska motsättningar genom att kritisera motståndarsidan och därigenom även stärka den egna ståndpunkten. För att förstärka argumentationen används humor i stor utsträckning. Den didaktiska diskussionen visar att politiska satirteckningar kan vara ett konkret källmaterial i arbetet med att utveckla elevernas förståelse av hur historia kan användas, både i satirteckningarnas samtid och i elevernas nutid. Vidare visar den att de politiska satirteckningarna kan användas antingen som en aptitretare i början av ett arbetsområde, eller som en konkretisering av elevernas förvärvade kunskaper i slutet av ett arbetsområde. Avslutningsvis visar den didaktiska diskussionen att de humoristiska inslagen kan innebära att elevernas intresse riktas mot historieämnet. Historia satir politiska satirteckningar historiedidaktik historiebruk ikonologisk bildanalys gymnasieskolan
2	Grosz och hunden : En ikonologisk analys av hundens roll i Groszs målningar Martinsson, Anna-Maria January 2014 (has links) No description available. George Grosz hund ikonologisk analys Lovesick Suicide The City To Oskar Panizza Germany: a Winter’s Tale
3	Alice och Alice. : En ikonologisk analys av illustrationer från Alice i Underlandet. Freiholtz, Linda January 2021 (has links) The purpose of the essay was to analyse and compare four illustrations, two by John Tenniel and two by Tove Jansson, with each other. But also connect the illustrations with the era and with its painter’s personal context. The methods used in this essay was hermeneutic and Panofskys iconological analysis method, the first one with finding sources and the second, to see more sides of the illustrations. Material or sources was primarily two versions of the book Alice in Wonderland, the original from 1865 and the second one from 1966. Narrative analysis was used to put the illustrations into their context with the texts and books. The conclusion of the essay is that Tenniel and Jansson both did their own thing with the illustrations, they both used different techniques and the publishing of the two books were different because of the developments since the first book was published. They both had free hands in their depiction, which made it easier for them to do their own interpretations of the characters and the environment. illustrationer Panofskys ikonologisk analysmetod John Tenniel Tove Jansson Cultural Studies Kulturstudier
4	Kvinnans bestraffning: Blodets symbolik i skräckfilm : En studie i voyeuristiska bilder i skräckfilm / The Punishment of the Woman: The Symbolism of Blood in Horror Movies Nordlund Johansson, Maja, Skepi, Isabel January 2024 (has links) Den här uppsatsen undersöker symboliken av blodet på och från kvinnliga kroppar i skräckfilm och jämför hur de kvinnliga och manliga karaktärerna behandlas. En central del av uppsatsen är också att hitta kopplingar mellan blod, religion och sexualitet. För att besvara frågeställningarna genomfördes en kvalitativ bildanalys av två scener från vardera av filmerna Carrie (1976), A Nightmare on Elm Street (1984) och Scream VI (2023). Den teoretiska grunden för uppsatsen är Erwin Panofskys ikonologiska tolkning samt den manliga blicken av Laura Mulvey. Sammanfattningsvis visar studien att blod har använts som ett medel för att straffa de kvinnliga karaktärerna i de tre filmerna, den ikonologiska tolkningen bidrog till en förståelse om hur den manliga blicken fortfarande formar karaktärer och berättande, samt hur puritanismen har satt spår i den amerikanska filmindustrin. Skräckfilm slasherfilm kvinnliga kroppar blod genus sexualitet religion bestraffning puritanismen renhet sadistisk voyeurism fetischistisk skopofili ikonologisk tolkning den manliga blicken Carrie A Nightmare on Elm Street Scream VI Studies on Film Filmvetenskap
5	Naturligt farligt : Hur visualiseringar av klimatförändringar är laddade med tecken och känslor Jägerskog, Mattias January 2010 (has links) <p>The purpose of this thesis was to examine the relationship between feelings and visualizations of climate change. A case study was done on visualizations of climate change from a web page concerning climate change published by the Swedish newspaper <em>Expressen </em>and from the American photographer Gary Braasch’s web page “World view of global warming”. The thesis is based on the article ”Emotional anchoring and objectification in the media reporting on climate change” by Birgitta Höijer. I have been aiming to understand the feelings of fear, hope, guilt, compassion and nostalgia through semiotic theories of icon, index and symbol.</p><p>Previous research has proven the difficulties in bringing the issue of climate change up on the public agenda – which is connected to the difficulties of visualizing climate change. The nature of climate change being slow and hard to spot on an individual level has been highlighted as a cause of both of these difficulties. Pictures and photos have in this thesis been seen as the “interface” between science and the public – and hence <em>decoders</em> of the science of climate change. Höijer’s article about feelings has been used to understand this process of decoding.</p><p>The results show that the analyzed material could be linked to and described by the semiotic theories of icon, index and symbol. The emotional anchoring found in the material and the semiotic application have been shown to work complementarily with each other, leading to a broader understanding of the material’s relationship to social cognitions. The results further demonstrated that context is essential in some of the analyzed visualizations of climate change. Generic pictures found in the material could have been regarded as icon, index or symbol of other messages – but is through its contexts anchored with feelings, and becomes visualizations of climate change. The analysis also suggests that if icons of nature could be connected with feelings – so could nature itself. The consequences are speculated to lead to objectification of nature and ecophobia. By objectifying nature and using generic pictures, the material’s relationship to the concepts of “truth” and “myth” is questioned.</p><p>In conclusion, understanding of the analyzed material is advantageously achieved through complementary use of Höijers emotional categories and the semiotic theories of icon, index and symbol.</p> climate change nature environment climate internet media Expressen Gary Braasch visualization images photographs emotions feelings fear hope guilt compassion nostalgia truth myth semiotics archetypes icons index symbol Höijer iconographic sign interpretant object decoding generic anchoring objectification ecophobia context klimatförändringar natur miljö klimat internet media Expressen Gary Braasch visualisering bilder foton känslor rädsla hopp skuld medlidande nostalgi sanning myt bildsemiotik semiotik urbilder ikon index symbol Höijer ikonologisk ikonografisk preikonografisk tecken interpretant objekt avkodning generiska förankring objektifiering ekofobi kontext Media and communication studies Medie- och kommunikationsvetenskap
6	Naturligt farligt : Hur visualiseringar av klimatförändringar är laddade med tecken och känslor Jägerskog, Mattias January 2010 (has links) The purpose of this thesis was to examine the relationship between feelings and visualizations of climate change. A case study was done on visualizations of climate change from a web page concerning climate change published by the Swedish newspaper Expressen and from the American photographer Gary Braasch’s web page “World view of global warming”. The thesis is based on the article ”Emotional anchoring and objectification in the media reporting on climate change” by Birgitta Höijer. I have been aiming to understand the feelings of fear, hope, guilt, compassion and nostalgia through semiotic theories of icon, index and symbol. Previous research has proven the difficulties in bringing the issue of climate change up on the public agenda – which is connected to the difficulties of visualizing climate change. The nature of climate change being slow and hard to spot on an individual level has been highlighted as a cause of both of these difficulties. Pictures and photos have in this thesis been seen as the “interface” between science and the public – and hence decoders of the science of climate change. Höijer’s article about feelings has been used to understand this process of decoding. The results show that the analyzed material could be linked to and described by the semiotic theories of icon, index and symbol. The emotional anchoring found in the material and the semiotic application have been shown to work complementarily with each other, leading to a broader understanding of the material’s relationship to social cognitions. The results further demonstrated that context is essential in some of the analyzed visualizations of climate change. Generic pictures found in the material could have been regarded as icon, index or symbol of other messages – but is through its contexts anchored with feelings, and becomes visualizations of climate change. The analysis also suggests that if icons of nature could be connected with feelings – so could nature itself. The consequences are speculated to lead to objectification of nature and ecophobia. By objectifying nature and using generic pictures, the material’s relationship to the concepts of “truth” and “myth” is questioned. In conclusion, understanding of the analyzed material is advantageously achieved through complementary use of Höijers emotional categories and the semiotic theories of icon, index and symbol. climate change nature environment climate internet media Expressen Gary Braasch visualization images photographs emotions feelings fear hope guilt compassion nostalgia truth myth semiotics archetypes icons index symbol Höijer iconographic sign interpretant object decoding generic anchoring objectification ecophobia context klimatförändringar natur miljö klimat internet media Expressen Gary Braasch visualisering bilder foton känslor rädsla hopp skuld medlidande nostalgi sanning myt bildsemiotik semiotik urbilder ikon index symbol Höijer ikonologisk ikonografisk preikonografisk tecken interpretant objekt avkodning generiska förankring objektifiering ekofobi kontext Media and communication studies Medie- och kommunikationsvetenskap

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