Global ETD Search

101	Penser le corps, sa puissance et sa destinée chez Spinoza : aux sources de son anthropologie / Understanding the body, its power, and its destiny in Spinoza's philosophy : at the sources of his anthropology Brown, Julius 08 September 2015 (has links) Spinoza évaluera la révolution copernicienne et prônera un naturalisme rationaliste et matérialiste contre la tradition onto-théologique, Aristote et Descartes en étant les deux figures clés, sans parler des théologiens et de la Bible. Spinoza interprète l’erreur du géocentrisme comme signalant deux autres erreurs : le dualisme anthropologique classique qui inféodait le corps à l’âme et l’illusion du libre-arbitre. Par la réhabilitation gnoséologique, psychophysique et socio-affective du corps, il prétend conduire l’homme au salut présent, non eschatologique, le réconciliant avec lui-même et avec le Dieu-Nature. La permanence d’une sensibilité anthropologique hébraïque y est prégnante, ce qui n’annule pas des disparités conceptuelles, métaphysiques, sotériologiques et éthiques entre lui et l’Écriture. Ces disparités pourraient rapprocher Spinoza plus d’Aristote que de Descartes. Le projet spinozien tiendra-t-il ses promesses sans retomber dans les travers du mythique et du mystique ? / Spinoza assesses the Copernican revolution and advocates a rationalist and materialistic naturalismagainst the onto-theological tradition, Aristotle and Descartes as the two main figures thereof,theologians and the Bible not to mention. Spinoza interprets the error of geocentrism as indicating twoother errors: classical anthropological dualism which subjugated the body to the soul and the illusion offree-will. By gnoseological, psychophysical and socio-emotional rehabilitation of the body, he claims tolead man to present salvation, not eschatological, reconciling him with himself and with God as Nature.The permanence of Hebraic anthropological sensibility is pregnant, which does not cancel metaphysical,soteriological and ethical disparities between him and the Bible. These disparities could bring Spinozacloser to Aristotle than to Descartes. Will the spinozian project keep its promises without relapsing intothe traps of the mythical and the mystical ? Corps/âme Dualisme/monisme Chair/esprit Liberté/éthique Coeur/raison Anthropologie Amour/salut Herméneutique/Bible-Ecriture Théologie/philosophie Immortalité Métaphysique/eschatologie Conatus Body/soul Dualism/monism Flesh/spirit Heart/reason Mind Anthropology Love/salvation Hermeneutics/Scripture-Bible Theology/philosophy Freedom/ethics Immortality Eschatology/metaphysics Conatus 211.2 218
102	Posmrtný život dat: analýza vývoje přístupu sociálních sítí k posmrtným datům uživatelů / Afterlife of digital user data: analysis of evolution of posthumous data policies on social media Fléglová, Radka January 2021 (has links) This diploma thesis focuses on the topic of posthumous user data management concerning social media platforms. This topic is rarely discussed from the viewpoint of new media studies in academic literature. My thesis endeavours to unveil, contextualize, and critically assess the development of the posthumous data policies in order to uncover the level of control users and survivors have over the deceased users' data. Thus, three case studies of chronological posthumous policy development of major social media (Facebook, Twitter, and LinkedIn) were conducted and results were compared. The analysis has shown that platforms are rather reluctant to change their posthumous policies. One of the primary triggers for change comes from the users' feedback. Across all three cases every platform provided limited or no information about these policies in their terms of use or privacy policies. The case studies demonstrated that users have very limited choices regarding their data after death directly on the examined social media platforms. Individuals who were close to the deceased account users have the ability to request account deletion or have limited access to the account granted by the platform. The level of data preservation demanded by platforms seems dependent on a given social media's communication specificity...
103	Posmrtný život dat: analýza vývoje přístupu sociálních sítí k posmrtným datům uživatelů / Afterlife of digital user data: analysis of evolution of posthumous data policies on social media Fléglová, Radka January 2021 (has links) This diploma thesis focuses on the topic of posthumous user data management concerning social media platforms. This topic is rarely discussed from the viewpoint of new media studies in academic literature. My thesis endeavours to unveil, contextualize, and critically assess the development of the posthumous data policies in order to uncover the level of control users and survivors have over the deceased users' data. Thus, three case studies of chronological posthumous policy development of major social media (Facebook, Twitter, and LinkedIn) were conducted and results were compared. The analysis has shown that platforms are rather reluctant to change their posthumous policies. One of the primary triggers for change comes from the users' feedback. Across all three cases every platform provided limited or no information about these policies in their terms of use or privacy policies. The case studies demonstrated that users have very limited choices regarding their data after death directly on the examined social media platforms. Individuals who were close to the deceased account users have the ability to request account deletion or have limited access to the account granted by the platform. The level of data preservation demanded by platforms seems dependent on a given social media's communication specificity...
104	Midnattssol : Metamorfoser och medvetandefilosofi i The Hidden Oracle och Midnight Sun / Polar Night : Metamorphoses and Philosophy of Mind in The Hidden Oracle and Midnight Sun Jonsson Höök, Malin January 2021 (has links) The aim of this work is to examine how physical and mental metamorphoses affect the perception of the self. To do this I study the literary characters Apollo (The Hidden Oracle, by Rick Riordan) and Edward Cullen (Midnight Sun, by Stephenie Meyer), both of whom experience these different kinds of metamorphoses. I approach this problem with the help of philosophy of mind and, more specifically, the mind-body problem as well as the problem of personal identity. Amongst other things, I find that the physical metamorphoses are what enable and initiate the mental ones. I also discover that one of the biggest impacts on personal identity and the self comes from whether the characters are immortal or not. Rick Riordan Stephenie Meyer The Hidden Oracle Midnight Sun Apollo Edward Cullen Philosophy of mind Mind-body problem Metamorphosis Death Immortality Mortality Rick Riordan Stephenie Meyer The Hidden Oracle Oraklets Gåta Midnight Sun Midnattssol Apollo Apollon Edward Cullen Medvetandefilosofi Kropp-själ-problemet Metamorfoser Död Odödlighet Dödlighet General Literature Studies Litteraturvetenskap
105	Confronting eternity : strange (im)mortalities, and states of undying in popular fiction. Bacon, Edwin Bruce January 2014 (has links) When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities. I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series Immortality Undeath Undying Magic Science Pseudoscience Life Death Eternity God Alchemy Phoenix Popular Fiction Pop Culture William Shakespeare Hamlet Doctor Who The Doctor The Master Buffy the Vampire Slayer Gulliver's Travels Struldbrugg Jonathan Swift Sherlock Holmes Moriarty Arthur Conan Doyle Merlin The Once and Future King T.H. White The Mask Batman The Joker Scream Ghostface Saw The Jigsaw Killer Hanz Lungwitz Breaking Bad Walter White Heroes Sylar A Portrait of the Artist as a Young Man James Joyce The Picture of Dorian Gray Oscar Wilde Emily Dickinson Georg Wilhelm Friedrich Hegel Roger Ebert Judith Butler J.R.R Tolkien Dylan Thomas Robert Louis Stevenson
106	L'idéal extra-mondain et la valeur des montagnes-eaux : sur l'invention de shanshui et le naturalisme dans les milieux lettrés en Chine des Wei-Jin (220-420) / Yearning for the Otherworld and Value of Mountains-Waters : emerging of Chinese Landscape and Naturalism in Literate Milieus under the Wei-Jin (220-420) / 世外理想與山水之境 : 中國魏晉時代的山水生成與自然主義 Liu, Nan 21 February 2018 (has links) Considéré généralement comme objet de l’art, sujet de la littérature et catégorie de l’esthétique chinoise, shanshui, les « montagnes-eaux », est censé relever d’un sentiment et d’une conception de la nature relativement différente de celle de l’Occident. Or la construction moderne de shanshui au prisme de la nature n’intègre la multiple pratique paysagère historiquement fondée dans la tradition lettrée, inextricablement liée à l’invention des montagnes-eaux : l’érémitisme, la recherche d’immortalité, l’excursion, la réunion littéraire lettrée, la création poétique, picturale et du jardin. Centrée sur l’histoire tri-séculaire après la chute de la Dynastie Han, en exposant les conjonctures particulières, analysant la notion ‘ziran’ dans l’étude du Mystère, rassemblant et traduisant les écrits et poèmes thématiques qui témoignent des mouvements et tendances extra-mondains dans les milieux lettrés sous les Wei-Jin (220-420), cette thèse vise à montrer que shanshui, plutôt que d’être constitué par la dualité nature/art, est inventé comme un paradigme confrontant, dans une bipolarisation de la réalité lettrée à cette époque, l’espace confucéen et l’espace taoïste, le service et la retraite, les affaires mondaines et la recherche de l’idéal par-delà la société. Autour de shanshui se cristallisent les idées-valeurs comme l’authenticité, la dévotion, la vertu, la liberté, le naturalisme, le mysticisme, la créativité et la transcendance immanente, en cela, nous supposons la co-naissance des montagnes-eaux et d’un idéal-type de l’humanisme classique chinois. / Generally regarded as the object of art, the subject of literature and Chinese aesthetic category, Shanshui (mountains-waters) is believed to be relevant to aesthetical feelings as well as the philosophical concept of nature that is different from that of the West. However, the modern construction of Shanshui through the prism of nature does not integrate the multiple landscape practices historically founded in the gentry's tradition, which had contributed to the invention of mountains-waters: eremitism, immortality seeking, excursion, gathering of literary circles, and the creation of poetry, paintings and gardens. Focusing on the history of Wei-Jin (220-420) after the fall of the Han dynasty, exposing the particular contexts, analyzing the notion of 'Ziran' in the Xuanxue school, gathering and translating the writings and thematic poems showing the extra-mundane movements and tendencies in literate milieus under this time, this thesis aims to show that Shanshui, rather than being constituted by the duality of nature and art, has been invented as a cultural paradigm to confront, in a bipolarization of the reality of ruling gentry class, the Confucian space and the Taoist space, service and disengagement, mundane concerns and pursuit of the Ideal beyond society. Around Shanshui the ideas and values such as authenticity, deep affection, virtue, liberty, naturalism, mysticism, creativity and immanent transcendence are crystallized, in this way, we may assume the co-birth of mountains-waters and an ideal type of Chinese classical humanism. / 山水研究以往側重于詩歌，繪畫與哲學分析，并普遍將山水視為自然再現，自然情感與某種不同於西方自然觀的審美表達。然而，“相對不同”的判定卻是建立在自然／文化兩分的現代二元范式的“普世應用”上的。因為僅僅強調山水源於“發現自然”並不能整合與山水緊密相關且貫穿於士傳統中的文化實踐：如隱逸，遊仙，遊覽，雅集，以及對世外理想之境的不懈書寫，描畫與營造。本論文考察了魏晉時期(220-420)的社會，政治與文化背景：名教自然的對立，隱逸遊仙的結合，魏晉風度，衣冠南渡，僑立，宗教興起，道釋義理在文化士族內部經由玄學促生的思想轉向等；通過分析魏晉玄學中的自然概念，整理翻譯相關的歷史文本與詩歌，試圖說明，與其說山水是自然／藝術的二元構建，毋寧說山水是士階層在仕與隱，經世與玄遠，世表與塵外的現實兩極化中所創建的一種文化範式。圍繞山水，凝聚了一系列具有重要文化特徵的理念与價值——保真，養身，自足，逍遙，自然主義，暢神玄覽，內在超越與審美理想。這意味著與山水共生的是一種中國古典人文主義的理想型。 Shanshui Ziran Paysage – culture lettrée Nature – cosmologies corrélatives Naturalisme lettré Étude du Mystère Érémitisme Recherche d'immortalité Terminologie du paysage – Chine Shanshui Ziran Landscape – Gentry’s culture Nature – Correlative thinking Literate naturalism Xuanxue school Eremitism Immortality seeking 山水自然風景／景觀魏晉自然主義魏晉玄學隱逸與遊仙廟堂—山林聖人名山地理風景語彙

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