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11	Who is singing there Fangas, Lungnan Isak 15 September 2010 (has links) My Master of Fine Arts thesis film is a 60-minute film that blends documentary and feature film elements entitled Who Is Singing There. It’s a story about Totem, a rock band formed seven years ago. Right before it was to release its second album, lead singer Suming and drummer A-shing were determined to leave the group. Band members held a meeting to work out a solution. Before they knew it, however, they were reminiscing about the time they took part in music competitions in from 2003 to 2005. They realized that the root to why they were coming apart could be traced back to that time and if they wanted the band go any further, they needed not only to rekindle their passion for music but something more. This is an account of the filmmaking process from the initial idea to the finished film. / text Who Is Singing There Lungnan Isak Fangas Documentary Taiwan Music Rock
12	Religion eller kultur? : En kvalitativ undersökning av sammanblandningar och missförstånd Seryani, Janette, Paronyan, Roza January 2019 (has links) The purpose of this essay is to illustrate whether certain phenomena are connected to religion or to culture. This investigation is backed up by literature and four interviews with people with different religious backgrounds, thus coming to a conclusion about how the differences between religion and culture are viewed based on the participants background. The participants are Christian, Muslim, Jehovah's witnesses and an atheist. Among the answers from these people, we have discovered that almost all of the participants mentioned how ethnic Swedes (in the Swedish society) are most often the ones who do not understand the difference between religion and culture. The result we received from the interviews was that, unfortunately, ignorance is present among many people who do not understand the difference between religion and culture. The result from the literature gave us a clear answer on how the misunderstanding between religion and culture happened. According to Isak Svensson the misunderstanding many times is about ignorance and confusion. Culture Émile Durkheim Isak Svensson Jan Hjärpe religion and religious Humanities and the Arts Humaniora och konst
13	New fruit fantastic elements in the short fiction of Isak Dinesen, Ellen Glasgow, Edith Wharton, and Eudora Welty / Branson, Stephanie R. January 1990 (has links) Thesis (Ph.D.)--University of Tulsa, 1990. / Bibliography: leaves 169-178.
14	The Übermensch comes to Scandinavia : rereading Hamsun and Dinesen in the light of Nietzsche's philosophy / Sabo, Anne Grethe. January 2000 (has links) Thesis (Ph. D.)--University of Washington, 2000. / Vita. Includes bibliographical references (leaves 438-457).
15	Guds sista test av Abraham : Nu även som tecknad serie Plogen, Sofia January 2018 (has links) Jag vill undersöka vad som händer med en bibeltext när den berättas genom den tecknade seriens medie. Kan tecknade serier kan göra anspråk på att vara trogen grundtexten, på samma sätt som en översättning från grundspråket till ett annat språk? Kan serier förmedla såväl narrativ, genre och budskap och även mångtydigheten som bibelns texter i många fall erbjuder? Och kan tecknade serier i själva verket ge betraktaren/läsaren en djupare förståelse av skeendet än en översättning kan förmedla? Genesis 22 Abraham Isak 1 Mos 22 tecknade serier exegetik visual exegesis seriealbum serier Humanities and the Arts Humaniora och konst Religious Studies Religionsvetenskap
16	《遠離非洲》中的悅納異己 / Hospitality in out of Africa 李佳真, Lee, Chia Chen Unknown Date (has links) 艾薩卡•丹尼森 (Isak Dinesen) 的回憶錄《遠離非洲》(Out of Africa) 記載了她在英屬非洲殖民地──肯亞停留長達 17 年的心路歷程。在居留肯亞期間，丹尼森經營農場，並嘗試融入當地生活。然而，最後由於大自然災難衝擊，導致農場經營失敗，迫使她離去這個她賴以印證、再造自我的異地天堂。失意之餘，她在 1942 年重返丹麥，將這 17 年的經歷在回憶錄中娓娓道來。本論文以雅克 • 德希達 (Jacques Derrida)「悅納異己」(hospitality) 的理論探討丹尼森的「虛構自我」(fictional I)──凱倫 • 布莉克森 (Karen Blixen) 在異地與他者相處的細節。她以客人的姿態進入肯亞，卻以農場主人的身份停留 17 年。由於身份的尷尬與模糊，使她自始至終都必須在罪惡感與焦慮中掙扎。這樣的模糊身份也直接影響了她身為農場主人所展現的待客之道。她一方面希望給予當地人「無條件待客之道」(unconditional hospitality)，但另一方面又礙於殖民情境下的種種因素，迫使她不得不實行「有條件待客之道」(conditional hospitality)。布莉克森的模糊身份、處在異地的心境，以及與他者相處的細節都和這兩種待客之道的更迭交替息息相關。布莉克森的農場是個「交會區」(contact zone)，充滿不同文化的衝突與交融，也隱約存在著殖民情境下的階級氛圍。在此交會區中，布莉克森與農場上的當地人皆努力將其轉化為「安全地帶」(safe house)，以農場的合諧為最終目標，企圖弭平因文化差異而造成的緊張與衝突。在對於流亡白人的接待上，布莉克森又試圖將其轉化為德希達式的「新城市」(New City)，開放接受流亡到肯亞的白人。雖然最後「安全地帶」與「新城市」的理想都因農場經營的失敗告終，布莉克森的努力仍具有其價值；而理解殖民情境下種種理想的不可能性，也成為她旅行後的成長。 / Isak Dinesen’s Out of Africa, written in the beginning of the 20th century, is one of the modernist travel narratives which manifest the white settlers’ experiences in a foreign land. Dinesen spent 17 years of her prime time in Kenya, searching for a life answer only to find its ungraspability in the end. She returned to Denmark in 1942—a defeated homecoming—and rearranged her exotic experiences in the structure of a tragedy, a five-act play, and “telling a play” in front of her readers (Trousdale 171). With Jacques Derrida’s theory of hospitality, this thesis aims to trace how Blixen’s days in Kenya is characterized by her struggles over her own ambiguous identities as both the guest of the country and the host of the farm. As her stay in Kenya and her running of the farm are under the control of the colonial law, she hopes to compensate it with the unconditional hospitality to the Natives. However, under the colonial context, the hospitality she practices is constantly rendered conditional due to the possible problems dwelling in this “contact zone” (Pratt 6). Instead of focusing only on her possible imperial attempts in Kenya, this thesis hopes to explore more aspects of her role by tracing her interactions with the Natives. Although her farm is rifled with diverse cultural conflicts, Blixen strives to turn the contact zone into a “safe house,” a social space where all the members try to ignore the hierarchical system rooted prior to their encounters. She also tries to change it into a Derridian New City to welcome the white wanderers, and practice the two imperatives of hospitality in harmony. This ideal New City is an embodied projection of Blixen’s life pursuit as a colonial Odysseus, yet her struggles prove to be futile in the end. Dinesen’s act of writing—rearranging the memories in an elegiac tone—records her illusion in the beginning and her disillusionment in the end of the travel. Narcissistic as her ideal may seem, her efforts of bridging the cultural gaps and integrating with the native land cannot be ignored. 悅納異己《遠離非洲》艾薩卡•丹尼森雅克 • 德希達交會區安全地帶 Hospitality Out of Africa Isak Dinesen Jacques Derrida contact zone safe house
17	Komparativ studie av eskatologins förståelse mellan väst och öst syrisk tradition Hanna, Andreas January 2020 (has links) Christ's words "do this in remembrance of me" (Luke 22:20) point to an eschatological realism realized in the gathering. The word of Christ institutes a liturgical praxis that was received by the ancient church and has since been practiced for several generations until today. The Syriac speaking churches, which are also in continuity with the Messianic faith, followed by the apostolic tradition, do not escape the question of eschatology, which is of great importance and central to Syriac Christianity. To answer the question of why eschatology is important in the Syriac tradition? is comprehensive, large and does not accommodate the scope of work. However, this work will try to answer the question of whether Jacob of Serugh's eschatological thinking develops in relation to Ephraim in comparison to Isaac the Syrian. Therefore, this work will try to get a glimpse of the eschatological basic view within the understanding of Syriac Christianity. There will be a positioning of Jacob of Serugh in relation to Ephraim the Syrian with comparison to Isaac the Syrian to gain a better understanding of the direction that emerges during the turning point of the fourteenth century in connection with those ecclesiological battles during that time. It may not provide an answer to everything but certainly an answer to where we started this development regarding eschatology. I want to thank my supervisor, Michael Hjälm for the good advice, support and guidance through the work. I also hope that reading this essay will be useful and continued studies in the subject. Eskatologi Eschatology Eskaton Kommande tiden Sista tiden Efraim Syrien Isak Syrien Väst-Syrisk Öst-Syrisk Syrisk-ortodox Hartho Betelsten Jakobs stege Philosophy, Ethics and Religion Filosofi, etik och religion Religious Studies Religionsvetenskap
18	Abraham's Final Lekh-Lekha : Maimonides and Ibn Kaspi on Disobedience in the Akedah / Abraham’s Final לך-לך : Maimonides and Ibn Kaspi on Disobedience in the Akedah Saleh, Leo January 2023 (has links) No description available. Genesis 22 The Binding of Isaac The Binding The Akedah Aqedah Aqedat Abraham Isaac Maimonides Rambam Ibn Kaspi The Guide of the Perplexed Moreh Nevukhim Gevia Kesef Yoreh Deah Silver Goblet Disobedience Divine command Rabbinic Midrash Hebrew bible Redaction criticism Reception theory Intertextuality Genesis 22 Isaks Bindande Akedah Akedat Aqedah Aqedat Isak Abraham Maimonides Rambam Ibn Kaspi The Guide of the Perplexed Moreh Nevukhim Gevia Kesef Yoreh Deah Silver Goblet Hebreiska bibeln Olydnad Rabbinsk tolkning Midrash Redaktionskritik Receptionshistoria Intertextualitet Religious Studies Religionsvetenskap

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