Orientador: Michael McDonald Hall / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-19T17:17:58Z (GMT). No. of bitstreams: 1 Rovina_MelinaRoberto_M.pdf: 1923455 bytes, checksum: 126af65a54e77ccb08bec83d72fd5c9a (MD5) Previous issue date: 2012 / Resumo: Esta dissertação é fruto de uma inquietação sobre o modo como os imigrantes italianos foram recebidos pela sociedade paulista nos anos de 1890. Enquanto a historiografia assimilacionista tratou a integração dos italianos na sociedade brasileira como um processo sem atritos ou conflitos, este trabalho pretende demonstrar, ao contrário, que houve muita tensão entre brasileiros e italianos nos primeiros anos republicanos. A partir de fontes históricas variadas e garimpadas ao longo de três anos de pesquisa, este trabalho apresenta os motivos dos ressentimentos dos nacionais contra os imigrantes, a articulação do movimento jacobino contra os estrangeiros, os debates políticos republicanos que afetaram a boa recepção aos italianos e, finalmente, o confronto de duas éticas presentes na sociedade brasileira que posicionaram os debates sobre a imigração italiana no meio da disputa, isto é, do "fogo cruzado". Além disso, o leitor poderá entender o modo como os imigrantes italianos compreenderam a aversão ao estrangeiro e como se articularam diante de um cenário político e social repleto de conflitos / Abstract: This dissertation derives from a discomfort about how Italian immigrants were received by São Paulo society in the 1890s. While the assimilationist approach in prevailing historiography treats the integration of Italians in Brazilian society as a frictionless process, this work intend to demonstrate that, on the contrary, there was much tension between Brazilians and Italians in the first Republican years. Starting from varied historical sources discovered during three years of research, this work presents the reasons for resentment by nationals toward immigrants, the articulation of the Jacobin movement against foreigners, the Republican political debates that affected the reception of Italians and, finally, the confrontation of two ethics present in Brazilian society that have positioned the debates about Italian immigration right in the "crossfire" of the dispute. In addition, the reader can understand how Italian immigrants saw the aversion toward foreigners, and how they organized themselves in the face of the quarrelsome political and social scenario / Mestrado / Historia Social / Mestre em História

In questo lavoro è stata studiata l’evoluzione della strategia di sicurezza imperiale della Gran Bretagna. Il periodo preso in esame è compreso tra la fine dell’Ottocento e i primi anni del Novecento. Alla luce di questa evoluzione e del contesto internazionale che l’ha generata, è studiata la strategia seguita da Londra durante il primo conflitto mondiale, analizzando il caso dell’intervento della British Army in Italia dopo la battaglia di Caporetto. La tesi mostra come l’immobilità del fronte occidentale spinse il Governo britannico a cercare nuovi fronti al fine di garantire i suoi obiettivi strategici. In questo contesto è inserito l’ingresso dell’Italia nel conflitto. Lo studio evidenzia come la Gran Bretagna intendesse il fronte italiano quale strumento per sottrarre risorse alla Germania. Dopo Caporetto gli inglesi, giunti in Italia per supportare l’esercito italiano, cercarono di utilizzarlo con il fine di escludere l’Austria-Ungheria dal conflitto e isolare la Germania. La tesi dimostra come, dal punto di vista inglese, il fronte italiano fosse un esempio di expeditionary strategy, ma che divenne una componente veramente integrata della difesa imperiale britannica solo nel momento in cui l’Italia isolò la Germania e si preparò a invaderla da sud, dopo la battaglia di Vittorio Veneto. / The aim of this work is to study the evolution of the British Imperial security strategy. The work investigates the period between the end of the 18th Century and the beginning of the 19th. In the light of the evolution and the international contest that created it, it is studied the strategy applied by London during the First World War and will be analysed the case of the British Army’s expedition in Italy after the battle of Caporetto. The thesis shows that the immobility of the western front led the British Government to seek new fronts in order to gain its strategic objectives. The study shows how Great Britain interpreted the Italian front such as a tool to take resources away from Germany. After Caporetto the British came to Italy to support the Italian Army, they tried to use it to exclude Austria-Hungary from the conflict and to close off Germany. The thesis proves that, by the British point of view, the Italian front was an example of expeditionary strategy, but it became an integrated part of the Imperial British strategy only when Italy isolated Germany and organised its invasion from the South, after the battle of Vittorio Veneto.

Cette thèse de doctorat met en oeuvre une analyse morphofonctionnelle et historico-archéologique d’une productioncéramique indigène décorée inédite de l’âge du Fer provenant du site de l’Incoronata en Italie du Sud (Basilicate, commune de Pisticci).L’objet de cette enquête est multiple : par l’examen attentif des formes, décors et techniques, un catalogue complet de notrecorpus céramique a été constitué, accompagné d’un dense faisceau de comparaisons. Celles-ci appartiennent à un horizon historico-culturel sud-italien cohérent, resserré entre les vallées du Cavone et du Bradano, entre IX e et VIIe siècles av. J.-C.Le site de l’Incoronata est caractérisé par une période de fréquentation mixte : il accueille à partir du VII e siècle av. J.-C.une composante grecque, plus particulièrement des potiers, dans un établissement indigène éminent déjà caractérisé par une production et une consommation locales importantes des produits céramiques. La contextualisation des données a donc constitué un autre pôle fort de cette recherche. Les problématiques se sont naturellement orientées vers lacaractérisation des modalités d’interaction entre communautés indigènes et grecques, en cherchant des comparaisons dans les espaces – non-coloniaux – qui témoignent pourtant d’intenses relations entre les deux composantes. Bien conscient de la difficulté de manipuler le concept même d’identité, un travail de mise en perspective anthropologique, ethno-archéologique et historique a été initié.La possibilité atteinte de caractériser une production céramique indigène locale de l’âge du Fer dans toutes ses phasesd’élaboration permet, avec ce premier jalon et pour la première fois, de raisonner de manière renouvelée avec des donnéessolides sur le processus productif, sur l’évolution d’un répertoire formel et décoratif et l’impact de l’arrivée grecque sur tous ces aspects, et enfin sur le rôle et la diffusion d’une catégorie céramique spécifique, autorisant dans le même temps àréévaluer les modalités d’occupation du site de l’Incoronata et son rôle nodal dans la compréhension et l’analyse en senshistorico-anthropologique des relations culturelles qui ont caractérisé, le monde méditerranéen archaïque. / This doctoral thesis implements a morpho-functional and historical-archaeological analysis of an unpublished mattpaintedpottery production from the Iron Age site of Incoronata in Southern Italy (Basilicata, com. Pisticci).The subject of this inquiry is multiple: using a careful examination of the forms, decors and techniques, a completecatalog of our ceramical corpus has been constituted accompanied by a dense bundle of comparisons which belong toa coherent South-Italian historical-cultural horizon, tightened between the valleys of Cavone and Bradano, between 9th and 7th centuries BC.The site of the Incoronata is characterized by a period of mixed occupation. From the beginning of the 7th century BC, Incoronata welcomes a Greek component, more particularly potters, in an eminent indigenous establishment alreadycharacterized by a significant local production and consumption of ceramic products. Contextualization of data has thusconstituted another strong pole of this research. The problematics have naturally focused on the characterization ofthe modalities of interactions between indigenous and Greek communities, looking for analogies in non-colonial spaces that nevertheless show intense relations between the two components. Aware of the difficulty of manipulating the veryconcept of identity, some anthropological, ethnoarchaeological and historical perspectives have been initiated. The possibility of characterizing a local indigenous ceramic production of the Iron Age in all its stages of development,allows us to re-think, with this first milestone and for the first time, with solid data on the production process. The evolutionof a formal and decorative repertory and the impact of Greek arrival on all these aspects. The role and the diffusion of aspecific ceramic category could be approached, allowing at the same time to re-evaluate the modalities of occupation of the site of Incoronata and its nodal role in the understanding and the analysis in the historico-anthropological sense of the cultural relations which have characterized the archaic Mediterranean world.

Ricostruire la storia di un processo evolutivo consente di comprenderne a pieno i risultati: questo lo scopo della presente tesi dottorale che intende indagare sulle origini, gli studi e lo sviluppo di due sistemi fiscali, italiano e svizzero. Ripercorrendo scambi epistolari, documenti e testi, talvolta inediti, di studiosi della levatura di Blumenstein e Vanoni, intercorsi nel periodo di fioritura del fondamento etico e scientifico del processo legislativo tributario italiano ed elvetico, compreso tra il 1938 ed il 1950, è stato possibile delineare quel fil rouge, il quale, passando sia per i fondamentali concetti di natura etico-politica sia per quelli strettamente tecnici, conduce alla scoperta della profonda commistione di principi di equità sociale, come la graduazione del prelievo fiscale, capacità contributiva e redistribuzione dei redditi, che assurgono nella formulazione del diritto tributario in Italia e nella Confederazione svizzera quali elementi essenziali nel perseguimento della giustizia fiscale. / Travel through history is necessary to deeply understand the results of an evolutional iter: this Doctoral thesis aims to analize origins, studies and the development of two different taxation frameworks, the italian and the swiss one. Indeed, unreleased exchange of letters, documents and texts, elapsed between 1938 and 1950 among renowed academics – with a particular focus on the work of Blumenstein and Vanoni – which represent a concrete supply to the thriving taxation law systems, lead to the identification of the fil rouge which, passing thorught both etichal and politic concepts and technical aspects, underlines the deep commixture of supreme principles of social equity, such as the graduation of tax charging, ability to pay and redistribution of wealth, which arise as benchmarks to reach the scope of fiscal justice both in Italy and Switzerland.

The essay describes the transition of female artists from amateur to professional through an analysis of female participation in professional exhibitions during the early 20th century in Italy. Specifically, it examines the history of the Società delle Artiste, the group of pioneers who want to identify themselves in the field of professional art, and the first two exclusively women's international exhibitions organized in Italy. Furthermore, this study contains the analysis of part of the Swedish artist Tyra Kleen's correspondence with two exponents of the Italian cultural elite, Arnaldo Cervesato and Sibilla Aleramo. The method of analysis used is discourse analysis in combination with Pierre Bourdieu's theory of cultural fields.The study identifies the factors behind the change in the status of female artists in Italy as a product of the influence of the phenomenon of female associations as promoters of the "new woman" and her social positioning as a useful and functional element in general modern renewal. The analysis of Tyra Kleen's correspondence confirms the importance of the relational network required for a female artist in Italy to establish herself and identifies the connections to the sphere of women's associations. / Uppsatsen beskriver kvinnliga konstnärers övergång från amatörmässigt till professionellt slag genom analys av kvinnligt deltagande i professionella utställningar under början av 1900-talet i Italien. Specifikt granskas historien om Società delle Artiste, den gruppen av pionjärer som vill legitimera sig inom området för professionell konst, och de två första exklusivt kvinnliga internationella utställningar som organiserats i Italien. Vidare innehåller denna studie analysen av en del av den svenska konstnären Tyra Kleens korrespondens med två exponenter för den italienska kultureliten, Arnaldo Cervesato och Sibilla Aleramo. Analysmetoden som används är diskursanalys i kombination med Pierre Bourdieus teori om kulturfält. Studien identifierar faktorerna bakom förändringen i status för kvinnliga konstnärer i Italien som en produkt av inflytandet från fenomenet kvinnliga föreningar som främjare av den "nya kvinnan" och hennes sociala positionering som ett användbart och funktionellt inslag i  allmänn modern förnyelse. Analysen av Tyra Kleens korrespondens bekräftar vikten av det relationsnätverk som krävdes för att en kvinnlig konstnär i Italien skulle kunna etablera sig och identifierar kopplingarna till de kvinnliga föreningarnas sfär.

In determinate circostanze, i giovani vulnerabili possono sperimentare inclusione sociale attraverso lo sport. Dal momento che la comprensione di tali circostanze rimane poco studiata, la tesi fornisce approfondimenti su questo argomento mostrando i risultati della valutazione dialogica di un programma sportivo italiano. I risultati mostrano che: I. Promuovere l'accesso allo sport attraverso tasse sportive agevolate, servizi burocratici e trasporti inclusivi sono presupposti fondamentali per introdurre i giovani allo sport; II. Introdurre professionisti che facciano da ponte tra le società sportive locali e le diverse agenzie che si occupano di giovani vulnerabili è una condizione fondamentale che fornisce maggiori risorse sociali ai giovani, soprattutto in caso di grave vulnerabilità sociale. III. Coinvolgere i club sportivi in una formazione mirata a migliorare la loro capacità di essere inclusivi è una condizione significativa da considerare poiché "competizione" e "inclusione" sono percepiti come valori opposti difficilmente integrabili nel lavoro degli allenatori sportivi. IV. L'esperienza di inclusione attraverso lo sport è collegata all'autoefficacia sportiva e all'interesse dei giovani verso certi sport. Il lavoro discute il ruolo dei processi dialogici nella traduzione della conoscenza scientifica alla pratica e viceversa. I risultati forniscono suggerimenti orientati alla pianificazione e la gestione dei programmi sportivi. / Under certain circumstances, vulnerable youngsters might experience social inclusion through sport. Since the understanding of such circumstances remains under-researched, the dissertation provides insights into this topic by showing the dialogic evaluation outcomes of an Italian sport-based programme. The results shows that: I. Promoting access to sport through subsidised sports fees, inclusive bureaucracy services and transport are fundamental preconditions to introducing youth to the sports; II. Introducing professionals who bridge the gap between local sports clubs and diverse agencies dealing with vulnerable youth is a fundamental condition that provides increased social resources to youngsters, especially in case of severe social vulnerability. III. Involving sports clubs in training aimed at enhancing their capacity to be inclusive is a meaningful condition to consider since “competition” and “inclusion” are perceived as opposite values that can hardly be integrated into sports coaches work. IV. The experience of inclusion through sport is connected to sport self-efficacy and the interest of youth toward certain sports. The work discusses the role of dialogic processes in the translation of scientific knowledge to practice and vice versa. Results provide action-oriented evidence for sport for development planning and management.

La presente tesina se centra en la función que tiene la estética en el proceso de enseñanzaaprendizaje de niños y niñas de segundo ciclo de Educación Inicial según la filosofía Reggio Emilia. La investigación se realizó en base a un estudio documental y tiene como objetivo responder de qué manera influye la función de la estética en el proceso de enseñanza y aprendizaje. A medida que pasa el tiempo, profesionales buscan nuevas metodologías para centrar su enseñanza y formas innovadoras de provocar los ambientes basado en los intereses de los niños y niñas. Por lo tanto, el presente trabajo se enfoca en sistematizar y mostrar la influencia que tiene la estética dentro de la calidad educativa y como se presta atención a los procesos de los niños y niñas de manera individual, teniendo una imagen potente de la infancia.

[EN] Studio Azzurro is, probably, the main exponent in the field of research, experimentation and artistic hybridization with regard to the audio-visual language and the new technologies, inside the current Italian scene. Founded in Milan in 1982 by three artists, Paolo Rosa, Fabio Cirifino and Leonardo Sangiorgi, from the beginning they have opted for the collaborative team work, distancing themselves from the opinions of the critique and from the art market. Characterized by a militant past of social activism through artistic practices of counter information, their international recognition is owed to, above all, their capacity to involve the viewer into the environment of their works, generating a sensitive and participative experience with narratives of poetical cut. Their extensive work includes languages such as film, photography, video-instalation, performing arts and interactive audio-visual projection. The trajectory of Studio Azzurro, their artistic legacy as well as their theoretical contribution, reveal the group as an exemplary case for analysing the artistic evolution of the new media in Italy from the 1970's to the present day. / [ES] Studio Azzurro es, probablemente, el mayor exponente en el ámbito de la investigación, experimentación e hibridación artística en lo referente al lenguaje audiovisual y las nuevas tecnologías, dentro del panorama actual italiano. Fundado en Milán en 1982 por tres artistas: Paolo Rosa, Fabio Cirifino y Leonardo Sangiorgi, han apostado desde el principio por el trabajo en grupo de carácter colaborativo, alejándose de los dictámenes de la crítica y del mercado del arte. Caracterizados por un pasado militante de activismo social a través de prácticas artísticas de contrainformación, su reconocimiento internacional se debe, sobre todo, a su capacidad de involucrar al espectador en el ambiente de sus obras, generando una experiencia sensorial y participativa con narrativas de corte poético. Su extensa obra abarca lenguajes como el cine, la fotografía, la videoinstalación, las artes escénicas y la proyección audiovisual interactiva. La trayectoria de Studio Azzurro, su legado artístico así como su testamento teórico, revelan al grupo como un caso de estudio ejemplar para analizar la evolución artística de los new media en Italia desde los años 70 hasta nuestros días. / [CA] Studio Azzurro és, probablement, el major exponent en l'àmbit de la investigació, experimentació i hibridació artística pel que fa al llenguatge audiovisual i les noves tecnologies, dins del panorama actual italià. Fundat a Milà el 1982 per tres artistes: Paolo Rosa, Fabio Cirifino i Leonardo Sangiorgi, aquests han apostat des del principi pel treball en grup de caràcter col·laboratiu, allunyant-se dels dictàmens de la crítica i del mercat de l'art. Caracteritzats per un passat militant d'activisme social a través de pràctiques artístiques de contrainformació, el seu reconeixement internacional es deu, sobretot, a la capacitat d'involucrar l'espectador en l'ambient de les seues obres, generant una experiència sensorial i participativa amb narratives de tall poètic. La seua extensa obra comprèn llenguatges com el cine, la fotografia, la videoinstal·lació, les arts escèniques i la projecció audiovisual interactiva. La trajectòria de Studio Azzurro, el seu llegat artístic com també el seu testament teòric, revelen el grup com un cas d'estudi exemplar per a analitzar l'evolució artística dels new media a Itàlia des dels anys 1970 fins als nostres dies. / Valdaliso Casanova, T. (2016). STUDIO AZZURRO: TRES DÉCADAS DE EXPERIMENTACIÓN EN LA CREACIÓN AUDIOVISUAL Y LOS ESPACIOS SENSORIALES [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/62217

[ES] El objetivo de esta tesis es diseñar una estructura polivalente que tiene la capacidad y los criterios a ser utilizados en situaciones de emergencia, y en los países en desarrollo, donde se deben realizar intervenciones para ayudar a superar algunos problemas de la vida. Se trata de un esqueleto principal que definirá la forma final de la estructura y se va a transformar con el fin de que se adapte a todos los climas, y a los diferentes terrenos, y a las diferentes situaciones de emergencia. Esta estructura puede ser utilizada para las escuelas y los hospitales en los países en desarrollo, para el apoyo a los refugiados, para las exposiciones temporales de recaudación de fondos... El proyecto se realizará con materiales sostenibles traídos de los alrededores de la zona de intervención con el fin de eliminar los gastos de transporte y dejar que se mezclan con su ambiente. La tecnología elegida es la del Space Frame, proporcionando una gran cobertura de espacio con un mínimo de material. La estructura es sostenible por lo que se basara únicamente en las fuentes naturales de energía para satisfacer las necesidades de los usuarios y, si es posible, crear energía adicional. La investigación y el desarrollo del proyecto se llevaron a cabo en 3 países: el estudio sostenible ha sido realizado en Italia, el desarrollo del proyecto en España, Valencia, y la recuperación de información, investigación de campo y la experimentación se llevaba a cabo en el Líbano, donde los conflictos en curso han dado lugar a un número sin precedente de refugiados allí. La tesis parte desde el estudio de la arquitectura de emergencia en general para después tratar la historia de este tema en el Líbano. Una vez entendido el contexto es más fácil traer las líneas guiadas necesarias para que este proyecto no cae en los mismos errores de los antecedentes. Llegado a este nivel, y para justificar más el proyecto y hacerlo lo más cercano de las necesidades actuales en el país, se ha hecho un largo trabajo e investigación y entrevistas en diferentes campos de refugiados. Desde esta parte se ha podido traer otras líneas guiadas para mejorar el proyecto. Con todas estas líneas guiadas, se ha adelantado el dibujo, estudio y análisis sostenible y estructural del proyecto de la tesis. / [CA] L'objectiu d'aquesta tesi és dissenyar una estructura polivalent que tingui la capacitat i els criteris a utilitzar en situacions d'emergència i en països en desenvolupament, on s'han de fer intervencions per ajudar a superar alguns problemes de vida. Es tracta d'un esquelet principal que definirà la forma final de l'estructura i es transformarà de manera que s'adapti a tots els climes i a diferents terrenys i a diferents situacions d'emergència. Aquesta estructura es pot utilitzar per a escoles i hospitals dels països en desenvolupament, per donar suport als refugiats, per a exposicions temporals de recaptació de fons... El projecte es farà amb materials sostenibles provocats per l'àrea d'intervenció per eliminar els costos de transport i deixar-los barrejar al seu entorn. La tecnologia escollida és Space Frame, proporcionant una gran cobertura espacial amb un mínim de material. L'estructura és sostenible, de manera que només es basarà en fonts d'energia naturals per satisfer les necessitats dels usuaris i, si és possible, crear energia addicional. La investigació i el desenvolupament del projecte es van dur a terme a 3 països: l'estudi sostenible es va dur a terme a Itàlia, el desenvolupament del projecte a Espanya, València i la recuperació d'informació, la investigació i l'experimentació de camp es van dur a terme al Líban, on els conflictes en curs han provocat un nombre sense precedents de refugiats. La tesi parteix de l'estudi de l'arquitectura d'emergència en general i després tracta la història d'aquest tema al Líban. Un cop entès el context, és més fàcil portar les línies guiades necessàries perquè aquest projecte no caigui en els mateixos errors que els anteriors. A aquest nivell, i per justificar encara més el projecte i fer-lo tan a prop de les necessitats actuals del país, s'han realitzat treballs extensos i investigacions i entrevistes en diferents camps de refugiats. A partir d'aquesta part ha estat possible portar altres línies guiades per millorar el projecte. Amb totes aquestes línies guiades, s'ha avançat el dibuix, l'estudi i l'anàlisi sostenible i estructural del projecte de tesi. / [EN] The objective of this thesis is to design a multipurpose structure that has the capacity and criteria to be used in emergency situations, and in developing countries, where interventions must be made to help overcome some life problems. This is a main skeleton that will define the final shape of the structure and will be transformed so that it adapts to all climates, and to different terrains, and to different emergency situations. This structure can be used for schools and hospitals in developing countries, for supporting refugees, for temporary fundraising exhibitions... The project will be made with sustainable materials brought from around the area of intervention in order to eliminate transportation costs and let them blend into their environment. The technology chosen is Space Frame, providing great space coverage with a minimum of material. The structure is sustainable so it will rely solely on natural energy sources to meet the needs of users and, if possible, create additional energy. The research and development of the project was carried out in 3 countries: the sustainable study was carried out in Italy, the development of the project in Spain, Valencia, and the information retrieval, field research and experimentation was carried out in Lebanon, where ongoing conflicts have led to unprecedented numbers of refugees there. The thesis starts from the study of emergency architecture in general and then deals with the history of this topic in Lebanon. Once the context is understood, it is easier to bring the necessary guided lines so that this project does not fall into the same errors as the previous ones. At this level, and to further justify the project and make it as close to the current needs in the country, extensive work and research and interviews have been done in different refugee camps. From this part it has been possible to bring other guided lines to improve the project. With all these lines guided, the drawing, study and sustainable and structural analysis of the thesis project has been advanced. / Jaber, N. (2024). Study and analysis of the behavior of a construction system for sustainable architecture [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/206180

La thèse cherche à restituer les mécanismes de la politisation libérale dans la partie continentale du royaume des Deux-Siciles, de l’effondrement de l’Empire napoléonien en 1815 au moment où se précisent les voies de l’annexion du royaume méridional dans l’Italie en construction, au milieu des années 1850. Le croisement de la documentation administrative, des écrits personnels des libéraux et de leurs productions politiques permet d’identifier ce courant avec l’opposition patriotique à la monarchie restaurée des Bourbons. Il prend la forme d’une société d’opposants réticulée et disparate, davantage anti-absolutiste qu’elle n’est idéologiquement libérale, qui s’est appuyée sur les pratiques politiques locales pour contester le pouvoir centralisé mis en place par la monarchie française d’occupation (1806-1815) et maintenu par Ferdinand IV de Bourbon après 1815. À partir de cinq observatoires régionaux (la capitale, les deux Principats Citérieur et Ultérieur et les provinces calabraises de Cosenza et de Reggio), choisis pour leur représentativité au regard des structures politiques du royaume, cette thèse veut mettre en évidence les structures et les rythmes de la politisation libérale sur le temps long de la période pré-unitaire, par-delà les seules révolutions de 1820-1821 et de 1848 plus particulièrement étudiées par l’historiographie. À travers un parcours chronologique, on interrogera l’articulation du courant libéral napolitain avec le « libéralisme » qui se structure au même moment dans l’espace plus large des révolutions occidentales, la permanence du personnel politique, la tension entre espaces politiques locaux et nationaux et l’appropriation complexe de la construction nationale italienne, qui se précise au lendemain des révolutions de 1848. / The thesis aims to study the mechanisms of liberal politicization in the continental part of the Kingdom of the Two Sicilies, from the collapsing of the Napoleonic Empire in 1815 to the acceleration of the Italian national construction in the middle 1850s. By crossing the administrative documentation, the liberals’ personal writings and their political productions, this political movement can be identificated with the patriotical opposition to the restored monarchy of the Bourbons. It constitutes a reticulated and disparate society of opponents, more anti-absolutist than ideologically liberal, who used to lean on local political practises to contest the centralized power instituted by the French occupation monarchy (1806-1815) and maintained by Ferdinand IV after 1815. On the basis of five regional observatories (the capital, the two Citerior and Ulterior Principates and the Calabrian provinces of Cosenza and Reggio), chosen for their representativity towards the political structures of the kingdom, the thesis wants to enlighten the structures and the rhythms of liberal politicization in the long period of the lungo Risorgimento, beyond the two revolutions of 1820-1821 and 1848 particularly studied by historiography. Through a chronological approach, we will question the links between the Neapolitan liberal movement with the European forms of « liberalism », the permanence of political actors, the tension between local and national political spaces and the difficult appropriation of the Italian national construction, which becomes more precise after the 1848 revolutions. / La tesi mette al centro della sua riflessione i meccanismi della politicizzazione liberale nella parte continentale del Regno delle Due Sicilie, dalla caduta dell’Impero napoleonico nel 1815 al momento in cui si precisano le modalità di annessione del regno meridionale all’Italia in costruzione, a partire dal 1850. Il confronto tra la documentazione amministrativa, gli scritti personali dei liberali e le loro produzioni politiche permette di identificare questo movimento politico come l’opposizione patriottica alla monarchia restaurata dei Borboni. Esso si presenta inoltre come una società di oppositori, ramificata e diffusa su tutto il territorio del Regno, più di matrice anti-assolutista che ideologicamente liberale, che si è affidata alle pratiche politiche locali per contestare il potere centralizzato della monarchia francese durante il Decennio (1806-1815) e, dopo il 1815, di Ferdinando IV di Borbone al momento del suo ritorno sul trono di Napoli. Concentrandosi su cinque spazi geografici ben definiti (la capitale, i due Principati Citra e Ultra e le provincie calabrese di Cosenza e di Reggio), scelti per la loro rappresentatività rispetto alle strutture politiche del regno, la tesi di dottorato vuole studiare le strutture e i ritmi della politicizzazione liberale sul lungo periodo del Risorgimento preunitario, oltre alle rivoluzioni del 1820-1821 e del 1848, ampiamente analizzate dalla storiografia. Utilizzando un approccio cronologico, si propone infine una riflessione sul movimento liberale napoletano in comparazione al « liberalismo » risultato delle altre rivoluzioni occidentali, sulla permanenza del personale politico, sulla tensione tra gli spazi politici locali e nazionali e sulla difficile appropriazione della costruzione nazionale italiana che si definisce all’indomani del 1848.Parole chiave : politicizzazione ; rivoluzione ;