Spelling suggestions: "subject:"känslorna historia"" "subject:"känslor historia""
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Samuel Pepys och hans ämbete : En professionell värld i perspektiv av känslor / Samuel Pepys, the Civil Servant : A professional world in perspective of emotionsHedström, David January 2020 (has links)
This is a study of Samuel Pepys diary where the focal point is emotions in his professional life, emotions are understood through Barbara H. Rosenweins theory of Emotional Communities. The main part is made up of two chronological chapters following through the ten years Pepys kept a diary. The point is to illuminate Pepys professional life in the British Royal Navy through the perspective of emotions. We follow Pepys’s professional development, where emotions is discussed in relation to concepts such as personal interest and social status. From the first years of the diary to latter perspectives of him turning into the great naval administrator he became known as. Pepys in his professional sphere strictly controlled his emotions and soared above his competitors. He was a man who was puritan raised, highly emotional, educated and curious - on the fringes of the power epicentre in restoration-era England.
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Europas skönaste prins : En känslohistorisk studie om prins Fredrik Adolf i det gustavianska hovetSjödahl, Estelle January 2016 (has links)
This study contributes to the particular field of emotional history by exploring collective social attitudes towards affective expression. Here, the passionate behaviour of Swedish Prince Frederick Adolph is witnessed and evaluated by the country’s royal court during the eighteenth-century. The perspective on contemporary elite ideals is influenced by Barbara H. Rosenwein’s theory of “emotional communities”. By methodologically discerning the moral values in aristocratic and royal diaries, one can fruitfully analyse the group’s normative emotional ideas. Resulting from this thesis is an understanding of the royal court’s approval of the prince’s apparent sincere sensitivity and the disapproval of his passionate ways. Also, the importance of the culture of sensibility is understood to have an opponent in the society’s traditional structures. This is a revelation of an early modern emotional group’s formation based on shared European ideals in addition to social communal and individual belonging.KEY WORDS: history of emotions, sensibility, Sweden, royal court, Prince Frederick Adolph, diaries
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"En siäl, som fint och starkt och ömt och häftigt känner" : Kärlek, förfeminism och preciöst tankestoff i Hedvig Charlotta Nordenflychts diktningSundin, Vera January 2017 (has links)
The poet Hedvig Charlotta Nordenflycht (1718–63) wrote extensively on the subject of love. Often, her texts discuss love in relation to Enlightenment subjects, such as female emancipation and education. Her works bear traces of so-called précieuse ideas – an adjective sometimes used to pack together learned French aristocratic women who frequented the Parisian salons in the mid seventeenth century. The précieuses have become famous for their original and radical thoughts on the role of women. This thesis examines the view of love expressed in a selection of pastorals, fairy tales and lyric poems by Nordenflycht, bringing the précieuse protofeminist heritage into focus. Nordenflycht was an extremely assured debater who, throughout her life, consistently advocated practically the same ideological messages. Her advocacy of female emancipation runs through nearly all her texts in some form and is, as this thesis demonstrates, apparent even in her pastorals, fairy tales and lyric poems. In this respect, she bridges differences of genre. Nordenflycht used the realm of fiction to create and promote an alternative to the traditional amorous attachments: tender, equal and spiritual friendships, inspired by Madeleine de Scudéry’s amitié tendre. She portrayed ideal love as a relationship between two free souls, helping each other reach true wisdom. Interestingly, this emphasis on ethereal affection seems to have led to the complete exclusion of sexuality from her writings. Furthermore, by depicting love as path to individual self-realisation, Nordenflycht heralded romantic love. This thesis provides a comprehensive picture of Nordenflycht’s philosophy of love and the way it relates to early modern protofeminist ideas.
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Var känslor tar plats i mytteoretiska perspektiv : Nya frågor utefter känslornas historia / Emotions place in theories of myth : New questions in perspectives of the history of emotionsHedström, David January 2021 (has links)
Myths are intimately connected with emotions, but what the nature of the relationship really means, what it is, and how it functions are in many ways vague and unspecified. This is an examination of how, when and where emotions are referenced in theories of myth. The purpose is to point in a direction of possible new questions for future research on emotions and myth. Three major themes, centered around three major theorists of myth, are examined. The first treats perspectives of, and inspired by, Lucien Lévy-Bruhl. It is a theme based around views of myth as creating collective emotions. The second theme, centered around Bronislaw Malinowski, examines theories understanding myth as handling difficult emotions. The third theme deals with perspectives from Claude Lévi-Strauss’s structuralist theory of myth, where myth is seen as mediating contradictions, and thereby also mediating emotions of the contradictions. The three themes are then examined in relation to theories from the burgeoning history of emotions. New theoretical positions, such as the bodily and moral aspects of emotions, are examined and the result suggests that the central connection between myth and emotions could be found in humankind’s ever present concern to regulate, to discipline, and to form expressions of emotions.
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