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1	Designa en möbel med historiska drag : Designprocess av ett spelbord Lundin, Jonathan January 2019 (has links) Denna uppsats handlar om formgivningsprocessen av en möbel med historiska förebilder. Den behandlar historiken kring Georg Haupt och den Gustavianska stilepoken och dess efterfölje. Syftet med rapporten är lyfta fram de svårigheter som kan uppstå när du formger en möbel från en viss stilepok. Med hjälp av bilder påvisas detaljer som valts att ta med och vart ifrån dessa har sitt ursprung. Gustaviansk stil Georg Haupt Faner Louise seize rokoko Design Design
2	Nationellt och smakfullt : omvärderingen av den gustavianska stilen och lanseringen av Georg Haupt som estetiskt ideal - idé och praktik 1890-1920 Arfvidsson Womack, Anna January 2012 (has links) No description available. Möbelkonst Gustaviansk stil Nationell identitet Art History Konstvetenskap
3	En gustaviansk soffas resa genom två sekel : Efterforskningar, dokumentation och restaurering av en soffa från Löfstad slott Fernström, Agneta January 2006 (has links) <p>Detta examensarbete handlar om en gustaviansk soffa från Löfstad slott. Jag vill visa på alla de förändringar en stoppad möbel kan genomgå under 200 år. Vad som är original och vad som senare tillkommit. I alla dessa spår efter renoveringar kan man söka information. Jag fann stolmakarens signatur vilket gjorde det möjligt att åldersbestämma soffans stomme och jag kunde efter noggrann undersökning konstatera att soffans stoppning var betydligt mycket yngre. Syftet var också att restaurera soffan, att klä om den i ett gammalt sidentyg och förse den med nya snörmakerier. I detta arbete var jag bunden till Emilie Pipers önskemål, Löfstad slotts sista ägarinna, att den för alltid skulle se ut såsom den gjorde när hon dog 1926. Vidare redovisas resultatet av mina efterforskningar om soffans historia och dess ägare.</p> / <p>The object of this project is a Gustavian sofa from Löfstad Castle. My aim was to demonstrate the alterations that upholstered furniture can undergo over two hundred years, showing what is original and what has been added at a later date. It is possible to obtain information from all the traces of restoration. In this sofa I found the stamp of the cabinetmaker, which made it possible to date the frame of the sofa. Furthermore, after thorough investigation I was able to determine that the filling of the sofa was much younger than the frame. My purpose was also to restore the sofa to an appearance as close as possible to the state that it had on the death of Emilie Piper, the last owner of Löfstad, in 1926. However, I also had to respect Emilie Piper’s will which stipulated that nothing was to be changed after her death. Finally, I also present my research concerning the history of this Gustavian sofa and its various owners.</p> tapetserare stoppning sidendamast gustaviansk stolmakare Löfstad slott Construction engineering Konstruktionsteknik
4	En gustaviansk soffas resa genom två sekel : Efterforskningar, dokumentation och restaurering av en soffa från Löfstad slott Fernström, Agneta January 2006 (has links) Detta examensarbete handlar om en gustaviansk soffa från Löfstad slott. Jag vill visa på alla de förändringar en stoppad möbel kan genomgå under 200 år. Vad som är original och vad som senare tillkommit. I alla dessa spår efter renoveringar kan man söka information. Jag fann stolmakarens signatur vilket gjorde det möjligt att åldersbestämma soffans stomme och jag kunde efter noggrann undersökning konstatera att soffans stoppning var betydligt mycket yngre. Syftet var också att restaurera soffan, att klä om den i ett gammalt sidentyg och förse den med nya snörmakerier. I detta arbete var jag bunden till Emilie Pipers önskemål, Löfstad slotts sista ägarinna, att den för alltid skulle se ut såsom den gjorde när hon dog 1926. Vidare redovisas resultatet av mina efterforskningar om soffans historia och dess ägare. / The object of this project is a Gustavian sofa from Löfstad Castle. My aim was to demonstrate the alterations that upholstered furniture can undergo over two hundred years, showing what is original and what has been added at a later date. It is possible to obtain information from all the traces of restoration. In this sofa I found the stamp of the cabinetmaker, which made it possible to date the frame of the sofa. Furthermore, after thorough investigation I was able to determine that the filling of the sofa was much younger than the frame. My purpose was also to restore the sofa to an appearance as close as possible to the state that it had on the death of Emilie Piper, the last owner of Löfstad, in 1926. However, I also had to respect Emilie Piper’s will which stipulated that nothing was to be changed after her death. Finally, I also present my research concerning the history of this Gustavian sofa and its various owners. tapetserare stoppning sidendamast gustaviansk stolmakare Löfstad slott Construction engineering Konstruktionsteknik
5	Kyrkomålaren Pehr Hörberg : En teologisk tolkning av konstnärens kristna bildkonst / Pehr Hörberg : A theological approach to his christian art Cerny, Robin January 2019 (has links) I uppsatsen analyseras det teologiska innehållet i tre altartavlor utförda av den under gustaviansk tid verksamma konstnären Pehr Hörberg. Med en produktion på totalt 87 altartavlor, varav 49 beställdes för östgötska kyrkor, var Hörberg under 1700- och tidigt 1800-tal en framträdande kyrkomålare. I uppsatsen utforskas även vilka faktorer som kan ha bidragit till konstnärens popularitet som kyrkomålare. Motiven som analyseras i uppsatsen är Jesu födelse, Nedtagandet från korset och Kristi himmelsfärd. Med utgångspunkt i en metod skräddarsydd för att kunna tolka bilder teologiskt analyseras dessa motiv utifrån en kristen kontext. Därmed blir innehållet i dessa altartavlor, vilket även är syftet med uppsatsen, mer tillgängligt för såväl kristna som icke-kristna betraktare. konstvetenskap teologi altartavlor Pehr Hörberg bildkonst gustaviansk tid kristendom religion kristen konst sakral konst Humanities and the Arts Humaniora och konst
6	Europas skönaste prins : En känslohistorisk studie om prins Fredrik Adolf i det gustavianska hovet Sjödahl, Estelle January 2016 (has links) This study contributes to the particular field of emotional history by exploring collective social attitudes towards affective expression. Here, the passionate behaviour of Swedish Prince Frederick Adolph is witnessed and evaluated by the country’s royal court during the eighteenth-century. The perspective on contemporary elite ideals is influenced by Barbara H. Rosenwein’s theory of “emotional communities”. By methodologically discerning the moral values in aristocratic and royal diaries, one can fruitfully analyse the group’s normative emotional ideas. Resulting from this thesis is an understanding of the royal court’s approval of the prince’s apparent sincere sensitivity and the disapproval of his passionate ways. Also, the importance of the culture of sensibility is understood to have an opponent in the society’s traditional structures. This is a revelation of an early modern emotional group’s formation based on shared European ideals in addition to social communal and individual belonging.KEY WORDS: history of emotions, sensibility, Sweden, royal court, Prince Frederick Adolph, diaries Historia gustaviansk Gustaf III Gustav III Fredrik Adolf hertig prins känslornas historia emotionell teori emotionell gemenskap studie 1700-tal sensibilitet emotional communities Rosenwein History Historia
7	”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet / Social dance in the eighteenth century : Dancing between the age of rank and the age of class Mellin, Saga January 2009 (has links) <p>The purpose of this paper is to examine how the arrival of class society is expressed in the social dance of high society during the second half of the eighteenth century. The study is based on the idea that culture and society develope in interaction; that changes in the economic, political and social life determine the cultural expressions as well. What I wish to examine is whether cultural themes from the developing bourgeois culture – individualism, to be precise – is expressed in the social dance during the second half of the eigthteenth century. // The study shows that public balls definitely gave people a chance to show off on the dance floor in spite of social rank. The assemblies were open to everyone, and there were no formal distinction between the estates. The equality was enforced furthermore in the bal masques. // In spite of this formal equality, there are also signs of public assemblies not being quite the arenas for individual triumph beyond the boundaries of estate that they could be. Comments about dance and individuals are for example way more common in connection to private gatherings than public. When writing about public balls focus is primarily on the attender’s social rang, and more seldom on the dance at all. It’s clear that the mixing of estates was a source of agitation, and also that it was hard for peasants and merchants to compete with the nobility on their home ground. In theory the dance culture was boundary-crossing, but in reality the rift between the estates was still wide.</p> dance social dance eighteenth century class society social life individualism Gustavian era the Age of Liberty culture analysis dans sällskapsdans 1700-tal ståndssamhälle klassamhälle nöjesliv individualism gustaviansk tid frihetstiden kulturanalys History Historia
8	”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet / Social dance in the eighteenth century : Dancing between the age of rank and the age of class Mellin, Saga January 2009 (has links) The purpose of this paper is to examine how the arrival of class society is expressed in the social dance of high society during the second half of the eighteenth century. The study is based on the idea that culture and society develope in interaction; that changes in the economic, political and social life determine the cultural expressions as well. What I wish to examine is whether cultural themes from the developing bourgeois culture – individualism, to be precise – is expressed in the social dance during the second half of the eigthteenth century. // The study shows that public balls definitely gave people a chance to show off on the dance floor in spite of social rank. The assemblies were open to everyone, and there were no formal distinction between the estates. The equality was enforced furthermore in the bal masques. // In spite of this formal equality, there are also signs of public assemblies not being quite the arenas for individual triumph beyond the boundaries of estate that they could be. Comments about dance and individuals are for example way more common in connection to private gatherings than public. When writing about public balls focus is primarily on the attender’s social rang, and more seldom on the dance at all. It’s clear that the mixing of estates was a source of agitation, and also that it was hard for peasants and merchants to compete with the nobility on their home ground. In theory the dance culture was boundary-crossing, but in reality the rift between the estates was still wide. dance social dance eighteenth century class society social life individualism Gustavian era the Age of Liberty culture analysis dans sällskapsdans 1700-tal ståndssamhälle klassamhälle nöjesliv individualism gustaviansk tid frihetstiden kulturanalys History Historia
9	In Varying Shades of Brown : Searching the colourful past of a 18th century masterpiece Andersson, Elise January 2012 (has links) The colourful past of the late 18th century marquetry furniture has seldom been highlighted. Through ageing and environmental influences, colourful marquetry furniture has lost their original expression. The current knowledge of how Swedish cabinet-makers in the late 18th century used dyes to colour their furniture is limited. Trace of colour has been observed and the use of dyes has been mentioned, but deeper research in this filed is missing. A visual examination and studies of archive documents and previous research have been performed to investigate the colourful past of Gottlieb Iwerssons masterpiece, a secretaire in Gustavian style made for the king Gustav III. The result shows that the secretaire has a colourful past in accordance with its original drawing. A hypothetical picture has been created to illustrate the colourful original appearance. Gottlieb Iwersson Masterpiece Secretaire Marquetry Wood Dyes Organic dyes Dyestuffs Identification of dyestuffs The Gustavian style Royal cabinet-maker Colourful past Veneered furniture Late 18th century Sweden Gottlieb Iwersson Mästerstycke Sekretär Färgämnen Trä Bets Organiska färgämnen Intarsia Gustaviansk stil 1700-tals möbler Fanerade möbler Hovschatullmakare Identifiering av färgämnen

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