Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-05-17T18:56:55Z No. of bitstreams: 1 marcelabatistamartinhao.pdf: 1205483 bytes, checksum: 4338b1816f91f644aebfc250ed9d4f75 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-05-22T11:36:23Z (GMT) No. of bitstreams: 1 marcelabatistamartinhao.pdf: 1205483 bytes, checksum: 4338b1816f91f644aebfc250ed9d4f75 (MD5) / Made available in DSpace on 2018-05-22T11:36:23Z (GMT). No. of bitstreams: 1 marcelabatistamartinhao.pdf: 1205483 bytes, checksum: 4338b1816f91f644aebfc250ed9d4f75 (MD5) Previous issue date: 2018-03-21 / Esta dissertação versa sobre a obra poética da poeta colombiana Marta Quiñónez, que atualmente vive em Medelin, publicada até o momento, que consiste nos seguintes volumes: Noctívago (1998), Acantilado (1999), Abecedário de Eximición (2000), Eva (2001), Kartalá (2002), La Trinidad (2005), Arcanos (2007), No. Libro de haripalas (2010), Dame tu canto ciudad (2012), Conversaciones en Comala (2012), Paréntesis (2013), El rostro del pan (2014) e Continente Mohíno (2016), publicado originalmente em 1996. O trabalho se concentra em quatro eixos principais, a saber: diáspora, migração, território e o lar, em diálogo com os temas do amor, da afetividade, da territorialização/desterritorialização nos centros urbanos, e da casa, perpassando as discussões de gênero e raciais na divisão dos espaços geográficos e sociais. Discutimos como este corpo e subjetividade feminina negra homossexual se reconfigura para a construção subjetiva de seu lar, considerando-se a experiência da desterritorialização e da migração, e o poema como a força reterritorializadora que alça as noções de pertencimento e conexão à sua própria criação poética como principal catalizadora de suas vivências. Percorremos toda sua obra em certa cronologia temática, iniciada com Continente Mohíno (1996) até El rostro del pan (2014), cujo principal objetivo é compreender a relação estabelecida entre sua escrita poética e o imaginário da diáspora contemporânea e fluxos migratórios, no que diz respeito aos territórios e a construção subjetiva do lar. A versatilidade e criatividade de sua poesia é flagrante por seu próprio curso de vida de movimento e desarraigo, que confluem para uma literatura capaz de abrigar suas vivências para além dos reducionismos históricos e sociais do lugar da mulher negra homossexual na literatura e na sociedade. / This dissertation approaches the poetic work of Colombian poet Marta Quiñónez, who currently lives in Medelin, which has been published to date, consisting of the following volumes: Noctívago (1998), Acantilado (1999), Abecedário de Eximición (2000), Eva (2001), Kartalá (2002), La Trinidad (2005), Arcanos (2007), No. Libro de haripalas (2010), Dame tu canto ciudad (2012), Conversaciones en Comala (2012), Paréntesis (2013), El rostro del pan (2014) and Continente Mohíno (2016), originally published in 1996. The work focuses on four main axes: diaspora, migration, territory and home, in dialogue with the themes of love, affectivity, territorialization/deterritorialization in urban centers, and the house, bypassing gender and racial discussions in the division of geographic and social spaces. We discuss how this homosexual black female body and subjectivity reconfigures itself for the subjective construction of its home, considering the experience of deterritorialization and migration, taking the poem as the reterritorializing force that elevates the notions of belonging and connection to its own poetic creation as main catalyst of her experiences. We go through all her work in a certain thematic chronology, beginning with Continente Mohíno (1996) until El rostro del pan (2014), whose main objective is to understand the relation established between her poetic writing and the contemporary diaspora imaginary and migratory flows, concerning territories and the subjective construction of home. The versatility and creativity of her poetry is blatant for her own life course of movement and uprooting, which converge to a literature capable of sheltering her experiences beyond the historical and social reductions of the homosexual black woman's place in literature and society.

The aim of this master thesis project is to investigate how cities strive to be globally competitive affect local residents in informal settlements, generically called slum dwellers. This question is approached trough a case study of one of Rio de Janeiro’s informal settlements ‘favela’ Santa Marta. The favela’s public spaces have been studied in order to reveal how Rio’s search for increased global status has affected the management of the spaces and consequently the favela dwellers. Rio de Janeiro is using a well-acknowledged strategy towards global competitiveness, the hosting of international mega-events. Within the near future the city is presenting two of the world’s most well-known events: the FIFA World Cup and the Olympic Games. The games are being used as a tool to attract tourists and foreign investments, which are expected to help the city to Compete Globally. However, our findings show that this is happening at the expense of the city’s vulnerable slum dwellers and that Rio to some extent is Losing Locally. For example, slum areas that can contribute to presenting Rio as an attractive city, or have an unexploited economic potential, are increasingly integrated to the formal city. The residents of these areas are affected in several ways, for example through being evicted on behalf of more economically beneficial establishments. Remote slums with no interest for investments are however still separated from the formal city and left without support for its residents. Trough our research we have found that when a city set out to be globally competitive, it uses neoliberal market strategies, like hosting mega-events, since that is apprehended as the only trajectory towards development. Although, we suggest that the known strategy for development should be revised in order to not violate human rights. / Målet med detta examensarbete är att undersöka hur städers strävan efter global konkurrenskraft påverkar de lokala invånarna som bor i informella bostadsområden, så kallade sluminvånare. För att besvara frågeställningen har vi utfört en fallstudie av det informella bostadsområdet ‘favela’ Santa Marta i Rio de Janeiro. Santa Martas allmänna platser har studerats för att få en förståelse för hur Rios strävan efter global status har påverkat hanteringen av favelans allmänna platser och följaktligen dess sluminvånare. Rio de Janeiro använder sig av en internationellt erkänd strategi för att bli globalt konkurrenskraftig, nämligen att anordna internationella mega-event. Inom en snar framtid kommer Rio vara en av värdstäderna för fotbolls VM, och två år senare ska staden vara värd för de Olympiska sommarspelen. Sportevenemangen används som ett politiskt verktyg för att attrahera turister och internationella investeringar som ett steg mot ökad global konkurrenskraft. Resultatet av vår studie visar dock att detta sker på bekostnad av stadens utsatta sluminvånare och att strävan efter global uppmärksamhet kan ha negativ inverkan på lokal nivå. De slumområden i Rio som kan tänkas bidra till en attraktiv bild av staden, alternativt innehar outnyttjad ekonomisk potential, blir integrerade i den formella staden. Invånarna i dessa områden blir negativt drabbade på en rad olika sätt. Exempelvis har ett flertal människor blivit vräkta då området de bor på kan användas till mer ekonomiskt lönsamma ändamål. Avlägsna slumområden utan ekonomiskt intresse blir dock ignorerade. Resultat från vår studie visar att när städer planerar för en ökad global konkurrenskraft använder de sig av neoliberala marknadsstrategier, som mega-event, eftersom detta anses vara det enda tillvägagångssättet för ekonomisk utveckling. Vi föreslår dock att denna rådande strategi behöver utvecklas, uppdateras och få sällskap av alternativa vägar mot utveckling då den i dagsläget leder till att mänskliga rättigheter bryts.

Tesis para optar al grado de Magíster en Literatura

The Atlanta region will soon be faced with a choice as to how it will go about planning for and implementing its next regional fare collection system that will replace the current BREEZE system. In 2006, MARTA became the first transit agency in the United States to implement an all contactless smartcard for use on its services. However, there have been many advances in new technologies and the consumer payment preferences have evolved since the initial implementation. These developments, coupled with the rapid consumer adoption of smartphones and changing attitudes within the financial payments industry towards transit properties, have recently led four major transit agencies within North America to implement new fare collection systems based on open payments, the development of mobile ticketing applications, or a combination. This research uses a case study methodology to answer several questions related to the planning and implementation of regional fare collection systems in Chicago (CTA), Dallas (DART), Philadelphia (SEPTA) and Toronto (TTC). Based on the experience of the case study agencies, the implementation of Atlanta's next fare collection system is sure to be a long and arduous process. However, by utilizing the lessons learned from DART, CTA, SEPTA and TTC, MARTA and the other regional operators (Cobb Community Transit, Gwinnett County Transit and the Georgia Regional Transportation Authority) will be better poised to provide their patrons with additional means of paying fares while, at the same, minimizing the disruption to the existing fare collection system during the transition period.

Thesis (Ph.D.)--University of Wisconsin--Madison, 2001. / Includes bibliographical references (leaves 206-213).

Tesis para optar al grado de Magíster en Literatura / En la presente investigación me centraré en la narrativa de Marta Brunet. Es interesante releer su obra, así como recordar lo importante que ha sido y es para las letras chilenas. Considero fundamental poner en vigencia la importancia de su propuesta, pues los personajes y el tratamiento de los temas por los que transita develan a una escritora contemporánea que sobrepasa los límites del criollismo o la evolución del mismo. En esta investigación daré especial importancia a las relaciones de “poder” presentes en sus relatos, especialmente en ciertas formas de resistencia a ese poder establecido social y culturalmente. El corpus de investigación consta de los siguientes textos: de su libro Aguas abajo, los cuentos “Soledad de la sangre”, “Piedra callada” y “Aguas abajo”; por otro lado, su primera novela Montaña adentro. La elección considera la riqueza de éstos para tratar el tema del poder y su relevancia desde el punto de vista de la hipótesis que propondré.

Despite being one of the most productive ecosystems on earth, wetland areas have been heavily affected by human activities. The Cienaga Grande de Santa Marta (CGSM) in Colombia is one of these wetlands, where the inadequate construction of roads modified the hydrology and connectivity of this water body, generating massive mangrove mortality episodes. The lack of knowledge on the hydrological processes and connectivity of the CGSM has impaired mangrove restoration plans. Here we use wetland interferometry technique to remotely monitor the wetland and understand the flow of water in/out and across the CGSM wetland complex. A close collaboration with Miami University allowed us to access CGSM’s interferograms created with ALOS Palsar satellite data (from 2007 until 2011). The interferograms resulting from the analysis were correlated with daily hydrological data (precipitation, runoff in the main inflow of freshwater to the wetland, tide charts) to finally identify two main paths of inflow of water that are still active and are continuously feeding freshwater into the Cienaga. The most persistent was identified in the south-west part of the CGSM; a water flow coming directly from the Magdalena River and entering the main lagoon in its south-west corner. The second was located in the north-west area, where most of the mangroves have died. In this case, different interferograms showed different potential water flow paths depending on the season (dry / wet season), the Magdalena River’s discharge and the rainfall. These results reflect the complex hydrology of the CGSM . Furthermore, a coherence analysis was conducted to assess the quality of the remote sensing data and to better understand the different responses of the features within the Cienaga. The results showed that the coherence analysis could also be potentially used to identify areas of dead mangrove. This study confirms that despite the blockage of the connectivity of the wetlands, there are still important freshwater flow paths feeding the CGSM. Additional hydrological studies are needed to ensure the further understanding of the hydrology of the CGSM and confirm the results of this study.

Orientador : Eric Mitchell Sabinson / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-10T20:40:07Z (GMT). No. of bitstreams: 1 Ribeiro_MarthadeMello_D.pdf: 2373647 bytes, checksum: 52db3b1a277cf06dfaa12a24d7e932be (MD5) Previous issue date: 2008 / Resumo: Esta tese teve por objetivo analisar a dramaturgia dos últimos dez anos de vida de Luigi Pirandello (1926-1936), em especial os dramas escritos para a atriz Marta Abba, e atualizar o estado da pesquisa em Pirandello. O estudo partiu da constatação de que graças à atriz, as duas metades do imaginário feminino pirandelliano, a mãe santa e a prostituta, passam a conviver em uma mesma imagem de mulher, para chegar até a imagem da vamp virtuosa: uma criatura eroticamente fascinante, mas sexualmente inacessível. Percorrendo a argumentação crítica atual, constatou-se que a produção tardia do escritor é o resultado de um violento intercâmbio, de uma forte influência mútua entre estímulos biográficos e resultado artístico. Tendo isto em vista, buscou-se reconstruir, por meio da crônica e da crítica teatral da época, o estilo da performer Marta Abba, e sua definição como atriz pirandelliana. Tomando como base as propostas teóricas do assim denominado Teatro Novo, suas relações com o idealismo das primeiras vanguardas, e, principalmente, confrontando o epistolário Pirandello-Abba com a sua produção teatral, justifica-se a perspectiva autobiográfica presente no teatro de Pirandello do último período. Ao escrever para a atriz, o dramaturgo não poderia deixar de ter em mente a qualidade interpretativa de sua musa inspiradora, esta excepcional intérprete que foi a co-autora do novo perfil feminino desenvolvido pelo autor e, por outro lado, ao individualizar em Marta Abba as criaturas que ele já havia imaginado anteriormente, Pirandello se vê sob o signo de uma ¿predestinação¿: a atração física do Maestro por sua intérprete, ¿filha de sua arte¿, recupera um antigo fantasma, o tema tabu da escritura pirandelliana: o ¿fascínio paterno¿, incestuoso. Pirandello constrói assim um personagem feminino plural e ambíguo, em consonância com os maiores ícones do cinema dos anos trinta, Greta Garbo e Marlene Dietrich, capaz de absorver o estilo ¿camaleônico¿ e contraditório de interpretar de Marta Abba, ao mesmo tempo em que é capaz de traduzir e incorporar seu próprio tormento interior. / Abstract: This thesis presents an analysis of the plays of Luigi Pirandello in the final ten years of his life (1926-1936), especially the dramas written for actress Marta Abba, consistent with the state-of-art research on the playwright. Our starting point was the verification that, thanks to the actress, the two halves of Pirandellian feminine imagination - the holy mother and the prostitute ¿ came to cohabitate in the same female image, that of the virtuous vamp: an erotically enchanted creature, although sexually unattainable. Reviewing the current criticism, we verified that the writer's late production is the result of a violent interaction and mutual influence between biographic stimulus and artistic concerns.On this basis, we reconstruct, via the chronicle and theatrical criticism of the period, the performer Marta Abba's style and her definition as the Pirandellian actress par excellence. Having as foundation the theoretical propositions of the so-called New Theater, its relationships to the utopianism of the early avant-gardes, and opposing the correspondence between Pirandello and Abba with his own theatrical productions, we believe that the presence of anautobiographical perspective in the last period of Pirandello's theatre is justified. When writing for the actress, the playwright certainly had the interpretation of his inspiring muse in mind, the exceptionally talented Marta Abba as the co-author of the new feminine profile developed by the author. On the other hand, by individualizing in Marta Abba all the female creatures, the playwright sees himself under a sign of predestination: Marta's attractive power over the Master, "his art's daughter", recovers an old phantom, the taboo-theme of Pirandello writing: the incestuous, fatherly fascination. Thus, Pirandello creates an ambiguous feminine profile, related to the major movies icons of the '30s - Greta Garbo and Marlene Dietrich - pluralistic enough to assimilate theever-changing, contradictory style of the interpreter Marta Abba, translating and incorporating, at the same time, his own inner torment. / Doutorado / Literatura e Outras Produções Culturais / Doutor em Teoria e História Literária

Made available in DSpace on 2016-04-27T17:27:05Z (GMT). No. of bitstreams: 1 Jose Paulo Coelho Faradji Chadan.pdf: 375540 bytes, checksum: ab7fc5b38b7db201759793336d7aa00a (MD5) Previous issue date: 2013-09-27 / The dissertation wich the reader has in its hands concerns my master dissertation about the contemplation in the Cloud of Unknowing. The Cloud of Unknowing belongs to the late medieval period (XIV century), and was probably written by a cartusian monk, as a method of teaching a young man, probably around twenty-four years old, about the contemplative life. In his writing, the author compares the contemplative life to two important biblical figures. First he compares it to Mary, that having received Jesus in her house, listens to him patiently, unlike Martha, her sister, that goes about preparing his supper. Next the author compares contemplative life, to Moses, wich with a lot of effort, climbs to the top of the mountain and sees a great cloud. Mary´s passage reports to the gospel according to Luque chapter 10, verse 38-42. Moses passage belongs to the book of Exodus, chapter 24. Mary is compared to her sister Martha. The first one represents the contemplative life, while the second one represents an active life. Moses is compared to Aaron, the last one representing a person wich with little effort and by divine grace contemplates the lord, while the first one is only capable of the same with a lot of effort. We approach the degrees of ascension to the contemplative life: the purgative path; the progressive and the contemplative one. The first degree refers to the active life while the second one refers to the active and contemplative lifes. In its turn the third level relates only to the contemplative life. The active life, being the path lived according the works of mercy and charity, as well as contemplation. Is the search of the spirit becoming closer to God through silence, solitude and loving desire / O trabalho que o leitor tem em mãos, trata da minha dissertação de mestrado acerca do tema da contemplação na Nuvem do Não-Saber. A Nuvem do Não-Saber é uma obra que data do medievo tardio (séc. XIV), tendo sido escrita provavelmente por um monge cartuxo, como modo de ensinar a um jovem em torno de vinte e quatro anos, acerca da vida contemplativa. Na obra, o autor compara a vida contemplativa a duas importantes personagens bíblicas: em primeiro lugar, compara-a a Maria, que tendo recebido Jesus em sua casa, senta-se a fim de, paciente e atenciosamente, ouvi-lo, diferentemente de Marta (sua irmã), que se apressa em preparar-lhe a refeição. Em segundo lugar, mas tão importante quanto, compara a vida contemplativa a Moisés que, com muito esforço, sobe ao cume do monte e vê ali, uma grande nuvem. A passagem de Maria reporta-se ao Evangelho de S. Lucas, no capitulo 10, versos 38- 42, já a passagem de Moisés reporta-se ao livro do Êxodo, no capítulo 24. Maria é contraposta a sua irmã Marta. Esta, representando a vida ativa, e aquela, a vida contemplativa. Já Moisés é contraposto a Aarão. Este, representando a pessoa que, sem muitos esforços e por divina graça, chega à perfeita contemplação assim que o quer, e aquele, só o consegue depois de muitos esforços. Abordamos então, os três graus de ascensão à vida contemplativa: a via purgativa, a via progressiva e a via contemplativa ou apofática. O primeiro grau, respectivo à vida ativa, e o terceiro grau, respectivo à vida contemplativa, sendo o segundo grau, intermediário (partícipe) tanto da vida ativa quanto da vida contemplativa. A vida ativa, sendo a vida vivida segundo as obras corporais de misericórdia e caridade e a vida contemplativa, sendo a busca do espírito em unir-se a Deus, por meio do silêncio, da solidão e do desejo amoroso

This thesis conducts a case study of how MARTA could address climate change adaptation through its transit asset management program. Two climate-modeling approaches are utilized to project potential future climate scenarios within MARTA's service area to identify significant climate stressors. These climate stressors are used to help identify vulnerable assets, operations, and locations in the MARTA system through several interviews conducted with key MARTA staff. The results of this basic climate vulnerability assessment are used to develop a series of short-term and long-term adaptation strategies that address these vulnerabilities. Next, a framework is proposed for addressing climate adaptation through MARTA's existing asset management program. Finally, the thesis proposes a general framework that other transit agencies could utilize to address climate adaptation through their asset management programs. The results of the climate vulnerability assessment indicate that the MARTA service area is likely to experience longer exposure to higher temperatures, flooding, wider variations in temperature, droughts, and more frequent high-wind events. Of these stressors, the MARTA system is most vulnerable to the effects of extreme and prolonged heat as well as flooding caused by intense precipitation events. Adaptation strategies to address these vulnerabilities include more frequent inspection of HVAC systems on buses and rail vehicles, increasing pumping capacity at underground rail stations, and incorporating low-impact developments into surrounded station areas. The limitations of the results of this case study and areas for further research from these limitations are also presented.