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11	Die verschlagene Lust zur ästhetischen Subversion im Masochismus Lohmüller, Torben January 2005 (has links) Zugl.: Cornell Univ., Diss., 2005
12	Sympathetic portrayals of Jews in nineteenth-century German literature : the cases of Wilhelm Raabe, Marie von Ebner-Eschenbach and Leopold von Sacher-Masoch / Freudenheim, Adam J. January 1996 (has links) Thesis--Department of Germanic languages and literatures--Harvard College/Radcliffe College, 1996. / Bibliogr. p. 38-40.
13	Mapping the shadow in the work of de Sade & Sacher-Masoch constellating sociological & psychological possibilities / Butcher, Dick, January 1998 (has links) (PDF) Thesis (Ph. D.)--York University, 1998. / Includes bibliographical references (leaves 260-274).
14	O campo e os princípios de repetição: ensaio sobre o inconsciente segundo Gilles Deleuze (1953-1968) / The field and the repetition\'s principles: essay on Gilles Deleuze\'s concept of unconscious (1953-1968) Coelho, Bruna Martins 10 March 2014 (has links) Esta dissertação apresenta a inerência do problema do inconsciente à trajetória intelectual de Gilles Deleuze. Tendo como horizonte Diferença e Repetição, que responderia, entre outros, à tentativa de construir uma noção de inconsciente como um campo imanente correlata à crítica da imagem tradicional do pensamento, mostramos como este projeto já estava em germe em seus estudos monográficos sobre Hume, Bergson, Nietzsche, Proust e Sacher-Masoch. Junto à problematização do inconsciente como um campo ou um plano assubjetivo, Deleuze pensa os processos sintéticos de constituição do sujeito no tempo ou as individuações impessoais a partir da repetição, conceito ontológico maior, através de sínteses operadas pelo hábito, pela memória, pelo eterno retorno e pelo instinto de morte. Primeiramente apresentadas nas monografias de Deleuze, Diferença e Repetição reapresenta estas sínteses do tempo ou do inconsciente, refundando a estética transcendental. Recolocar o problema do inconsciente fornecendo-lhe um estatuto ontológico positivo depende de sua interlocução com as psicanálises freudiana e lacaniana e com as ontologias do negativo das quais eram tributárias. / The following dissertation introduces the \"unconscious\" as an intrinsical matter of Gilles Deleuze\'s intellectual path. Having as a horizon \"Difference and Repetition\", which would answer, among others, the attempt of constructing a notion of the \"unconscious\" as an \"immanent field\", simultaneously with the critic of the traditional image of thought, it is shown how this project was already being developt on his monographic studies about Hume, Bergson, Nietzsche, Proust and Sacher-Masoch. Together with the \"unconscious\" issue as a field, Deleuze thinks both the temporal and the constitutional of the subject, or of the unpersonal individualizations, processes from the repetition, major ontological concept, through the description of syntheses operated by habit, memory, the eternal return and by the death instinct. Firstly introduced on Deleuze\'s monographys, \"Diference and Repetition\" reintroduces these synthesis as of the \"time\" or of the \"unconscious\", refunding a transcendental esthetics. Replace the \"unconscious\" problem giving it a positive ontological status, depends on it\'s dialogue with Freud\'s and Lacan\'s psychoanalysis and with the ontologies of the negative, which they were tributed to. Bergson Bergson Deleuze Deleuze Freud Freud Hume Hume Imanência Immanence Inconsciente Individuação Individuation Jung Jung Kant Kant Lacan Lacan Princípios Principles Proust Proust Repetição Repetition Sacher-Masoch Sacher-Masoch Síntese Synthesis Unconscious
15	O campo e os princípios de repetição: ensaio sobre o inconsciente segundo Gilles Deleuze (1953-1968) / The field and the repetition\'s principles: essay on Gilles Deleuze\'s concept of unconscious (1953-1968) Bruna Martins Coelho 10 March 2014 (has links) Esta dissertação apresenta a inerência do problema do inconsciente à trajetória intelectual de Gilles Deleuze. Tendo como horizonte Diferença e Repetição, que responderia, entre outros, à tentativa de construir uma noção de inconsciente como um campo imanente correlata à crítica da imagem tradicional do pensamento, mostramos como este projeto já estava em germe em seus estudos monográficos sobre Hume, Bergson, Nietzsche, Proust e Sacher-Masoch. Junto à problematização do inconsciente como um campo ou um plano assubjetivo, Deleuze pensa os processos sintéticos de constituição do sujeito no tempo ou as individuações impessoais a partir da repetição, conceito ontológico maior, através de sínteses operadas pelo hábito, pela memória, pelo eterno retorno e pelo instinto de morte. Primeiramente apresentadas nas monografias de Deleuze, Diferença e Repetição reapresenta estas sínteses do tempo ou do inconsciente, refundando a estética transcendental. Recolocar o problema do inconsciente fornecendo-lhe um estatuto ontológico positivo depende de sua interlocução com as psicanálises freudiana e lacaniana e com as ontologias do negativo das quais eram tributárias. / The following dissertation introduces the \"unconscious\" as an intrinsical matter of Gilles Deleuze\'s intellectual path. Having as a horizon \"Difference and Repetition\", which would answer, among others, the attempt of constructing a notion of the \"unconscious\" as an \"immanent field\", simultaneously with the critic of the traditional image of thought, it is shown how this project was already being developt on his monographic studies about Hume, Bergson, Nietzsche, Proust and Sacher-Masoch. Together with the \"unconscious\" issue as a field, Deleuze thinks both the temporal and the constitutional of the subject, or of the unpersonal individualizations, processes from the repetition, major ontological concept, through the description of syntheses operated by habit, memory, the eternal return and by the death instinct. Firstly introduced on Deleuze\'s monographys, \"Diference and Repetition\" reintroduces these synthesis as of the \"time\" or of the \"unconscious\", refunding a transcendental esthetics. Replace the \"unconscious\" problem giving it a positive ontological status, depends on it\'s dialogue with Freud\'s and Lacan\'s psychoanalysis and with the ontologies of the negative, which they were tributed to. Bergson Deleuze Freud Hume Imanência Inconsciente Individuação Jung Kant Lacan Princípios Proust Repetição Sacher-Masoch Síntese Bergson Deleuze Freud Hume Immanence Individuation Jung Kant Lacan Principles Proust Repetition Sacher-Masoch Synthesis Unconscious
16	The ambivalent author : five German writers and their Jewish characters ; 1848 - 1914 / Burdekin, Hannah. January 2002 (has links) (PDF) Univ., Diss.--Oxford.
17	Funny games Pühler, Simon 22 October 2014 (has links) "FUNNY GAMES. Spielräume des Sadomasochismus in Film und Medien" ist der Versuch, eine Geschichte medialer Schmerzlust zu rekonstruieren – in etwa von 1789 bis heute. Neben klassischer SM-Literatur sind es Spielfilme wie VIDEODROME (1983), FALSCHER BEKENNER (2005), THE HURT LOCKER (2008) oder SHORTBUS (2006), in denen modernes Schmerzlust-Empfinden und -Begehren offenbar wird. Die Untersuchung richtet sich dabei auf Konzepte technoimaginärer Wunsch- und Höllenmaschinen, dynamisierte Ich-Apparate, wie sie Donatien-Alphonse-François de Sade, Leopold und Wanda von Sacher-Masoch, Ernst Kapp, Sigmund Freud, Daniel Paul Schreber, Jacques Lacan, Gilles Deleuze und Félix Guattari, David Cronenberg, Michael Haneke, Kathryn Bigelow u.v.a. im Medienumfeld ihrer Zeit individuell erleben und auf ihre je eigene Art – meist sehr fantasiereich – bearbeiten. Der vorliegende Entwurf, medienarchäologische Spurensicherung und gleichsam Test-Spiel, ist vor allem eine Einladung zum Mitmachen: Beim obsessiven Durchschreiten virtueller (Alptraum-)Welten und realer Körper negative und positive Lust zu erfahren, sich neuen Sinnesreizqualitäten zu öffnen, um schließlich Mehr-Lust und -Wissen zu erwerben. Anti-Ödipus als interaktives Video(bei)spiel. Als Analysetools haben sich Erkenntnisse aus der (strukturalen) Psychoanalyse, der (technischen) Medienwissenschaft, (Film-)Philosophie, der Gender-, Gewalt-, Fetisch- und (kulturwissenschaftlichen) Spieltheorie als hilfreich erwiesen, um dem Geheimnis und Rätsel sadomasochistischer Schmerzlust – und ihrer crash-Medien – ein wenig näher zu kommen. / "FUNNY GAMES. Spielräume des Sadomasochismus in Film und Medien" aims to reconstruct a history of pleasure and gratification through pain in the media since the end of the eighteenth century. In addition to classical sado-masochistic literature, the thesis focuses on movies in which modern forms of experiencing and desiring pain such as VIDEODROME (1983), I AM GUILTY (2005), THE HURT LOCKER (2008) and SHORTBUS (2006) manifest themselves. Central to the study are concepts of techno-imaginary wish machines and infernal devices, dynamised ego-apparatuses, that are experienced and expressed through the media of their time by writers, philosophers, psychoanalysts and film directors such as Donatien-Alphonse-François de Sade, Leopold and Wanda von Sacher-Masoch, Ernst Kapp, Sigmund Freud, Daniel Paul Schreber, Jacques Lacan, Gilles Deleuze and Félix Guattari, David Cronenberg, Michael Haneke and Kathryn Bigelow. The present study, an attempt to secure the medial evidence and try it out at the same time, is meant most of all as an invitation to participate: to experience positive desire and lust while obsessively progressing through virtual worlds of dreams and nightmares and the real world of the human body, to open oneself to new experiences in order to gain both new knowledge and new desires. Anti-Oedipus as a textual videogame. The analytical tools employed in this study include findings from (structural) psychoanalysis, media sciences, (movie) philosophy, gender theory, the theory of violence, fetish theory and game theory as applied in cultural studies. They have proven to be very helpful in illuminating at least some aspects of the mystery that is the sado-masochist desire for pain. Sigmund Freud Medien Schmerz Sadomasochismus SM Spiel Raum Lust Funny Games Videodrome Falscher Bekenner Shortbus Donatien-Alphonse-François de Sade Leopold von Sacher-Masoch Ernst Kapp Daniel Paul Schreber Jacques Lacan Gilles Deleuze Félix Guattari David Cronenberg Michael Haneke Kinji Fukasaku Kathryn Bigelow Christoph Hochhäusler John Cameron Mitchell media Sadomasochism SM pleasure pain Funny Games Videodrome Shortbus Donatien-Alphonse-François de Sade Leopold von Sacher-Masoch Ernst Kapp Sigmund Freud Daniel Paul Schreber Jacques Lacan Gilles Deleuze Félix Guattari David Cronenberg Michael Haneke Kinji Fukasaku Kathryn Bigelow Christoph Hochhäusler John Cameron Mitchell 49 Theater, Tanz, Film AP 53950 AP 50300 S12 ddc:791

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