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21	Painting in the twenty-tens;where to now? : (You can’t touch this!) Olofsson, Max January 2012 (has links) The essay is a manifesto-like personal take on painting, and a redefinition of painting in the digital age. Careless usage of the term ”painting” has led to a diluted descriptive function and a waning categorizing capacity; almost anything can be called painting, which in turn puts actual painting in an awkward position – where it, apart from being itself, could be almost anything. The term “painthing” is introduced to distinguish painting from works that beside its two-dimensional visual information also makes a point of its specific materiality. It brings up cave paintings and links to video-games, suggesting that video-games have gone through the reversed evolution of the history of painting – from abstraction to representation. It speaks of the problems of documentation – the translation of visual information (or re-flattening of a flat surface) – and the cultural equalization of information and images on the internet through the common denominator the pixel. It also describes “information painting”, which in short is digital painting where there is no physical object to be translated to a documentation of itself, but rather a painting that is original in its documentation form (its digital form), painting that strives to be nothing but the utopia of an image – the untouchable/unreachable visual information. Painting painthing information painting digital painting pixel pixels cave paintings materiality physicality video –games projection reversed evolution comics passion utopia Gerhard Richter Super Mario Arts Konst
22	Obraz tělesnosti - Tělesnost obrazu / Image of Physicality - Physicality of Image Slachová, Markéta January 2014 (has links) In the thesis submitted, I deal with the concepts of human physicality and image and their mutual relationship from the point of view of how physicality can be made present in the image and hence in the very dialogue between an artwork and the viewer. The other part is devoted to artistic contexts. I would like to give examples of various works of art which can be traced by means of confronting the contemporary concept of physicality and the appearance of a human figure coming from the earliest paintings to art actions of the present and contemporary art events. My goal is to try to grasp the relation between image and physicality, especially in the context of art education and possibilities of gallery and museum education. I designed and implemented a large educational project: Painting the flesh - the physicality of painting, that uses elements of visually dramatic conception of art education, emphasizing work with pupils physicality of their own, linked to the contexts of art history and also deals with the theme of interpretation, reproduction and manipulation of paintings. The visual part is called Interpretation as a shift from the painting of physicality to the physicality of painting and is also derived from the topic examined in the work.
23	"It's Just Gym": Physicality and Identity among African American Adolescent Girls McClure, Stephanie M. 19 August 2013 (has links) No description available. African Americans Behaviorial Sciences Cultural Anthropology Gender Health Education Public Health identity physicality physical activity body image embodiment African American females adolescent high school
24	Gefühlvolle/leibliche Körperlichkeit(en) in Die Philosophie im Boudoir (1795) Hommers, Laura 05 May 2023 (has links) In ihrem Beitrag mit dem Titel Gefühlvolle/leibliche Körperlichkeit(en) in Die Philosophie im Boudoir (1795) widmet sich Laura Hommers der Frage nach der Materialität des Geschlechts (Judith Butler) und geht auf die von Barbara Duden initiierte Debatte ein, ob sich der Vorwurf einer ‚Entkörperung durch Verkörperung von Theorie‘ aufrechterhalten lässt. Um die Konstruktion der Butler’schen Materialität aufzuzeigen, werden sexuelle Tableaux von Marquis de Sades Die Philosophie im Boudoir untersucht. In diesen sexuellen Handlungen wird die Materialität durch die Neuinterpretation von erogenen Zonen sichtbar, welche gleichzeitig eine Vielfalt von Geschlechtsidentitäten und sexuellen Begehren aufzeigen. Laura Hommers greift dabei auf Paula Irene Villas Plädoyer für eine Leibperspektive in der Geschlechterforschung zurück und argumentiert, dass durch den körperlichen Leib und die Leibphänomenologie nach Hermann Schmitz eine Leibperspektive in den sexuellen Tableaux verhandelt werden kann, die zu einem Empfindungs- und Verhaltensprogramm führt. Daran anknüpfend argumentiert der Beitrag, dass die leiblichen Gefühle beziehungsweise Regungen, welche bei Marquis de Sade sprachlich (auf einer körperlichen Ebene) geäußert werden, sich durch vielseitige körperliche Ausdrücke manifestieren und so eine (anatomische) Materialität in die Untersuchung dieser Tableaux zurückgebracht werden kann. info:eu-repo/classification/ddc/300 ddc:300 info:eu-repo/classification/ddc/305.309 ddc:305.309
25	Finding Form Helms, Brittany Faye 09 August 2016 (has links) No description available. Architectural Fine Arts Gender craft terra-cotta clay experimentation body abstract space architecture manipulation control vegetal abbundance excess physicality abject performance video
26	Antické inspirace, české výtvarné umění a škola - Sama v Aténách / Antique inspiration, Czech fine art and school education - Alone in Athens Kulhánková, Vilma January 2011 (has links) This thesis intends to assess various inspirations of Czech art of the nineteenth, mainly twentieth century by ancient Greek tradition. Special emphasis is given to following two viewpoints: travelling on the one side and body and physicallity on the other. The first part concerns itself with artists travelling south to discover new impulses for their work, the second one deals with various approaches to body and physicallity inspired by Greek art. The didactic section presents an application of these topics to the elementary school Art Education. The practical part consists of two series of photos describing the subjective view of the present Greek metropolis.
27	Steal me your €motion / Steal me your €motion Rygálová, Monika January 2021 (has links) The text deals with ways and methods of creating my diploma thesis called Steal me your €motion. The diploma thesis deals with the relationship between machine learning and emotionality. To what extent is artificial intelligence able to undergo emotional relationships and experiences defined by the physicality and experience of the human body. The topic of the work is the creation of a (fictional) inhuman entity that longs to learn from people as many bodily acts as possible that will help it infiltrate the human community. In addition to reflecting the current level of scientific knowledge, I bring an element of fiction and fiction.
28	Performance art jako hraniční forma uměleckého projevu / Performance Art as a Border Form of Artistic Expression Vatulíková, Andrea Unknown Date (has links) While taking into account the field of study of performing arts, I assume that the category called „performing arts“ underwent many reforms in the 20th century, making it almost impossible to set clear boundaries between theatre, dance and performance art. Therefore I deal with their common ground that I call the zero point and that allows me to explore means of expression of human body and also time – space dimension of live action. The zero point is located in the pelvic region of the body and it is the center of stability, balance and life enegry. In my dissertation I focus on the analysis of physical trainings that work with the zero point in theater, dance and performance arts. Primary output of this work is then analysis of physicality as culturally encoded construct and the practical part of disseration is focused on the realisation of the point zero symposium.
29	Tělo, mysl a ztracená generace v dílech Hemingwaye a Fitzgeralda / Body, Mind, and the Lost Generation in Works of Hemingway and Fitzgerald Nekvasilová, Klára January 2021 (has links) The thesis explores the notion of physicality in selected novels of Ernest Hemingway and Francis Scott Fitzgerald, using the works of Jean Baudrillard as its theoretical base. The text seeks to uncover the significance of a human body in the novels through a detailed observation of the depicted characters, focusing mainly on the role of the body as an emblem that reflects not only its owner's individual battles, but also the transgressive processes taking place in the society. The study assumes that the works written by the authors of the Lost Generation capture the gradual onset of capitalism and consumerism, and thus they reflect the emergence of the consumer society, a social order that became Baudrillard's main subject of study. The main aim of the thesis is thence to explore the human body as a reflection of major societal changes and uncover the methods in which the characters use their bodies to define their own position in the newly arising system. Following the theoretical introduction, the analysis firstly examines fashion and demonstrates its capability to either unify the members of the consumer society through their shared desire to follow specific trends, or alternatively hierarchically divide the consumers based on their dissimilar approaches to consumption. Secondly, the thesis...

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