This work reflects on how the Seventh-day Adventist Church meets the challenges of postmodernism, despite itself having its roots deep in the modern era. The first part deals with the origin of the Seventh-day Adventist Church and the development of its dogma. It primarily focuses on the Thomas Reid?s philosophy of common sense and describes the Adventist statements of dogma that are typical of this church and were influenced by the philosophy of common sense. The second part analyses how this church deals with the challenges of the postmodern era. It describes the current categorisation of Adventist theology on the basis of the differing macro-hermeneutic of the individual streams that depend on how they view the relationship between God and time. It also indicates the practical impacts that these various approaches to church praxis lead to. The aim of this work is to be as objective as possible in describing the current situation and show the potential risks and solutions that the church and its members face. In the author?s opinion, an adequate response to the problems of Adventism in the postmodern era can be found in shifting the emphasis to a general Christian perspective and in redefining specifically Adventist teachings.

The topic of the thesis is reflection of the conception of evangelization and its realization in the Salesian youth centres. It consists of two parts: the theoretical and the practical one. The first of them describes the evolution of the role of religion in the society in periods usually described as modern and postmodern. Then the meanings of the word evangelization and their relationships with other key words are introduced through some of the important church doctrinal documents set out afte

This thesis examines the issues of body, embodiment and indentity in relation to the novel Fight Club by Chuck Palahniuk. The duality between speech and embodiment is explored in depth, both in the story of the novel and in the author's narrative style. Furthermore, the issue of power in relation to the society as well as towards one's own identity is discussed.

Diploma thesis Intertextual use of myth in the film Lana Del Rey Tropico pays attention to the radical layering of myths in this film. Follows the relationship between intertextuality and the postmodern myth situation following the structuralist analysis of myth by Claude Lévi-Strauss and Roland Barthes. Powered by TCPDF (www.tcpdf.org)

The diploma thesis combines the theoretical concepts of postmodernism and biopower, that are subsequently applied to the particular issue of covering Muslim women living in the Czech Republic. This problem includes the religious, gender, media, social and philosophical level. Each of them is supported by key authors who are experts in this issue. Michel Foucault's concept of biopower, that covers both social and individual bodies through power discourse, interferes with the clothing, that gender attribute, like the Muslim veil, is based on the ideas of Judith Butler. The priority is the ambivalent conception by Jean-François Lyotard, as a kind of conflict, the outlet of which is pluralistic debate. The aim of the thesis is to find a tolerant solution of the current erratic situation in the collision of European and Middle Eastern cultures in the Czech Republic, like wearing the Muslim veil, as the expression of Islam in public with applying Lyotard's demanding ethics of accepting pluralism as an alterity. Key words: postmodern, contradiction, biopower, Muslim veil, media discourse, gender, plurality

Supervision is dramatically growing domain in the past few years. There are many origins which influence its practice and psychotherapy models are one of them. It is important to be conscious of the influence of theoretical background, which can colour end guide course of supervision. We can find increasing use of systemic approach in the practice, therefore this work focus on its application in supervision. We can find lack of resources specific for using systemic approach in the supervision in the social and health care services, so it is important to turn the attetntion to experiences of supervisors using this approach in their practice in this field. The study is concentrating on - what are the stands of supervisors to systemic aproach and what are their experiences with using this approach in practice of supervision. Semi-structured interviews and a questionnaire are used for obtaining outcomes. The data were analysed in qualitative approach. Outcomes of this study indicate emphasis on stands of the supervisors, rather than on "simple" aplication of methodological operations. Practice of supervisors confirms, that systemic approach can be very well applied in supervision. We can consider interesting, that the modality of supervisors work corresponds with current integrative trend in...

Teorin om “cirkulär ekonomi” (CE) är baserad på att effektivare tillvarata resurser, genom att återanvända material och komponenter inom “cirkulära” system, anses den vara ett alternativ till den linjära produktionsmodellen som har bidragit till dagens miljöproblematik. Det finns dock kritik mot teorin om “cirkulär ekonomi” (CE), den anses vara vag och främst är driven av en teknologisk och ekonomisk agenda, utan tillräcklig hänsyn till de sociala och kulturella faktorer som driver konsumtionen i samhället. Innovationen av elbilar har framstått som en del i lösningen av miljöproblematiken och strävar efter att på sikt bli den nya fordonsnormen i samhället. Trots positiva klimatfördelar utmanas aktörer fortfarande i att skapa incitament för konsumenter att investera i elbilar och främja en mer “cirkulär” fordonsindustri. Genom att analysera cirkulär ekonomi inom en “postmodernistisk kontext” och med användning av “konsumentkulturteori” (eng. “Consumer Culture Theory”, CCT) som en del av studiens ramverk syftar denna uppsats till att ge en djupare förståelse för hur symboliska och kulturella värden påverkar implementeringen av cirkulär ekonomi. Genom att använda elbilar som ett exempel på cirkulär ekonomi studerades konsumenternas bakomliggande drivkrafter till förvärvet. Dessutom genomfördes en noggrann analys av elbilens bidrag till den cirkulära ekonomin för att försöka förstå vad det innebär för en produkt att vara helt “cirkulär”. Genom en kvalitativ forskningsmetod utfördes telefonintervjuer med sju elbilsägare för att utforska deras erfarenheter av elbilar. Resultaten från studien visar att motiven för att investera i elbilar främst härrör från symboliska, tekniska eller ekonomiska faktorer som bidrar till respondenternas sociala status i samhället. Genom att respondenterna baserar valet av konsumtion av elbilar på känslor av lyx eller ekonomiska fördelar, snarare än att konsumtionen baseras utifrån miljömässiga faktorer, har det stärkt uppfattningen att sociokulturella faktorer kan leda till “tröghet” (eng. “inertia”) gällande införandet av den mera resurseffektiva cirkulära ekonomin. Respondenterna anser att elbilen kan bli en del av den cirkulära ekonomin på sikt, men att batterier och återvinning av dessa behöver utvecklas och att den i nuläget har en oklar kontribution till cirkulär ekonomi. / At the core of the theory of the “circular economy” (CE) is efficient resource-management. Effectively reusing material and components in a “circular system” serves as an alternative to the linear production model that has caused environmental concerns. Implementing a “circular economy” (CE) is, however, hampered by criticism since it is too vague a theory, pursuing a technological and economic agenda and therefore not taking into account the many social and cultural factors that drive consumption in society. The innovation of electric cars is seen as a part of the solution to the environmental problems. But even with a positive climate approach, it still seems to be a challenge for actors to create incentives for consumers to start investing in electric cars and move towards a more “circular” car industry. Within the context of postmodernism and “consumer culture theory” (CCT), this thesis focuses on how symbolic and cultural values in consumers affect the implementation of a circular economy. Using electric cars as an example of circular economy production, the thesis aims at investigating what makes consumers purchase an electric vehicle. In the same context, a deeper analysis of the electric cars contribution to the circular economy was conducted to understand what it means for a product to be fully “circular”. By employing a qualitative research methodology, phone interviews were conducted to explore the respondents experience of electrical cars. Findings from this research reveal that the motivation to buy electric cars predominantly stem from symbolic, technical, or economic values that contribute to the respondent’s social status in society. The choice to consume electric cars is driven by needs of luxury or economic benefits rather than environmental concerns. This strengthens the notion that sociocultural factors can lead to inertia regarding the implementation of a more resource-efficient circular economy. The respondents believe that electric cars can make a better contribution to the circular economy in the future, emphasizing the need for more efficient recycling of electric vehicle batteries.

KOPICOVÁ, Jiřina. Contemporary Printmaking and Art Education. Prague, 2011. 115 p. Master Thesis. Charles University in Prague - Faculty of Educati- on. Head of the Master Thesis Mgr. Linda Arbanová, PhD. This is a theoretical study investigating the present-day free graphic arts (designs). It describes the main trends, materials and techniques used. The text contains an an- notated selection of several Czech and foreign authors, which illustrates the different mainstreams of contemporary graphic arts. The didactic part of this study contains a research on the topic entitled Relation of Ba- sic-School Students to the Graphic Arts and a suggestion of a didactic approach to Art teaching based on the results of the research. The creative part of the study shows my own works-based on the topic: Time of Natu- re-made with the combined technique of digital print and linocut.

This very writing is examining the two ultimate books "Mlýn na mumie" from the talented Petr Stančík, and "Sedmikostelí" and "Lord Mord" from the extremely obscure Miloš Urban. The main and most significant purpose of this work is to find and distinguish characteristics of each author, diving deeper into their unique styles, finding possible similarities while trying to learn about one of the very few raw original writing styles. Despite the books being multi-genre, they do try to characterize the exact genres along the way, after a proper introduction of the authors themselves, of course. The genres appearing in these books are clearly shown in individual excerpts below original text. A dominant part of my work is an analysis of the time space and the main character or hero if you prefer - again shown in excerpts as key parts of novels. Towards the end you can find the so-called great myth of the nation as a frequently repeated topic. By the conclusion of this work is a final comparison of previous analyses.

<p>What is an economic crime? Who is an economic criminal? How do we speak of the phenomenon and what does they way we speak mean? The immediate result of the study is that there is a stereotype image of the economic criminal that is produced within peoples speech. This image contains characteristics that bring the subject, the economic criminal, far away from the traditional crime subject, and brings it closer to a non-criminal subject. This motion render possible that economic criminals can talk of themselves as “not bad people”, “normal” and “like everyone else”. The analysis has made clear that economic crime and economic criminals are conceptualizations that are under negotiation, there is no determined definition of these ideas. A transformed society has also an impact on economic criminals and economic crime. Perhaps the debate about the definition of the economic criminal and economic crime is symptomatic for the postmodern society we share?</p>