Submitted by Lucas de Castro Marques null (lucascas.mar@gmail.com) on 2018-03-22T22:31:38Z No. of bitstreams: 1 Dissertação_Lucas_Marques_Biblioteca.pdf: 5262913 bytes, checksum: 2e6d4e161d07dc14dce16b94b5d6e0e0 (MD5) / Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-03-23T17:59:56Z (GMT) No. of bitstreams: 1 marques_lc_me_sjrp.pdf: 5262913 bytes, checksum: 2e6d4e161d07dc14dce16b94b5d6e0e0 (MD5) / Made available in DSpace on 2018-03-23T17:59:56Z (GMT). No. of bitstreams: 1 marques_lc_me_sjrp.pdf: 5262913 bytes, checksum: 2e6d4e161d07dc14dce16b94b5d6e0e0 (MD5) Previous issue date: 2018-02-23 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Este trabalho tem como objetivo mapear e analisar a circulação e a recepção crítica dos romances de James Fenimore Cooper no Brasil do século XIX, sobretudo considerando o movimento dos livros no Rio de Janeiro, com extensão para São Paulo. Com o propósito de entender o fenômeno da circulação de suas obras entre o público leitor daquela época, apresentaremos os dados relativos ao fluxo dos livros, utilizando, como fontes primárias, os catálogos de livrarias e os periódicos de São Paulo e Rio de Janeiro, e também os catálogos de bibliotecas e gabinetes de leitura da Corte Imperial. Faremos uma reflexão sobre a recepção crítica das obras de Cooper a partir de resenhas que acompanham os anúncios de venda de livros e de textos críticos que, naquela época, citam a obra do escritor de maneira comparada a obra de José de Alencar. Consideramos que foi possível compreender como se deu a circulação e recepção crítica de Cooper, além de entender, com mais detalhes, aspectos sobre o gosto pela leitura de seus romances no século XIX. / This work aims to map and analyze both circulation and critical reception of James Fenimore Cooper’s novels in Brazil in the 19th century, especially considering the movement of books in Rio de Janeiro, extending to São Paulo. In order to understand the phenomenon of the circulation of his works among the readership of that time, we will present data related to the flow of books and feuilletons, using, as primary sources, catalogs of bookstores and periodicals from São Paulo and Rio de Janeiro, as well as the catalogs of libraries and reading rooms of the Imperial Court. We will reflect on the critical reception of Cooper's works based on reviews that where attached to the book sale advertisements, as well as on the critical texts that, at that time, cite the work of the writer in a way compared to the work of José de Alencar. We considered that it was possible to understand how Cooper's circulation and critical reception occurred, in addition to understanding, in more detail, aspects about the taste for reading of his novels in the 19th century.

Submitted by Lilian Tigre Lima null (liliandelima17@hotmail.com) on 2018-03-21T13:55:00Z No. of bitstreams: 1 Dissertação Lilian Tigre Lima.pdf: 8614979 bytes, checksum: 7e299634d2d10b9b445fb50e81fb8fff (MD5) / Rejected by Elza Mitiko Sato null (elzasato@ibilce.unesp.br), reason: Solicitamos que realize correções na submissão seguindo as orientações abaixo: Problema 01) Corrija na folha de aprovação a data(dia, mês e ano) da defesa, no seu arquivo está somente o ano. Na página da Seção de pós-graduação, em Instruções para Qualificação e Defesas de Dissertação e Tese, você pode acessar o modelo das páginas pré-textuais. Lembramos que o arquivo depositado no repositório deve ser igual ao impresso. Agradecemos a compreensão. on 2018-03-22T14:26:00Z (GMT) / Submitted by Lilian Tigre Lima null (liliandelima17@hotmail.com) on 2018-03-27T15:10:26Z No. of bitstreams: 1 Dissertação Lilian_Tigre_Lima.pdf: 8615154 bytes, checksum: 1a1256660e6bede5a419e2a8554ecbec (MD5) / Approved for entry into archive by Elza Mitiko Sato null (elzasato@ibilce.unesp.br) on 2018-03-27T18:27:07Z (GMT) No. of bitstreams: 1 lima_lt_me_sjrp.pdf: 8589024 bytes, checksum: 8397cc725518b82303947d92a6d8a53b (MD5) / Made available in DSpace on 2018-03-27T18:27:07Z (GMT). No. of bitstreams: 1 lima_lt_me_sjrp.pdf: 8589024 bytes, checksum: 8397cc725518b82303947d92a6d8a53b (MD5) Previous issue date: 2018-02-21 / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / O presente trabalho de Mestrado propõe um novo olhar para a relação de José de Alencar com o seu leitor. Em termos mais específicos, o objetivo deste trabalho foi debater em que medida a leitura de Honoré de Balzac no Brasil, um dos modelos do Alencar urbano, antecede a leitura de José de Alencar, como se tem pensado, e, em que medida, o romancista brasileiro, ao se apropriar dessa literatura ainda desconhecida pelo público de língua portuguesa por aqui, contribui para a criação e educação do “gosto” dessa parcela do público leitor de romances. Para se chegar à confirmação dessa hipótese inicial, a pesquisa tem se debruçado sobre dois eixos de investigação. No primeiro deles, centrado nos aspectos literários propriamente ditos, analisa-se, a partir dos romances Eugénie Grandet (1833), de Balzac, e Senhora (1875), de Alencar, os esforços do escritor brasileiro por extrapolar a técnica do mestre francês no que diz respeito ao tratamento dos dramas humanos, bem como o empenho do romancista no que diz respeito à compreensão e ficcionalização do quadro social brasileiro oitocentista. No segundo e principal eixo deste trabalho, por sua vez, as atenções são voltadas para as fontes primárias, tais quais primeiras edições, cuja análise abre novos caminhos para o conhecimento dos modos de produção, divulgação e recepção da literatura no período, e, consequentemente, para uma compreensão mais diversificada da História Cultural brasileira desse mesmo período. Colocando em cheque o conceito de fonte e de influência, a dicotomia entre periferia e centro, bem como a ideia convencional de atraso, este trabalho, ao posicionar José de Alencar no centro da formação de um público, convida a se repensar o papel do escritor também na formação de um sistema literário no Brasil, mostrando que muito se ganha ao tornar prismática a ideia de que o contato do leitor brasileiro com os romances europeus preexistiu à leitura dos romances nacionais. / This Master’s work proposes a new look at the relationship of José de Alencar with his reader. In more specific terms, the objective of this work was to discuss the extent to which the reading of Honoré de Balzac in Brazil, one of the models of the urban Alencar, precedes the reading of José de Alencar, as has been thought, and, to what extent, the Brazilian novelist, by appropriating this literature still unknown by the Portuguese-speaking public here, contributes to the creation and education of the taste of this part of the reading public of novels. In order to arrive at the confirmation of this initial hypothesis, the research has focused on two axes of investigation. In the first one, centered on the literary aspects, from the novels Eugénie Grandet (1833), by Balzac, and Senhora (1875), by Alencar, it is analyzed the efforts of the Brazilian writer to extrapolate the technique of the French master with regard to the treatment of the human dramas, as well as the novelist’s commitment to the understanding and fictionalization of the nineteenth century Brazilian social context. In the second and main axis of this work, the attention is focused on the primary sources, whose analysis opens new paths for the knowledge of modes of production, dissemination and reception of literature in the period, and, consequently, for a more diversified understanding of the Brazilian Cultural History of the same period. Putting in check the concept of source and influence, the dichotomy between periphery and center, as well as the conventional idea of delay, this work, by placing José de Alencar at the center of the formation of an audience, invites to rethink the role of the writer also in the formation of a literary system in Brazil, showing that much is gained by making prismmatic the idea that the contact of the Brazilian reader with the European romances preexisted the reading of the national novels. / FAPESP n° 2015/24023-5

Trata da formação e desenvolvimento de Ribeirão Preto sob a perspectiva da organização fundiária pós-Lei de Terras e sua conexão com o desenvolvimento do mercado de terras urbanas. A pesquisa realizada em documentos primários do Arquivo do Fórum de Ribeirão Preto tem sua base em litígios que circunscrevem a propriedade de datas urbanas: nunciação de obra nova, força nova e outros embargos. No contexto inicial, a Fábrica da Matriz foi o eixo comum entre estruturação fundiária e processo de urbanização. Naquele momento os fabriqueiros tiveram participação relevante nas estratégias jurídicas de legalização das posses territoriais, contudo, foram excluídos do gerenciamento da concessão de datas no patrimônio religioso, conduzidas pela Câmara Municipal. Confusão de instâncias e competências amplamente discutidas em juízo que em meio à falta de clareza sobre procedimentos de aforamento, ausência de regras, concessões dúbias ou em duplicidade, no limite expressaram a má fé de fabriqueiros, foreiros e vereadores, atestando claramente uma única coisa, tais terrenos possuíam valor de mercado, caso contrário sua posse, propriedade, forma de concessão e titulação não estariam em litígio. O amadurecimento paulatino do mercado de terras urbanas segue paralelo à ampliação do aparelho judiciário e aos desdobramentos jurídicos das formas de titulação de domínio. A expansão imobiliária que acompanha a sentença judicial de 1856, que ratificou a doação de uma gleba ao santo padroeiro, excede no final do século XIX sua delimitação física e passa a integrar um conjunto de ações coordenadas que atravessam as cadeias de circulação de capital ligado à economia agroexportadora, entre esses a concessão de privilégios para exploração de serviços de melhorias e infraestrutura urbana. Trata-se de uma faceta de grande dinâmica de organização capitalista da economia que demandou o apoio em investigações complementares. O estudo dessas pesquisas associado aos dados que os litígios judiciais forneceram sobre o objeto nos levou a exceder a hipótese de que os terrenos do patrimônio da matriz eram dotados de valor comercial. A conclusão é que se trata de um quadro maior que a existência de um mercado imobiliário precoce configurado pela negociação paralela de terrenos encoberta pelas praxes de aforamento. Nesse grande quadro de processos que se articulam destacamos as inúmeras engrenagens componentes, desde a produção e transporte de gêneros de subsistência e abastecimento que gravitou em torno da Corte e de áreas mineradoras, do ciclo açucareiro e cafeeiro, das tecnologias ligadas ao vapor, das infraestruturas, da organização da circulação de moeda e títulos, da política de imigração, dos fazendeiros formadores de fazendas, do movimento pró-imigração, dos loteadores urbanos, dos empresários de serviços de infraestrutura e ainda as astúcias de sujeitos anônimos que agindo isoladamente tentam de várias formas tirar proveito dessa conjuntura. É em meio a essa dinâmica que se inscreve a forma e as direções do crescimento da cidade. Nessa lógica, a tese contribui para o debate sobre o processo de urbanização da cidade de Ribeirão Preto analisado sob a ótica das relações de posse, propriedade do solo e a pré-existência de condições para a constituição de um mercado de terras urbanas. / The thesis addresses Ribeirão Pretos formation and development under the perspective of the Land Act of 1850 (Lei de Terras) that bonds ownership juridical organization process and the increase of an urban land market. The investigation, sustained in primary sources from The City of Ribeirão Preto Judicial Archives (Arquivo do Fórum de Ribeirão Preto), is based in disputes that comprehend urban property embargoes known as: Nunciação de Obra Nova and Força Nova. At first, the parochial church fabric (trusteeism) was the common axis amidst land regulation and urbanization process. At that moment churchwardens had relevant stake in strategies to legalize territorial possessions, however, were excluded from the religious grounds management taken hold by the City Council. Confusion of instances and jurisdiction widely discussed in court those amongst the lack of clarity on the aforamento procedures, the absence of rules, dubious and duplicate concessions, at the end clearly expressed the bad-faith of lay administrators, lessees and councilors, stating clearly a sole thing such land had market value, otherwise its possession, estate, modes of concession and title deed would not be in query. The gradual maturation of the urban land market runs parallel to the expansion of the judiciary branch and the legal deployment of property entitlement. The real estate expansion that begun after 1856s court judgment, which granted a glebe to the patron saint, by the end of the nineteenth century exceeded its physical boundaries and became part of a set of coordinated actions that traversed the chains of capital circulation linked to agro-export economy, among these the granting of urban services of infrastructure operating privileges. This facet shows a broader capitalist dynamic of the economy that demanded investigation support. The study of these support surveys associated with data provided by the judicial proceedings led us to surpass our initial hypothesis, that the parochial fabric grounds had commercial value traded in a parallel market disguised by the aforamento formalities. The conclusion is that there is more than the premature existence of a real estate market. In the wider picture of articulated progressions we feature the numerous gear components; from the production and transportation of genres of subsistence and supplies that gravitated around the Royal Court and mining areas to the sugar and coffee cycles, around technologies related to steam machinery, transportation infrastructure, economic organization for the circulation of money and bonds, across \"farmers\" specialized in growing farms, through the pro-immigration plans and policies, to the urban land, infrastructure and services entrepreneurs alongside anonymous individuals that acted in various forms to take advantage of this situation. The growth directions and shape of the city is tailored within this dynamic. In this sense, the thesis contributes to the debate on the early urbanization of the city of Ribeirão Preto analyzed analyzed from the perspective of the relations of ownership, land property and pre-existing conditions for the establishment of an urban land real estate market.

Le Renouveau pédagogique, mis en place au Québec en 2005 à l’ordre secondaire, a eu pour effet de forcer plusieurs enseignants à remettre en question leurs pratiques pédagogiques avec l’approche par compétences. Considérant que les recherches sur l’ancien programme d’histoire ont démontré que les enseignants utilisaient la plupart du temps le manuel comme outil unique, que les manuels contenaient peu de sources primaires et que l’usage de sources est maintenant prescrit par le ministère de l’Éducation, du Loisir et du Sport, nous analysons dans cette recherche l’usage des sources primaires dans les nouveaux manuels d’Histoire et éducation à la citoyenneté du niveau secondaire. L’analyse de nos résultats nous a permis de fournir les outils nécessaires afin de répondre à notre question de recherche. Nous avons constaté la présence majoritaire des sources primaires dans les manuels. Par contre, celles-ci n’étaient pas toujours incluses dans une situation d’apprentissage avec au moins une compétence disciplinaire et, dans encore moins de cas, dans une tâche complexe en lien avec la méthode historique. / Educational Renewal, established in Quebec in 2005 at the secondary level had the effect of forcing many teachers to question their teaching practices with the skills approach. Considering that research on the old history program showed that teachers used mostly textbook as a unique tool, that contained few primary sources and these sources are now prescribed by the ministry of Education, Recreation and Sport, we determine in this research the use of primary sources in the new history and citizenship education textbooks of at the secondary level. The analysis of our results allowed us to provide the tools necessary to answer our research question. Our first observation was to note the presence of the majority of primary sources in the textbooks. They were not always included in a learning situation, including at least one of disciplinary skill and, in even fewer cases, in a complex task in connection with the historical method.

A presente dissertação de mestrado tem como objeto de pesquisa duas obras sinfônicas com solistas, as Duas Sinfonias Concertantes de Manoel Jozé Gomes, ou seja, a Sinfonia Concertante [para dois violinos e orquestra em Si bemol maior] e a Sinfonia Concertante [para dois violinos solistas e orquestra em Re maior], ambas atribuídas aqui a Manuel José Gomes (1792-1868), mestre-de-capela da Matriz de São Carlos (posteriormente Campinas), cujos manuscritos, provavelmente autógrafos, estão depositados no Centro de Ciências, Letras e Artes de Campinas, entidade mantenedora do Museu Carlos Gomes. Para viabilização de uma primeira perspectiva de compreensão poético-estilística das duas Sinfonias Concertantes esta dissertação contém também a primeira edição completa das duas obras. / This dissertation has as its main research objective two symphonic works with soloists, the Two Sinfonias Concertantes by Manoel Jozé Gomes. The first one, the Sinfonia Concertante [ for two soloist violins and orchestra in B flat major] and the second, the Sinfonia Concertante [ for two soloist violins and orchestra in E flat major], both here atributed to Manuel José Gomes (1792-1868), kappellmeister of the São Carlos Mother Church ( later denominated Campinas).The symphoniess manuscripts, probably original autographs, are deposited at the Arts, Ciences and Litterature Center of Campinas, wich supports the Carlos Gomes Museum. To support the viability of the first perspective of understanding the poetry and style of those Two Sinfonias Concertantes, this dissertation also contains the first complete full score edition of the two orchestral works.

Le Renouveau pédagogique, mis en place au Québec en 2005 à l’ordre secondaire, a eu pour effet de forcer plusieurs enseignants à remettre en question leurs pratiques pédagogiques avec l’approche par compétences. Considérant que les recherches sur l’ancien programme d’histoire ont démontré que les enseignants utilisaient la plupart du temps le manuel comme outil unique, que les manuels contenaient peu de sources primaires et que l’usage de sources est maintenant prescrit par le ministère de l’Éducation, du Loisir et du Sport, nous analysons dans cette recherche l’usage des sources primaires dans les nouveaux manuels d’Histoire et éducation à la citoyenneté du niveau secondaire. L’analyse de nos résultats nous a permis de fournir les outils nécessaires afin de répondre à notre question de recherche. Nous avons constaté la présence majoritaire des sources primaires dans les manuels. Par contre, celles-ci n’étaient pas toujours incluses dans une situation d’apprentissage avec au moins une compétence disciplinaire et, dans encore moins de cas, dans une tâche complexe en lien avec la méthode historique. / Educational Renewal, established in Quebec in 2005 at the secondary level had the effect of forcing many teachers to question their teaching practices with the skills approach. Considering that research on the old history program showed that teachers used mostly textbook as a unique tool, that contained few primary sources and these sources are now prescribed by the ministry of Education, Recreation and Sport, we determine in this research the use of primary sources in the new history and citizenship education textbooks of at the secondary level. The analysis of our results allowed us to provide the tools necessary to answer our research question. Our first observation was to note the presence of the majority of primary sources in the textbooks. They were not always included in a learning situation, including at least one of disciplinary skill and, in even fewer cases, in a complex task in connection with the historical method.

Of all fields of historical enquiry, Germany’s Third Reich is perhaps the richest in sources and historiography. Therefore, it is logical to assume that this is where we see history done at its best. The chief interest of this dissertation is how historians select their sources and how they use the evidence they find in their sources. I have taken relations between Jewish Germans and non-Jewish Germans as a case study because of the enormous quantity of primary source material and because so many historians have commented on the issue. I do not attempt to make any claims about what happened between Jewish Germans and their non-Jewish compatriots nor do I make a moral assessment of behaviours and attitudes among the ‘ordinary’ people of Germany under the Third Reich. Rather, this is a technical exercise to examine how well the historians have done history in this particular area. My systematic review of the historians’ methodologies reveals that many either distort the evidence they cite or put forward arguments that go well beyond what the evidence warrants, perhaps because of pre-conceived theories which shape their approaches to the evidence. Moreover, they fail to make the best possible use of some types of source such as personal narratives. In order to ascertain whether these sources can be better used, I systematically analyse a selection of personal narratives which are sometimes quoted by historians, in particular the 1933-1945 diaries of Victor Klemperer. My question is: Do these testimonies really say what the historians claim they say about relations between Jewish and non-Jewish Germans? And if not, how can we analyse them to determine what they actually do say? The two kinds of problems which emerge are how to select a balanced range of sources and how to use them properly. My argument is that there are six methodological principles that should underpin good historical practice. Because historians are not scrupulous to apply these common-sense rules, their arguments are methodologically flawed and they do not use some sources to the full extent of their value. This raises the question of whether these problems are confined to this particular field or whether they are endemic to the history profession as a whole.

A presente dissertação de mestrado tem como objeto de pesquisa duas obras sinfônicas com solistas, as Duas Sinfonias Concertantes de Manoel Jozé Gomes, ou seja, a Sinfonia Concertante [para dois violinos e orquestra em Si bemol maior] e a Sinfonia Concertante [para dois violinos solistas e orquestra em Re maior], ambas atribuídas aqui a Manuel José Gomes (1792-1868), mestre-de-capela da Matriz de São Carlos (posteriormente Campinas), cujos manuscritos, provavelmente autógrafos, estão depositados no Centro de Ciências, Letras e Artes de Campinas, entidade mantenedora do Museu Carlos Gomes. Para viabilização de uma primeira perspectiva de compreensão poético-estilística das duas Sinfonias Concertantes esta dissertação contém também a primeira edição completa das duas obras. / This dissertation has as its main research objective two symphonic works with soloists, the Two Sinfonias Concertantes by Manoel Jozé Gomes. The first one, the Sinfonia Concertante [ for two soloist violins and orchestra in B flat major] and the second, the Sinfonia Concertante [ for two soloist violins and orchestra in E flat major], both here atributed to Manuel José Gomes (1792-1868), kappellmeister of the São Carlos Mother Church ( later denominated Campinas).The symphoniess manuscripts, probably original autographs, are deposited at the Arts, Ciences and Litterature Center of Campinas, wich supports the Carlos Gomes Museum. To support the viability of the first perspective of understanding the poetry and style of those Two Sinfonias Concertantes, this dissertation also contains the first complete full score edition of the two orchestral works.

Submitted by Kenia Bernini (kenia.bernini@ufpel.edu.br) on 2016-09-01T21:11:57Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Bruno_Blois_Nunes_Dissertação.pdf: 5085335 bytes, checksum: dbfcfe8b96e3765dc4032a802061e183 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-09-03T00:19:03Z (GMT) No. of bitstreams: 2 Bruno_Blois_Nunes_Dissertação.pdf: 5085335 bytes, checksum: dbfcfe8b96e3765dc4032a802061e183 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-09-03T00:21:07Z (GMT) No. of bitstreams: 2 Bruno_Blois_Nunes_Dissertação.pdf: 5085335 bytes, checksum: dbfcfe8b96e3765dc4032a802061e183 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2016-09-03T00:21:33Z (GMT). No. of bitstreams: 2 Bruno_Blois_Nunes_Dissertação.pdf: 5085335 bytes, checksum: dbfcfe8b96e3765dc4032a802061e183 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-12-18 / Sem bolsa / Este estudo visou pesquisar a importância da dança e seus diversos papeis representados na corte francesa do reinado de Francisco I a Luís XIV. Ao longo do trabalho procuramos contextualizar a França desse período enfocando aspectos religiosos e culturais importantes; caracterizar as danças de maior notoriedade presentes na corte francesa de Francisco I a Luís XIV, detalhando os passos dessas danças e a forma como eram executados; examinar tratados de dança franceses ressaltando a influência italiana na dança de corte da referida época e analisar pinturas e imagens de tratados de dança e suas intencionalidades na corte francesa do período estudado. O avanço tecnológico da Internet viabilizou uma pesquisa histórica sobre a dança de corte francesa do reinado de Francisco I a Luís XIV, cujas fontes de interesse não se encontram disponíveis no Brasil. Com o acesso ao site da Biblioteca Nacional da França (Gallica), foram encontrados manuscritos, memórias, livros, tratados de dança e imagens produzidos no período em questão que serviram de fontes primárias para o estudo. Organizamos este trabalho em três capítulos, sendo o primeiro voltado ao estudo da França em aspectos gerais relativos ao período de Francisco I a Luís XIV abordando a ameaça protestante, a influência italiana na corte francesa, bem como o seu desenvolvimento e a importância do vestuário e dos adereços para o cortesão dessa nova corte. No segundo capítulo, analisamos a influência italiana e de seus maîtres de danse na corte francesa, abordando, na sequência, as danças, os ballets e os maîtres de danse da corte francesa além da Académie Royale de Danse. Nosso último capítulo é dedicado à importante descoberta da perspectiva, o poder representado através das imagens de dança e a representação de dança dos bailes da corte e dos tratados dos maîtres de danse. / This study aimed to investigate the importance of dance and its various roles represented at the French court of Francis I’s to Louis XIV’s reign. During the work we tried to contextualize the France of that time focusing on religious and cultural important aspects; characterizing the dances of greater notoriety present in the French court of Francis I to Louis XIV, detailing the steps of these dances and how they were executed; examining treaties French dance highlighting the Italian influence in the court dance of that time and analyzing paintings and images of dance treatise and their intentions at the French court of the period studied. The technological progress of the Internet enabled a historical research about the French court dance of Francis I to Louis XIV’s reign, whose sources of interest are not available in Brazil. Accessing to the website of the National Library of France (Gallica), were found manuscripts, memoirs, books, dance treatises and images produced in the period that served as the primary sources for the study. We organize this work in three chapters, the first focused on the study of France in general aspects during the period of Francis I to Louis XIV approaching the Protestant threat, the Italian influence at the French court, as well as their development and the importance of clothing and adornments to the courtier of the new court. In the second chapter, we analyze the Italian influence and his maîtres de danse at the French court, approaching, in sequence, dances, ballets and maîtres danse in the French court beyond the Académie Royale de Danse. Our last chapter is dedicated to the important discovery of perspective, the power represented through dance images and dance representation of court balls and maîtres de danse treatises.

No description available.