Given the state and social homophobias one can encounter in Cameroon, it can be rightly assumed that MSM (men who have sex with men) constitute an extraordinarily vulnerable group. Such vulnerability, besides its legal nature, encompasses a number of sexual risk behaviours and psychological distress precisely derived from criminal prosecution and social discrimination. For that reason, and following the humanitarian imperative, humanitarian actors might want to launch an operation targeting such populations. Nevertheless, various ethical challenges linked to conflicting humanitarian principles, the post-colonial socio-political positions, and the diversity of queer identities might arise. This thesis will explore such ethical challenges, in an attempt to sensitise foreign humanitarians about the most sensible, yet effective, ways to support MSM in 21st- century Cameroon. The methodology used will include primary data collection through interviews and open- ended questionnaires, secondary data collection through articles and books, and the analysis and discussion of both. The theoretical framework utilised will be a combination of the Post-colonial and Queer theories, complemented with concepts borrowed from the advocacy and humanitarian ethics field.

This interdisciplinary thesis examines the concept of sexuality through lenses provided by economic history, anthropology, and queer theory. A close reading reveals historical parallels from the late 1800s between concepts of a desiring, utility-maximizing economic subject on the one hand, and a desiring, carnally decisive sexological subject on the other. Social constructionists have persuasively argued that social and economic elites deploy the discourse of sexuality as a technique of discipline and social control in class- and gender-based struggles. Although prior scholarship discusses how contemporary ideas of sexuality reflect this origin, many anthropologists and queer theorists continue to use "sexuality" uncritically when crafting local, material accounts of sex, pleasure, affection, intimacy, and human agency. In this thesis, I show that other economic, political, and intellectual pathways emerge when sexuality is deliberately dis-ordered. I argued that contemporary research aspires to formulate new ideas about bodies and pleasures. It fails to do so adequately when relying on sexuality as a master narrative.

No description available.

M. Tech. (Department of Visual Arts and Design: Fine Art, Faculty of Human Sciences), Vaal University of Technology. / This study explores two artistic methods of enquiry in order to firstly better understand the lived experience and its contributions on the formation of sexuality and secondly, to explore how a method can dissect and interrogate a theoretical discourse such as Queer theory. The project takes a twofold approach. In the Practice-led Research (PLR) section, which constitutes the first part, I attempt to utilize PLR as a means of exploring the lived experience along with the artistic contributions PLR might have on the ideation process and identity construction I made use of journal writings as a means for data generation and artistic exploration. The second part of this study, utilizing Research-led Practice (RLP), I attempt to dissect and interrogate Queer theory and the ideation process involved with RLP. I analyse Queer theory as a starting point for my artistic productions and explore and compared the two approaches to one another with regards to the ideation process and the construction of the self. The main aim of this study was to use the strategies of PLR and RLP to interrogate the process of ideation generation. The study set out to achieve three objectives. Firstly, it compares and contrasts the research methods suggested by PLR and RLP, as both operate from different points of ideation. Secondly it compares and contrasts the type of insights (philosophical ideations) around homosexuality and Queer theory that arose from using the two different methods. Lastly it tentatively/speculatively assesses which of the two approaches worked for me both as an artist (the making/ideation process) and as a gay man (the personal philosophical ideation process). In chapter one I discuss the background to the study and where it is situated within academia. In chapter two I discuss the two methodologies namely PLR and RLP and how I made use of them in the artmaking process. In chapter three I discuss the findings of working with PLR. In chapter four I engage with the theoretical discourse of Queer theory. In chapter five I discuss RLP and how Queer theory influenced the artmaking process. In chapter six I conclude with the findings. This study allowed me to channel my lived experience as a valid method of inquiry along with PLR. I discovered that a gay identity is based on personal experiences and shaped by the body. My second body of work (RLP) allowed me to investigate and interrogate Queer theory and I found that a Queer identity sits within a continuum. Working with these two methodological approaches allowed me to expand and grow as both an artist and gay man. Tentatively I conclude that PLR worked effectively for me to achieve this growth, whereas the RLP approach I found somewhat confining. Yet, the RLP approach ‘forced’ me to reconsider my preconceptions and the conclusions I had reached using the PLR approach.

<p>Narratives of undocumented students reveal that, commonly, a shared concern of such youth is a sense of powerlessness in the school environment; this lack of control predominantly stems from legal restrictions and anti-immigrant sentiment among peers and staff (Chang, 2017). However, there is a danger in treating undocumented youth as a monolith, as well as in failing to recognize their agency (Abrego & Negrón-Gonzales, 2020). Autoethnography, as a methodology, is by its very nature an act of agency which allows vulnerable populations to deeply explore their own sensitive identities (Philaretou & Allen, 2006). This thesis thus highlights my own voice as an undocumented student by combining the temporality, sociality and place of narrative inquiry (Clandinin & Connelly, 2000) with critical autoethnography’s attention to social inequities (Adams, 2017). Critical reflections on my educational experiences, as they compare and contrast with narratives in existing literature, imagine possible futures in which pre- and in-service teachers may more equitably support undocumented students in the classroom. Additionally, research on undocumented students predominantly focuses on immigrants of Latinx origin, who constitute almost eighty percent of the undocumented population (Migration Policy Institute, 2019); under a queer theoretical framework, my identity as a White immigrant of European origin uniquely problematizes naturalized attitudes towards the racialization of undocumented status. </p>

Indiana University-Purdue University Indianapolis (IUPUI) / This study provides a social-text analysis of advertising images in queer publications which represent the new millennium up until 2008 in order to explore gaze theory in a queer context by answering the research question, “How have queer men represented themselves to themselves in the new millennium through the queer male gaze?” Inspired by Jean Kilbourne’s study of the image of women in advertising, this research project examines queer, millennial visual advertising images to explore the creation of normative queer behavior, identity, representation and the possible effects of those images on queer male consumers. A brief examination of previous work concerning male gaze as well as visual culture studies and their connection to Kilbourne’s work is addressed within the study. Further, this study discusses the concept of a bi-textual existence for the queer consumer in which identity is constructed from both an out-group (heteronormative) and in-group (homonormative) milieu. The theoretical foundation establishes that the queer male is placed in a hostile visual position—one where he is the dominating and dominated visual signifier in queer culture. Utilizing a stratified random sampling method, 293 images were coded to explore the research objective of constructing what the millennial queer gaze consisted of within full page advertisements in the queer specific publications of Gay Times, Genre, Instinct, and The Advocate. The results of the analysis construct a toxic visual world for the queer consumer dominated by narrow representations, sexual discourse, discriminating ideologies, and a dangerous repetition of heteronormative, hierarchical social structure found in the patriarchal gaze.

The study starts with a historical overview of the notion of gender and sexual identity and belonging in the German Christian church as seen from a queer and intersectional gender studies perspective. The following study moves to explore three individual experiences and encounters with the Christian church. The experiences are contemporary and have been made by queer Christians inside the church and during the creation of a personal faith that is suitable for their needs. With the analytical help of the feminist standpoint theory and queer theory, the researcher examines a limited empirical corpus based on three interviews. The study centers on the experiences of these participants and asks fundamental questions about how to unite two significant belongings that seem to be contradictory. These sample stories include individuals who openly belong to the queer community. They have worked in and for the church or study theology. The stories of such double belonging have been investigated through semi-structured interviews. The discussion and analysis outline similar experiences made by the participants. The main findings include the lack of language and role models that lead to experiences of loneliness and exclusion. How they construe their sense of faith varies as faith is individual. Nevertheless, and as highlighted, is the immense significance of being religious, the importance of spirituality and faith for the inquired members of the LGBTQIA+ community, but not necessarily church as an institution.

No description available.

Queer culture is finding an ever-increasing voice in the arts. Plays like The Laramie Project, Rent, and Angels in America have contributed to making queer identity a very present voice in popular culture. In this thesis, I investigate the excitement and complexity of a straight actor becoming a gay character on stage. Using my interpretation of "Jack" in Debbie Lamedman’s new play, Triangle Logic, as a case study, I catalogue a three-month journey towards the effective embrace of truthfulness on stage. I expand the idea that actors must not layer on possibly offensive stereotypes to convey sexuality, but, instead, focus on telling the story through honest character relationships.

Introduction. This thesis seeks to investigate the construction and application of subject headings within Queerlit; a database designed to collocate Swedish works of fiction containing LGBTQI motifs. The aim of the study is to identify which principles guide the use of subject headings within Queerlit. The findings of this study can in turn provide insights as to the practical and epistemological challenges that can arise in the subject indexing of LGBTQI materials in general.  Theory &amp; Method. The theoretical underpinnings of the study are social constructionism and queer theory. A Foucauldian understanding of the concept of discourse has been applied during analysis. The study also makes use of theories concerning categorization of sexuality and gender as described by Sedgwick and Halberstam, along with the LIS concepts of aboutness and meaning. The method used is discourse analysis, which has been applied to Queerlit’s subject heading list, as well as the indexing of two novels included in Queerlit.  Results &amp; Analysis. The analysis has shown that the subject heading list contains several discourses pertaining to LGBTQI. In identifying these discourses, it is shown that Queerlit emphasizes sex and sexuality, while expressing ambivalence concerning temporality and intersectionalism. As for the analysis of the indexing of the two novels, the study has demonstrated that subjective interpretation is a vital part of identifying LGBTQI motifs, and that the indexing of older literature is influenced by presentism.  Conclusion. The findings prove that LGBTQI materials provide a particular set of challenges for the practice of subject heading indexing. This is largely due to the fact that LGBTQI concepts tend to be fluid, unstable, and heavily dependent on context, both within literature and intellectual thought, whereas thesauri by necessity treat documents and the language within them as stable and definitive.  This is a two years master’s thesis in Library and Information Science.