This exploratory study draws from six semi-structured interviews with multiracial Nikkei women living in Canada to investigate their experiences of mixed race belonging. After establishing belonging as intrinsic to the very nature of how multiraciality and Asianness have been historically constructed and are presently experienced in Canada, three areas relevant to how the interviewees experience mixed race belonging are then considered: multiracial name modification (MRNM), the nation and Canadianness, and Japaneseness in Canada. This study also considers how the recent racial climate of pandemic-related anti-Asian racism has potentially impacted how mixed race belonging is experienced by the interviewees, which reveals two additional areas of interest: the amplified experience of multiracial dysmorphia (MRD) during this time and the emergence of pan-Asianness in Canada as a potential new site of belonging. As captured, issues of mixed race belonging arise in various spheres of the interviewees' lives because of the very ways in which multiraciality and Asianness have been constructed and maintained in the Canadian social landscape. In doing so, this study hopes to drive home how issues of mixed race belonging speak more to the problematic nature of "race" itself than of mixed race people themselves.

No description available.

White depictions of Aborigines in literature have generally been culturally biased. In this study I explore four depictions of Indigenous Australians by white Australian writers. Thomas Keneally's The Chant of Jimmie Blacksmith (1972) depicts a half-caste Aborigine's attempt to enter white society in a racially-antipathetic world that precipitates his ruin. Children's author Colin Thiele develops friendships between white and Aboriginal children in frightening and dangerous landscapes in both Storm Boy (1963) and Fire in the Stone (1973). Nobel laureate Patrick White sets A Fringe of Leaves (1976) in a world in which Ellen Roxburgh's quest for freedom comes only through her captivity by the Aborigines. I use whiteness and masculinity studies as theoretical frameworks in my analysis of these depictions. As invisibility and ordinariness are endemic to white and masculine actions, interrogating these ideological constructions aids in facilitating a better awareness of the racialized stereotypes that exist in Indigenous representations.

No description available.

<p>It might be time for critics of early Canadian literature to avoid avoiding blackness in early Canada in their work. This dissertation<em> </em>takes up the recurrent pattern of displacement that emerges in critical studies that recall or rediscover early Canada. It attends in particular to the displacements and subordinations of Canadian blackness, particularly those conspicuously avoided by critics or rendered conspicuously absent by authors in the literatures of Upper Canada during the height of the Underground Railroad era, between 1830 and 1860. Not only is blackness in Upper Canada concealed, omitted, derided, and caricatured, but these representational formulas shape the hegemonic common-sense of what Antonio Gramsci terms “the national popular.” I argue that canonical texts contain accounts of early Canadian blackness from the national popular and subsequent criticisms of them produce an attitude and a history that excises blackness when literary and cultural critics examine the complexities of early Canada. Informed by Stuart Hall’s concept of the “floating signifier,” I draw the tropes of blackness out from behind the backdrop of early Canadian texts and into the foreground of Canadian literary and cultural criticism as well as critical race studies; in turn, this theoretical model helps me to explain what cultural work “undefined and indefinable” blackness did in early Canada and in contemporary imaginings of it (Clarke <em>Odysseys</em>, 16). Working out this paradox in John Richardson’s <em>Wacousta </em>and <em>The Canadian Brothers</em>, Susanna Moodie’s <em>Roughing It in the Bush</em>, and Catharine Parr Traill’s <em>The Canadian Settlers Guide</em>, my three chapters examine how these Upper Canadian authors display as much as hide the crucial roles of blackness in the formation of Canada and Canadian national identity.</p> / Doctor of Philosophy (PhD)

This PhD Dissertation was completed through 2011 to 2016 and was nominated for a CAGS-UMI Distinguished Dissertation Award. / My dissertation explores transnational adoptions of black African children by white Western parents as a site through which to think about global affective relationality and transnational histories within intimate proximities. The image of an interracial, transnational family can seem to be a fulfillment of the potential for transcendent love symbolized by humanitarian fundraisers such as Live Aid— a love that collapses borders and brings together races in multicultural bliss. Furthermore, adoptions of African children can potentially challenge discursive systems of categorization that frame the black body as existing outside the body politic. At the same time, however, we cannot understand transnational adoption without taking into account the histories of power that make possible and potentially limit the contours of these affective orientations. Indeed, representations of a transnational family consisting particularly of black African children and white Western parents not only invoke the logic of white moral motherhood within the context of contemporary globalization; they also point to European philosophical traditions that presuppose the colonizer’s right to the black body. In this project, thus, I ask: what are the sociopolitical and cultural motivations behind the desire to express humanitarian love towards African children through the act of adoption? How might these motivations create avenues for exclusion and exploitation even as they create new geographies of belonging? To answer these questions, this project brings the affective domain of contemporary transnational adoption between African children and white American parents into conversation with histories of colonial transnational intimacies and the precarious lived experiences of classed and racialized individuals in the African postcolony. In challenging popular celebratory fictions of the transnational family, it critically examines not only the utopian aspirations and social costs of transnational adoption as a humanitarian project, but also the very affect produced and channeled through adoption as a humanitarian act. / Thesis / Doctor of Philosophy (PhD) / My dissertation takes a multidisciplinary approach to analyze transnational adoptions of black African children by white Western parents. It offers answers to the following questions: 1. How do the ghosts of colonialism, along with the violent realities of globalization, expose the inequities hidden within idealized humanitarian narratives of rescue underlying global adoptions while at the same time revealing their transformative potential? 2. How can we account for the experiences and psychic struggles of the African adoptee, and what do their contradictions of idealized Western narratives tell us about the fantasies and anxieties of their Western parents? Ultimately, I argue that while the transnational family suggests transformative transnational connections, Western humanitarian frameworks have also sought to manage the messiness of these connections, to fix white and black bodies into old colonial roles, and to exclude certain bodies, namely those of the African birth mothers, out of the affective realm of transnational adoption. At the same time, these attempts at management, I argue, only speak to the productive potential of these messy relations to transform and exceed colonial limitations.

<p>This dissertation examines contemporary cultural representations of rurality in southern Ontario. It demonstrates how literary and cultural texts construct, support and/or expand our understandings of the social composition and character of rural culture. Examining various literary forms (drama, life narrative, and the novel), music, and photography, my research and analysis responds to Chris Philo’s pivotal call in the field of rural geography “to pay more careful attention to ‘the multiple forms of otherness’ present in . . . rural areas” (“Neglected” 199) and to foreground what he identifies as “neglected rural geographies.” I argue that dominant literary and cultural representations of rural southern Ontario overwhelmingly mobilize and rarely contest white heteromasculinist rural discourses that support rural cultures of sameness and exclusion. As a means of exposing the motivations for and deleterious effects of these discourses, I draw attention to alternative representations of the region’s rural social geography that expand the imaginative scope circumscribed by hegemonic conceptualizations of what it means to be rural in southern Ontario. As such, my project responds to Philo’s call in three ways: first, it repositions southern Ontario as a rural locale of critical relevance; second, it addresses a gap in Canadian literary and cultural studies by taking up new and evolving approaches in rural studies, with respect to rural “others,” being developed in disciplines like geography, sociology, history and political science; third, it intervenes in dominant socio-spatial discourses currently circulating in Canadian literary and cultural studies that eagerly address issues of gender, sexuality, race and class in Canada’s urban environments while too often neglecting how they intersect with discourses of rurality.</p> / Doctor of Philosophy (PhD)

Sex-education in Canada has predominantly been informed by an abstinence-based content, leaving the sexual literacy of adolescents hanging in the balance. As public health statistics indicate, sexually transmitted infection, early and unwanted pregnancy, and rates of HIV/ AIDS are staggeringly high. At the center of these statistics is the young Black female, as they are disproportionately over-represented in negative public health statistics. Many factors have been theorized to be the cause; from socioeconomic factors to educational limitations, it has been historically concluded that the individual failings and class issues of Black women are the root cause of sexual decision making that causes negative health implications. However, adopting a critical perspective may lead to a different conclusion. This qualitative study sought to explore if the lack of comprehensive, racially attentive, and reflective sex-education as well as the influential societal discourse that shapes Black women and their sexuality in stereotypical lights, may have an impact on the sexual decision making of Black women. Through centering and highlighting the lived experiences, perspectives, and insights of a diverse pool of Black women, the stereotypes and scripts of Black femininity and sexuality, their root causes, and the impacts on young Black girl’s sexual decision making were captured to collaboratively redefine and reclaim Black femininity and sexuality while capturing what would be helpful to include in sex-education, specific to Black girls and women. This study’s theoretical underpinnings are Black Feminist Theory, Critical Race Theory, and Hip-Hop Feminism, which has been coined by me as “the trifecta”. A focus group with Black female-identified participants was conducted and facilitated through open-ended question and discussion based processes. Thematic analysis was adopted to explore themes, meanings and to gain a better understanding of the participant’s collective perspectives regarding sex-education and Black femininity and sexuality. The main finding of this study, based in the lived experiences and insights of the participants, were that harmful societal scripts and stereotypes about Black femininity and sexuality historically and as they are presented in popular media, coupled with inconsistent and bare sex education, has the ability to affect the sexual decision making of young Black girls in a way that feeds participation in unsafe sexual practices. This study fills gaps in literature because it contributes to the limited critical body of research that paramount the voices and insight of Black women in regards to sexual practice. This study also fills gaps by extending the conversation of Black women and sexual decision making, by suggesting tangible solutions of how the participant’s insights can be injected into larger policy and practice as well as social work research. The information supplied by the participants of this study will help social workers, policy makers, and educators create racially attentive, comprehensive, and accessible sex-education. / Thesis / Master of Social Work (MSW) / Sex-education in Canada has predominantly been informed by an abstinence-based content, leaving the sexual literacy of adolescents hanging in the balance. As public health statistics indicate, sexually transmitted infection, early and unwanted pregnancy, and rates of HIV/ AIDS are staggeringly high. At the center of these statistics is the young Black female, as they are disproportionately over-represented in negative public health statistics. Many factors have been theorized to be the cause; from socioeconomic factors to educational limitations, it has been historically concluded that the individual failings and class issues of Black women are the root cause of sexual decision making that causes negative health implications. However, adopting a critical perspective may lead to a different conclusion. This qualitative study sought to explore if the lack of comprehensive, racially attentive, and reflective sex-education as well as the influential societal discourse that shapes Black women and their sexuality in stereotypical lights, may have an impact on the sexual decision making of Black women. Through centering and highlighting the lived experiences, perspectives, and insights of a diverse pool of Black women, the stereotypes and scripts of Black femininity and sexuality, their root causes, and the impacts on young Black girl’s sexual decision making were captured to collaboratively redefine and reclaim Black femininity and sexuality while capturing what would be helpful to include in sex-education, specific to Black girls and women. This study’s theoretical underpinnings are Black Feminist Theory, Critical Race Theory, and Hip-Hop Feminism, which has been coined by me as “the trifecta”. A focus group with Black female-identified participants was conducted and facilitated through open-ended question and discussion based processes. Thematic analysis was adopted to explore themes, meanings and to gain a better understanding of the participant’s collective perspectives regarding sex-education and Black femininity and sexuality. The main finding of this study, based in the lived experiences and insights of the participants, were that harmful societal scripts and stereotypes about Black femininity and sexuality historically and as they are presented in popular media, coupled with inconsistent and bare sex education, has the ability to affect the sexual decision making of young Black girls in a way that feeds participation in unsafe sexual practices. This study fills gaps in literature because it contributes to the limited critical body of research that paramount the voices and insight of Black women in regards to sexual practice. This study also fills gaps by extending the conversation of Black women and sexual decision making, by suggesting tangible solutions of how the participant’s insights can be injected into larger policy and practice as well as social work research. The information supplied by the participants of this study will help social workers, policy makers, and educators create racially attentive, comprehensive, and accessible sex-education.