Global ETD Search

41	Vliv diferencí ženských a mužských rolí na spotřební chování / How do differences between roles of men and women influence consumer behavior Strašáková, Lenka January 2009 (has links) The main aim of this thesis is to observe dissimilarities between men and women. My survey is focused on differences among men and women especially in areas of perception of media, spending of free time, relation to some kinds of products and overall position of the men and women in the society. Methods that are used in this thesis are analysis of MML-TGI data, content analysis of television advertisings and interview. Results of all the three methods are summarized and evaluated in the end.
42	Řízení provozu IT v modelu MBI se zaměřením na prostředí středních škol / IT Management in MBI Focused on Secondary Schools Černohorský, Jan January 2014 (has links) The aim of my thesis is to elucitade MBI model to primary and secondary educational system, it means to schools and their elected IT processes from practical point of view. The reference model of Management Business Information is developed at the Department of Information at the Faculty of Information and Statistics at the School of Economics in Prague. The theoretical part of my thesis deals with elucitading of the reference MBI model to a reader. It briefly summarizes IT processes at educational system and refers to sources used while defining new MBI objects. This chapter also defines elected IT processes at educational system for which there are made MBI objects in a practical part of my thesis. In practical part of my thesis there are made proposals of defined objects including samples of documentation patterns. These objects are presented in charts that correspond with a format of MBI objects. In the last part of my thesis there is an example of applying the defined objects in practice while solving the process of installation the safety (camera) system with recording -- personal data processing. The proposals of defined objects are also published on MBI portal.
43	Émergence du bruit dans les systèmes ouverts classiques et quantiques / Appearance of noise in classical and quantum open systems Deschamps, Julien 22 March 2013 (has links) Nous nous intéressons dans cette thèse à certains modèles mathématiques permettant une description de systèmes ouverts classiques et quantiques. Dans l'étude de ces systèmes en interaction avec un environnement, nous montrons que la dynamique induite par l'environnement sur le système donne lieu à l'apparition de bruits. Dans une première partie de la thèse, dédiée aux systèmes classiques, le modèle décrit est le schéma d'interactions répétées. Etant à la fois hamiltonien et markovien, ce modèle en temps discret permet d'implémenter facilement la dissipation dans des systèmes physiques. Nous expliquons comment le mettre en place pour des systèmes physiques avant d'en étudier la limite en temps continu. Nous montrons la convergence Lp et presque sûre de l'évolution de certains systèmes vers la solution d'une équation différentielle stochastique, à travers l'étude de la limite de la perturbation d'un schéma d'Euler stochastique. Dans une seconde partie de la thèse sur les systèmes quantiques, nous nous intéressons dans un premier temps aux actions d'environnements quantiques sur des systèmes quantiques aboutissant à des bruits classiques. A cette fin, nous introduisons certains opérateurs unitaires appelés « classiques », que nous caractérisons à l'aide de variables aléatoires dites obtuses. Nous mettons en valeur comment ces variables classiques apparaissent naturellement dans ce cadre quantique à travers des 3-tenseurs possédant des symétries particulières. Nous prouvons notamment que ces 3-tenseurs sont exactement ceux diagonalisables dans une base orthonormée. Dans un second temps, nous étudions la limite en temps continu d'une variante des interactions répétées quantiques dans le cas particulier d'un système biparti, c'est-à-dire composé de deux systèmes isolés sans interaction entre eux. Nous montrons qu'à la limite du temps continu, une interaction entre ces sous-systèmes apparaît explicitement sous forme d'un hamiltonien d'interaction; cette interaction résulte de l'action de l'environnement et de l'intrication qu'il crée / This dissertation is dedicated to some mathematical models describing classical and quantum open systems. In the study of these systems interacting with an environment, we particularly show that the dynamics induced by the environment leads to the appearance of noises. In a first part of this thesis, devoted to classical open systems, the repeated interaction scheme is developed. This discrete-time model, being Hamiltonian and Markovian at the same time, has the advantage to easily implement the dissipation in physical systems. We explain how to set this scheme up in some physical examples. Then, we investigate the continuous-time limit of these repeated interactions. We show the Lp and almost sure convergences of the evolution of the system to the solution of a stochastic differential equation, by studying the limit of a perturbed Stochastic Euler Scheme. In a second part of this dissertation on quantum systems, we characterize in a first work classical actions of a quantum environment on a quantum system. In this study, we introduce some “classical” unitary operators representing these actions and we highlight a strong link between them and some random variables, called obtuse random variables. We explain how these random variables are naturally connected to some 3-tensors having some particular symmetries. We particularly show that these 3 tensors are exactly the ones that are diagonalizable in some orthonormal basis. In a second work of this part, we study the continuous-time limit of a variant of the repeated interaction scheme in a case of a bipartite system, that is, a system made of two isolated systems not interaction together. We prove that an explicit Hamiltonian interaction between them appears at the limit. This interaction is due to the action of the environment and the entanglement between the two systems that it creates Systèmes ouverts classiques Systèmes ouverts quantiques Interactions répétées Équation différentielle stochastique Convergence presque sûre Création d’intrication Variables obtuses Classical open systems Quantum open systems Repeated interaction Stochastic differential equation Almost sure convergence Entanglement creation Obtuse random variables 511.8
44	Funkce polovětných vazeb ve španělském textu a jejich ekvivalenty v češtině / Function of Infinitival and Participal Clauses in Spanish Texts and their Czech Conterparts. PAUKEJE, Josef January 2010 (has links) Tato diplomová práce je rozdělena na teoretickou a praktickou část a zabývá se výskytem polovětných konstrukcí tvořených některým z neosobních slovesných tvarů ve španělském jazyce a volbou jejich ekvivalentů při překladu do češtiny. Cílem této práce je poskytnout přehled vlastností, zvláštností a dalších poznatků o polovětných konstrukcích ze španělsky a česky psaných zdrojů. Široké spektrum gramatik, publikací a skript, včetně dvoujazyčného elektronického korpusu literárních děl, přináší nejen velké množství informací o těchto konstrukcích, ale také rozbor volených jazykových prostředků při překladu z jednoho jazyka do druhého a vyhodnocení získaných údajů.
45	What is the ART of ADHD SoMe Acting : and how is it artistically relevant for everyone to know? Lindman, Alexander January 2023 (has links) During my master program in acting 2021-23 at Stockholm University of the Arts I coined the term deneurotypicalize and a definition of art as ART to guide my now and future work of trying to deneurotypicalize acting technique and understand what the ART of the SoMe Actor might be and do and and if there is or should be a difference between a neurotypical and neurodiverse way of applying oneself and communicate with said audience on said platform(s)? This all resulted in over 150 pages of written words, and a great deal more written documentation; a performance lecture on the 2nd of May 2023 with a Q&A, several short films and Social Media interactions, 3 Surveys about ADHD-acting and art, 3 events on Scenkonstbiennalen (2022); and this master thesis and a research catalogue page with a more general documentation, too. ADHD, ART, Social Media and acting is more connected than I first realised, maybe because ADHD-actors have an affinity for ARTing which can be, and not be, an asset during ARTistic-processes. Lots of further research is needed, and in larger quantities. The ADHD relation to the arts might seem obvious because the out of the box thinking, hyperfocus, hyperfixation and only being able to follow your strongest passions and interests but it can also be because the rest of the society isn’t built for ARTing or ADHD-people which makes the field of arts so alluring. And maybe more often than we’d like to admit: also a very all consuming — especially if all the ARTistic-processes are based upon neurotypical standards — energy draining (and worst case scenario a death) trap. / Under mitt masterprogram i skådespeleri 2021-23 vid Stockholms konsthögskola myntade jag termen deneurotypicalize (avneurotypikalisera) och en definition av konst som ART för att vägleda mitt nu- och framtida arbete med att försöka avneurotypikalisera skådespeleritekniken och förstå vad the ART of/ADHD Socialamedie-skådespelarkonsten är och kan vara och göra och och om det finns någon skillnad eller borde vara skillnad mellan ett neurotypiskt och neurodiverst sätt att applicera sig och kommunicera med nämnda publik på nämnda plattform(ar)? Allt detta resulterade i över 150 sidor med skrivna ord och mycket mer skriftlig dokumentation; en performanceföreläsning den 2 maj 2023 med en Q&A, flera kortfilmer och sociala medier interaktioner, 3 undersökningar om ADHD-skådespeleri och konst, 3 evenemang på Scenkonstbiennalen (2022); och denna masteruppsats och en forskningskatalogsida med mer allmän dokumentation. ADHD, ART, sociala medier och skådespeleri hänger mer ihop än jag först insåg, kanske för att ADHD-skådespelare har en fördel när det kommer till att kontsta (ARTing) som kan vara, och inte vara, en tillgång under KONSTnärliga processer (ARTistic-processes). Det behövs mycket mer forskning, och i större mängder. ADHD-relationen till konsten kan tyckas uppenbar på grund av out of the box-tänkande, hyperfokus, hyperfixering och bara kunna följa dina starkaste passioner och intressen, men det kan också bero på att resten av samhället inte är byggt för att konsta (ARTing) eller ADHD-människor som gör konstområdet så lockande. Och kanske oftare än vi skulle vilja erkänna också: en väldigt allförbrukande - speciellt om alla konstnärliga processer är baserade på neurotypiska standarder - energitömmande (och värsta scenariot en dödsfalls-) fälla. / <p>Since this is an artistic work there was an IRL examination of my performance lecture on the second of May 2023 and also an examination of this master thesis of 127 pages on the 26th of May 2023 that both were passed by Ulrika Malmgren. And, also a research catalouge page https://www.researchcatalogue.net/view/1398260/1398261 that will be published at the same time as this thesis: all three is a part of Alexander Lindman's IDP at Stockholm University of the Arts. All interlinked; all stand alone.</p> ADHD ADHD-actor ART art Fine arts Acting Acting Social Media-actor Social Media actor Deneurotypicalize Deneurotypicalise SoMe-Actor Acting technique Acromee Alexander Lindman Alexander Lindman preparatory Artistic-research a piece of ART art definition performance theatre film screen acting TikTok Instagram YouTube VR AR AI Mime NFT Ai-promting neurodivergent neurodiversity ADHD friendly Avneurotypikalisera ADHDskådespeleri ADHDskådespelaren Sociala medier skådespeleri Acromee förberedande konstnärlig forskning Alexander Lindman Alexander Lindman konst konstdefinition konstnärlig skådespelarkonst konsten att teater film sociala medier platform platform web2 web3 ai VR AR NFT ADHD-vänlig neurodiversitet neurodivergent scenkonst Performing Arts Scenkonst
46	Aféra Spiegel z roku 1962 a krize kolem České televize na přelomu let 2000/2001 pohledem vybraných konceptů demokratické konsolidace / The Affair "Spiegel" from 1962 and the Czech Television-Crisis from the turn of 2000 and 2001 in Perspective of Selected Concepts of Democratic Consolidation Benda, Marek January 2016 (has links) This master thesis deals with the affair Spiegel from 1962 and the Czech Television-Crisis from the turn 2000 and 2001. Both cases are compared by the conceptual approach of democratic consolidation from the Juan Linz's and Alfred Stepan's work The Problems of Democratic Transition and Consolidation (Baltimore, 1996). The analysis aims to find out whether German Federal Republic in 1962 and the Czech Republic on the start of the third millennium fulfilled the first three Linz's and Stepan's criteria of a consolidated democracy. The theoretical chapter highlights some of alternative approaches and discussions about democratic consolidation as an analytical tool in comparative politics.
47	Zero-Error capacity of quantum channels. / Capacidade Erro-Zero de canais quânticos. MEDEIROS, Rex Antonio da Costa. 01 August 2018 (has links) Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-08-01T21:11:37Z No. of bitstreams: 1 REX ANTONIO DA COSTA MEDEIROS - TESE PPGEE 2008..pdf: 1089371 bytes, checksum: ea0c95501b938e0d466779a06faaa4f6 (MD5) / Made available in DSpace on 2018-08-01T21:11:37Z (GMT). No. of bitstreams: 1 REX ANTONIO DA COSTA MEDEIROS - TESE PPGEE 2008..pdf: 1089371 bytes, checksum: ea0c95501b938e0d466779a06faaa4f6 (MD5) Previous issue date: 2008-05-09 / Nesta tese, a capacidade erro-zero de canais discretos sem memória é generalizada para canais quânticos. Uma nova capacidade para a transmissão de informação clássica através de canais quânticos é proposta. A capacidade erro-zero de canais quânticos (CEZQ) é deﬁnida como sendo a máxima quantidade de informação por uso do canal que pode ser enviada através de um canal quântico ruidoso, considerando uma probabilidade de erro igual a zero. O protocolo de comunicação restringe palavras-código a produtos tensoriais de estados quânticos de entrada, enquanto que medições coletivas entre várias saídas do canal são permitidas. Portanto, o protocolo empregado é similar ao protocolo de Holevo-Schumacher-Westmoreland. O problema de encontrar a CEZQ é reformulado usando elementos da teoria de grafos. Esta deﬁnição equivalente é usada para demonstrar propriedades de famílias de estados quânticos e medições que atingem a CEZQ. É mostrado que a capacidade de um canal quântico num espaço de Hilbert de dimensão d pode sempre ser alcançada usando famílias compostas de, no máximo,d estados puros. Com relação às medições, demonstra-se que medições coletivas de von Neumann são necessárias e suﬁcientes para alcançar a capacidade. É discutido se a CEZQ é uma generalização não trivial da capacidade erro-zero clássica. O termo não trivial refere-se a existência de canais quânticos para os quais a CEZQ só pode ser alcançada através de famílias de estados quânticos não-ortogonais e usando códigos de comprimento maior ou igual a dois. É investigada a CEZQ de alguns canais quânticos. É mostrado que o problema de calcular a CEZQ de canais clássicos-quânticos é puramente clássico. Em particular, é exibido um canal quântico para o qual conjectura-se que a CEZQ só pode ser alcançada usando uma família de estados quânticos não-ortogonais. Se a conjectura é verdadeira, é possível calcular o valor exato da capacidade e construir um código de bloco quântico que alcança a capacidade. Finalmente, é demonstrado que a CEZQ é limitada superiormente pela capacidade de Holevo-Schumacher-Westmoreland. Engenharia Elétrica. Canais quânticos Erro-zero de canais discretos Erro-zero de canais quânticos Canal quântico ruidoso Quantum channels Telecomunicações
48	Boiardo lettore di Dante. Comunicazione letteraria e intertestualità a Ferrara nella loro dimensione storica Cazzato, Matteo 29 May 2024 (has links) La tesi si propone di indagare l’intertestualità dantesca nell’opera volgare di Matteo Maria Boiardo. Il fenomeno è già stato oggetto di studi – indirizzati soprattutto al poema cavalleresco, e in misura minore (specie negli ultimi anni) al canzoniere lirico – che si sono mossi però nell’alveo dell’impostazione strutturalista, con una considerazione della memoria poetica da un punto di vista formalista e tipologico. Questa corrente ha consentito sviluppi importanti negli studi filologici, ma porta a vedere il fatto letterario staccato dal suo contesto di riferimento. Se questo esito in Italia è stato arginato da una forte base storicista, va detto che gli studi sulle riprese poetiche hanno però vissuto una situazione particolare. Da una parte, infatti, lo strutturalismo fra anni ’60 e ’70 ha imposto anche in Italia, attraverso una serie di importanti lavori, il suo modo di trattare la questione, senza poi che il successivo approdo semiotico incidesse in maniera significativa. Dall’altra, la reazione di chi voleva agganciare il fenomeno al dato storico ha riportato il problema all’impostazione erudita della critica delle fonti, privilegiando la raccolta dati da mettere in relazione con le informazioni sulla storia della tradizione e della circolazione. L’obbiettivo di questa tesi è fare un passo avanti, nella convinzione che per lo studio di questi fenomeni di riuso sia la circolazione manoscritta che i dati testuali e formali vadano letti in una piena prospettiva semiotica: guardare ai fenomeni di tradizione e trasmissione testuale nell’ottica dei processi ricettivi, e considerare le scelte di memoria poetica come atti comunicativi, con un valore pragmatico. La ricerca ha l’intento di giungere ad una maggior comprensione del rapporto del dotto poeta umanistico con il modello dantesco, un’interpretazione più chiara delle strategie di riuso, determinate dal particolare modo di leggere la Commedia nel contesto specifico, e perciò attraverso un preciso filtro fra quelli disponibili al tempo. Accanto all’insieme di informazioni filologiche sulle attestazioni manoscritte nelle biblioteche del tempo, l’indagine qui condotta consente – anche da un punto di vista che potremmo definire attributivo – di indicare in Benvenuto da Imola l’esegeta di riferimento per Boiardo e il suo pubblico, proprio perché l’osservazione ravvicinata dei testi e dei loro legami fa emergere questa tradizione interpretativa come la più attiva nell’elaborazione boiardesca rivolta ai lettori. Il lavoro non ha preso le mosse da un afflato teorico, teso a riconcettualizzare l’intertestualità, ma da un intento di chiarificazione sui testi e alcuni loro aspetti che non sembravano però trovare una spiegazione soddisfacente all’interno del quadro metodologico diffuso. Il lavoro, allora, ha assunto poco alla volta anche una vena metodologica sorta dall’osservazione dei fenomeni in modo nuovo. E così, accanto all’indagine storico-letteraria, e in stretta relazione con essa, è stato possibile avanzare alcune proposte ermeneutiche sui meccanismi intertestuali in base alle dinamiche della comunicazione letteraria. E nelle pagine che seguono il percorso si articola attorno a nuclei diversi ma interconnessi: da una parte la riflessione generale a carattere semiotico sui fenomeni di memoria poetica, che vengono concettualizzati grazie agli apporti di discipline come la pragmatica; segue una ricognizione storica sulle modalità di lettura e ricezione del modello dantesco – e non solo – in base alla circolazione dei testi e dei loro apparati esegetici; si arriva poi al nucleo del lavoro con l’affondo diretto su opere e paratesti esegetici con le loro relazioni, che si instaurano all’interno del laboratorio d’autore e poi da lì arrivano al pubblico.

Search results