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1	Hoppets lyrik : tre diktare och en ny bild av fyrtiotalismen : Ella Hillbäck, Rut Hillarp, Ann Margret Dahlquist-Ljungberg / Björklund, Jenny, January 2004 (has links) Diss. Uppsala : Univ., 2004. / S. 389-403: Bibliografi.
2	För dem som dö, om ej de finge drömma : Sigurd Agrell och symbolismen / For Those Who'd Die, if Not Allowed to Dream : Sigurd Agrell and the symbolist movement Meijner, Jannicke January 2023 (has links) Sigurd Agrell published six volumes of melancholic and highly stylised poetry between 1903 and 1912, and has since then been largely ignored in 20th century Swedish literary history. His writing shows influences from decadence and symbolism, and his frequent use of the sonnet, as well as other metrical devices, also connects him to an older tradition. In this essay I examine what tradition he belongs to, and in what ways his verse fits in with other writers of the turn of the last century. I analyse poems by Sigurd Agrell in order to identify what themes, motifs and literary techniques he shares with contemopary poets, and in what ways he differs from them. We will see that while Agrell shares many traits with the symbolist movement, he also stands out in certain important respects. Sigurd Agrell symbolism decadence Swedish poetry Sigurd Agrell symbolism dekadens svensk poesi General Literature Studies Litteraturvetenskap
3	"Den lyriske hegelianen" : Livsåskådning och världsbild i Hjalmar Gullbergs diktning / "The Lyric Hegelian" : Philosophy and Worldview in the Poetry of Hjalmar Gullberg Westerlund, Joel January 2018 (has links) This essay is about the lyric authorship of the Swedish poet Hjalmar Gullberg (1898-1961), who was nicknamed “The Lyric Hegelian” due to his love of paradox. It focuses on certain traits in his authorship in its entirety, with a specific focus on a select number of poems. The primary concerns of this essay are questions of an existential nature raised by Gullberg’s poetry, as well as his poetry’s relation to his time and age. As a member of the Swedish Academy Gullberg was an important literary presence in his day, most likely influencing the outcome of several Nobel Prizes. Gullberg’s poetry is part classicist and part modernist, combining traditional forms with newer ones, and in doing so it bears witness to contemporary society entering a state of modernity. Gullberg held feelings of both appreciation and aversion towards his time and age. His poetry touches upon a multitude of topics and includes motifs that are both ancient and contemporary, and these are combined as the poet searches for meaning in ephemeral existence. The present essay traces the development of an existential worldview and a type of philosophy in the authorship, which are characterised by complexity and uncertainty; these change with time, and this development can be seen in the different collections of poems. A shift can be observed from a spirit of optimism and religiosity towards a contrary mindset of pessimism and disbelief. This essay argues that Gullberg’s authorship is representative of its time and age in the sense that the views expressed in the poetry seem to correlate to the development of society and the general mentality in Sweden and much of Europe during the twentieth century, with regard to the process of secularisation that took place. The poetry of Gullberg leaves us with many questions and few definite answers. However, its value lies in the eloquent treatment that it gives to the subject-matter which is presented, and in that it encourages reflection. Gullberg was a late representative of an older literary tradition and an early representative of a new one; accordingly he embodied an important change in Swedish literary history. Hjalmar Gullberg Svensk poesi under nittonhundratalet Filosofisk poesi Existentiella frågor i litteraturen Agnosticism Sekularisering Litterär tradition och modernitet Humanities and the Arts Humaniora och konst
4	"Den lyriske hegelianen" : Livsåskådning och världsbild i Hjalmar Gullbergs diktning / "The Lyric Hegelian" : Philosophy and Worldview in the Poetry of Hjalmar Gullberg Westerlund, Joel January 2018 (has links) This essay is about the lyric authorship of the Swedish poet Hjalmar Gullberg (1898-1961), who was nicknamed “The Lyric Hegelian” due to his love of paradox. It focuses on certain traits in his authorship in its entirety, with a specific focus on a select number of poems. The primary concerns of this essay are questions of an existential nature raised by Gullberg’s poetry, as well as his poetry’s relation to his time and age. As a member of the Swedish Academy Gullberg was an important literary presence in his day, most likely influencing the outcome of several Nobel Prizes. Gullberg’s poetry is part classicist and part modernist, combining traditional forms with newer ones, and in doing so it bears witness to contemporary society entering a state of modernity. Gullberg held feelings of both appreciation and aversion towards his time and age. His poetry touches upon a multitude of topics and includes motifs that are both ancient and contemporary, and these are combined as the poet searches for meaning in ephemeral existence. The present essay traces the development of an existential worldview and a type of philosophy in the authorship, which are characterised by complexity and uncertainty; these change with time, and this development can be seen in the different collections of poems. A shift can be observed from a spirit of optimism and religiosity towards a contrary mindset of pessimism and disbelief. This essay argues that Gullberg’s authorship is representative of its time and age in the sense that the views expressed in the poetry seem to correlate to the development of society and the general mentality in Sweden and much of Europe during the twentieth century, with regard to the process of secularisation that took place. The poetry of Gullberg leaves us with many questions and few definite answers. However, its value lies in the eloquent treatment that it gives to the subject-matter which is presented, and in that it encourages reflection. Gullberg was a late representative of an older literary tradition and an early representative of a new one; accordingly he embodied an important change in Swedish literary history. Hjalmar Gullberg Svensk poesi under nittonhundratalet Filosofisk poesi Existentiella frågor i litteraturen Agnosticism Sekularisering Litterär tradition och modernitet Humanities and the Arts Humaniora och konst General Literature Studies Litteraturvetenskap
5	Natursyn i antropocen : En ekokritisk läsning av dikter av Ingela Strandberg och Gunnar D Hansson / Representations of Nature in the Anthropocene : An Ecocritical Reading of Poems by Ingela Strandberg and Gunnar D Hansson Olsson, Vera Maria January 2020 (has links) In the Anthropocene, a new approach towards nature in poetry is emerging. This change is closely related to ecocritical theory, which is a reevaluation of the human view on, and representation of, nature. It moves away from a more traditional anthropocentric perspective to a more critical one. This can for instance be in the spirit of Arne Naess or Timothy Morton, the two main theorists used in this essay. This essay is an ecocritical close reading of two Swedish contemporary poems on nature: “När jag går i skymningsmörkret” by Ingela Strandberg (from Att snara en fågel, 2018) and “(Strandförskjutningar)” by Gunnar D Hansson (from Tapeshavet, 2017). The focus of the reading is on the representation of wild, untouched nature. The formulated questions in the essay concern how untouched nature is represented in the poems, the human relationship towards it and how the differences and similarities between the two poems relate to and transform romantic representations of nature. The conclusion is that these two very different poems exemplify the range of contemporary Swedish nature poetry. Strandberg’s poem is leaning towards a romantic or ecosofist representation of nature, whilst Hansson’s is more clear-cut ecocritical in line with Morton’s dark ecology. ecocriticism nature poetry ecopoetry contemporary Swedish poetry Gunnar D Hansson Ingela Strandberg Arne Naess deep ecology ecosophy Timothy Morton dark ecology the Anthropocene ekokritik naturlyrik ekopoesi natursyn samtida svensk poesi Gunnar D Hansson Ingela Strandberg Arne Naess djupekologi ekosofi Timothy Morton mörk ekologi antropocen Languages and Literature Språk och litteratur General Literature Studies Litteraturvetenskap

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