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This thesis argues that the significance of pre-Civil War southern opposition to slavery has been largely marginalized and mischaracterized by previous historiography. By contextualizing southern antislavery activism as but a single wing within a broader reformist movement, historians can move beyond simplistic interpretations of these antislavery advocates as fool-hardy and tangential "losers." While opposition to slavery constituted a key goal for these reformers, it was not their only aspiration, and they secured considerable success in other aspects of reform. Nineteenth-century Russians, simultaneously struggling with their own system of bonded labor, offer excellent counterpoints to reorient the role of antebellum southern reformers. Through their shared commitment to reforming liberalism, a preference for gradualism as the vehicle of change, and a shared intellectual framework based upon new theories of political economy, the Russian and southerners' histories highlight a transatlantic intellectual community in which southern reformers were full members. Adapting multiple theories from this transnational exchange of ideas, southern reformers were remarkably liminal figures useful for contemporary scholarly exploration into the nineteenth-century culture of reform. Ultimately, it was this liminality coupled with the inegalitarian nature of their movement that ensured that the southern antislavery movement would fail to secure a gradual demise to slavery. / Master of Arts

This thesis explores the continuous British interest in the American Civil War from the war’s end to the late twentieth century and the British utilisation of the conflict at home and in the Atlantic arena. Contributing to the limited, yet burgeoning literature on the subject, this study emphasises the independent agency of both the Civil War and its British interpreters. It thus rejects a simplistic depiction of British adoption of American culture and applies a more sophisticated methodology that accounts for the active, versatile and autonomous British use of complex foreign images. This enables a meaningful analysis of the Civil War’s place and role in modern British culture. The thesis examines the British fascination with the conflict as reflected in four facets: politics, military thought, academe and popular culture. Additionally, it takes a transatlantic perspective and explores how Britons’ view of the United States has influenced their understanding of the Civil War. This study thus provides a first comprehensive and coherent overview as well as a nuanced picture of the American conflict as it travelled across the Atlantic from a historically distanced perspective. The thesis reveals that the Civil War achieved unique prominence in British culture and that this British fascination with the war was part of a greater transatlantic encounter between an epic American affair and sophisticated British interpreters. Accordingly, the two main questions underpinning this study are ‘why were the British particularly interested in the Civil War?’ and, following directly on that path, ‘how did Britons use the war both at home and in the transatlantic sphere?’ Answering these questions further establishes the war’s prominence in British culture and explores the character of the British encounter with the conflict. In so doing, it contributes to our understanding of the Civil War’s global impact and casts another light on Anglo-American relations.

Despite having a rather weak family connection to Ireland, the American modernist poet Marianne Moore (1887-1972) described herself in a letter to Ezra Pound in 1919 as ‘Irish by descent’. This thesis relates Moore’s claim of Irish descent to her career as a publisher, poet and playwright, and argues that her decision to shape an Irish inheritance for herself was linked with her self-identification as an American poet. Chapter 1 discusses Moore’s self-confessed susceptibility to ‘Irish magic’ in relation to the increase in contributions from Irish writers during her editorship of The Dial magazine from 1925 to 1929. Moore’s 1915 poems to the Irish writers George Moore, W. B. Yeats and George Bernard Shaw, which reveal a paradoxical desire for affiliation to, and disassociation from, Irish literary traditions, are scrutinized in Chapter 2. Chapters 3a and b discuss Moore’s ‘Irish’ poems ‘Sojourn in the Whale’ (1917) and ‘Spenser’s Ireland’ (1941). In both poems political events in Ireland – the ‘Easter Rising’ of 1916 and Ireland’s policy of neutrality during World War II – become a backdrop for Moore’s personal anxieties as an American poet of ‘Irish’ descent coming to terms with her political and cultural inheritance. Expanding upon previous chapters’ discussion of the interrelation of poetics and politics, Chapter 4 shows how Moore’s use of Irish sources in ‘Spenser’s Ireland’ and other poems including ‘Silence’ and the ‘Student’ reflects her quixotic attitude to Irish culture as alternately an inspiration and a tool for manipulation. The final chapter discusses Moore’s adaptation of the Anglo-Irish novelist Maria Edgeworth’s 1812 novel The Absentee as a play in 1954. Through this last piece of ‘Irish’ writing, Moore adopts a sentimentality that befits the later stages of her career and illustrates how Irish literature, rather than Irish politics, has emerged as her ultimate source of inspiration.

COMMON ENDS OR COMMON MEANS? The Cold War is over and Sweden and Finland are starting to deal with the new security enviroment that has emerged. Grand Strategy in both countries is changing to meet the new Europe and surroundings. Both Sweden and Finland consider the risk of a direct attack in the near future to be highly unlikely and this has effects on the respective countries grand strategy. A broadened approach to security is applied and the military instrument is no longer the primary concern in the strategy. Both Sweden and Finland become members of the European Union in 1995 but neither is a member of NATO, the countries both consider themselves as military non-aligned, the only two countries with a coastline to the Baltic Sea with that stance. This makes for a logic choice to cooperate for the common security and a cooperation is formed to cover security policies to be relevant in peace, crisis and war. Even though the countries are existing in and interpret the new security enviroment in similar ways they approach the challanges in differing ways. This creates the differences that we identify and describe in this thesis. The purpose of this thesis is to identify and describe the differences between Sweden's and Finland's grand strategy, how this difference has changed from 1996 to 2018 and if these differences can have consequences for the cooperation between the two countries, mainly military and at the highest strategic level. The thesis is focused on the elements of the grand strategy that involves the armed forces of the respective countries. This comparative text analysis compares political policy documents within the grand strategy field from both Sweden and Finland. We will compare the period from 1996-2018. The comparison will be made by examining three occasions in the period, year 1996, Year 2004 and year 2018. The documents used have relevance against these years and are analyzed by applying Jacob Westberg's model; ends, means, ways and environment. The differences and the consequences that are the conclusions of this thesis are that cooperation are not always formed because it is the best possible option but sometimest the only possible options. Sweden and Finland's history differ in some parts and this has affected the respective country's security strategies. Finland has a history of coping for itself and has thus a national focus with focus on a stable national defense while Sweden has a history without war in modern times and a constant glance at military international engagement and the political benefits that can be achieved on the international scene.

Cette thèse porte sur la trajectoire éditoriale et artistique de la collection Vertigo créée en 1993 par DC Comics, maison d’édition états-unienne spécialisée dans la bande dessinée. Je me propose d’aborder Vertigo à travers l'apport des scénaristes britanniques employés par DC Comics depuis le milieu des années quatre-vingt. Leur rôle est en effet considérable, tant au moment de la fondation de Vertigo par la rédactrice Karen Berger que dans le succès ultérieur dont jouit la collection. La genèse de Vertigo met en lumière l’importance du phénomène appelé l’ « Invasion britannique », c’est-à-dire l’arrivée sur le marché états-unien de nombreux créateurs qui sont nés et travaillent à l’étranger pour DC Comics. Cette « invasion » révélera au public américain des scénaristes de tout premier plan tels Alan Moore, Grant Morrison ou Neil Gaiman, dont la série The Sandman est considérée comme un jalon majeur de l’histoire du média. La critique existante au sujet de Vertigo en général tend d’ailleurs à se focaliser sur la portion du corpus produit par les Britanniques, mais sans nécessairement prendre acte de cette spécificité culturelle. Le travail à mener est donc double ; d'une part, il s'agira de retracer une histoire du label en tant qu'instance productrice d'une culture médiatique particulière, qui s'inscrit dans un contexte socio-historique et repose sur les pratiques et les représentations de l'ensemble des acteurs (producteurs et consommateurs au sens large), eux-mêmes nourris d'une tradition qui préexiste à l'apparition de Vertigo. Il sera dès lors possible de prendre appui sur cette connaissance contextuelle pour interroger la poétique du label, et ainsi identifier les spécificités d’une « école » britannique au sein de cette industrie culturelle. / This thesis deals with the editorial and aesthetic history of the Vertigo imprint, which was created in 1993 by DC Comics, a US-American comics publisher. I shall consider in particular the contribution of British scriptwriters employed by DC and then by Vertigo from the 1980s onwards. Theise creators played a tremendous role, both at the time of Vertigo's founding by editor Karen Berger and at a later date, as the imprint gathered widespread recognition. The genesis of the Vertigo imprint sheds light on the so-called “British Invasion”, that is to say the appearance within the American industry of several UK-based creators working for DC Comics. Spearheaded by Alan Moore, the “invasion” brought to the fore many of the most important scriptwriters of years to come, such as Grant Morrison and Neil Gaiman, whose Sandman series has been described as a major landmark in the recognition of the medium. Existing criticism regarding Vertigo tends to focus on the body of work produced by British authors, without necessarily discussing their national specificity. My goal is therefore double; on the one hand, I intend to write a history of the label as the producer of a specific media culture that belongs to a given socio-historical context and is grounded in the practices and representations of the field's actors (producers and consumers in a broad sense). On the other hand, the awareness of the context in which the books are produced shall allow me to interrogate the imprint's poetics, thus identifying the specificity of a “British school of writing” within the comics mainstream industry.

My doctoral project investigates the impact of Ronald Reagan’s Strategic Defense Initiative on transatlantic relations during the period 1983-86. The dissertation focuses on the three main European powers, namely Britain, France, and the Federal Republic of Germany, and examines their reaction to SDI both individually and comparatively. The study exploits SDI’s position at the intersection of nuclear strategy, political ideology, Cold War diplomacy, and industrial politics to offer a multifaceted, multi-national, and primary source-based analysis of US-European relations during the Reagan Presidency. The picture of the transatlantic relationship which emerges from the dissertation is a complex and nuanced one. On the one hand, the analysis argues that relations across the Atlantic during the Reagan era cannot be reduced to a scenario of accelerating ‘drift’ between the United States and Western Europe. Instead, on SDI as well as on other matters, moments of acute friction alternated with a constantly renewed search for dialogue, cooperation, and compromise on the part of the Europeans and also, if to a lesser degree, of the Americans. On the other hand, the ‘exceptionalist’ ideology and worldview underpinning SDI, the prevailing indifference in Washington to its implications for NATO, and most importantly the persistent anti-nuclear rhetoric and ambitions associated with the initiative revealed a distinct lack of sensitivity to European interest by the Reagan administration. As the dissertation shows, the anti-nuclear drive inherent in SDI, which both reflected and reinforced Reagan’s deep-seated interest in nuclear abolition, constituted the most disruptive aspect of the initiative from the viewpoint of European leaders. In these respects, the SDI controversy epitomises the unilateral tendencies and increasingly divergent priorities from those of the European allies which characterised much of the Reagan administration’s foreign policy – making the 1980s a decade of recurrent tensions in transatlantic relations.

Exploding on the American scene in 1906, Pentecostalism became arguably the most influential religious phenomenon of the twentieth century. Sparked by the Azusa Street Revival in Los Angeles, the movement grew rapidly throughout the United States and garnered global momentum. This study investigates the original Los Angeles Apostolic Faith Mission and the subsequent extension of the mission to South Africa through an examination of periodicals, mission records, and personal documents. Using the Apostolic Faith Mission of South Africa as a case study, this study measures the significance of print media in the emergence and evolution of the early Pentecostal movement. Based on historical analysis of more than 260 issues of the mission’s periodical, “The Comforter and Messenger of Hope,” this dissertation demonstrates how the publication served a variety of functions critical to the establishment of Pentecostalism in South Africa. As a work of cultural history, it situates the periodical within larger trends in South African culture and society. It illustrates how the periodical functioned simultaneously at the local and international level to standardize Pentecostal discourse and formulate an early Pentecostal identity. Finally, this dissertation argues that Pentecostal periodicals formed a transnational network of Pentecostal thought, connections, and support in the early twentieth century that influenced the development of Pentecostalism in the South African context.

It is possible that the economic condition of Europe after the global financial crisis of 2008-2009 prompted idea of trade liberalization. This diploma thesis deals with the Transatlantic Trade and Investment Partnership (TTIP), a proposed free trade agreement between the European Union and the United States of America. Main goal of the thesis is to provide economic evaluation of the deal, and to assess the claim that TTIP would be beneficial for the European Union member states. Main used method is a theoretical analysis supplemented by regression analysis. The theoretical part is focused on basic economic principles of international trade and related concepts. Main tools used to assess this agreement are described in more detail as well. The analytical part deals with economic linkages between the two regions, with emphasis on the development and current status of non-tariff barriers to trade. The thesis also contains a summary of potential benefits and risks. Finally, a potential impact of TTIP on the Czech Republic and the issue of Brexit is presented. The European Union and the United States of America are linked by strong economic ties. However, trade barriers between those two entities still exist and hamper international trade. The analysis indicates that if the contract was to be impactful and significant, it must focus on a substantial reduction of bilateral non-tariff barriers to trade. This implies that TTIP could interfere with sectoral regulations. In addition, it is not certain that achieved revenues would be automatically higher than costs given the number of perceived risks. Panel data gravity models are used to quantify the potential impact of trade liberalization on export of goods of the EU28 countries to the USA. Significant elimination of trade barriers could increase EU exports to the USA by more than 20%.