In the mid-nineteenth century, Paris served as the epicentre for artistic creation; artists flocked to the French capital in search of training, camaraderie, and, ultimately, success. Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler were amongst these hopeful artists in the 1850s. While each eventually created a thriving practise for himself, each also fought to establish his artistic career and identity during these early years. Because the narrative of a young, struggling artist is not an uncommon one, this stage is often brushed aside when examining the trajectory of these artists’ careers. However, such a dismissal does not allow for a full contextualization of an artist’s life and oeuvre. Fantin, Legros, and Whistler evidence this truth, both individually and as a small group. While attempting to define their maturing artistic identities, these three artists deliberately elected to join forces and become the Société des trois. This era bore witness to the birth of the artistic avant-garde, which elevated expression and individualism; with this in mind, the decision to develop a closed artistic society is unique. Fantin, Legros, and Whistler adhered to specific societal tenets and maintained loyalty to each other in an artistic environment that praised the individual. There are many reasons that supported their decision; for example, the Société enabled them to transition from the student to professional phases of their careers between 1858 and 1868. Eventually, as the choices the artists made in the formation of their artistic identities diverged, the Société was no longer necessary, and each member went his own way. In light of their decisions to unite as a formal society, Fantin, Legros, and Whistler’s period of maturation must be understood through the lens of the Société des trois. / Graduate / 2018-05-01

<p>This dissertation explores the history of industrial fisheries in the Humboldt Current marine ecosystem where workers, scientists, and entrepreneurs transformed Peru and Chile into two of the top five fishing nations after World War II. As fishmeal industrialists raided the oceans for proteins to nourish chickens, hogs, and farmed fish, the global "race for fish" was marked by the clash of humanitarian goals and business interests over whether the fish should be used to ameliorate malnutrition in the developing world or extracted and their nutrients exported as mass commodities, at greater profit, as a building block for the food chain in the global North. The epicenter of the fishmeal industry in the 1960s was the port city of Chimbote, Peru, where its cultural, social, and ecological impacts were wrenching. After overfishing and a catastrophic El Niño changed the course of Peruvian fisheries in 1972, Chile came to dominate world markets by the early 1980s due to shifting marine ecologies along its coast that shaped the trajectory of the ports of Iquique and Talcahuano. As Peruvian anchoveta stocks recovered in the 1990s, new environmentalist voices--from local residents to international scientists--emerged to contest unsustainable fisheries practices. This study demonstrates how global, transnational, and translocal connections shaped Humboldt Current fisheries as people struggled to understand the complex correlation between fish populations, extractive activity, and oceanic oscillations within a changing geopolitical context.</p> / Dissertation

This thesis depicts the UNESCO World Heritage Convention (1972), an international law for the protection of natural and cultural heritage sites, as an example of the multiple practices within international policy making. By analysing its transnational constitution, I show how the Convention is constructed in and between locales through bureaucratic and diplomatic procedures characterised by intersecting political and economic interests. Using neo-institutional theory, I argue that organisations such as UNESCO frame problems as global, provide solutions, and organise the actions of states, organizations, and individuals; furthermore, my research not only illustrates how this occurs but also explores the preconditions of international policy making. While adhering to its officially proclaimed aspirations, states, organisations, and individuals also use the Convention for other purposes such as international prestige, career advancement, publicity, identity, development, tourism – even war. Such contending interests raise the question of explaining the success of the Convention and thereby the preconditions of policy making at the international level. A conclusion reached by this study shows that growing interest in the Convention can be regarded to result only partially from the general acceptance of its global rhetoric and morally vested perspective or the need for states to gain legitimacy by engaging in international relations. My thesis proposes that rather than by its official aims and formal procedures, the Convention is constituted primarily through complex informal relations, concurring contexts, and external structures. Data for this ethnographic study consists of field notes from participant observations during UNESCO meetings in France, Morocco, Australia, and at the Convention’s secretariat. A case study of the Agricultural Landscape of Southern Öland, a Swedish World Heritage site, is also included, along with interviews, documents, and media.

No description available.

Betyg VG / SIDA

This thesis explores and analyses the manifold relations between migration and health, what I call the migration-health nexus, in the contemporary Nicaraguan context. The study is based on fieldwork in León and Cuatro Santos and a mixed-methods approach combining qualitative in-depth interviews and quantitative survey data. In the thesis health is “traced” within the migration process; i.e. in places of origin, during travel, at the destination and after return, including the situation and consequences for both migrants and family members to migrants (“left-behinds”). The study shows that migration-health relations in Nicaragua are connected to broader economic, social and political factors and to the country’s historical experiences of colonization, neo-colonization and structural adjustments. Contemporary Nicaraguan migrations are primarily related to the strategies of making a living and the struggle for a better life (i.e. a practice of mobile livelihoods). In the study setting health concerns were both indirectly embedded in people’s mobile livelihoods, as well as directly influencing decisions to move or to stay, and migration involved both advantages and disadvantages for health. Through migration, women could see an end to physical violence and sexual abuse. Internal migrants could improve their access to health care and medicine. Vulnerabilities related to the unpredictable nature conditions could be avoided through moving. And, through the money made from migrant work people’s everyday lives and health could be improved, in terms of better nutrition, housing, and access to education, health care and medicine. However, remittances do not necessarily lead to development, as they are used to compensate for the lacking public sector in Nicaragua. Under these circumstances, I argue that the Nicaraguan population is not guaranteed their social rights of citizenship. I also argue that the negative aspects surrounding migration must be taken into account when discussing the development potentials of migration and remittances. Both internal and international migrants in this study experienced stress while moving to a new place. International migrants had difficulties accessing health care in the destination, particularly those lacking documentation. The separation within families due to migration often caused emotional pain. Family members left behind did not rate their physical health as good as often as non-migrant families. The vulnerability, stress experiences and sufferings of migrants and left-behinds varied, however. I therefore conclude that social differences (in terms of e.g. gender, class, skin colour, and legal immigration status) are key for the enactment of the migration-health nexus, and that an interplay of individual, social and structural factors influence the outcome.

El arte Latinoamericano durante el siglo XX ha sido conocido a través de reiterados paradigmas desde la oficialidad de una visión hegemónica. Sin embargo, este nuevo siglo se inicia en coherencia con la multiplicidad surgida en diversas disciplinas y en los diferentes continentes, manifestada en una reflexión y una visualidad de carácter plural, además de una dinámica valorativa de la producción artística guiada por el concepto de lo translocal. A través de este concepto se busca reflejar la nueva identidad global de los sujetos, la interacción y el intercambio entre el individuo y la sociedad en la que éste reside, se proporciona de este modo una visibilidad en el campo artístico a producciones no sólo hasta ahora marginadas, sino también recién emergentes. Se hace necesario, por lo tanto, organizar las premisas y directrices que secundan estas nuevas visualidades en interrelación con sus intrínsecos contextos, pero a la vez, sin olvidar su articulación con los mecanismos globalizadores en los que se desarrolla la industria cultural actual. Esta tesis expone los resultados de un trabajo de campo realizado en Ecuador, con la pretensión de dar a conocer y reflexionar sobre las propuestas de un grupo de artistas contemporáneos que tienen, en su mayoría, como vía común la exploración de prácticas neoconceptuales de actual vigencia en la escena internacional. Puesto que el arte conceptual es, en el centro y sur de América, además de un estilo, una herramienta y una estrategia de crítica social y cultural, se observa en la producción de estos artistas una heterogénea obra que sin embargo, es transversal a un planteamiento, que más allá de las especificidades formales de expresión y contenido de cada una, cuestiona tanto la propia naturaleza del arte como los condicionamientos derivados de las diferentes instancias del poder, a la vez que mantienen una estrecha interrelación con el propio contexto. / Abarca Piña, P. (2009). Naturaleza, memoria y cuerpo. Aproximación estética al arte ecuatoriano de inicios del siglo XXI [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/7444

ABSTRACT1 The thesis is focused on the social situation and social practices of female care migrants (at the age of 50 and above) from South Moravia (the region of Mikulovsko, Břeclavsko) and at regular intervals (circular migration) migrate for work to Austria as domestic workers- caregivers for seniors. The main aim of the text is to argue that translocal female migrants paradoxically perceive their labor migration as a specific way of the emancipation, despite the fact that they work in the so called live in-service jobs (where they live and work in private households) and often experience indignity. Thus care migration became an effective possibility for the extension of their gender power in the situation of transforming Czech society. This is done by paid reproductive work and better access to their income, which leads to personal consumption on their own interests and the overall personal benefit. The special attention is paid to the new forms of translocal care chains and new forms of partner cohabitation of these women (living apart together). Key words: female care migration, gender identity, semi-structured interview, translocal care chains, living apart together . 1 Tento abstrakt je upravenou verzí anglického abstraktu v článku "Ještě nepatřím do starého železa" aneb paradoxy migrace péče z ČR...

This paper considers the symbiotic relationship between iconic visual representations of the Holocaust – specifically film and Holocaust sites – and processes of Holocaust memorialization. In conjunction, specific sites and objects related to the Holocaust have become icons. I suggest that specific Holocaust sites as well as Holocaust films can be perceived as elements of one and/or multiple translocal assemblage/s. My focus in this analysis is on the role of knowledge production and witness creation in Holocaust memorialization. It is not my intention to diminish the role of Holocaust memorialization; rather, I seek to look beyond representational aspects, and consider the processual relationships involved in the commemoration of the Holocaust in institutions, such as memorial sites and museums, as well as through elements of popular culture, such as films. Furthermore, I analyze the tangible and intangible layers of memories and meaning present in Holocaust films and sites through the lens of palimpsests. These conceptual frameworks allow me to consider how visual representations of the Holocaust, such as film, and site inform each other? How are specific representations of Holocaust sites and objects shaping and informing the commemoration of the Holocaust in the 21st century? / Graduate / 0326 / 0335 / 0751 / myriamt@uvic.ca

<p>Soundclash is a phenomenon where groups within the culture of reggae music “battle” against each other, through strategies including both music and rhetoric. The social interaction in the clash exemplifies the scene hierarchy, in which the participants aim to position themselves as number one. This study includes empirical material from a competition within the Swedish scene, also distributed digitally via Internet sites. The analysis is based on discursive psychology, focusing on rhetoric and the construction of meaning. The thesis emphasize how different truth claims are made, which relate to social positions as well as places within the international community.</p> / <p>Soundclash är ett fenomen där grupper inom reggaescenen tävlar mot varandra genom musik och retoriska strategier. I sina tal förs olika argument fram, vilka syftar att positionera grupper högst upp i scenens hierarki. Materialet utgörs av en svensk tävling inom detta fält, vilken även distribuerats i digital form genom Internet. Uppsatsen utgår från ett diskurspsykologiskt perspektiv, där språklig praktik och meningsskapande står i fokus. Uppsatsen visar hur olika anspråk görs, vilka relaterar till olika sociala positioneringar, likväl som till en plats inom en större internationell gemenskap.</p>