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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Science fiction och fantasy : en undersökning av svenska bokförlags utgivning och fyra folkbiblioteks inköp under perioden 1989 till 1994 / Science fiction and fantasy : an examination of Swedish publishers publication and four public libraries´ acquisitions during the timeperiod 1989 to 1994Nilsson, Erik January 1996 (has links)
Publication of science fiction has a tradition in Sweden. Adult-fantasy does not. In recentyears, the 1980's, Swedish publishers have realised how profitable fantasy is. Of the totalpublication of the two genres between 1989 and 1994, 54% was science fiction and 46%was fantasy. The reason for this even balance is that fantasy-books get reprinted more frequentlythan science fiction-books. However, there are more science fiction-titles published thanfantasy-titles.The four public libraries that I have examined have similar methods of acquiring books. Theyhave all, just about, acquired the same titles of fantasy while the science fiction acquired differsto a large degree. The four libraries • acquisitions are similar to those of the libraries connectedto Bibliotekstjänst's database BURK. The differences between the four libraries lie in thenumber of science fiction and fantasy-books and the distribution of different languages thebooks were originally published in.
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Vetenskapligt eller ändå skapligt? Om utgivare och utgivning av äldre skönlitteratur på webben. / Scholarly or not? On publishers and publishing of Swedish literary classics on the web.Nyhage, Carin January 2007 (has links)
This master’s thesis investigates publishing of Swedish literary classics on the web. The purpose is to find out who is publishing and why, and what practice of publishing is used. The purpose is also to find out what importance the publishers attach to textual quality and proofreading. For these questions the “Guidelines for editors of scholarly editions” by MLA is used. The result gives a very scattered picture. Some of the publishers have professional experience in literature publishing and most of them are active in the literary field in one way or another. All the publishers give the overall impression of a true interest in literature and literature as the main purpose of publishing. All editions examined had all the standard information of printed books, ISBN excluded and all publishers except one also followed a good practice of web publishing with easy navigation and information concerning purpose and responsibility. The questions based on MLA’s guidelines revealed big differences between the publishers, some of which had all the information recommended for scholarly editions and some of which had nothing at all. Many of these publishers had other material in abundance though, such as pictures, recordings, musical notes and interactive material. The conclusion is that MLA’s guidelines are not best fitted to examine non-scholarly electronic publishing. A fair picture of many of the publishers in this study was given with other questions focusing navigation, design and other material. Finally, the different publishers are placed in three groups: “The critical editions” with high textual quality and a main purpose of serving the academic world; “The study editions” with their abundance of material and a main purpose of serving students at different levels and “The reading editions” with hardly any extra material and with a main purpose of serving readers - of telling a story. / Uppsatsnivå: D
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Boktrailern : varför marknadsföra text med ljud och bild?Stanke, Maria Helena January 2010 (has links)
<p>Syftet med den här uppsatsen är att introducera boktrailern som fenomen och marknadsföringsmetod. Likheter mellan boktrailern, bokomslaget och filmtrailern undersöks för att ge en bild av hur en "typisk" boktrailer ser ut och vilka funktioner den kan tänkas ha. Uppsatsen utforskar även boktrailerns möjligheter att nå ut till olika målgrupper i olika åldrar, samt pekar på svårigheter med att definiera en målgrupp. Ungdomslitteratur och fantasygenren kopplas samman med boktrailern och exempel ges på hur författare och förlag kan skapa relationer till läsare via Internet. Generella riktlinjer ges för vad som bör tänkas på för att tilltala flest potentiella läsare när en boktrailer används eller utformas. Boktrailerns förmåga att nå ut till unga, motvilliga läsare, som slutat läsa till fördel för bildbaserade berättarformer såsom filmer och datorspel, utforskas. Slutsatsen framhåller fördelarna med att marknadsföra böcker med ljud och bild.</p> / <p>The purpose of this paper is to introduce the book trailer as a phenomenon and method of marketing. Similarities between the book trailer, the book cover and the movie trailer are examined to show how a "typical" book trailer looks and what functions it possibly has. The paper also explores the book trailer’s prospects of reaching different audiences in different age groups. It also points to difficulties in defining an audience. Young adult literature and the fantasy genre are linked to the book trailer and examples are given on how authors and publishers can establish relationships with readers through the Internet. General guidelines are given for what should be considered to appeal to as many potential readers as possible when a book trailer is being used or designed. The book trailer's ability to reach young, reluctant readers, who have given up on reading to the benefit of image based storytelling like movies and computer games, are explored. The conclusion highlights the advantages of promoting books with audio and video.</p>
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Boktrailern : varför marknadsföra text med ljud och bild?Stanke, Maria Helena January 2010 (has links)
Syftet med den här uppsatsen är att introducera boktrailern som fenomen och marknadsföringsmetod. Likheter mellan boktrailern, bokomslaget och filmtrailern undersöks för att ge en bild av hur en "typisk" boktrailer ser ut och vilka funktioner den kan tänkas ha. Uppsatsen utforskar även boktrailerns möjligheter att nå ut till olika målgrupper i olika åldrar, samt pekar på svårigheter med att definiera en målgrupp. Ungdomslitteratur och fantasygenren kopplas samman med boktrailern och exempel ges på hur författare och förlag kan skapa relationer till läsare via Internet. Generella riktlinjer ges för vad som bör tänkas på för att tilltala flest potentiella läsare när en boktrailer används eller utformas. Boktrailerns förmåga att nå ut till unga, motvilliga läsare, som slutat läsa till fördel för bildbaserade berättarformer såsom filmer och datorspel, utforskas. Slutsatsen framhåller fördelarna med att marknadsföra böcker med ljud och bild. / The purpose of this paper is to introduce the book trailer as a phenomenon and method of marketing. Similarities between the book trailer, the book cover and the movie trailer are examined to show how a "typical" book trailer looks and what functions it possibly has. The paper also explores the book trailer’s prospects of reaching different audiences in different age groups. It also points to difficulties in defining an audience. Young adult literature and the fantasy genre are linked to the book trailer and examples are given on how authors and publishers can establish relationships with readers through the Internet. General guidelines are given for what should be considered to appeal to as many potential readers as possible when a book trailer is being used or designed. The book trailer's ability to reach young, reluctant readers, who have given up on reading to the benefit of image based storytelling like movies and computer games, are explored. The conclusion highlights the advantages of promoting books with audio and video.
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