Global ETD Search

571	GranCloud: A real-time granular synthesis application and its implementation in the interactive composition Creo. Lee, Terry Alan 12 1900 (has links) GranCloud is new application for the generation of real-time granular synthesis in the SuperCollider programming environment. Although the software was initially programmed for use in the interactive composition Creo, it was implemented as an independent program for use in any computer music project. GranCloud consists of a set of SuperCollider classes representing granular clouds and parameter objects defining control data for the synthesis. The software is very flexible, allowing users to create their own grain synthesis definitions and control parameters. Cloud objects encapsulate all of the control data and methods necessary to render virtually any type of granular synthesis. Parameter objects provide several simple methods for mapping grain parameters to complex changing data sets or to external data sources. GranCloud simplifies the complex task of generating granular synthesis, allowing composers to focus less on technological issues and more on musical considerations during the compositional process. Granular synthesis algorithmic composition interactive music older people computer music super collider
572	Integration of Chinese traditional music in contemporary violin works by Ma Sicong, Chen Yi, and Bright Sheng Carter, Subaiou Zhang 03 May 2021 (has links) This dissertation is a study on the integration of Chinese traditional musical elements in Western-style compositions for the violin by contemporary Chinese composers. As background, the development of musical synthesis in Chinese New Music since the 1930s is reviewed, and essential aspects of the musical language and aesthetics of Chinese Traditional Music are surveyed. Through detailed analyses of three representative compositions by contemporary composers Ma Sicong (1912-1987), Chen Yi (b. 1953), and Bright Sheng (b.1955), their different approaches to the synthesis of Chinese traditional and Western musical styles are examined. Historical context is provided in biographical information about the three composers, including their educational background, musical influences, and compositional styles. Music Chinese aesthetics Chinese new music Chinese traditional music Chinese violin music Chinese-Western fusion music New wave composers
573	Examensarbete fiol, Kristina Leesik examenskonsert & Ekors Anders polskespel Leesik, Kristina January 2018 (has links) No description available. Kristina Leesik fiol violin folkmusik svensk folkmusik polskespel polska Ekor Anders spelman sväng klang tempodynamik Älvdalen stilanalys examensarbete Music Musik
574	Technical Analysis on H. W. Ernst’s Six Etudes for Solo Violin in Multiple Voices Lin, Shang Jung January 2019 (has links) No description available. Performing Arts Heinrich Wilhelm Ernst Six Polyphonic Etudes technical challenges virtuosic polyphonic
575	Temporal Plane Shifting and Suspended Time in Something Like Your Lagrangian Point and Nothing Never Always Sometimes Changes Praetorius, Emily January 2023 (has links) This paper explores the compositional method of “temporal plane shifting” used to evoke states of suspended time in two of my compositions, Something Like Your Lagrangian Point (2019), for two pianists and two percussionists, and Nothing Never Always Sometimes Changes (2021) for alto flute/piccolo, tenor saxophone, violin, cello, and piano. Temporal plane shifting involves overlaying musical material of unrelated tempi—what I call “temporal planes”—to create an experience of time that parallels being in two different locations or states at once. I argue that this creates the feeling of “suspended time.” This paper begins with an overarching theory that, because our conceptions of time are bound with our conceptions of motion, states of entrainment are thus felt as locations in space. This argument is then expanded to explain the reasoning behind suspended time as the sensation of being in two locations at once. The rest of the paper uses the aforementioned pieces to explore how temporal planes are composed by way of instrumental juxtaposition, rhythmic juxtaposition, material limitation, and gestural repetition, and ends with a discussion of future considerations for the expansion of temporal plane composition. Space and time in music Piano music Saxophone and piano music Violin and piano music Flute and piano music Musical meter and rhythm
576	Komplext enkelt och ensamt : Att tala med musik Rosenholm, Louise January 2023 (has links) En enkel melodi spelad på en ensam fiol är allt som behövs för att öppna ett uiversum av funderingar, tankar och känslor. Det konstnärliga examensarbetet ”Komplext, enkelt och ensamt” är en undersökning kring likheterna mellan språk och musik. Målet är att få musiken att tala och att hitta min ärligaste tolkning av Allemandan ur Bachs andra solopartita för violin. Genom att analysera satsen som om det vore poesi, med hjälp av den grekiska metrikens versfötter, har jag hittat nya rytmiska mönster i musiken som ger en djupare förståelse av styckets form och struktur. Undersökningen har gjort en genuinare tolkning möjlig. Den har också hjälp mig att tala med musik. Johann Sebastian Bach Allemanda metrik retorik barock violin interpretation Music Musik
577	The Alexander Technique - the application of FM Alexander's principles to music performance De Búrca, Aingeala January 2021 (has links) The purpose of this essay is to explore how the application of the Alexander Technique, as taught from the point of view of the Interactive Teaching Method (ITM), can be of benefit in performance preparation as well as in the enhancement of the musician’s practice and performance in general. Although the specific performance described in this paper was for violin, the argument is made that the exploration and methods of practice would be of benefit to any musician. This paper describes the experience of a study of the Alexander Technique. Information is provided about the Alexander Technique, its origins, principles and practices. The application of Alexander’s work to violin playing in general is discussed, and specifically to the preparation for the performance of Sonata Duodecima by Isabella Leonarda. / <p>Isabella Leonarda: Sonata Duodecima Opus 16</p><p>Elizabeth Jackquet De La Guerre: Sonata No 1 in D minor for Violin & Cembalo</p><p>Antonio Bonparti: Invention No 1 in A major (from 12 Inventions for Violin)</p><p>Baroque Violin: Aingeala De Búrca</p><p>Cembalo: Mayumi Kamata</p><p>The sounding part has been archived.</p><p></p> Alexander Technique Interactive Teaching Method musicianship musician’s health and wellbeing violin playing Isabella Leonarda Sonata Duodecima Music Musik
578	Optimized Learning Through Etudes According to Four Pedagogues' Principles: Applied study on selected works from <i>24 Studies for Solo Violin </i> by Pierre Gavinies Lee, Linda 29 September 2021 (has links) No description available. Performing Arts Ivan Galamian Demetrius Constantine Dounis Gavinies Etudes Leopold Auer Carl Flesch 24 Studies for Solo Violin
579	Examining the Origins of the Late Baroque Monothematic Fugue:A Study of Seventeenth-Century Fugue in Italian Violin Music Destribois, Clemence Theodora 12 July 2012 (has links) (PDF) Paul M. Walker points out the importance of three seventeenth-century manuscripts which, according to him, reflect the origins of the late Baroque monothematic fugue. The documents present a new "model" with specific criteria to write monothematic fugues. Walker suggests that the criteria presented in these manuscripts are first found in seventeenth-century Italian violin ensemble fugues. This thesis traces the development of seventeenth-century monothematic fugues and how they compare with the criteria presented in the manuscripts, with a particular emphasis on Italian violin ensemble fugues. The manuscripts indeed present a new "model" to write monothematic fugues as compared to earlier models. Generally speaking, the criteria included in the manuscripts are more present in monothematic fugues found in seventeenth-century violin ensemble music than in keyboard music of the same period. However, many of these imitative pieces present characteristics of fugato (rather than "true" fugues) and cannot be compared with the manuscripts' criteria. Therefore, the documents are important from a theoretical standpoint but their practical application in seventeenth-century violin music is not as clear or systematic as Walker implies. fugue fugato violin music Antonio Bertali Giacomo Carissimi Tarquinio Merula Massimiliano Neri Maurizio Cazzati Giovanni Legrenzi Music
580	Subjectivities Blanchard, Scott 28 March 2006 (has links) No description available. Music B-Flat Clarinet Alto Saxophone Violin Violoncello Percussion Vibraphone Timpani Piano Chamber Music Chamber Ensemble Sextet

Search results