Global ETD Search

71	The art of the everyday: experiences of a house McLeod, Heather Skye 20 August 2009 (has links) The purpose of this study was to document and understand the meanings associated with the visual elaboration (Painter, 2002a), of a particular house i.e. what was done to it after it was built and why, in Victoria, British Columbia, Canada, by successive occupants, including myself, over a period of nine decades. I used a case study, involving documents and artefacts and interviews with key informants. Taking an interpretive epistemological stance, I employed a narrative approach to inquiry (Kramp, 2004, Johnson-Bailey, 2004). The individual narratives resonated with recent anthropological findings. The house saw home managers exert their agency (Pink, 2004). Additionally, inhabitants left a signature on the structure (Dominy, 1997), and carried with them mementos from the home they had made there (Marcoux, 2001). Over time, through transformation processes, both individuals and the house were changed (Miller, 2001a). Further, the design legacy left by previous inhabitants acted as a form of agency on successive residents (Miller, 2001b), and through reciprocal accommodation the house and its occupants came to terms with each other (Miller, 2002). Additionally, six common themes emerged: epistemological orientation, economics, male and female, reminiscences and affect, childhood to adulthood and history and presence. My finding that an individual’s epistemological stance was related to her/his artistry supports an emerging vision in art education, that of art practice as research (Sullivan, 2005). This has implications for both research and practice. Firstly, the processes through which non-specialists work need to be more fully explored. Secondly, we require a changed view of art history where art images are understood as part of a productive visual culture (Marshall, 2007). This is a concept-focused analysis of art where meaning is demonstrated to be contextual and intergraphical, and is manifest in artworks that can be scrutinized across cultures and time. Thirdly, our concept of visual literacy must expand; if we construct knowledge and reality through making images as well as by decoding the meaning of existing visual images, then art practice is schools is imperative (Marshall). Finally, visual thinking is integrative (Marshall), and thus art integration and a new approach to art and learning are essential. Epistemology material/visual culture non-specialist art making house making meaning decorating renovating narrative vernacular architecture curricular integration history Chinese west coast Canada ethnography
72	A case-control study of risk factors for low birth weight in the Western Cape : Winelands/West Coast region Batist, Elizabeth Sheilah January 2003 (has links) Birthweight is powerful predictor of infant growth and survival. Premature birth and intrauterine growth retardation of birthweight. Maternal environment is important underlying determinant of birthweight. Common lifestyle risk factors include maternal under-nutrition, smoking, alcohol and social factors and stress. The Winelands/West Coast region has high rates of low birthweight. In addition, alcohol abuse and smoking are major problems in this area. The aim of this quantitative case-control study was to determine the epidemiology of low birthweight, related to lifestyle behaviours in pregnant women, with particular attention to lifestyle factors such as alcohol, smoking, and stress-related factors. Infants, Weight (South Africa) Pregnant women, Smoking (South Africa)
73	Breeding biology and threats to the blue penguin (Eudyptula minor) in South Westland, New Zealand Braidwood, Jasmine January 2009 (has links) The Blue Penguin (Eudyptula minor) is assumed to be declining over much of its range, largely due to introduced predators. Anecdotal evidence suggests that one of the areas of declining population is the West Coast of the South Island. The purpose of this study was to determine the reasons for the assumed decline of blue penguins in South Westland. This was done by studying breeding ecology at several blue penguin colonies to assess the importance of breeding success and adult mortality on the penguin population. Three blue penguin colonies in South Westland, at Five Mile and Three Mile beaches south of Okarito, and at the Wanganui River mouth near Harihari, were monitored throughout the 2008/09 breeding season. During each burrow visit the number of eggs and chicks were recorded as well as the date of laying, hatching or fledging. Five colonies of blue penguin were also monitored in Buller over the same breeding season in a study conducted by the West Coast Blue Penguin Trust, a community trust based on the West Coast. The results of both studies were compared to determine the effect of predator control on breeding parameters, such as breeding success. Of 137 eggs laid in South Westland, 108 chicks survived until fledging, giving an overall breeding success of 78.8%. In Buller, 64 chicks survived to fledging from 101 eggs laid, resulting in an overall breeding success of 63.4%. Breeding success was significantly higher at penguin colonies in South Westland, compared to the Buller colonies. There was no evidence that predator control had an effect on breeding success in South Westland or Buller. The mean number of chicks fledged per pair that produced eggs was 1.55 in South Westland and 1.16 in Buller. The overall proportion of occupied breeding burrows compared to the total number of suitable burrows at the South Westland sites was 73.8% (n = 103). At the Buller sites, only 60.3 % (n = 151) of the total number of burrows was occupied. Road kills are a major threat to blue penguins in Buller due to the proximity of colonies to the state highway. Fortunately, incidences of road death in South Westland are rare and due to the distance from roads, do not pose a significant threat to South Westland blue penguins. Further study of blue penguin colonies in South Westland is needed to learn more about annual variation in breeding productivity and to determine if breeding success is consistently high over an extended time period. If this is the case, then the cause of blue penguin decline on the West Coast is unlikely to be due to problems with breeding as the breeding success during this study is one of the highest recorded for blue penguins. Although there was no apparent effect of predator control on breeding productivity during this study there is evidence from other locations that predators, in particular stoats, have contributed to the decline of blue penguin populations. More research into the impact of predators on penguins over a longer period of time is needed on the West Coast before a change is made to how predators are managed. blue penguin Eudyptula minor South Westland breeding timing predator control adult mortality threats breeding success weights burrow occupancy West Coast Blue Penguin Trust
74	The record keeping practices of women’s organizations : a case study of three organizations in Vancouver, British Columbia Buhlmann, Jana Patricia 05 1900 (has links) Examination of the context of record creation, maintenance, and use is a valuable tool which allows the archivist to build a body of knowledge regarding archival records and their creators. Such knowledge enables the archivist to make informed decisions in all realms of archival practice. This discussion focuses upon the women's organization, undertaking a case study of three organizations in Vancouver, British Columbia in order to provide information about their record keeping practices. The case study employs open-ended focus interviews, observation, and document analysis, where provided. Participants are selected based upon their involvement in the creation, maintenance, and use of records in their respective organizations. They are asked to provide information as to the administrative history of the organization and to describe the processes by which they receive, create, use, organize, maintain, and destroy records. Participants are also asked to characterize their organization and its record keeping practices as they relate to the concept of a women's organization. A framework for analysis is established, which allows for further characterization of each women's organization. This framework addresses the voluntary nature of most women's organizations, as well as their unique processes and forms. Three models are presented which allow for further characterization of the history, structure, and practices of each organization. The distinctive internal processes, forms, and record keeping practices of the Women's International League for Peace and Freedom, the Western Businesswomen's Association, and the West Coast Women's Legal Education and Action Fund are presented. The thesis concludes by providing recommendations regarding further explorations of record creation, maintenance, and use and their value for the archival profession. / Arts, Faculty of / Library, Archival and Information Studies (SLAIS), School of / Graduate
75	Standing on the edge of yesterday: A dilemma of oral knowledge in a West Coast family Chipps-Sawyer, Allis Pakki 17 September 2007 (has links) ABSTRACT The Nitinaht language and traditional knowledge that was usually transmitted from the older to the younger family members is on the verge of being lost forever. As a member of a Nitinaht family, I have concentrated on finding the Elders in our family, who are spread all over Vancouver Island, in an attempt to try to find a way to preserve this invaluable knowledge and to pass it on to future generations. This information was recorded and will be presented through interactive multimedia, which allows for the transmission of oral information such as stories, photographs, interviews, family trees, history, language and anecdotes. Since modern technology and traditional knowledge seem at the opposite ends of the spectrum, the research also looked into the acceptability of this method of transmission. Much traditional knowledge is confidential, and thus is not part of the written dissertation; however, much information is included without disrespect for our beliefs as ideas for future research. The written documentation includes a history of our family, discussion of the beauty and uniqueness of the Diitidaht (Nitinaht) language, a narration of our last Puku’u basket weaver, and a description of the “Family First” interactive multimedia program. West Coast Nitinaht Kyuquot Beecher Bay Diitiidaht Tradition First Nations history language ethics research ethnobotany multimedia interactive education Chipps Short Patterson Sawyer Clo-oose
76	George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art. Cuthbert, Nancy Marie 20 August 2012 (has links) Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not well-documented and remains almost completely untheorized. In addition to playing a key role in Seattle's development as an internationally recognized leader in public art, my dissertation argues that these works provide early evidence of a linked concern with nature and spirituality that has come to be understood as characteristic of the Pacific Northwest. Tsutakawa was born in Seattle, but raised and educated primarily in Japan prior to training as an artist at the University of Washington, then teaching in UW's Schools of Art and Architecture. His complicated personal history, which in World War II included being drafted into the U.S. army, while family members were interned and their property confiscated, led art historian Gervais Reed to declare that Tsutakawa was aligned with neither Japan nor America – that he and his art existed somewhere in-between. There is much truth in Reed's statement; however, artistically, such dualistic assessments deny the rich interplay of cultural allusions in Tsutakawa's fountains. Major inspirations included the Cubist sculpture of Alexander Archipenko, Himalayan stone cairns, Japanese heraldic emblems, First Nations carvings, and Bauhaus theory. Focusing on the early commissions, completed during the 1960s, my study examines the artist's debts to intercultural networks of artistic exchange – between North America, Asia, and Europe – operative in the early and mid-twentieth century, and in some cases before. I argue that, with his fountain sculptures, this Japanese American artist sought to integrate and balance such binaries as nature/culture, intuition/reason, and spiritual/material, which have long served to support the construction of East and West as opposed conceptual categories. / Graduate George Tsutakawa American modernism modern design silicon bronze sculpture welded sheet metal sculpture West Coast modernism Pacific Northwest Seattle public art Century 21 Fulton Mall postwar shopping center design Asian American art World War II Japanese internment Nisei Kibei machine aesthetic abstract art spirituality in art Lawrence Halprin environmentalism in art International Style architecture postwar urban planning Ala Moana Center Northgate Shopping Center Zen in America Bauhaus in America Walter Gropius Victor Gruen Mark Tobey Japanese American Henry Moore Sigfried Giedion Lewis Mumford Alexander Archipenko Paul Horiuchi Johsel Namkung Dudley Carter Freeway Park, Seattle Bentall Centre, Vancouver Seattle Public Library secondary Orientalism organicism in art modernist architecture
77	THE BRONX COCKED BACK AND SMOKING MULTIFARIOUS PROSE PERFORMANCE Avila, Alex 01 June 2016 (has links) The Bronx Cocked Back And Smoking is a collection of multifarious prose performances recounting the historical, personal, social, political and cultural constructs of a city birthed by violence. This body of work is accompanied by video, audio, photography, and theatre performance texts. St. Mary’s Housing project, in the Bronx, is the foundation where most of this literary work takes place. The modern day Griot (storyteller) is a Poet, guiding his audience through the social inequalities and disparities that plague St. Mary’s community. The Poet shares personal traumatic insights while simultaneously utilizing writing as a form of survival to the conditions of the Bronx. This multi-platform performance highlights the metaphorical and physical concerns with the cycle of violence. This question is answered through the Poet’s choice by selecting the pen over the gun. Bronx St. Mary's Housing Multi-media Avila Alex Avila Production 4e CSUSB San Bernardino New York City Bx Hip Hop Spanglish Spanish Ebonics Garifuna Honduras African Jazz Funk Blues poetry violence history anthropology mambo merengue ragtime W. E. B. Du Bios community Puerto Rican Lenape Native American Latino Jonas Bronck P.S. 5 Elementary school Black boy black people black Cabell Calloway Cab Calloway immigrants lyrical poem didactic poem spoken word 3rd avenue the hub rolex wolverine yankee fitted black linguistic African diaspora allegorical Boricuas trickster Griot William Shakespeare Dewitt Clinton High School Port Morris heroine crack cocaine preacher drugs violence God reflection facebooking youtubing unemployment Ajax toothbrush Multifarious Prose Performance Multifarious Prose Performance coined ATLANTIC Ocean east coast west coast Carter Harrison Nommo The drama of Nommo the Bronx tale Young Visionaries Youth Actio Poetry

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