Fear is an intrinsic human emotion, which produces with variable intensity a bodily reaction as a response to a stimuli. It is considered one of the basic human emotions, and it is universal of all animal species. Despite its subjective quality, fear has gained a rather negativistic stereotype that this research intends to debate and readdress, proposing that “negative fear” is part of an evolutionary transition cultivated by social and cultural constructs. This thesis will analyze the context in which fear operates, employing experience design methodologies and design research to reevaluate the role of fear in the contemporary settings of our societies to prove its connection to imagination, transhumanism and the production of empathy. After a brief historical perspective to situate this thesis in the contemporary framework of experience design, this research will investigate fear as prolific tool for the production of imagination, derived from its aesthetic connection to wonder and pleasure. This particular connection between fear to wonder was investigated among others by Charles Darwin, who also promoted the functionality of fear as the key to animal survival. The complex mechanism in which fear engages us will lead to the production of design prototypes that look at the animal kingdom and several other species’ talents in the detection and implementation of fear as a tool to survive. Here, the potential of our species to further evolve through the use of design will open a discussion on transhumanism and the future of humanity. The last section speculates a counterfactual conditional statement of how our humanity would operate, if emotional identities were reevaluated. In particular, the emotion of fear will be reevaluated for its unpleasant characteristics, from the bodily sensations to the mental postliminary conditions, to understand why certain human behaviors are still exercised, when the physiological effects are universally acknowledged as distasteful. By interpreting the physiological impact of fear, this research will continue its argument towards empathy, questioning what it truly means to ‘stand in someone’s else shoes’, specifically when fear is practiced. Empathy, as a pilaster in the mission statement of many contemporary disciplines, has surfaced in this research as viral phenomenon, which little has to do with truly ‘empathizing’. Here, it investigates how empathy can be experienced when fear is in play: if sharing fear as the bodily experience of someone else can lead to the production of authentic empathy, then humans have a chance to reevaluate its application in the contemporary global topics of war and diplomacy, domestic and public violence, or bullying to name a few. This research ultimately establishes a new perspective on the role of emotions in our societies, and creates a connection between design and the experience of intangibles, producing a view of the intrinsic systems of our being as ones deemed of value in the ambitious evolution of our species. / <p>The full thesis contains copyrighted material which has been removed in the published version.</p>

Modernity has generally been interpreted as a radical expression of human progress in the light of the advances of modern science and technology. According to Alasdair MacIntyre, however, modernity is a project "doomed to failure". Given the progressive-linearity of the modern model of rationality, the past has, in principle, been ruled out as a source of moral-political wisdom and guidance. From the perspective of modernity, the present (as the progressive moment of the future) has therefore nothing to learn from past traditions. MacIntyre contends that the moral confusion within modernity comes from its loss of telos, mediated in terms of the past. Modernity therefore harbours a paradox based on its inability to provide a philosophical justification for establishing the possibility of human solidarity in the present, while simultaneously affirming its faith in the future. In this regard, MacIntyre's work is an important contribution to the philosophical debate on modernity. / Philosophy / M. A. (Philosophy)

This study examines the eschatology of issues related to African folk religion. It argues about the eschatological understanding of time with regard to the afterlife, ancestors and the afterlife, Christ the eschaton and the incarnation of Christ as redeeming of the ancestors. Such a model of local theology can result from a comprehensive reflection based on the Scriptures. As such, this study suggests some principles and praxis that appropriately address mission in the African context. This study also intends to challenge the church in Africa in particular, and cross-cultural workers in general, to redefine their missions and themselves in the face of theological issues, as well as social problems, which occur at all levels of African society. / Christian Spirituality, Church History and Missiology / Thesis (D. Th. (Missiology))

Text in Afrikaans / Summaries in Afrikaans and English / Geloof word tradisioneel beskou as voortspruitend uit godsdienstigheid. In hierdie prakties­ teologiese navorsing word daar egter gefokus op geloof as 'n universele verskynsel. Godsdienstigheid spruit ook voort uit geloof, wat impliseer dat geloof nie net "ontvang" word tydens die sogenaamde "bekering" tot 'n bepaalde godsdiens nie, maar dat "bekering" een aspek van 'n dinamiese geloofsvormingsproses is. Geloofsvorming word in hierdie studie in verband gebring met vier dimensies van mens­ wees, naamlik kognitiwiteit, sosialisering, affektiwiteit en moraliteit. By wyse van 'n kwalitatief-georienteerde, empiriese ondersoek onder AGS-gesinne, is rigtingwysers gevind wat die vier dimensies se invloed op geloofsvonning aandui. Dit blyk dat geloofsvonning nie primer belnvloed word deur die kognitiewe dimensie nie maar eerder deur die kwaliteit van die sosialisering en van die affektiwiteit in die huisgesin. Alhoewel die gehalte van die moraliteit ook 'n rot speel in geloofsvorming, word moratiteit ook grootliks gebaseer op die kwaliteit van die sosialisering en affektiwiteit. / Faith is traditionally considered to be an extention of religion. In this practical-theological research, faith is rather seen as a universal phenomenon through which life is given meaning. Religion thus arises from faith. This implies that faith is not "received" at a so-called "conversion" to a specific religion but rather is one aspect of a dynamic developmental process of faith. Faith development is seen in conjunction with cognitivity, socialisation, affectivity and morality. A qualitative-orientated research among AFM-families has given an indication of the influence of these four dimensions on the faith development of children in the family. It seems that faith development is not as much influenced by cognitivity as by the quality of the socialisation and the affectivity in the family. Even though the quality of morality plays a role in faith development, it seems that the former is also based, to a great extent, on the quality of socialisation and affectivity. / Practical Theology / M.Th. (Practical Theology)

Thesis (DTh (Systematic Theology and Ecclesiology))--University of Stellenbosch, 2008. / This research investigates whether The Christian story or The Public story is most appropriate for moral formation under democratic rule. The research draws from six well-known theologians who make valuable contributions to the enquiry. Each of the writings of William John Everett, Rosemary Radford Ruether, Geoffrey Wainwright, Stanley Hauerwas, Robin Gill and Desmond Tutu represents an approach for moral formation. In all the approaches there are major contributions that are pointed out. However, the first five approaches neglect the consistent relationship between the Christian story and the Public story, the inclusiveness of community and the role of God for moral formation. After careful analysis of the six approaches it is found that Desmond Tutu's theology and Ubuntu is the most appropriate approach for moral formation under democratic rule. Tutu's approach gives meaning to the fundamentals of the Public story, namely, reason, individual freedom, universal principles and laws, in Ubuntu community. He also draws from Genesis and the biblical description of the cross event to illustrate how God gives meaning to humanity through creation and redemption. This research finally concludes that Tutu's approach presents an interplay between the Christian story and the Public for moral formation under democratic rule.

Symbole de modernité pendant la majeure partie du XXe siècle, la cigarette est depuis une trentaine d’années la cible d’interventions croissantes visant à réduire sa consommation. La lutte contre le tabac bénéficie d’un dispositif sans précédent qui fait office de cas d’école en santé publique, par son ampleur et par l’adhésion qu’il suscite. L’intérêt d’étudier cet objet réside ainsi dans la propriété essentielle de la lutte anti-tabac de relier un dispositif institutionnel et des motivations subjectives. Le dispositif anti-tabac (DAT) a en effet vocation à faire converger les prescriptions normatives d’un ensemble d’institutions et les désirs individuels, et y parvient manifestement dans une certaine mesure. Il permet dès lors d’aborder à la fois un travail sur les sociétés et un travail sur soi. Cette thèse entreprend une analyse sociologique du dispositif anti-tabac au Québec et vise à interroger les modalités et les fins de ce contrôle public de la consommation de tabac, en mettant au jour ses dimensions culturelles, symboliques et politiques. La santé publique apparaissant de nos jours comme lieu central de l’espace politique et social dans les sociétés contemporaines (Fassin et Dozon, 2001 :7), l’utopie d’un « monde sans fumée » se révèle selon nous tout à fait typique des enjeux qui caractérisent la modernité avancée ou « société du risque » (Beck, 2001, [1986]). Après avoir présenté le rapport historiquement ambivalent des pays occidentaux au tabac et ses enjeux, puis problématisé la question de la consommation de substances psychotropes dans le cadre d’une production et d’une construction sociale et culturelle (Fassin, 2005a), nous inscrivons le DAT dans le cadre d’une biopolitique de la population (Foucault, 1976; 1997; 2004b). À l’aune des enseignements de Michel Foucault, cette thèse consiste ainsi en l’analyse de discours croisée du dispositif institutionnel anti-tabac et de témoignages d’individus désirant arrêter de fumer, au regard du contexte social et politique de la société moderne avancée. Le DAT illustre les transformations à l’œuvre dans le champ de la santé publique, elles-mêmes caractéristiques d’une reconfiguration des modes de gouvernement des sociétés modernes avancées. La nouvelle biopolitique s’adresse en effet à des sujets libres et entreprend de produire des citoyens responsables de leur devenir biologique, des sujets de l’optimisation de leurs conditions biologiques. Elle s’appuie sur une culpabilité de type « néo-chrétien » (Quéval, 2008) qui caractérise notamment un des leviers fondamentaux du DAT. Ce dernier se caractérise par une lutte contre les fumeurs plus que contre le tabac. Il construit la figure du non-fumeur comme celle d’un individu autonome, proactif et performant et fait simultanément de l’arrêt du tabac une obligation morale. Par ce biais, il engage son public à se subjectiver comme citoyen biologique, entrepreneur de sa santé. L’analyse du DAT au Québec révèle ainsi une (re)moralisation intensive des questions de santé, par le biais d’une biomédicalisation des risques (Clarke et al., 2003; 2010), particulièrement représentative d’un nouveau mode d’exercice de l’autorité et de régulation des conduites dans les sociétés contemporaines, assimilée à une gouvernementalité néolibérale. Enfin, l’analyse de témoignages d’individus engagés dans une démarche d’arrêt du tabac révèle la centralité de la santé dans le processus contemporain d’individuation. La santé publique apparait alors comme une institution socialisatrice produisant un certain « type d’homme » centré sur sa santé et adapté aux exigences de performance et d’autonomie prévalant, ces éléments constituant désormais de manière croissante des clés d’intégration et de reconnaissance sociale. / Symbol of modernity for most of the twentieth century, smoking has been for the last thirty years the target of increasing interventions to reduce its consumption. Tobacco control benefits from an unprecedented device that acts as a case study in public health, by its scope and the awareness it raises. The interest to study this object then lies in the essential property of tobacco control to bind an institutional device with subjective motivations. The anti-smoking apparatus (ASA) was indeed intended to get the prescriptive requirements of a set of institutions to converge with individual desires, and obviously succeeds to some extent. It thus allows us to address both work on societies and work on oneself. This thesis undertakes a sociological analysis of the anti-smoking apparatus in Quebec and aims at questioning the modalities and purposes of tobacco control by uncovering its cultural, symbolic and political dimensions. Public Health appearing today as the central place of the political and social space in contemporary societies (Fassin and Dozon, 2001: 7), the “smoke-free world” utopia proves to be in our opinion quite typical of the stakes which characterize late modernity or “risk society” (Beck, 2001, [1986]). Having presented the historically ambivalent attitude of Western countries toward tobacco and its stakes, and problematized the issue of substance use within the framework of socio-cultural production and construction (Fassin, 2005a), we situate the ASA in the framework of a biopolitics of the population (Foucault, 1976; 1997; 2004b). In the light of the teachings of Michel Foucault, this thesis thereby consists of the crossed analysis of institutional tobacco control discourse and of testimonies of individuals wishing to quit smoking, with regard to the social and political context of late modernity. The ASA shows the changes at work in the field of public health, themselves characteristics of a reconfiguration of the modes of government of societies. The new biopolitics is indeed aimed at free subjects and undertakes to produce citizens responsible of their biological future, subjects of their own biological conditions optimization. It leans on a “neo-Christian” guilt type (Quéval, 2008) which characterizes such a fundamental levers of the ASA. It is characterized by a struggle against smokers more than against tobacco. It builds the figure of the non-smoker as that of an autonomous, proactive and efficient individual and makes simultaneously quitting smoking a moral obligation. Through this, it engages its audience to subjectify as biological citizens, entrepreneurs of their own health. The ASA in Quebec analysis reveals an intensive (re)moralization of health issues through a biomedicalization of risks (Clarke et al., 2003; 2010), particularly representative of a new way of exercising authority and regulate behaviors in contemporary societies, regarded as a neoliberal governmentality. Finally, the analysis of testimonies of individuals engaged in a process of smoking cessation reveals the centrality of health in the contemporary process of individuation. Public health then appears as a socializing institution producing a certain “type of man” centered on his health and adapted to the performance and autonomy requirements prevailing, these elements now increasingly constituting key-elements of integration and social recognition .

Today, global media such as the Internet provides media audiences scattered across the globe with the possibility of cross-cultural moral interaction upon a plethora of global digital public spheres. Such trends have been the catalyst for increased academic attention to the field of media and morality and the notion of media audiences as global citizens – ‘cosmopolitans at home’, consuming a wide array of mediated, global images and thus enforcing a proximity with the ‘distant Other’. Parallel to such trends is the dichotomous relationship between rural- and urban areas that have emerged as increasingly ambivalent in ‘network society’. Due to the ‘urbanization of media culture’ and the ‘digital divide’, it is argued that rural areas, in an era characterized by global interconnectedness, are rendered dysfunctional. On the other hand however, media can be argued to promote inclusion and new possibilities for rural people.   This study set out to empirically examine the tension field between residential patterns (rural/urban), the media (Internet) and cosmopolitanism. Setting out from the research questions: (1) What variables determine a ‘cosmopolitan outlook’ in Sweden?, (2) Does media use/access promote a ‘cosmopolitan outlook’, and under what circumstances?, and (3) Is there a ‘cosmopolitan divide’ between different residential patterns – and if so: how does it relate to different patterns of media use and access?. To attend the research questions, data from the annual national survey, Riks-SOM 2008, was analysed and the findings indicated the general trends for the Swedish cosmopolitan was, in accordance with other empirical accounts, young and well educated. Furthermore, respondents ‘high’ on Internet use where more likely to be cosmopolitans – confirming theoretical accounts of e.g. Anthony Giddens, Ulrich Beck and Dick Hebdige. Also, ‘locality’ proved to be more important for rural people than for people living in metropolitan areas. Finally, men and women displayed different ‘cosmopolitan patterns’: rural women being more cosmopolitan than metropolitan women in terms of a ‘willingness to move to a country outside of Europe’ while men displayed the opposite, following the hypothesis.

No description available.

Ce mémoire porte sur la culpabilité du joueur pour des actions qu’il pose dans les jeux vidéo. L’objectif est de cibler les situations de jeu et les conditions psychosociologiques à l’émergence de cette émotion. Le premier chapitre compare l’expérience émotionnelle du spectateur et du joueur principalement dans la relation que ces derniers entretiennent avec des personnages. Le deuxième chapitre offre une étude détaillée de la culpabilité telle que vécue ordinairement, particulièrement de son processus cognitif et de ses fonctions sociales. Le troisième chapitre propose un modèle du processus de la culpabilité du joueur qui inclut des variables relatives à l’expérience des jeux vidéo et au design de jeu. Le modèle est mis en application dans l’analyse d’un corpus de jeux vidéo solos et narratifs à différents degrés, qui visent à provoquer des fautes morales chez le joueur et à les lui faire prendre conscience. / This master’s thesis focuses on player’s guilt based on gameplay actions. The objective is to target video games situations and psychosociological conditions leading to this emotion. The first chapter compares the spectator’s emotional experience with that of the player mainly in their relations with characters. The second chapter offers a detailed study of guilt as ordinarily experienced, especially of its cognitive process and its social functions. The third chapter introduces a theoretical model of the player’s guilt process which includes variables related to the experience of video games and game design. The model is applied to the analysis of a corpus of single-player narrative games that intent to provoke the player to commit wrongdoings and to make him aware of them.

This thesis, Space, Curriculum Space and Morality, focuses on the two roles of the school, i.e. developing identities and transmitting knowledge. The latest curriculum reform commissions the teachers to transform the fundamental values of the curriculum to the separate subjects. The principal object of the school subjects is to contribute to the implementation of the curriculum goals, namely to educate and promote democratic citizens. Since the new course syllabi lack guidelines about subject content and method, the intention of this work it is to analyse in what way the teachers’ fill this curriculum space, which subject content the teachers choose in order to connect the curriculum goals to the course syllabi goals and, to the practical teaching of geography as a school subject. The understanding of the teachers’ choice of subject content is the overall aim of this thesis. The thesis can be placed within a curriculum theory tradition that regards education and its content as situated in a field of tension ultimately determined by social and political forces engaged in struggle. Within this tradition, an approach has been developed which examines the educational content of the school subjects as contingent. A curriculum historical analysis – supplemented by a text analysis of textbooks, a number of observations (81) of geography lessons in upper secondary school and the following qualitative interviews with geography teachers – shows that the teachers’ choice of content can be understood and explained by the strong selective traditions which have formed within the subject during 150 years. These selective traditions together form a school subject discourse which implies that the moral dimension is lost as the subject content is characterized by an essentialistic approach. The consequences of the findings can be discussed in relation to what content is excluded in the school geography education. Some examples are a gender perspective, issues regarding equality, ethnicity, solidarity, social justice and sustainable development. The issues that the school geography excludes contain ethical and moral considerations. If these issues were presented, they would relate to the fundamental values and the promotion of democracy, issues given strong prominence in the curriculum.