Cette étude est une recherche sur les relations complexes entre la poésie et l’érotisme au sein de la poésie colombienne, et elle suit un itinéraire qui va de la poésie de José Asunción Silva, à la fin du XIXe siècle, à celle du groupe Mito, dans les années 50. Cet exercice d’investigation et d’analyse démontre qu’on peut observer une tradition de l’érotisme dans la poésie colombienne, au sein de laquelle l’érotisme comme sujet sensible a pénétré la poésie de plusieurs groupes –modernistes, piedracielistes et Mito– et de quelques-uns des auteurs les plus importants, parmi lesquels: Silva, Porfirio Barba Jacob, Luis Carlos López et León de Greiff. / This study examines the complex relationships between poetry and eroticism that have emerged in the Colombian poetry throughout a historical journey that goes from José Asunción Silva’s poetry (late nineteenth century) to the poetry of the group Mito, during the decade of 50s in the twentieth century. This research and analytical work shows that a tradition of the erotic in the Colombian poetry can be observed, in which eroticism, as a sensitive subject, has permeated the poetics of various groups –modernists, Piedracielistas, and Mito– as well as some of the most important Colombian authors such as Silva, Porfirio Barba Jacob, Luis Carlos López, and León de Greiff. / Este estudio se pregunta por las complejas relaciones entre poesía y erotismo que se han dado en la poesía colombiana, en un recorrido histórico que va desde la poesía de José Asunción Silva, finales del siglo XIX, hasta la poesía del grupo Mito en la década del 50 del siglo XX. Este ejercicio investigativo y analítico demuestra que se puede observar una tradición de lo erótico en la poesía colombiana en la que el erotismo, como asunto sensible, ha permeado la poética de varios grupos –modernistas, piedracielistas y Mito– y de algunos de los más importantes autores, entre los cuales: Silva, Porfirio Barba Jacob, Luis Carlos López y León de Greiff.

A presente tese pretende, a partir da análise dos romances Lavoura arcaica (1975), de Raduan Nassar, Terra sonâmbula (1992), de Mia Couto, e Crônica de uma morte anunciada (1981), de Gabriel García Márquez, estabelecer um diálogo entre romance e mitologia. Sob tal perspectiva, a tese procura examinar como se dá a interação do tempo mitológico com o tempo histórico e o papel da reinterpretação dos mitos e sua repercussão nas obras literárias escolhidas. Para desenvolver tal proposta, apresentaremos lineamentos teóricos básicos que nos permitirão definir os elementos caracterizadores da presença do mitológico nos textos ficcionais selecionados para análise. Apontaremos, em primeiro lugar, a alusão a um determinado mito reconhecível; em seguida, a presença de elementos rituais que aí estabeleçam a conexão do mito com o sagrado; e, por último, o papel da palavra como elemento fundamental que reatualiza, preserva e difunde a memória do sagrado, isto é, do mitológico. Os romances escolhidos constituem verdadeiros exemplos dos processos de experimentação desenvolvidos em cada um desses campos o mito, o rito, a palavra numa prática artística que congrega diferentes maneiras de ver o mundo, assim como de reinterpretá-lo criativamente por meio de seus respectivos imaginários. O objetivo central de nosso trabalho é, pois, mostrar que a presença de elementos mitológicos nos três romances constitui o componente estrutural básico das três narrativas e que essa presença se manifesta de modo específico em cada uma das obras analisadas. / This analysis of the novels Lavoura arcaica (1975) by Raduan Nassar, Terra sonâmbula (1992), by Mia Couto, and Crónica de una muerte anunciada (1981), by Gabriel García Márquez, aims to establish a dialogue between romance and mythology. From this perspective, the text examines the nature of mythological and historical time interaction and the role of the reinterpretation of myths and its impact on the chosen literary works. To develop such a proposal, the use of basic theoretical guidelines will allow us to define the characterizing elements of the mythological presence in the fictional texts selected for analysis. We will first point out the allusion to a certain recognizable myth; secondly, the presence of ritual elements that establish the connection between the myth and the sacred; and, finally, the role of the word as a fundamental element that renews, preserves and diffuses the memory of the sacred, that is, of the mythological. The chosen novels are true examples of the processes of experimentation developed in each of these fields - myth, ritual, word - in an artistic practice that brings together different ways of seeing the world, as well as creatively reinterpreting it through their own imaginaries. The central objective of this work is, therefore, to show that the presence of mythological elements in the three novels embodies the basic structural component of the three narratives and that this presence manifests itself in a specific way in each of the works under analysis.

Nesta dissertação analisamos as dinâmicas de ação coletiva dos grupos negros na Colômbia, desde a abolição da escravidão a meados do século XIX até a Colômbia contemporânea. Este foco sócio-histórico tem como objetivo observar as mudanças nas oportunidades políticas que permitem, ou não, a ação coletiva de um grupo social. Na medida em que as oportunidades políticas oferecidas pelo Estado são favoráveis para a mobilização, nos interessamos em compreender as estratégias de mobilização e os recursos usados pelos ativistas, assim como as alianças e a especialização do ativismo. A dinâmica da organização do Movimento Afro-Colombiano mudou na ultima década do século XX, quando promulgada a nova Constituição Política nacional e mais uma vez na primeira década do século XXI, quando a população negra colombiana se torna alvo do conflito armado que vive o país. / In this dissertation we analyze the dynamics of collective action of Colombian black groups, since the abolition of slave trade in 1851, until contemporary Colombia. This sociohistorical focus has the intuition to observe how changes in political opportunities aloud collective action of a social group. In so far as political opportunities given by the State are positive for mobilization, we are interested in the comprehension of which strategies are chosen for groups to mobilize, as well as the usage of resources by activists. Also we are interested in understanding the alliances and specialization of the activism in certain political regimes. The dynamic of organization of Afro-Colombian Movement changed during the last decade of the 20th century, when a new constitution was adopted. And has changed once again during the first decade of the 21st century, when Colombian black population became the main victims of the armed conflict in the country.

Bastante significativa tem sido a atenção que críticos, historiadores ou pesquisadores de literatura colombiana vêm dando a Mito - revista bimestral de cultura (1955-1962) nas últimas décadas. O interesse despertado sobre essa publicação promovida por escritores como Jorge Gaitán Durán, Hernando Valencia Goelkel, Pedro Gómez Valderrama, Eduardo Cote Lamus, Rafael Gutiérrez Girardot e Jorge Eliécer Ruiz, para mencionar aqueles que foram seus principais responsáveis, reside principalmente na eficácia editorial que logrou a realização de 42 números de uma revista de indiscutível qualidade literária, tanto em termos críticos quanto de divulgação estética. A revista contou com inúmeros colaboradores de relevância literária nacional e internacional e por meio de suas páginas os leitores colombianos entraram em contato com correntes de pensamento que ajudaram a modernizar o ambiente intelectual e cultural do país. Como parte de um ambicioso projeto, a revista Mito foi também promotora de uma casa editorial de livros e de um programa radiofônico homônimos que, juntos, atuando simultaneamente nos campos culturais e políticos, contribuíram para marcar a cultura colombiana de tal forma que seus realizadores foram convertidos em obrigatórias referências canônicas na literatura do século XX em Colômbia e América Latina. O presente trabalho de pesquisa procurou identificar a trajetória do discurso político-cultural da revista Mito, assim como de suas ampliações dentro do que aqui denominamos como Projeto Mito, que surgiu diante da violenta crise social do país, foi alimentado pela necessidade de transformações dessa realidade, pela premência de liberdade total do ser humano, e teve como principais suportes argumentativos a tolerância opinativa associada ao antidogmatismo ideológico. Como consequência após o fim da publicação, o imaginário criado por esse eficaz e influente discurso acabou por proporcionar o acesso de seus intelectuais aos campos de poder, fato que não apenas permitiu o estabelecimento consagrador de suas realizações literárias como o de sua manutenção canônica ao longo dos anos, numa espécie de conservação discursiva perene em que residem complexos problemas de ordem historiográfica como os de tradição/ruptura ou de sincronia/diacronia. Para isso, a pesquisa inicialmente contou com estudos relacionando Mito com revistas e publicações periódicas nacionais antecessoras (Los Nuevos, Lecturas Dominicales de El Tiempo, Revista de las Indias e Crítica) e internacionais (Les Temps Modernes, Sur, Revista Mexicana de Literatura) em busca de influências ou uma comprovação de certa continuidade discursiva que pudesse conotar alguma tradição editorial; depois passou à devida leitura dos principais aspectos culturais publicados nas páginas da revista ou apreendidos do projeto como um todo, assim como à leitura que permitiu a identificação de sua representação política tomando alguns casos polêmicos para análise; para finalmente se dedicar à compreensão dos alcances do discurso político-cultural de Mito entre os campos do poder e da literatura em termos de política cultural e de historiografia. / In the last decades, it has been very significant the attention given by critics, historians or Colombian literature researchers to Mito bimonthly magazine of culture (1955-1962). The interest generated about this publication promoted by Jorge Gaitán Durán, Hernando Valencia Goelkel, Pedro Gómez Valderrama, Eduardo Cote Lamus, Rafael Gutiérrez Girardot and Jorge Eliécer Ruiz, mentioning those who were mainly responsible for this, was especially due to the editorial efficacy that enjoyed the achievement of 42 numbers of an unquestionable literary quality, in critical terms and esthetic propagation. The magazine had many collaborators with national and international relevance and through its pages the Colombian readers could be in touch with lines of thoughts that were helpful to became more modern the intellectual and cultural environment of the country. Mito magazine also promoted an editorial house of books and a radio program, both homonyms, as part of an ambitious project that together acted simultaneously in politics and cultural fields and contributed so expressively to mark Colombian culture that their directors were converted to canonic mandatory references for literature of XX century in Colombia and Latin America. The present research aimed to identify the journey of political-cultural speech from Mito magazine, and its extensions inside of what we considered here as Mito Project, that emerged due to the violent social crisis of the country and was supplied by the necessity of changing this reality, by the urgency of total liberty from human being and that has as main argumentative support the opinionated tolerance associated to ideological anti-dogmatism. As a consequence by the end of this publication, the imaginary created by this effective and influent speech promoted to its intellectuals the access to powerful fields, fact that not only permitted them the strong establishment of their literary performances as the canonic maintaining position along the years, as kind of perennial discursive conservation where lives complexes issues related to historiographical as traditional/rupture or synchrony/diachrony. For that, the research initially used as reference studies that made a relationship between Mito and previous national and international periodic magazines and publications (Los Nuevos, Lecturas Dominicales de El Tiempo, Revista de las Indias and Crítica / Les Temps Modernes, Sur, Revista Mexicana de Literatura) in order to look for influences or kind of discursive evidence that could cogitate any editorial tradition; after that it crossed over to the proper reading of main cultural aspects published in magazines pages or got form the project at all including the reading that allowed the identification of its politic representation, taking some polemic cases for the analysis; for finally dedication to the comprehension of political-cultural speech reach from Mito between power and literature fields in terms of cultural politic and historiography.

École de style, espace de mémoire et de réflexion, champ d’expérimentation de formes narratives, l'œuvre journalistique de Gabriel García Márquez affiche une indéniable ambition littéraire tout en gardant une valeur documentaire. En examinant les chroniques des Notas de Prensa 1980-84 et le reportage Noticia de un secuestro (1996), un constat général se dégage : la tentative de conversion esthétique que l'on trouve dans ces ouvrages vient confirmer ce qui était déjà une évidence dans la période initiale (1948-1961), la consolidation d'un espace singulier dans son œuvre se rapprochant de façon subsidiaire et non subalterne de ses travaux proprement littéraires. Cette recherche fusionnelle marque définitivement son reportage, car c'est dans ce domaine que l'investissement de la matière documentaire confine à la forme romanesque. Le facteur immuable du style serait la clé expliquant cette transposition des recours rhétoriques et narratifs dans la non-fiction. Par ce biais les échanges entre les deux domaines de son écriture s'avèrent plutôt fructueux; à terme, tous deux ciblent une vision poétique de la réalité et valident indépendamment leurs procédures de représentation. Mais cette tendance convergente n'est pas toujours exempte de zones de tension, surtout lorsque l'auteur se permet quelques écarts fictionnels dans ses chroniques. En revanche, dans le reportage qui se veut écrit comme un roman, la correspondance stricte avec l'enquête devient un impératif grandissant. Ainsi, son journalisme joue un rôle précurseur dans la presse colombienne tout en rejoignant un courant universel. / A stylistic school, a vehicle for recollection and reflection, an experimental field with narrative forms, Gabriel García Márquez’s journalistic works are characterised by both an undeniable literary ambition and genuine documentary value. An examination of the columns, Notas de Prensa 1980-84, and the reportage, Noticia de un secuestro [1996], leads to the following finding: the attempt at aesthetic transformation that runs throughout these works confirms what was already obvious in the initial period (1948-1961), the consolidation of a singular level in his work that approaches in a subsidiary but not subordinate manner his literary works proper. This quest can be seen definitively in all his reportage work, the area in which the approach to the documentary material borders on that of the novel form. The key to this transposition of rhetorical and narrative recourse to non-fiction would appear to be found in the style –its inalterable nature. It is in this way that the interplay between the two fields of his writing proves to be so rich; both ultimately strive for a poetical vision of reality and they independently validate their representative processes. However, this converging trend also contains some areas of tension, not least of which when the author allows himself to digress in his columns into what is nothing less than a brief sketch of a fictional work. In contrast, in the reportage intended to be written as a novel, a strict adherence to the investigation itself becomes increasingly crucial. It is in this way that his journalism can be seen as both a precursor in the Colombian press and as part of a universal current.

Cette thèse évalue l'impact économique des politiques de qualité liée à l'origine en mobilisant des méthodes d'évaluation que nous adaptons à la spécificité des démarches de certification, notamment à leur dimension spatiale. Dans un premier temps, nous analysons l'effet de l'adoption d’une Appellation d’Origine Protégée (AOP) sur le prix ainsi que sur les coûts de production des producteurs de lait AOP en Franche-Comté, en exploitant la discontinuité géographique à la frontière (Geographic Regression Discontinuity). Dans un second temps, nous utilisons les méthodes d'appariement statistique pour analyser les hétérogénéités régionales en termes de prix et de coûts de production entre les régions Auvergne, Rhône-Alpes et Franche-Comté avant de nous intéresser aux effets à une échelle nationale. Enfin, nous évaluons l'effet de l'adoption d'une Indication Géographique Protégée (IGP) sur les prix payés aux producteurs de Café de Colombie à l'aide des méthodes comparatives (synthetic control methods). En moyenne, les résultats montrent un effet positif de l'adoption de l'indication géographique sur la performance économique des exploitations. Cependant, cet effet est hétérogène entre les filières et les régions d'origine des produits. / This thesis evaluates the economic impact of quality-related-to-origin policies using evaluation methods adapted to the specificity of such certifications, in particular, the spatial dimension. First, we analyze the effect of a Protected Designation of Origin (PDO) adoption on price and production costs of PDO milk producers in Franche-Comté using a Geographic Regression Discontinuity (GRD) design. Secondly, we use propensity matching methods to analyze regional heterogeneity in Auvergne, Rhône-Alpes, and Franche-Comté before focusing on the effect of the PDO adoption at a national level. Finally, we evaluate the effect of the adoption of a Protected Geographical Indication (PGI) on prices paid to Colombian coffee producers using synthetic control methods. Overall, we find that PDO and/or PGI adoption is associated with positive effects on farmers' economic performances. However, these effects are not homogeneously distributed.

Made available in DSpace on 2015-09-25T12:22:57Z (GMT). No. of bitstreams: 1 PDF - Rochele Karina Costa de Moraes Abumansur.pdf: 1483891 bytes, checksum: e373865c9cd6ef2ba01b81624e3f2177 (MD5) Previous issue date: 2013-06-19 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research has as its central objective comparative analysis of defense and security plans adopted by the Colombian government of Alvaro Uribe and Juan Manuel Santos, as well as its political and security agendas. This study considers the common defense and security as State Policy which is part of the common foreign to consider as the main threat to state security to Colombian guerilla activity, production of drug trafficking and human rights abuses suffered by the population. The time frame relevant to the purposes of the research extends the Alvaro Uribe government (2002 - 2010) to half of the first term of the government of Juan Manuel Santos (2010 - 2012), in as much as in the previous period only serves to support historic for understanding of recent events. The main conclusion of this study focuses on detecting differences and / or similarities between the security plans of both governments to resolve the matter then whether there is progress or setbacks in the solution of the Colombian conflict and the search for peace in that country. / Esta pesquisa tem como objetivo central a análise comparativa dos planos de defesa e segurança da Colômbia adotados pelos governos de Álvaro Uribe e Juan Manuel Santos, assim como suas políticas e agendas de segurança. Este estudo entende a política de defesa e segurança como Política de Estado da qual faz parte a política externa para segurança e considera como principal ameaça à segurança estatal colombiana a ação das guerrilhas, a produção do narcotráfico e o desrespeito aos direitos humanos sofridos pela população. O recorte temporal pertinente aos propósitos da pesquisa estende-se do governo Álvaro Uribe (2002 2010) à metade do primeiro mandato do governo de Juan Manuel Santos (2010 2012), na medida em que o período anterior apenas nos serve de suporte histórico para entendimento dos acontecimentos recentes. A principal conclusão deste estudo incide em detectar diferenças e/ou semelhanças entre os planos de segurança de ambos os governos para então solucionar a questão de saber se há progressos ou retrocessos na solução do conflito colombiano e na busca pela pacificação daquele país.

Nesta dissertação analisamos as dinâmicas de ação coletiva dos grupos negros na Colômbia, desde a abolição da escravidão a meados do século XIX até a Colômbia contemporânea. Este foco sócio-histórico tem como objetivo observar as mudanças nas oportunidades políticas que permitem, ou não, a ação coletiva de um grupo social. Na medida em que as oportunidades políticas oferecidas pelo Estado são favoráveis para a mobilização, nos interessamos em compreender as estratégias de mobilização e os recursos usados pelos ativistas, assim como as alianças e a especialização do ativismo. A dinâmica da organização do Movimento Afro-Colombiano mudou na ultima década do século XX, quando promulgada a nova Constituição Política nacional e mais uma vez na primeira década do século XXI, quando a população negra colombiana se torna alvo do conflito armado que vive o país. / In this dissertation we analyze the dynamics of collective action of Colombian black groups, since the abolition of slave trade in 1851, until contemporary Colombia. This sociohistorical focus has the intuition to observe how changes in political opportunities aloud collective action of a social group. In so far as political opportunities given by the State are positive for mobilization, we are interested in the comprehension of which strategies are chosen for groups to mobilize, as well as the usage of resources by activists. Also we are interested in understanding the alliances and specialization of the activism in certain political regimes. The dynamic of organization of Afro-Colombian Movement changed during the last decade of the 20th century, when a new constitution was adopted. And has changed once again during the first decade of the 21st century, when Colombian black population became the main victims of the armed conflict in the country.

The purpose of this thesis is to understand the way in which religion and politics played a role in the formulation of a cyclical ethos of conflict, focusing in the last and most important civil war of nineteenth-century Colombia: The War of the Thousand Days (1899-1902). A historiographical review was used to understand the interactions between these two structures, and it pointed at a main problem centered in the political use of religion, as well as the transformation of political debate into a matter of political faith. In conclusion, the War of the Thousand days strengthened narratives of vengeance, worsened the situation of the country, and solidified an ethos of conflict in which the State used the Church to legitimize itself against the threats to the status quo of systemic inequality.

En droit colombien, face à une inexécution contractuelle, règne la règle, issue du droit français, de la résolution judiciaire. Ses conditions d’exercice ont été précisées par la doctrine et la jurisprudence, non sans de nombreuses ambiguïtés qui résultent de la difficulté de comprendre et de mettre en pratique ce procédé. Face à cette vision traditionnelle, l’unilatéralisme a fait irruption dans le monde contractuel contemporain et, plus concrètement, la possibilité de mettre fin à un contrat de manière unilatérale en cas d’inexécution. Cette tendance, qui trouve ses origines dans le droit anglo-saxon avant d’avoir pénétré le droit des pays de tradition romano-germanique, prétend revitaliser cette phase critique du contrat en évitant le recours au juge, au moins dans un premier moment, permettant que le créancier remédie à l’inexécution en mettant rapidement fin au contrat afin de rechercher sur le marché des solutions efficaces. Cette règle pourrait-elle être retenue en droit colombien ? En dépit de l’apparent monopole qu’y détient la résolution judiciaire, tant le Code civil que le Code de commerce colombiens, prévoient des hypothèses qui reconnaissent cette possibilité. Par ailleurs, plus récemment, a été acceptée la possibilité de convenir de clauses résolutoires. Ainsi, nous considérons qu’il est possible d’accepter la généralisation d’une règle de rupture unilatérale pour inexécution. À cet égard, l’étude du droit comparé s’agissant de l’inexécution ouvrant la voie à une rupture du contrat, d’une part, et de la manière dont elle s’exerce une rupture en cas d’inexécution, d’autre part, est d’un grand intérêt. Une telle analyse nourrit une proposition qui non seulement fournit des éléments en vue de l’admission de la rupture unilatérale du contrat pour inexécution en droit colombien, mais aussi cherche à éclairer la lecture qui a, jusqu’à présent, prévalu en matière d’inexécution résolutoire. / Under the Colombian law, the general rule in case of breach of contract is that of termination as a consequence of a court order. Its conditions of exercise have been the object of development by the doctrine and case law, not without several issues that make difficult to understand and put into practice such category. In contrast with this traditional vision, unilateralism breaks in the contemporary contractual world and more specifically, the possibility of termination of contract in such a unilateral way in case of a breach. This trend has its roots in Common law and has been permeating the countries of Roman-Germanic law tradition; and it aims to grant vitality to that critical contractual phase, thus avoiding the intervention of the judge, at least as a first measure, allowing the creditor to remedy the consequences of the breach of contract by an early termination in order to seek effective solutions in the marketplace. Could this rule have a place in Colombian law? Despite the seemingly apparent monopoly of judicial termination of contract, both the civil code and the code of commerce acknowledge this as a possibility. Similarly, more recently the possibility of including termination clauses has been accepted. However, we hold that it is possible to accept a generalization of the rule of unilateral termination of contract in case of breach. A study of comparative law regarding the breach that results in contract termination and the analysis on the way this prerogative should be exercised are of great importance; it does not only enriches a proposal providing the parameters for the unilateral termination of a contract when a breach arises in Colombian Law, but also clarifies the understanding that until now exists in the matter of termination for non-performance.