這是一個結合音樂創作專輯和現場展演（火車音樂會）的作品，探討城市之間旅途的往返和時空的轉換，創作過程同時也是尋找「自我」的過程。 專輯發想於我多年來在揚州、北京和台北三地之間往返的移動經歷。十四首曲目通過「出發」「海島」「都市」「歸家」這樣的線索串連，其中也將收錄城市不同角落的聲景，期盼透過作品，讓聽眾思考心目中城市的樣貌，也藉由出發找到自我。展演的部分的是由火車音樂會構成，將音樂表演安排在區間車車廂內舉行，試圖將聽眾們帶回我最初創作歌曲的場景，更好地感受我的音樂創作。 本創作論述提供創作的背景與動機，關於城市、空間、民謠的歷史的文獻探討和其他作品討論，以及專輯和火車音樂會的創作內容說明，觀眾回饋。最後附上結論與參考文獻，構成共五章的創作論述。 / Between Cities is a comprehensive work which combines music album and live show(train concert). It intends to discuss the journeys between cities and time-space transposition. Also, the process of creation is a process of finding myself. Inspired by the travel experience among Yangzhou, Beijing and Taipei over the years, the music album contains 14 tracks through a clue of “Departures” “The island” “Cities” and  “Homecoming”. It also records soundscapes of different cities’ corners. I hope these songs can let the audience think about the appearance of their imaginative cities and find themselves by starting from somewhere. Consisting of music performance which is arranged in train cabin, the train concert intends to bring the audience back to my original scene of songwriting and make them learn my songs more deeply. The thesis declares my motives and songwriting background of this creation in the first part. It then reviews the literary writings about cities, space, folk history and other songwriters’ artworks. In the third and fourth part, I explain all the treatment of my album and train concert, including the audience feedback. Adding on the conclusion and reference, working records above become a five-chapter thesis in the end.

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第18309号 / 工博第3901号 / 新制||工||1598(附属図書館) / 31167 / 京都大学大学院工学研究科化学工学専攻 / (主査)教授 河瀬 元明, 教授 前 一廣, 教授 田門 肇 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DFAM

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第19699号 / 工博第4154号 / 新制||工||1641(附属図書館) / 32735 / 京都大学大学院工学研究科建築学専攻 / (主査)教授 原田 和典, 教授 鉾井 修一, 教授 西山 峰広 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DFAM

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第20357号 / 工博第4294号 / 新制||工||1665(附属図書館) / 京都大学大学院工学研究科建築学専攻 / (主査)教授 原田 和典, 教授 髙橋 大弐, 教授 西山 峰広 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DFAM

京都大学 / 0048 / 新制・課程博士 / 博士(エネルギー科学) / 甲第20731号 / エネ博第359号 / 新制||エネ||70(附属図書館) / 京都大学大学院エネルギー科学研究科エネルギー応用科学専攻 / (主査)教授 大垣 英明, 教授 松田 一成, 教授 河瀬 元明 / 学位規則第4条第1項該当 / Doctor of Energy Science / Kyoto University / DFAM

在各國政府部門為減輕財政負擔、提高行政效能，紛紛引進民間資源並與私部門建立夥伴關係之全球性風潮推波助瀾下，我國近年亦力倡政府瘦身、組織精簡、引用民力、公私協力。再者，運用民力參與公共任務之公私協力，寓有私部門自主規制成分，惟法學上自主規制與公私協力通常為分離探討之論題，兩者之關連性究為何；又兩者態樣眾多且無普世同意之定義，在多元分殊之學理及實務中，是否存在共通並行之法理脈絡與類型系譜，誠屬行政法總論上饒富逸趣之課題。另行政法各論上，為預防火災以維護公共安全並確保人民生命財產，各國莫不多方運用公私協力與自主規制，建構建築物之消防安全管理制度，惟綜觀國內有關公私協力與自主規制之法學論著尤以前者可謂繁花錦簇，事涉公共安全之消防火災預防行政領域相關研究則付諸闕如猶待開拓。 本文爰透過中外文獻梳理公私協力與自主規制法學理論，並放眼國際取樣研究運用公私協力與自主規制之消防行政實務規範，以歐盟與英國為取法對象，就消防安全管理制度硬體層面及軟體層面分別探討歐盟產品（兼及建築產品［再兼及消防安全設備產品］）監管機制以及英國建築物防火安全管理機制。除解析法理基礎更探究實務規範架構於我國與先進國家之異同，期許回饋提供公私協力與自主規制所涉行政法理論若干啟示並促使本國相關消防行政規範更趨周全。 / In the wake of global trend of government department introducing private resources and establishing partnerships with private sectors to reduce financial burden and improve administrative efficacy, Taiwan authorities in recent years have also been advocating government downsizing, streamlining organizations, adopting private resources, and public private partnership. Furthermore, public private partnership contains private sector’s self-regulation element, but in jurisprudential circle, self-regulation and public private partnership are usually independently researched topics, what are the exact relationships between them; otherwise, each of both has great variety of types and has not universally consented definition, therefore, it seems to be an issue full of keen interest for General Administrative Law: whether there exists common legal context and typological pedigree in the pluralistic and divergent theories and practices of public private partnership and self-regulation. Besides, as regards Specific Administrative Law, in order to prevent fires for protecting public safety and people's lives and property, countries all over the world utilize various approaches to public private partnership and self-regulation, to construct fire protection management regime for buildings; the domestic juristic studies of public private partnership and self-regulation have overall fruitful achievements, especially the former, however, apparently none of them refers to fire protection administrative category that thus eagerly needs to be cultivated. This thesis wherefore sorted domestic and foreign juristic literature about public private partnership and self-regulation, and combed internationally relative fire protection administrative legislation. Focusing on legislation of European Union and United Kingdom, it separately explored hardware dimension and software dimension of fire protection management regimes, that is, EU’s product safety and market surveillance regime (involving that for construction product [further involving that for fixed fire fighting equipment]) and UK’s fire safety regime. In addition to analyzing the legal theories and exploring the similarities and differences of legislative framework between EU or UK and Taiwan, it expects to provide several revelations to the jurisprudence of public private partnership and self-regulation, and to actuate the relative domestic fire protection legislation more comprehensively.

本篇論文主要以二結王公廟為研究對象，藉此探討台灣古公三王信仰的發展。透過長期於二結王公廟的田野調查，釐清大二結社區不同階段的社會發展與歷史脈絡，進而理解二結王公廟的建廟歷程及在地互動，以此為中心向外討論目前台灣各古公三王廟的分布情形、發展概況等，從深入訪談及參與觀察所蒐集之材料，探究二結王公廟在古公三王信仰中的角色、傳播上的重要性及其各項祭儀之特色。 　　二結王公廟作為大二結地區的信仰中心，除了原有的宗教功能外，也因王公廟與古公三王對在地人的特殊意義，故在二結王公廟重建工程上做出不一樣的選擇，激發社區居民對公共事務的關心及參與，成為大二結社區營造的一個起點，更從往後的二結王公文化節、大二結王公藝術研究所、二結庄生活文化館等，清楚看見大二結社區如何在原有的古公三王信仰基礎上，運用社區營造的概念，讓宗教活動添增創新的元素，以現代的手法保存及宣揚廟宇文化，並在過程中再次拉近社區居民之間的關係，加深對社區的認同及情感。 　　王公廟最為人知的宗教祭儀為每年農曆十一月十五日的王公生，其中的抓乩童及過炭火儀式更獲選為十大民俗祭典，並被登錄為無形文化資產，使王公生儼然成為二結王公廟的特色。除了王公生慶典外，王公廟的濟世類祭儀保留了傳統關輦出字方式，替信徒解決各項疑難雜症，即使在醫學、科技發達的今日，仍有許多信徒至王公廟問事尋求協助。至於歲時祭儀與公事類祭儀，雖與一般廟宇未有太多不同，但依舊可從儀式進行上的些微差異，進而理解二結王公廟的發展背景與經營情形。 　　根據內政部宗教團體登記與中華道教古公三王弘道協會會員名單，目前台灣共有二十四間古公三王廟，其中十七間寺廟為直接或間接自二結王公廟分香，顯示出二結王公廟在古公三王信仰傳播上的重要性。若以地區進行區分，宜蘭縣以外的九間古公三王廟，傳播原因多與二結人、宜蘭人向外遷徙移居有關，呈現古公三王作為宜蘭人地方神的特色。民國九十年（2001），中華道教古公三王弘道協會成立，並透過至中國大陸重修祖廟、恭迎中國大陸王公神像來台祀奉以及組團進香謁祖等計畫，建立與加深在台古公三王廟對中國大陸祖廟的認同，開始讓分香廟對二結王公廟在台祖廟的認同造成影響，使以二結王公廟為中心的廟際網絡逐漸產生變化。 關鍵字：古公三王、二結王公廟、宗教祭儀、民間信仰、輦轎過火 / This thesis mainly focuses on Erjie Wanggong Temple and the development of Gu Gong San Wang Belief in Taiwan. Through the long-term fieldwork in Erjie, this study aims to clarify social development and historical contexts of Great Erjie in different eras and thereby get further understanding of the establishment and interaction with local communities of Erjie Wanggong Temple, in order to discuss the spreading and current situation of Gu Gong San Wang temples in Taiwan. By in-depth interviews and participant observation, this study attempts to explain the role of Erjie Wanggong Temple in Gu Gong San Wang Belief, its importance in spreading process and the characteristics of its rituals. As the most important religious site in Great Erjie, Erjie Wang Gong Temple’s rebuilding plan aroused local residents to participate in public affairs and has become the starting point of community development of Great Erjie. The following Erjie Wanggong Cultural Festival, Great Erjie Art Research and Erjie Cultural Museum show that how the Great Erjie community preserve and promote temple culture in modern ways. In the process, the relationship among community members has been strengthened. The birthday of Wanggong (ông-kong senn) on the 15th day of the 11th month of the lunar calendar is the most well-known religious festival of Erjie Wanggong Temple. The ritual of "catching spirit medium" (liap tâng-ki) and "fire-walking" (kuè-hué) of the festival was elected as one of the top 10 festivals by the General Association of National Culture in 2007 and was registered as intangible cultural heritage by the Bureau of Cultural Heritage in 2011. In addition, Jishi rituals of the temple still preserve traditional resolutions to solve the problems in followers' modern daily life. According to the Ministry of Interior and Chinese Taoism Gu Gong San Wang Promote Association, there are 24 Gu Gong San Wang temples in Taiwan. 17 of them are branches of Erjie Wanggong Temple, which implies the significance of Erjie Wanggong Temple in the spreading process. The establishment of 9 Gu Gong San Wang temples located outside Yilan County was mostly related to the emigration of people from Erjie and Yilan, representing the role of Gu Gong San Wang as the Local God of Yilan people. In 2001, Chinese Taoism Gu Gong San Wang Promote Association was established. It started to construct and deepen the recognition of original temple in Mainland China from Gu Gong San Wang temples in Taiwan. Therefore, the recognition of Erjie Wanggon Temple as the original temple in Taiwan from branches has been influenced and the Erjie-centered network has been gradually changed. Keywords: Gu Gong San Wang, Erjie Wanggong Temple, religious rituals, folk beliefs, ambrosial palankeen and fire-walking

當過去歷史透過電影重現，電影以特定的形式與內容重新編排將會使歷史有著不同意義，影響行動者認知及將某種行為成為可能。因此，探討電影如何再現歷史對閱聽人相當重要。 本研究探討影視文本如何再現歷史，以1984年印度黃金廟事件為例，採用《火柴》（Maachis,1996）、《阿畝》（Amu, 2005）及《旁遮普 1984》（Punjab 1984, 2014）三部電影為研究個案，取徑影視史學與民族寓言理論並透過文本分析法，探討三個面向：第一，電影拍攝時空環境與歷史事件時空環境兩者之間的辯證關係。第二，電影文本如何再現過去歷史並呈現其關鍵要點；第三，書寫歷史與影視歷史間呈現的關係。 研究發現，當歷史以影視文本再現時，呈現出以下幾個特點。第一，影視文本歷史再現關注現在。第二，影視文本歷史再現反映當代主流觀點。第三，以角色人物為主之民族寓言。第四，敘事安排製造懸疑感、凸顯關鍵要點。第五，影視文本歷史再現開啟換位思考。 / This study aims to analyze how films reproduced history by using Maachis, amu and Punjab 1984 as case studies which focus on the history of the “Golden Temple Incident of 1984” in India. The methodology of this study is based on concepts of historiophoty by Haden White and national allegory by Fredric Jameson. Textual analysis is adopted to explore three films for the following questions. First, what is the relevance between the filmic background and the historical incident? Second, how does the film text represent history and focus on key points? Third, what is the relationship between Historiography and Historiophoty? This study finds that, first, the historiophoty focuses on present situations. Second, historiophoty reflects the dominate perspectives in present time. Third, the films represent characters as the figures in national allegory. Fourth, arrangement of narrative creates suspenses and foregrounds crucial moments. Lastly, historiophoty opens the possibility for the audience to identify with characters in films.

前言 第一章 鐵路、公路交通政策、組織機構暨發展情況。 第二章 鐵路、公路交通運輸在其整個國民經濟發展中的作用。 第三章 鐵路、公路運輸能力之評析。 第四章 機車（火車頭）車輛工業與汽車工業。 第五章 經濟面的探討與評析。 第六章 鐵路、公路建設與國父孫中山先生實業計劃中鐵路、公路建設計劃之比較。 第七章 鐵路、公路建設未來的發展趨勢。 第八章 結論

我們提供一個新的可靠度模型，DwACM，並提供一個模式選擇準則CCP，我們利用DwACM和CCP來選擇衰變量。 / We propose a new reliability model, DwACM (Dichotomous-data with Auxiliary Continuous Measurements model) to describe a data set which consists of classical dichotomous response (Go or No Go) associated with a set of continuous auxiliary measurement. In this model, the lifetime of each individual is considered as a latent variable. Given the value of the latent variable, the dichotomous response is either 0 or 1 depending on if it fails or not at the measuring time. The continuous measurement can be regarded as observations of an underlying possible degradation candidate of which descending process is a function of the lifetime. Under the assumption that the failure of products is defined as the time at which the continuous measurement reaches a threshold, these two measurements can be linked in the proposed model. Statistical inference under this model are both in frequentist and Bayesian frameworks. To evaluate the continuous measurements, we provide a criterion, CCP (correct classification probability), to select the best degradation measurement. We also report our simulation studies of the performances of parameters estimators and CCP.