This thesis examines the use of irony in Joyce’s Portrait, claiming that it has the effect of deconstructing common notions of maturity that are engrained within the Bildungsroman tradition, and that this was Joyce’s intention. In Portrait, irony plays the role of psychological reality, undercutting Stephen’s unrealistic expectation to see his life follow a traditional path of teleological progression. This essay proceeds by looking at the novel’s symbolic, thematic and literary cues, as well as through an analysis of its structure, and Stephen’s psychological and behavioral tendencies throughout the novel. This interpretation of the irony as bearing deconstructive meaning comes from the essay adopting a static, as opposed to a kinetic, apprehension of Stephen in Portrait.

The dissertation re-examines the philosophy of Georges Bataille within the context of post-Kantian aesthetics and argues for a re-evaluation of Bataille’s notion of expenditure [depenser] within this context. The dissertation argues further that the artistic practice of Robert Smithson is an exemplary case of an ‘aesthetics of expenditure.’ It is our contention that Bataille’s cosmic-energetic philosophy finds a complementary material expression in Smithson’s abstract geology and its confrontation with post-Kantian aesthetics. We will argue that this occurs through Smithson’s varying strategies, which are grouped conceptually according to the broader logic of their expression:seriality, sedimentality, monumentality, and meandering. While Smithson’s own references to Bataille in the early 1970s are discussed in detail, it is not our position that Smithson was enacting Bataille’s philosophy ‘aesthetically’; rather, by reading Bataille’s evaluation of Kant’s aesthetics and teleology in relation to Smithson’s artistic practice, we emphasize instead that the politics of disgust shared by both figures advance a radical decentring and repositioning of the human in relation to planetary and geological forces. If, as geologists now agree, our present age is that of the Anthropocene1, our argument is that Bataille and Smithson anticipate this precarious condition analytically, and, perhaps more importantly, that their analysis suggests further important diagnostic considerations at the level of social organization and political composition that might help defer, if not entirely prevent, the catastrophic end of this all-too-human period.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Trata-se de mostrar que Rousseau formula, ao longo de seus escritos, em especial no conjunto de seus Discursos, no Contrato Social e no Emílio, uma filosofia da história onde figura um movimento dialético e a ideia de um sentido último para o desenrolar dos eventos humanos. A sucessão de eventos que liga a natureza humana intocada pelos males sociais a seu destino - a qual Rousseau quer chamar de história - traria em seu bojo a possibilidade do progresso moral, consubstanciada na volta ao ordenamento natural. Assim como, frente ao espetáculo e as aparências de seu tempo, Rousseau retrocede ao homem natural, constrói a expectativa de que os tempos vindouros tragam a reconciliação do homem consigo mesmo e com a natureza, tendo o Estado, nos termos em que é proposto pelo Contrato Social, um papel fundamental para esse acontecimento. Por fim, pretende-se desenvolver a ideia de que, a partir de uma noção de história como marcha da natureza, que engendra os meios para emancipação humana, Rousseau aproxima-se do pensamento religioso, produzindo, a partir de sua filosofia da história, uma teodicéia. / This essay aims to show that Rousseau formulates, through his writings, specially in his Discourses, Social Contract and Emile, a Philosophy of History, depicting a dialectic movement and the idea of an ultimate goal or sense for the unraveling of humanity\'s events. The succession of all the events that binds an untouched by social iniquities human nature to its destiny - that Rousseau wants to name history - would bring in its bowels the possibility of moral progress, con-substantiated on the return of a natural order. As in which, facing the spectacle and appearances of his time, Rousseau leans back to this natural man; he also builds an expectation for a reconciliation for man with itself and with nature, playing the State, in the terms laid by the Social Contract, a fundamental role for this to happen. Finally, it is intended to develop the idea that, from a notion of history as a march of nature, engendering the means for human emancipation, Rousseau leans towards the religious thinking, producing in his philosophy of history, a theodicy.

Esta dissertação é um estudo da doutrina evolucionária do gradual desenvolvimento da mente de Herbert Spencer, em especial como aparece na terceira parte de seus Principles of Psychology: General Synthesis (1855). Atenção é dada aos princípios epistemológicos basilares do seu sistema da Filosofia Sintética, assim como os conceitos de complexidade, estrutura, função e teleologia, em sua concepção evolucionista pré-darwiniana. Examinam-se também alguns debates em que se envolveu Spencer nesse período vitoriano / This thesis is a study of the evolutionary doctrine of gradual development of the mind of Herbert Spencer, especially as it appears in the third part of his Principles of Psychology: General Synthesis (1855). The basic epistemological principles of his Synthetic Philosophy are studied, as well as the concepts of complexity, structure, function and teleology, in his pre-Darwinian evolutionary conception. Some of his debates in this Victorian era are also examined

This thesis analyzes the direction of time problem in the framework of philosophy of science. The radiation arrow, Newtonian arrow, thermodynamical arrow and quantum mechanical arrow have been studied in detail. The importance of the structure of space-time concerning direction of time is emphasized.

This thesis is a comparison of the philosophical systems of Zen Buddhism, which is an Eastern Philosophy, with Ludwig Wittgenstein&rsquo / s philosophical studies, who is an extraordinary name of the Western Philosophy in the 20th century. The history and sources of Zen Buddhism were given with its adoption in the use of language and arts. Besides, this study exemplifies the philosophy of Zen Buddhism with the examples from the life story of Wittgenstein. The thesis is written with a full awareness of the sensitivity of comparing different systems which always embody counterexamples and speculations. This is the reason why speculative ideas and resources were deliberately ignored. The aim is to contribute the cultural life of Turkey by taking such a subject to the academic milieu. Moreover, Turkey is the passage of the East and the West both geographically and culturally. There are resemblances between Zen and Wittgenstein by means of method and the useof language. Furthermore, it was given the names of the books that Wittgenstein read and the philosophers who influenced Wittgenstein. The parallels between Zen and Wittgenstein are justified.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

The dissertation re-examines the philosophy of Georges Bataille within the context of post-Kantian aesthetics and argues for a re-evaluation of Bataille’s notion of expenditure [depenser] within this context. The dissertation argues further that the artistic practice of Robert Smithson is an exemplary case of an ‘aesthetics of expenditure.’ It is our contention that Bataille’s cosmic-energetic philosophy finds a complementary material expression in Smithson’s abstract geology and its confrontation with post-Kantian aesthetics. We will argue that this occurs through Smithson’s varying strategies, which are grouped conceptually according to the broader logic of their expression:seriality, sedimentality, monumentality, and meandering. While Smithson’s own references to Bataille in the early 1970s are discussed in detail, it is not our position that Smithson was enacting Bataille’s philosophy ‘aesthetically’; rather, by reading Bataille’s evaluation of Kant’s aesthetics and teleology in relation to Smithson’s artistic practice, we emphasize instead that the politics of disgust shared by both figures advance a radical decentring and repositioning of the human in relation to planetary and geological forces. If, as geologists now agree, our present age is that of the Anthropocene1, our argument is that Bataille and Smithson anticipate this precarious condition analytically, and, perhaps more importantly, that their analysis suggests further important diagnostic considerations at the level of social organization and political composition that might help defer, if not entirely prevent, the catastrophic end of this all-too-human period.

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis deals with the problem of the foundations of a Universal History on the bases of the Kantian critical-transcendental system. Its objective is to demonstrate that the theme of Universal History possesses transcendental legitimacy, that is to say it can be seen from the horizon of the Copernican Revolution of thinking. In the first chapter, the nature of the project of a Universal History is characterized and it is sustained that the reflections about history form a unitary and coherent doctrine. In the second chapter, the transcendental legitimacy of the notion of teleology is reconstructed from the Critique of Judgement and it is shown how teleology determined the conception of history. In the last chapter, it is defended that Universal History should be seen as a response to the question what may I hope? and, consequently, as founded on a particular human interest of reason. / Este trabalho de mestrado aborda o problema da fundamentação de uma História universal sobre as bases do sistema crítico-transcendental kantiano. Seu objetivo é mostrar que o tema da história possui legitimidade transcendental, isto é, que ele pode ser visto a partir do horizonte da revolução copernicana do pensamento. No primeiro capítulo, caracteriza-se a natureza do projeto de uma História universal e sustenta-se que as reflexões sobre a história formam uma doutrina unitária e coerente. No segundo capítulo, reconstrói-se, a partir da Crítica da faculdade do juízo, a legitimidade transcendental da noção de teleologia e se mostra como ela determina a concepção de história. No último capítulo, defende-se que a História universal deve ser vista como uma resposta à pertunta que me é permitido esperar? e, por conseguinte, como fundada sobre um particular interesse da razão humana.