This thesis identifies and analyzes gendering in the art writing devoted to Lee Bontecou's metal and canvas sculptures made from the 1959 - 1964. Through a careful reading of reviews and articles written about Bontecou's constructions, this thesis reconstructs the context of the art world in the United States at mid-century and investigates how cultural expectations regarding gender directed the reception of Bontecou's art, beginning in 1959 and continuing through mid-1960s. Incorporating a description of the contemporaneous cultural context with description of the constructions and an analysis of examples of primary writing, the thesis chronologically follows the evolution of a tendency in art writing to associate gender-specific motivation and interpretation to one recurring feature of Bontecou's works.

Orientador: Adriana Giarola Kayama / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-24T07:10:27Z (GMT). No. of bitstreams: 1 Vasconcelos_LuciadeFatimaRamos_D.pdf: 11887790 bytes, checksum: 3c9cf34fd688fea0def7772f715819e7 (MD5) Previous issue date: 2013 / Resumo: Com o objetivo de prover material de pesquisa capaz de auxiliar futuros tradutores de obras vocais, o presente trabalho é um estudo interdisciplinar que reúne teóricos da linguística e da música, com o fim de delimitar e aprofundar, por meio de uma análise de caso, ferramentas que auxiliem o processo de tradução de obras vocais. Partindo do princípio que texto e a música são fenômenos sonoros indissociáveis, neste trabalho, recorremos à melopoética como fio condutor desse processo criativo. Diante de tal corrente de estudo que trabalha especificamente com as questões sonoras que permeiam letra e música, as ferramentas de trabalho que desenvolvemos possuem íntima relação com esses fenômenos. Métrica, acentuação rítmica, prosódia, rimas internas e externas e os processos de união e separação de palavras em música são os elementos que foram aqui aprofundados, em uma pesquisa quem sua essência, promove a intercomunicação entre a música e a linguística. A tese tem um capítulo introdutório, com um levantamento bibliográfico de autores clássicos e atuais da área de tradução, especificamente de tradução poética. Na introdução também é apresentada a linha de pensamento na qual iremos desenvolver nossa análise: a melopoética. As ferramentas que serão defendidas e utilizadas como parâmetro na análise de caso são expostas no primeiro capítulo, enquanto no segundo capítulo é desenvolvida a análise da obra Pierrot Lunaire de Arnold Schoenberg, traduzida por Augusto de Campos, com a participação da maestrina e cantora Edmar Ferreti, figura fundamental nesse processo de tradução / Abstract: With the aim of providing research material able to help future translators of vocal works, this paper is an interdisciplinary study that brings together theoretical linguistics and music, in order to define and develop, through a case analysis, tools to assist the translation process of vocal works. Starting from principle that text and music are inseparable sound phenomena, in this work we resort to the theory of melopoetics as the connecting line for this creative process. With this line of work that deals specifically with the issues that permeates music and text the tools we have chosen have close relation with these aspects. Metric, rhythmic accentuation, prosody, internal and external rhymes, and processes of union and separation of words in music, are the elements that have been discussed here, in a research that, in its core, promotes the intercommunication between music and language. The thesis has an introductory chapter, with a discussion of bibliography of current and classic authors in the area of translation, specifically poetic translation. Also included in the introduction is the line of thought in which we will develop our analysis: melopoetics. The tools that will be defended and used as a parameters in the analysis of the case study are stated in the first chapter, while the second chapter analyses Arnold Schoenberg's work Pierrot Lunaire, translated by Brazilian author Augusto de Campos, with the participation of the conductor and singer Edmar Ferreti, key figure in this translation process / Doutorado / Praticas Interpretativas / Doutora em Música

Orientador: Valeriano Mendes Ferreira Costa / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T15:34:13Z (GMT). No. of bitstreams: 1 Souza_LeandroEduardode_M.pdf: 5587659 bytes, checksum: 11004691c016e76d1bd5e7dd4cd5bfd3 (MD5) Previous issue date: 2002 / Resumo: Este trabalho tem por objetivo analisar o papel dos governadores no federalismo brasileiro em dois momentos caracteristicamente distintos da história política brasileira: o primeiro marcado por urna fraqueza do Governo Federal que não conseguiu implementar uma agenda de atuação dado o baixo grau de coesão parlamentar a favor do Governo. O segundo inicia-se a partir da eleição do Presidente Fernando Henrique Cardoso que consegue montar uma base parlamentar forte capaz de lhe garantir sucesso na aprovação de quase toda a sua agenda política. Essa análise está amparada nos conceitos formulados por Fernando Abrucio de "ultrapresidencialismo estadual" e "federalismo estadualista", classificação que ele utiliza para analisar a atuação dos governadores ao longo do período de redemocratização. O objetivo principal é justamente saber se os elementos encontrados por Abrucio para dar sustentação a sua tese no período por ele estudado são válidos em um período caracterizado pelo fortalecimento do Executivo Federal frente aos governadores. / Abstract: This work has for objective to analyze the paper of the govrnors in the Brazilian federalism at two caracteristicamente distinct moments of history Brazilian politics: the first one marked for a weakness of the Federal Govermnent that did not obtain to implement a given agenda of performance the low degree of parliamentary cohesion in favor of the Govermnent. As Enrique Cardoso initiates itself fom the election of President Femando who obtains to mount a capable strong parliamentary base of guaranteeing success to it in the approval of almost all its agenda politics. This analysisis supported in the concepts formulated for Femando Abrucio of "ultrapresidencialismo estadual" e "federalismo estadualista", classification that it uses to analyze the performance of the governors to the long one of the period of redemocratização. The main objective is exactly to know if the elements found for Abrucio to give to sustentation its thesis in the period for studied it are valid in a period characterized for tbe fortalecimento of the Federal Executive front to the governors / Mestrado / Mestre em Ciência Política

Orientador: Mauricy Matos Martin / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-07-31T22:01:53Z (GMT). No. of bitstreams: 1 Cervini_Lucia_M.pdf: 6056107 bytes, checksum: 8925dbdd83df2673b6508e821be71d16 (MD5) Previous issue date: 2001 / Resumo: Esta pesquisa de mestrado teve como objetivos analisar aspectos que caracterizaram transformações entre o Allegro Agitato da Sonata op. 21 (1898) e a Sonata-Fantasia op. 44 (1916) para violoncelo e piano de Henrique Oswald, para concluir sobre a interpretação dessas obras e sobre elementos da composição de Henrique Oswald. Este trabalho se justifica pela necessidade de estudar a obra de compositores brasileiros, analisar seus elementos composicionais e fornecer subsídios para a interpretação. Na metodologia foram abordados: leitura de bibliografia sobre história da música; análise motívica, harmônica e estrutural da obra; tratamento dado a cada instrumento e direcionamento para a interpretação. Em anexo, constam: lista de discografia; lista de obras editadas e manuscritas; entrevista com Luli Oswald, neta do compositor; partitura das obras e CD contendo a gravação das Sonatas. Este estudo procura contribuir para pesquisa sobre análise e interpretação musical assim como divulgar a obra de compositores brasileiros / Abstract: The objective of this research is to analyze the transformation process in the Allegro Agitato of the Sonata op. 21 (1898) and Sonata-Fantasia op. 44 (1916) for violoncello and piano of Henrique Oswald in order to come to some conclusions about their interpretation and the composer's compositional aspects. In the methodology, the following aspects were used: music history bibliography; motivic, structural and harmonic analysis; treatment of the instruments (violoncello and piano) and directions for interpretation. Enclosed is also a discography; list of works; an interview with his granddaughter Ms. Luli Oswald; scores of the sonatas as well as a CD recording of them. This research attempts to contribute to the study, analysis and interpretation, as well as to disclose Brazilian composers / Mestrado / Mestre em Artes

Orientador: Hebe Maria Cristina Vessuri / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Geociencias / Made available in DSpace on 2018-07-18T10:08:01Z (GMT). No. of bitstreams: 1 Marinho_MariaGabrielaS.M.C_M.pdf: 8614539 bytes, checksum: 6ff50e3f1daa7eedd404258eb080df63 (MD5) Previous issue date: 1993 / Mestrado / Historia da Ciencia / Mestre em Política Científica e Tecnológica

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The lecture recital was given on March 25, 1984. Commotio by Carl Nielsen was performed following a lecture on that particular organ composition. The lecture included a discussion of Carl Nielsen, characteristics of his six symphonies, a detailed analysis of Commotio, and the symphonic characteristics found in Commotio. Some examples from the symphonies as well as other works were performed during the lecture to illustrate the similarities between Commotio and his orchestral works. In addition to the lecture recital, three other public recitals were performed, all of which consisted of solo compositions for the organ. The first solo recital, including works of Couperin, Bach, Hindemith, and Duruflé, was performed on October 30, 1980. On May 6, 1981, the second solo recital was performed. Compositions by Raison, Buxtehude, Bach, Reger, and Martin were included in the program. The third solo recital which included works by Weckmann, Tunder, Lübeck, C. P. E. Bach, and Vierne, was performed on April 25, 1983. The four programs were recorded on magnetic tape and are filed with the written version of the lecture material as a part of the dissertation.

The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet for Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. This treatise offers a brief biography of Carl Nielsen, documents the history and significance of the Quintet for Winds, Op. 43, and presents a critical edition that will enable more accurate performances of this important composition.

Doctorow has a curiously complex problem in Ragtime. He wants to say something meaningful, to arrive at some truth about the ragtime era of America; he wants to reveal the essence of the people of that eram who and what affected them, whom and what they affected. But the facts alone cannot solve Doctorow's program. They will provide only locatable, accountable, recorded deeds. Art, by itself, cannot solve the problem either, since the problem is too bound up in history. The problem of Ragtime, then, is to conjoin somehow the accountable facts and the unrecorded effects those facts might have had. Ragtime needs to show how the historical figures of the early twentieth century and their philosophies affected unnamed families and caused much social unrest and change. Doctorow's solutions is what might be called ragtime journalism. The new journalism attempted to create realistic novels that convinced us of their factual veracity by using real people and scenes to present an authentic recreation of reality. But Doctorow uses real people and scenes to create an unauthentic reality, to create a very obvious fiction.3.

A Dissertation Presented to the Department of African Literature University of the Witwatersrand Johannesburg In Fulfilment of the Requirements for the Degree of Doctor of Philosophy / This two part study of Tchicaya U Tam'Si's novels reflects the twin objectives of the research project. By showing in the first part the need for critical criteria founded in the socio-historical and linguistic realities of Africa, the hegemony of the Western aesthetic canon with respect to African writing is challenged. In the second part, by applying a contextualised, syncretic critical approach to U Tam'Si's prose works, important features not only of his narrative but also of his poetic discourse are illuminated. This movement from broad questions of theory to focus on a specific body of writing makes it possible to identify elements that may be considered characteristic of African writing in general while at the same time contributing to a better understanding of a particular writer's creative expression. (Abbreviation abstract) / Andrew Chakane 2019