The author would like to introduce readers to the contemporary composer Jiri Germot. The author focuses on his song collection ?Bachmannlieder? for soprano voice and orchestra. The first part (1) of the work is dedicated to the composer, his life and his journey towards being a composer, plus the different phases of his work and his favourite styles. Due to the lack of existing information about Jiri Germot in literature, the author chose to dedicate the next chapter (2) to interviews with the composer. It was thought to be the best way to introduce readers to the composer`s world and his way of thinking. The third chapter (3) is about the song collection "Bachmannlieder?, about its significance in the reportoire of Jiri Germot, and the definition of it's composition. The last part of the chapter is dedicated to an analysis of the songs and a comparison of "Bachmannlieder? with Jiri Germot`s short composition for piano ?Fünf lirysche Lieder?. The writer Ingeborg Bachmann is closely connected to ?Bachmannlieder? as author of the lyrics. You can read about her in the last chapter (4) of this work. In the attachment you can view the photography of Jiri Germot, both from his youth and recent times, as well as a complete list of his works, which contains also unpublished compositions.

This thesis focuses on the personality of Pierre-Laurent Aimard – a pianist, who enjoys an internationally celebrated career and who is one of the most significant figures in the piano music of the second half of the twentieth century. He is closely linked to composers of Europe’s post-war avant-garde. The goal of the thesis is to depict his artistic life, his thoughts and opinions and their value for a contemporary pianists and also to describe his contribution by closely collaborating with leading composers of post-war era. The thesis also contains an analysis and comparison of Aimard's selected recordings of Gyorgy Ligeti's pieces, which were prepared in personal collaboration with the author.

Diploma thesis „Flutist Vojtěch Lindaur” deals with the personality of Vojtěch Lindaur, one of the most significant West Bohemian musicians living and working in the second half of 20th century. It captures his career, the very beginnings of playing the flute, engagement in the J. K. Tyl Theatre in Pilsen and Radio Symphony Orchestra in Pilsen. The Diploma thesis focuses on the flutist´s pedagogical career, activities in the field of chamber music and recording activities. Memories of the musician´s colleagues bring information about the personality of Vojtěch Lindaur. The Diploma thesis also contains list of contemporary pieces interpreted by Vojtěch Lindaur, registry of recordings made in 1960s and 1970s in the Pilsen Radio recording studio and list of opera premiers interpreted by Vojtěch Lindaur in the J. K. Tyl Theatre from 1956 to 1990.

This master's thesis is dedicated to life and work of the most famous finnish composer Jean Sibelius. The work follows composers life from youth to the old age in Ainola, his composition and legacy. There are also basic information about evolution of Finland and development of music history, including significant music events and finish music education.

O presente trabalho discute o surgimento, o desenvolvimento e o fim da crônica esportiva. De início, a relação entre a crônica o futebol era às turras, já que o referido esporte era considerado uma coisa estrangeira, praticada pela alta sociedade. Com a entrada dos homens de letras no mundo da crônica esportiva, casos de José Lins do Rego e Nelson Rodrigues, a crônica passou a ter um papel fundamental na criação de um certo imaginário futebolístico, como a mística do Flamengo, a realeza de Pelé, a camisa canarinho e o complexo de vira-latas, por exemplo. Por fim, no momento em que a literatura abandona a crônica esportiva, fica a opinião e o vocabulário do especialista, do cronista esportivo que discute esquemas táticos e escalações. O literato é substituído pelo especialista em futebol, um analista, um ser racional para contrapor a passionalidade do torcedor. A crônica deixa a literatura para se tornar um simples colunismo. / This work discusses the emergence, development and termination of sports chronicle. Initially, the relationship between chronicles and football was at odds, since this sport was considered a foreign thing, practiced by the high society. With the entry of lettered men in the world of sports chronicles, being the case of José Lins do Rego and Nelson Rodrigues, the chronicle was to play a key role in creating a certain football fancy, like Flamengo's mystique, Pele's royalty, the canarinho shirt and the stray dog complex, for example. Finally, the moment that the literature leaves the sports chronicle, the opinion and the vocabulary left are from a specialit, a sportswriter who discusses tactical formations and lineups. The literate writer is replaced by football expert, an analyst, a rational being to counteract the supporter's passionateness. The chronicle abandons the literature to become just a column.

GOIS, Wilma Farias. Afetos da obra de Leonilson: arte e vida, mapas e escrita. 2015. 137f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Instituto de Cultura e Arte, Programa de Pós-graduação em Artes, Fortaleza (CE), 2015. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2015-12-22T14:38:59Z No. of bitstreams: 1 2015_dis_wfgois.pdf: 8896292 bytes, checksum: 66eae3976a72bb4b9e9e26cfcbf2d648 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2015-12-22T14:47:32Z (GMT) No. of bitstreams: 1 2015_dis_wfgois.pdf: 8896292 bytes, checksum: 66eae3976a72bb4b9e9e26cfcbf2d648 (MD5) / Made available in DSpace on 2015-12-22T14:47:32Z (GMT). No. of bitstreams: 1 2015_dis_wfgois.pdf: 8896292 bytes, checksum: 66eae3976a72bb4b9e9e26cfcbf2d648 (MD5) Previous issue date: 2015 / The study is an exercise of approaches towards the work of José Leonilson (1957-1993), in particular the writings that pulsate from his art pieces. Such approaches were set forth through visits to exhibitions and to the archives of the Leonilson Project, as well as through literature review (LAGNADO, 1998; BECK, 2004; RICCIOPPO, 2010; PERIM, 2013; CASSUNDÉ, 2013; PEDROSA, 2014) and documentary videos (HARLEY, 1997; VIVALVI, 2003). Within the understanding of art making as thought and creation of life based on sensitive sensations, a cartographic orientation is present, producing relations between art and life (DELEUZE and GUATTARI 1992, 1995, 2007; KASTRUP, 2010; ROLNIK, 2014;). In this sense, a cartography of affections is crafted through an exercise of weaving together the relations among life, artwork and concept. The composition of this cartography is based on embroideries, in such a manner to sew the questions that affect this researcher as she gets in touch with the artist’s work. After detecting a peculiar writing that makes up the artworks at different moments, the very co-existence of the artwork-artist is understood, and how it produces questions with contemporary art and subjectivity, thus thinking of unique ways to exist. / O estudo é um exercício de aproximações com a obra de José Leonilson (1957-1993), em especial, das escritas que pulsam de suas obras. Tais aproximações se deram a partir de visitas às exposições e ao acervo Projeto Leonilson, de revisões bibliográficas (LAGNADO, 1998; BECK, 2004; RICCIOPPO, 2010; PERIM, 2013; CASSUNDÉ, 2013; PEDROSA, 2014) e documentários (HARLEY, 1997; VIVALVI, 2003). Na compreensão do fazer em arte como pensamento e criação da vida a partir do sensível das sensações, uma orientação cartográfica se faz presente produzindo relações ente arte e vida (DELEUZE e GUATTARI 1992, 1995, 2007; KASTRUP, 2010; ROLNIK, 2014). Nesse sentido, o exercício de uma cartografia de afetos se constitui, na trama das relações entre vida, obra e conceito. O exercício cartográfico se faz a partir de bordados, de forma a costurar questões que afetam a pesquisadora ao estar em contato com as obras. Ao detectar uma escrita que compõe a obra em diferentes momentos, compreende-se a coexistência obra-artista e de como esta produz questões com a arte contemporânea e subjetividade a pensar modos singulares de existir.

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In this thesis I explore more deeply the topic from my bachelor diploma thesis ?Archiving Family Film?. Through an analysis of family film from the thirties to the present day, I want to draw attention to this distinctive form of amateur filmmaking which is overlooked today. Above all I want to focus on the filmmakers Peter Forgács and Jan Šikl. I explore their different approaches and points of view, and their use of archive family footage in their documentary works ?Private Hungary? and ?Private Century?. By comparing films from these documentary cycles, I point out what makes the works of these two directors unique. I also elaborate on my work with family archive footage in my film ?Sestření? (?Sistering? - 2nd year exercise ? authorial portrait), and I reflect on the approach that I adopted when shooting my bachelor?s diploma film, ?Roots of Relationship or How Granddaughter and Grandmother couldn?t get the Turnip out.? I explain my use of methods taken from family footage in my work as a documentary filmmaker, and discuss my personal experience and achievements in this field.

Submitted by Maykon Nascimento (maykon.albani@hotmail.com) on 2015-10-14T19:10:02Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Flores conversam no jardim movimentos do cuidado de si por mulheres em tratamento no caps ad (CPTT) na reinvenção de suas vidas.PDF: 2638547 bytes, checksum: 58cb4d84dbd127f797432dded0e6c5b0 (MD5) / Approved for entry into archive by Elizabete Silva (elizabete.silva@ufes.br) on 2015-11-03T18:50:45Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Flores conversam no jardim movimentos do cuidado de si por mulheres em tratamento no caps ad (CPTT) na reinvenção de suas vidas.PDF: 2638547 bytes, checksum: 58cb4d84dbd127f797432dded0e6c5b0 (MD5) / Made available in DSpace on 2015-11-03T18:50:45Z (GMT). No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Flores conversam no jardim movimentos do cuidado de si por mulheres em tratamento no caps ad (CPTT) na reinvenção de suas vidas.PDF: 2638547 bytes, checksum: 58cb4d84dbd127f797432dded0e6c5b0 (MD5) Previous issue date: 2014 / Historicamente o consumo de drogas por mulheres foi renegado, escondido por preconceitos e estigmas sociais. Pesquisas e terapêuticas empreendidas para os homens foram impostos às mulheres, desconsiderando-se as suas singularidades. Esta tese procura reduzir esse hiato e lacuna, com o objetivo de analisar os movimentos do cuidado de si por mulheres em tratamento no Centro de Atenção Psicossocial Álcool e Drogas, o Centro de Prevenção e Tratamento de Toxicômanos, em Vitória/ES. Utilizando metodologia qualitativa-clínica, com enfoque reichiano e neorreichiano das psicoterapias corporais articulados com os textos da Política de Atenção Integral a Usuários de Álcool e Outras Drogas e afins, o estudo contou com a participação de 27 mulheres. Os dados foram coletados no Grupo de Mulheres, para compreensão dos movimentos do cuidado de si, e foram analisados mediante a técnica da análise temática, enquanto os dados coletados em prontuários para compreensão do projeto terapêutico singular e do uso da rede de serviços foram descritos para identificação das características das mulheres. Os resultados evidenciaram a invenção de movimentos expansivos como o tratamento, a defesa da vida, a reinserção social e a retomada dos papéis femininos; e movimentos de contração como exclusão social, familiar, descrédito na mudança e no tratamento, codependência, riscos e vulnerabilidades pelas mulheres. Conclui-se que os movimentos de expansão reposicionaram as mulheres na relação com a droga e nos demais setores da vida, e que os movimentos de contração reafirmaram a condição de usuárias de drogas, condição que querem ultrapassar quando se dispõem ao cuidado de si. / Historically drug use by women was renegade, hidden prejudices and social stigmas. Research and therapeutic undertaken for men were imposed on women, disregarding their singularities. This thesis aims to reduce that gap and gap, in order to analyze the movements of self-care for women undergoing treatment at the Center for Psychosocial Care Alcohol and Drugs, the Center for Prevention and Treatment of drug addicts in Vitória / ES. Using qualitative-clinical, with Reich's approach and neorreichiano articulated body psychotherapies with the wording of Comprehensive Care Policy on Alcohol and Other Drugs Use and the like, the study included the participation of 27 women. Data were collected at the Women's Group, to understand the movements of self-care, and were analyzed by thematic analysis technique, while data collected from medical records to understand the unique therapeutic project and the use of network services have been described for identification of the women's characteristics. The results showed the invention of expansive movements such as treatment, the defense of life, the social rehabilitation and the resumption of female roles; and contraction movements as social exclusion, family, discrediting the change and treatment, codependency, risks and vulnerabilities by women. We conclude that the expansion moves repositioned women in relation to the drug and in other walks of life, and that the contraction movements reaffirmed the condition of drug users, who want to overcome condition when it come to care for oneself.