- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 11 to 17 of 17 (0.013 seconds)| 11 |
The secrets of Wen Tingyun’s life and poetryMou, Huaichuan 05 1900 (has links)
This dissertation is an investigation into the secrets of the life and poetry of a major
late Tang poet, Wen Tingyun (798-866?).
Traditional Chinese literary criticism has subjected Wen to such misunderstanding that
even many modern studies are not immune from agelong prejudices. This fact can be
regarded, in a sense, as a continuation of the slanders Wen suffered in his lifetime, though
it results from misconstruing Wen's poetry and ignoring the political implications of his
life. A complete and careful restudy of Wen Tingyun the man and Wen Tingyun the poet is
therefore a pressing academic necessity.
By means of factual investigation and textual annotation, and with recourse to the
mutual evidence of history and poetry, this study probes the political intricacies of the
major events of Wen's lifetime and explores the artistic complexities of his "inexplicable"
verses. The result is that it finds a series of hitherto uncovered facts, reveals the unreliability
of Wen's official biographies and reconstructs a chronology of Wen's life. Meanwhile,
in eliciting the biographical information via unraveling Wen's poetic puzzles, it reaches
hold of the key to going in and out of Wen's artistic labyrinth and thus paves the way for a
reevaluation of his poetry.
With respect to Wen's life, this study consists of the following findings: Wen's birth
year (798); Wen clan's marriages with the royal family and hostility with the eunuchs;
Wen's marriage to a singer-prostitute (836); his secret attendance upon the Heir Apparent
(837-8); his change of name in an effort to pass the civil service examinations (839-40);
his numerous failures and final "success" in becoming a Presented Scholar (847-59); and
his "cheating" (helping others) when sitting for the examinations. These findings spell out
a new understanding of Wen's life that underlies his poetry. Drawn from Wen's poetry,
they will unfold more secrets of his poetry and then lead to more discoveries of his life. Since Wen used his poetry as elaborate representation of himself, it is only natural that he
wanted to express, rather than hide, his experiences, feelings and ambitions, however
ambiguous they might be, because of the political pressure of the time. In this sense, to
know Wen Tingyun the man is to understand Wen Tingyun the poet, and vice versa.
In brief, Wen was deeply involved in the palace and court struggles of his time,
especially at odds with the power-entrenched eunuchs. Some of the events he witnessed
were too sinister to be recorded by histories, and his poems reflecting the truth too
incomprehensible for causal readers, despite his efforts to put his secrets into them. These
contradictory factors caused a long-lasting misunderstanding before he could be seen in
his true light. Now it is high time Wen were rehabilitated. / Arts, Faculty of / Asian Studies, Department of / Graduate
|
| 12 |
Izolace a stanovení struktur proteinů: hexamerin potemníka Tribolium Castaneum a TmpH fága phi812 / Isolation and determination of the structure of hexamerin of Tribolium castaneum and TmpH protein of phi812 phage.Valentová, Lucie January 2019 (has links)
Tato práce se zabývá strukturní studií dvou proteinů: proteinu Tail morphogenetic protein H (TmpH) bakteriofága 812, který napadá Zlatého stafylokoka (Staphylococcus aureus) a hexamerinu z potemníka (Tribolium castaneum). S. aureus je jedním z nejvíce rezistentních patogenů způsobující onemocnění s vysokou morbiditou a mortalitou. Bakteriofág 812 je schopen infikovat a lyzovat 95 % kmenů S. aureus a má potenciální využití ve fágové terapii. Protein TmpH je součástí virionu tohoto fága. V rámci této práce bylo připraveno několik plazmidů nesoucích gen TmpH, které byly použity pro rekombinantní expresi proteinu v buňkách E. coli BL21(DE3). Protein byl vyčištěn afinitní a gelovou chromatografií. Pro čistý protein byly optimalizovány krystalizační podmínky. Hexamerin je nejhojnějším proteinem larev a kukel hmyzu s dokonalou proměnou. V průběhu metamorfózy hexamerin slouží jako zdroj aminokyselin. V rámci této práce byl hexamerin izolován z kukel potemníka T. castaneum. Pro stanovení struktury hexamerinu byly použity dvě metody: rentgenová krystalografie a kryo-elektronová mikroskopie. Byly optimalizovány podmínky pro růst krystalů a vypěstovány krystaly vhodné pro sběr difrakčních dat. Nicméně struktura hexamerinu byla rychleji vyřešena kryo-elektronovou mikroskopií s rozlišením 3.2 . Znalost struktury hexamerinu umožní pochopení jeho funkce v regulaci vývoje hmyzu s dokonalou proměnou.
|
| 13 |
Battle for the Punchbowl: The U. S. 1st Marine Division 1951 Fall Offensive of the Korean WarMontandon, Joshua W. 08 1900 (has links)
This study is an operational and tactical study of a battle fought by the U. S. 1st Marine Division near "the Punchbowl," an extinct volcano of military value in the Taebaek Mountains of Korea, from late August through mid September 1951. That engagement was to be the last 1st Marine Division offensive of the Korean War. This battle, for Yoke and Kanmubong Ridges, has received little coverage from historians. That it is all but forgotten is surprising, since it was one of the hardest fought for United States Marines in the war. The casualties were high, and Americans did not understand why so many had to die for a war that seemed to already be set to conclude by negotiations. This study tells the story of that battle more completely than ever before, and assesses its significance to the course of the Korean War.
|
| 14 |
La bataille épique dans la Chanson de Roland et la Chanson de Guillaume /Daoud, Albert Kamel. January 1975 (has links)
No description available.
|
| 15 |
La bataille épique dans la Chanson de Roland et la Chanson de Guillaume /Daoud, Albert Kamel. January 1975 (has links)
No description available.
|
| 16 |
K-Ar-Datierungen an detritischen Muskoviten und Sm-Nd-Modellalter prä- und synorogener schwach metamorpher Sedimente im Rhenoherzynikum - Grundlegende Daten zur Quantifizierung orogener Prozesse am Beispiel der Varisziden / K-Ar cooling ages of detrital muscovites and Sm-Nd model ages of pre- and synorogenic low metamorphic sediments of the Rhenoherzynian Zone - Fundamental data for a quantification of orogenic processes with particular reference to the VariscidesKüstner, Wolfgang 30 October 2000 (has links)
No description available.
|
| 17 |
Plotting HorrorHeuer, Thomas 06 May 2019 (has links)
Die Entwicklungsschübe der modernen Medien im 20. Jahrhundert haben die Wechselbeziehungen zwischen den Künsten, den Medien, den Sinnesmodalitäten, den verbalen und nonverbalen Ausdrucks- und Zeichenprozessen verstärkt und erweitert. Im Zuge dieser Entwicklungen sind Genre- und Formatfragen über das disziplinäre Interesse einzelner Kunst- und Medienwissenschaften hinaus ins Aufmerksamkeitsfeld einer vergleichenden Medienästhetik und -dramaturgie ge-rückt.
Aufbauend auf den Erkenntnissen von Kalisch 2014, 2016 und den Überlegungen Gaudreaults 2009 zu einer Unterscheidung zwischen Narration und Monstration, ist es gelungen ein Modell zur Analyse von Werken unter dem Ausgangspunkt von Dramaturgie und Präsentationsstruktur herauszubilden, das für jedwedes dramaturgisch motiviertes und fiktionales Werk verwendet werden kann, unab-hängig vom Medium. Als Mittel zur Verdeutlichung der Thesen wird Horror als ästhetische Kategorie definiert, die einen direkten Einfluss auf die narrativen Strukturen eines Werkes besitzt, was den narrativ-monstrativen Doppelcharakter von Werken belegt und ferner verdeutlicht, dass Erzählung und Formung eines Werkes untrennbar verbunden sind. Die Dualität von Dramaturgie und Präsenta-tionsstruktur wird in der Formung eines Werkes offenbar. Um dies zu verdeutli-chen, werden im Verlauf der Arbeit kursorisch Beispiele von Werken mit Schre-ckensinhalten diskutiert und analysiert.
Basierend auf diesem Modell wird eine Diskussion des Themenkomplexes von Intermedialität und Transmedialität im Spannungsverhältnis zur Komparistik der Künste durchgeführt. In der Folge wird eine Ästhetik des Schreckens diskutiert und anhand von ästhetischen Wertungskategorien aufgezeigt. Abschließend werden drei narrativ-motivierte Konzeptionen für dramaturgisch angetriebene Schre-ckensinszenierungen aufgeführt, die zur Kategorisierung von Werken angewendet werden können: düstere Präfiguration, düstere Konfiguration und düstere Manifestation. / The development in modern media during the 20th century (from movies over television to the hybrid forms of audiovisual and textual media in the internet) reveals interdependencies between art, media, the modalities of senses, the verbal and nonverbal dictions and semiotic processes that have evolved and expanded themselfes. According to this progress the interest in art and media studies should achive a collective interest in the changes of genre and formats, instead of a sepa-rated observation of only single disciplines.
Following the Prolegomena on a comperative drama of media by Eleonore Ka-lisch (Kalisch 2014) and the thougts of André Gaudreault on Narration and Mon-stration (Gaudreault 2009) this thesis bulids a system to analyse works of fiction (e. g. movies, pictures, literature, video games). This system allows to analyse and compare works of fiction based on drama and presentation structure. The horror genre is used to show the mechanics of this system. Horror has a direct influence on the narrative structure of a work and manifests a duality of narration and mon-stration (Kalisch 2016), that binds drama and presentation to each other and shows the necessity of a separated consideration on both aspects. The duality of drama and presentation reveals itself during the modeling of a work of fiction.
Build on the system the discourse is open to discuss intermetiality and transmedi-ality and their influence on the field of interest. Furthermore, an aesthetic of hor-ror is defined by evaluation categories of aesthetic indicators. In the end three types of narrativ driven concepts of horror are revealed and discussed: gloomy pre-figuaration, gloomy configuration and gloomy manifestation.
|
Page generated in 0.0201 seconds