Thesis (Ph. D.)--University of Oregon, 2006. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 201-212). Also available for download via the World Wide Web; free to University of Oregon users.

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Στόχος του παρόντος πονήματος, είναι η παρουσίαση της αποσπασματικά σωζόμενης τραγωδίας "Πειρίθους" και η αναφορά σε όλα τα προβλήματα που απασχόλησαν τη φιλολογική έρευνα, η οποία διατρέχεται από ερωτήματα που ανακύπτουν συνήθως από την ενασχόληση με έργα αποσπασματικού χαρακτήρα, όπως η πλοκή, οι ήρωες που πρωταγωνιστούν και η πιθανή διάρθρωση της δομής της. Κυρίαρχο και πρωτεύον ερώτημα, ωστόσο, υπήρξε ευθύς εξαρχής για την τραγωδία "Πειρίθους" το θέμα της πατρότητας του έργου. Τέτοιου τύπου θέματα καθώς και πιθανές απαντήσεις παρουσιάζονται στην εργασία αυτή, μαζί με αναφορά σε προβλήματα που συνδέονται με τη μελέτη του ίδιου του κειμένου και προκύπτουν μέσω της γραπτής παράδοσης και αναπαραγωγής του μέσα στους αιώνες που ακολούθησαν τη γέννησή του έως και σήμερα. / The aim of this essay is to present the fragmentary tragedy "Peirithous" and the reference to all the problems that occupied the literary research, which is traversed by questions that arise usually from engaging in fragmentary works, such as the plot, the characters that leadership and the possible formation of the structure. However, the dominant and primary question from the beginning for the tragedy "Peirithoos", was the issue of authorship. Such questions and possible answers are presented in this paper, along with reference to problems associated with the study of the text itself and emerge through the written tradition and play through the centuries that followed his birth until today.

abstract: Most research on the experience of young women in student service roles in higher education is focused on a reflection of the early career experiences of mid and senior level professionals. Young women enter the field with a set of expectations about the work and their early career experiences need to be uncovered in order to better understand what they expect from their roles in student services. This study focused on the experience of young women in student services and the dynamics they identify as being significant to their work experience. Six women in their mid-twenties working in student service roles participated in two dialogic interviews regarding their work experience. Findings from these women's stories suggest that women are aware of internal and external dynamics that shaped their work experience, and are engaged in their journey toward Self-Authorship along intrapersonal and interpersonal dimensions. Specifically, the women actively chose their career path, looked for opportunities to develop their professional cache, and were impacted by their relationships with their supervisors and colleagues. The women are interested in their professional development in student services in higher education and are active in shaping the experience to meet their expectations. The findings suggest that to understand the experience of young women in student service roles in higher education, women should be asked to share their stories on their early career experiences, including interactions with supervisors and other professional colleagues. By representing these voices in the dialogue on the experience of young women in student service roles, the dynamics that shaped those experiences can be better understood. / Dissertation/Thesis / Ed.D. Higher and Postsecondary Education 2011

O romance The Recognitions (Os Reconhecimentos) do escritor norte-americano William Gaddis é um texto auto—reflexivo que retrata a trajetória de Wyatt Gwyon da infância à maturidade, na medida em que ele rejeita e busca a originalidade. O presente trabalho analisa The Recognitions enfocando a problematização dos conceitos de originalidade e autoria propostos pelo romance através de debates sobre a falsificação e o plágio, que remetem a duas noções maiores e mais importantes: autoria e originalidade. O romance questiona a presente demanda por originalidade e discute a possibilidade de ser original. Ele formula uma estética baseada em reconhecimentos que é defendida no romance e usada pelo autor na tessitura do texto. A fim de atingir seus objetivos, este trabalho apresenta os diferentes conceitos associados aos termos originalidade e original, assim como alguns das principais violações relacionadas a eles na sociedade contemporânea. Também oferece um histórico do desenvolvimento dos conceitos de originalidade e autoria na sociedade ocidental, mostrando a crescente importância da figura do autor e o desenvolvimento paralelo dos conceitos de plágio e direito autoral. Os capítulos seguintes dedicam-se a tentar fornecer um relato do romance enfocando os principais personagens, todos artistas, e também uma análise do romance à luz do background histórico e teórico apresentado nos dois primeiros capítulos. O primeiro desses capítulos de análise enfoca a trajetória de Wyatt e suas concepções artísticas. O segundo os reflexos de Wyatt na narrativa, que reforçam a estrutura auto-reflexiva do romance. E o terceiro exemplifica e analisa a estética de Wyatt baseada na noção de reconhecimento, que nada mais é do que a própria estética usada por Gaddis na composição de sua ficção. / William Gaddis’s The Recognitions (1955) is a selfreflexive novel that portrays Wyatt Gwyon’s trajectory from childhood to maturity, as he rejects and searches for originality. The present work bestows an analysis of William Gaddis’s The Recognitions focusing on the problematization of originality and authorship proposed by the novel by means of the central issues of forgery and plagiarism, which bring with them two larger and more important sister-notions: authorship and originality. The novel questions the prevailing demand for originality and discusses the possibility of being original. It formulates an aesthetics of recognitions defended in the novel and used by the author in the making of this text. In order to do that, this work provides a view on the different concepts associated with the terms originality and original, as well as some of the main infringements related to them in contemporary society. It also offers an account of the development of the concepts of originality and authorship in Western society, showing the growing importance of the figure of the author and the parallel development of the concepts of plagiarism and copyright. The next three chapters are dedicated to attempt to provide an account of William Gaddis’s The Recognitions focusing on the main artist characters and an analysis of the novel in the light of the theoretical and historical background provided. The first of these chapters focuses on Wyatt’s trajectory and his visions of art. The second identifies and analyses Wyatt’s mirrors in the narrative, which reinforce the self-reflective structure of the novel. And the third chapter exemplifies and analyses Wyatt’s aesthetics of recognitions, which turns out to be Gaddis’s own aesthetics in the making of his fiction.

[pt] O estudo realizado entre 2013 e 2017 objetivou investigar se há, nas escolas públicas municipais, colégio de aplicação e colégio privado, participantes da empiria, todos da cidade do Rio de Janeiro, espaço para a construção autoral dos estudantes em seus trabalhos de pesquisa. Por meio de entrevistas semiestruturadas com 28 alunos do sexto ao nono ano, 15 professores de disciplinas diversas, além de 5 profissionais setorizados - 3 bibliotecários, 1 professor de informática e 1 agente de sala de leitura - buscou-se conhecer como a pesquisa escolar é compreendida, proposta, encaminhada e executada. Isso visando a perceber se os estudantes encontram espaço para serem autores de seus trabalhos de pesquisa. Ancorados nas ideias do pensamento crítico, nas noções de pesquisa de Pedro Demo e na relação dialógica proposta por Mikhail Bakhtin, analisamos as declarações dos entrevistados que apontaram que nas escolas investigadas: a) trabalhos criativos e que atendem aos interesses dos alunos têm sido construídos, sob modelos diversos; b) a autoria tem sido exercida; c) há preocupação dos professores com o fomento autoral e o combate ao plágio; d) professores declaram não terem recebido na universidade preparação para o ensino de pesquisa; e) o texto científico tem sido pouco trabalhado; f) há conflito entre o que os estudantes apontam como dúvidas e o que os professores explicam; g) a pesquisa escolar é vista como um modelo padronizado a ser seguido, sendo, ainda, tímida a ação de ensinar a pesquisar, selecionar fontes e utilizá-las de modo coerente. Assim, entendemos que, ainda que haja expressão autoral e criativa do pensamento nas atividades de pesquisa, falta espaço para o ensino pormenorizado e criterioso desta atividade nas escolas participantes, bem como falta uma prática mais efetiva do trabalho com o gênero textual científico. Ressaltamos que há necessidade de debate mais pormenorizado nos cursos de formação de professores sobre como se ensinar pesquisa na escola de modo coeso e ético, promovendo autorias e combatendo o plágio. / [en] The study, conducted between 2013 and 2017, aimed to find if there is room for the construction of authorship in research conducted by students from public, university or private schools in Rio de Janeiro, Brazil. We conducted semi-structured interviews with 28 students from 6th to 9th grade, 15 teachers of different subjects, and 5 school professionals - 3 librarians, 1 computer teacher and 1 reading-room agent. Our aim was to understand how student research is understood, proposed, and conducted, in order to verify if students find room to be authors in their own school research. Based on critical thinking, Pedro Demo s writings on school research, and on Mikhail Bakhtin s dialogic theory of learning, we have analyzed the answers to the interviews and found that: a) yes, there is room for creative work directed to students interests; b) authorship is happening; c) there is concern by the teachers with investing in authorship and fighting plagiarism; d) teachers claim that their academic education did not prepare them to teach students on how to do research; e) scientific texts are seldom worked with; f) there is a conflict between what students see as their questions and what teachers actually want them to talk about; g) student research is seen as a necessary training, even though schools are still shy in teaching how to do research, to select sources and to use them in a cohesive manner. In sum, we understand that, even though there is authorship and creative thinking in student school research, there is little room for a more detailed and critical work with such skill. Also, there is little work with the scientific text genre. We would like to emphasize the need for a deep debate in academic teacher training on how to do research in school in such a way that it is cohesive, ethical, and that it promotes authorship and defeats plagiarism.

Corporate crimes have become a highly widespread phenomenon in modern industrialized societies. The aim of this paper is to offer criteria and elements to evaluate criminal liability of middle managers of a highly hierarchical company for criminal acts committed by employees, which have been adopted and conceived by top managers of the company. To this end, different theories that have arised from the criminal doctrine to penalize managers of a complex organization will be analyzed, as truemediate authorship, co-authorship, induction and authorship in the omission. The research is justified to the extent that, criminal doctrine and jurisprudence, haven’t analyzed this issue deeply and, in the few opinions that about it exist, there are discrepancies about it possible solution. / La criminalidad de empresa constituye un fenómeno altamente extendido en las sociedades industrializadas modernas. El presente trabajo busca brindar criterios y elementos para evaluar la responsabilidad penal de los mandos medios de una empresa altamente jerarquizada por hechos delictivos que cometen los subordinados y que han sido adoptados y concebidos por los altos directivos de la empresa. Para ello, se analizarán las diversas teorías que se han planteado en la doctrina penal para responsabilizar a los superiores jerárquicos de una organización compleja, tales como la autoría mediata, la coautoría, la inducción y la autoría directa por omisión. La investigación se justifica en la medida en que, en la doctrina y jurisprudencia penal, esta problemática no se ha analizado a profundidad y, de las pocas opiniones que hay al respecto, existen discrepancias sobre su posible solución.

Made available in DSpace on 2016-08-11T14:41:25Z (GMT). No. of bitstreams: 1 KeziaVG_DISSERT.pdf: 3739230 bytes, checksum: 879d8ef26b5735558d2211bdae4f831d (MD5) Previous issue date: 2013-12-10 / This research examines processes that emerge in spaces authored subject of students in a production experience with photographic technical objects in a public school in Mossoró/ RN. The phenomenon known in school, we assume the perspective, is a process that involves the production of ourselves and students, while it produces changes in learning environments in school. This research on the meanings of school for student learning, i ask myself the following question: - As students in an experience of inventive production of images, transform ways of perceiving the learning processes in school? A theoretical and methodological perspective we adopt is the intervention research we organize a production environment for a group of 10 students who meet digital technologie. The production data in the survey happened based on the route indicated commented by Jean Paul Thibaud (2000) in which we take as empirical field entries, autonarrativas occurring in the course of experience with images method. The sensitive environment of Jean Paul Thibaud, it becomes interesting because it participates in the organization of which we'll call photographic route. This author gives access to a sensitive approach in dealing with the environment where students meet with technical objects to produce something that involves the circumstances of learning in school. The theoretical network will be expanded with the construction of Humberto Maturana and Francisco Varela (2001) , scientists who built the prospect of Biology of Cognition , more directly the concept of autopoiesis and explanations arising on the circularity of the living - learning processes . To address the mode of understanding the technologies and technical objects rely on the work of Gilbert Simondon (1958 , 1989) and also on the path of learning with inventive images , with studies of Deleuze (1995) , Kastrup (2012) , Roland Barthes (1984) , Lucia Santaella (1998) , Philippe Dubois (1994) and Michel Serres (1993) . These scholars are important because they favor an innovative approach to technology and / or working with images. On the significance of the photographic image as a living field of language, students developed concepts, reinvented learn in school, which was constituted ways of intervening in reality. The tessitura of networks of conversations with students in workshops potentiated the spaces of knowledge about the phenomenon of learning in school, the circumstances that often deny the legitimacy of the subject. The production of students with images and conversation networks allowed to observe cognitive changes produced when the images and explain what they sought to do this emerged. As a result of the work we distinguish, in a journey of photographic production, students might mean the different spaces of the school, distinguishing the experiences that create barriers to knowledge and those who perceive themselves as authors in learning pathways / Esta pesquisa analisa processos que emergem em espaços de autoria dos sujeitos estudantes em uma experiência de produção com objetos técnicos fotográficos numa escola pública de Mossoró/RN. O fenômeno do conhecer na escola, na perspectiva que assumimos, é um processo que envolve a produção de nós mesmos e de estudantes, ao mesmo tempo em que produz transformações nos ambientes de aprendizagem na escola. Nesta pesquisa sobre os sentidos da escola para a aprendizagem dos estudantes, eu me coloco a seguinte questão: - Como estudantes, em uma experiência de produção inventiva de imagens, transformam modos de perceber os processos de aprendizagem na escola? A perspectiva teórico-metodológica que adotamos é a pesquisa intervenção em que organizamos um ambiente de produção para um grupo de 10 estudantes que se encontram com tecnologias digitais. A produção de dados na pesquisa aconteceu com base no método do percurso comentado indicado por Jean Paul Thibaud (2000) em que tomamos como campo empírico as inscrições, autonarrativas que se produzem no transcurso da experiência com imagens fotográficas. A ambiência sensível de Jean Paul Thibaud, torna-se interessante porque participa da organização do que chamaremos de percurso fotográfico. Este autor permite aceder a uma perspectiva sensível no tratar do ambiente onde estudantes se encontram com objetos técnicos para produzir algo que envolve as circunstâncias de aprendizagem na escola. A rede teórica será ampliada com as construções de Humberto Maturana e de Francisco Varela (2001), cientistas que construíram a perspectiva da Biologia do Conhecer, mais diretamente o conceito de autopoiése e as explicações dele decorrentes sobre a circularidade dos processos de viver-aprender. Para tratar do modo de compreensão das tecnologias e dos objetos técnicos contamos com o trabalho de Gilbert Simondon (1958; 1989) e ainda, sobre o percurso inventivo da aprendizagem com imagens, com os estudos de Deleuze (1995), Kastrup (2012), Roland Barthes (1984), Lúcia Santaella (1998), Philipe Dubois (1994) e Michel Serres (1993). Estes estudiosos são importantes porque favorecem uma forma inovadora de conceber a tecnologia e/ou o trabalho com imagens. Na significância da imagem fotográfica, como um campo vivo da linguagem, os estudantes desenvolveram conceitos, reinventaram o aprender na escola, o que foi constituindo formas de intervir na realidade. A tessitura das redes de conversações com estudantes nos espaços das oficinas potencializaram o conhecimento acerca do fenômeno da aprendizagem na escola, das circunstâncias que muitas vezes negam a legitimidade dos sujeitos. A produção dos estudantes com imagens fotográficas e as redes de conversação permitiram observar transformações cognitivas quando produziam as imagens e quando procuravam explicar o que emergia neste fazer. Como resultado do trabalho, pudemos distinguir que, em um percurso de produção fotográfica, os estudantes puderam significar os diferentes espaços da escola, distinguindo as experiências que criam obstáculos para o conhecimento e aquelas em que se percebem como autores em percursos de aprendizagem

In this collection of free verse lyric poems I have drawn inspiration from childhood memories, as well as from the natural world and encounters with the people around me. Each poem focuses on a small moment, presenting an emotive portrait of a memory or an experience. These small moments lead, cumulatively, to deeper insights into myself and the world around me. The collection is divided into four seasons, in part because the work is strongly influenced by the natural world, but also because the progression of the seasons mirrors something of the personal journey reflected in the poems.