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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 11 (0.025 seconds)Spelling suggestions: "subject:"ashton"" "subject:"rushton""
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Julian Rossi Ashton (1851-1942) as art politician /Campbell, Katherine Elizabeth. January 1974 (has links) (PDF)
Thesis (B. A.)--University of Adelaide, 1974. Thesis (B.A.Hons. 1974) from the Department of History, University of Adelaide. / Bibliography: leaves 94-97.
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Wendell J. Ashton: advocate, publisher, civic leader /Peterson, Val L. January 1994 (has links)
Thesis (M.A)--Brigham Young University. Dept. of Communications. / Includes bibliographical references (leaves 133-140).
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Rhai agweddau ar serch a chariad yn y nofel Gymraeg - 1917-85George, Delyth Ann January 1986 (has links)
No description available.
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Wendell J. Ashton: Advocate, Publisher, Civic LeaderPeterson, Val L. 01 January 1994 (has links) (PDF)
Wendell J. Ashton has been described as a pacesetter in the communications field in the Intermountain West. He was a trailblazer in public relations in the early days of his career at Gillham Advertising. His life has been filled with challenges such as publisher of the Deseret News, director of the LDS Church Communications Department, principal in Gillham Advertising, and various civic and community activities. Ashton's communications career was one of innovator and pioneer as he helped forge the public relations industry in the Intermountain West. His career has followed in the footsteps of many other professionals such as Lon Richardson Sr., William S. Adamson, Nelson Aldrich, Edwin Dowell, Parry D. Sorensen, Jennings Phillips, David W. Evans, Arch Madsen, and G. Robert Ruff. This thesis will examine the career of Wendell J. Ashton as it began, as it grew, and as it blossomed through major communications, advertising, and public relations projects. This study will reveal how Ashton increased the status of public relations professionals in Utah.
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Revisiting the Work of Sylvia Ashton-Warner: Honoring Children’s Stories in the 21st CenturySharp, L. Kathryn, Geiken, Rosemary 01 March 2012 (has links)
No description available.
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FingersGylfason, Jon Gunnar 20 May 2011 (has links)
Fingers should demonstrate my filmmaking ability and encourage future employers to hire me to direct a project. This paper will explore in details what methods were used during the production with focus on working within the means of the budget. In the following chapters, I will discuss Fingers, including the writing, preproduction, directing, cinematography, editing, and the final product.
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Classicism and Romanticism in Three Ballets by Frederick AshtonHa, Steven Kyung-Gyoon 07 October 2021 (has links)
No description available.
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The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian contextMcKetta, Dorothy Jean 26 October 2012 (has links)
Between the years 1960 and 1970, New York gallerist Leo Castelli was closely involved with Milanese editor and publisher Bruno Alfieri's Metro magazine--an international review of contemporary art. By placing his artists in Metro, Castelli inserted them into the world of Italian art criticism and theory. This recontextualization familiarized the American artists of Castelli's gallery to a European audience and positioned them at the end of a succession of modern European styles. Specifically, Castelli's artists, each of whom engaged in a form of pictorial figuration, were seen as ending the dominance of the "pure" abstraction of the French informel style. This thesis uses the archive of correspondence between Bruno Alfieri and Leo Castelli to examine Castelli's contribution to Metro during the 1960s. Departing from this chronology, it also seeks to understand the unique brand of figuration that each of Castelli's artists brought to Metro, given cues from contemporary Italian theory and criticism--particularly that of Gillo Dorfles, who wrote on several of Castelli's artists. / text
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Převod (ne)zdvořilosti při tlumočení / The transfer of (im)politeness in interpretingKavínová, Martina January 2014 (has links)
While the linguistic concept of politeness has been thoroughly analyzed, the same does not apply to its interpreting. The present theoretical-empirical work describes the means for expressing politeness grouped by G. Leechʼs maxims of politeness. The empirical part analyzes recordings of simultaneous interpretation from media and European Parliament settings. This is a quantitative study and the outcome is the number of means for expressing politeness which the interpreters conveyed into Czech. On average and in all of the material 65,7 % of means for expressing politeness were conveyed into Czech in compliance with the maxims. The means analyzed are prosody, non-verbal communication, modality, personal reference, etc. An equivalent interpretation of means of politeness was deemed desirable. The thesis verifies the hypothesis whether the level of politeness significantly increased in comparison with the original speeches. Key words: politeness, pragmatics, illocutionary act, maxims of politeness, face, modality, prosody, non- verbal communication, Czech, English, interpreting, equivalence, US presidential debate, Obama, Romney, Common Agricultural Policy, European Parliament, Catherine Ashton, forms of address
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Contested Space: Mormons, Navajos, and Hopis in the Colonization of Tuba CitySmallcanyon, Corey 09 July 2010 (has links) (PDF)
When Mormons arrived in northern Arizona among the Navajo and Hopi Indians in the late 1850s, Mormon-Indian relations were initially friendly. It was not too long, however, before trouble began in conflicts over water use and land rights. Federal agents would soon consider Mormons a threat to the peaceful Hopis because both the Navajo and Mormons were expanding their land claims. Indian agents relentlessly pleaded with Washington to establish a separate Indian reservation. They anticipated this reservation would satisfy all three parties, but its creation in 1882 only created more problems, climaxing in the 1892 death of Lot Smith at the hands of Atsidí, the local Navajo headman. Tensions continued to increase until federal agents intervened in 1900 and placed Tuba City under a Presidential Executive Order. The order withdrew Tuba City from white claims and resulted in the expulsion of the Mormons from Tuba City in 1903. My contribution is to show how the Navajo and Hopi Indians may have considered the coming of the Mormons as an invasion by a group of foreigners which led to the resulting contest between the trios for the limited natural resources of the northern Arizona desert. Tuba City/Moenkopi has a complicated history and its origins remain contested because it was claimed not only by Mormons, but also by the Navajos and Hopi. Previous historians have neglected the wealth of history that come from using Native American oral histories. This thesis will include the Native point of view but will also integrate it with Mormon and non-Mormon narratives. Doing so will provide another perspective on some of the following: the founding of Tuba City, the creation of the 1882 and 1900 Executive Orders for Navajo and Hopi reservation expansions, the death of the Mormon Lot Smith, and Native American-Mormon relations in the late 1800s in northern Arizona.
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