This study explores the hermeneutical issues raised by critical approaches to the Book of the Twelve and their implications for the concepts of authorial intent, history, and canon. By means of a critical engagement with the Twelve’s modern reception history it seeks to demonstrate that with few exceptions, recent attempts to come to terms with the peculiar character of the prophetic intentionality at work in the Twelve reflect the continuing impact of historicism and its hermeneutical legacy upon the study of Old Testament prophecy. As a result the key roles played by theological pressures and the hermeneutical significance of canon in the Twelve’s formation history continue to be marginalized, particularly with respect to the eschatological and typological moves involved in the redactional expansion of prophecy. The study seeks to constructively address these problems by offering a theological exegesis of Hosea 1:5 and 2:23-25, arguing that the study of these ‘Day of the Lord’ texts and the larger theological significance of Hosea’s prologue for the Twelve has been virtually eclipsed by the central hermeneutical role assigned to Joel by the Twelve’s modern interpreters. The larger contribution to the hermeneutical logic of prophecy rendered by Hosea’s ‘wisdom coda’ (Hosea 14:10) has also not been given its proper due, exegetically speaking. With these concerns in mind, the study then proceeds to argue that Hosea’s prologue establishes a theological context for the logic of prophecy, eschatology, and typology in the Twelve which finds its hermeneutical ground in Exodus 32-34 and the continuing theological significance of Yahweh’s name for his providential dealings with Israel. In this way Hosea’s prologue constrains the interpretation of prophecy and the DOL in the Twelve by linking their theological function to the significance of Yahweh’s name for Israel. The wisdom coda both embraces and extends this agenda for readers of Joel through Malachi by instructing them in the proper stance toward prophecy and “the ways of Yahweh” toward Israel and the nations vis-a-vis his revealed character in Exodus 34:5-7. The book of Hosea thus ends by establishing hermeneutical guidelines for the “wise” interpretation of prophecy, a stance which is then further facilitated by the summons to wisdom in Joel’s prologue (1:1-4) and Joel’s own deployment of the DOL in Joel 1-2.

The Evangelical Reformed Church is celebrating its sixtieth anniversary. This study investigates this church's unique view of Scripture and places it within the broader context of a Reformed approach. To this end, a literary study is conducted, whereby the Evangelical Reformed conviction is compared to that of Calvin and Barth, as put forward in their Institutions and Church Dogmatics, respectively. This procedure allows for a collation of the Evangelical Reformed stance and the Reformed view. Since the belief regarding Scripture has an effect on many aspects of the traditional reformed dogma, several bibliological facets are singled out, namely, revelation, authority, inspiration, and the inception of the canon. By way of illustration, these details are considered with specific reference to the Reformed doctrine of Predestination. The goal of this exercise is to evaluate the application of the bibliological dogma in the formulation of theology. / Philosophy, Practical and Systematic Theology / M.Th

This thesis is an investigation into the discrepancies that exist in textual interpretations within Pentacostalism, in view of the ongoing search for a viable hermeneutic model unique to Pentecostalism. Since its birth, the modern Pentecostal movement has been influenced by many other theological traditions, especially Covenant theology and Dispensationalism. Nevertheless, from this research it becomes clear that Pentecostalists themselves have contributed to the discrepancies by failing to distinguish between biblical passages related to national Israel and those related to the church. It is factual that cultural differences and theological backgrounds influence the interpretations ascribed to Scripture. Yet, this research found that scriptural interpretive discrepancies exist amongst Pentecostalists belonging to the same cultural group and same denomination. This study presents a new perspective on biblical interpretation for Pentecostalism, namely the Mediatorial View, which when consistently applied to all tectual interpretations, most certainly will reduce the number of discrepancies that exist. / Philosophy, Practical and Systematic Theology / M. Th. (Systematic Theology)

O presente trabalho versa sobre o processo de simbolização da resistência presente no livro do Apocalipse. A pesquisa busca analisar as relações entre o conjunto de símbolos utilizados no livro e a resistência política das comunidades cristãs diante da opressão do Império Romano no alvorecer do Cristianismo. Nesse sentido, a partir de uma metodologia de natureza bibliográfica, fomenta uma reflexão crítica entre o texto e o contexto do Apocalipse, visto como literatura engajada com a oposição às condições opressoras às quais muitas comunidades cristãs estavam sujeitas. O trabalho está dividido em três capítulos: no primeiro, é discutido o contexto sócio-histórico das comunidades cristãs, que favoreceu o surgimento do Apocalipse. No segundo, é feita uma análise do texto de Ap 17,1-18 do ponto de vista exegético e hermenêutico. Por fim, no terceiro, são discutidas as formas através das quais alguns símbolos descritos fazem críticas à opressão política do Império Romano. / This work is about the process of symbolization of resistance present in the book of Revelation. The research analyzes the relationship between the set of symbols used in the book and the political resistance of the Christian community on the oppression of the Roman Empire at the dawn of Christianity. Accordingly, from a bibliographical methodology, this study encourages critical reflection between the text and the context of Revelation, seen as engaged literature with the opposition to oppressive conditions to which many Christian communities were subject. The work is divided into three chapters: the first discusses the socio-historical context of Christian communities that favored the emergence of Revelation. The second is an analysis of the text of Revelation 17,1-18 in terms of exegetical and hermeneutical. Finally, the third discusses the ways in which some symbols are described criticism of the political oppression of the Roman Empire.

Made available in DSpace on 2017-06-01T18:12:48Z (GMT). No. of bitstreams: 1 jair_ rodrigues_melo.pdf: 427219 bytes, checksum: 2a3c971d756f9032c281dad0aa377f5b (MD5) Previous issue date: 2013-12-01 / This work is about the process of symbolization of resistance present in the book of Revelation. The research analyzes the relationship between the set of symbols used in the book and the political resistance of the Christian community on the oppression of the Roman Empire at the dawn of Christianity. Accordingly, from a bibliographical methodology, this study encourages critical reflection between the text and the context of Revelation, seen as engaged literature with the opposition to oppressive conditions to which many Christian communities were subject. The work is divided into three chapters: the first discusses the socio-historical context of Christian communities that favored the emergence of Revelation. The second is an analysis of the text of Revelation 17,1-18 in terms of exegetical and hermeneutical. Finally, the third discusses the ways in which some symbols are described criticism of the political oppression of the Roman Empire. / O presente trabalho versa sobre o processo de simbolização da resistência presente no livro do Apocalipse. A pesquisa busca analisar as relações entre o conjunto de símbolos utilizados no livro e a resistência política das comunidades cristãs diante da opressão do Império Romano no alvorecer do Cristianismo. Nesse sentido, a partir de uma metodologia de natureza bibliográfica, fomenta uma reflexão crítica entre o texto e o contexto do Apocalipse, visto como literatura engajada com a oposição às condições opressoras às quais muitas comunidades cristãs estavam sujeitas. O trabalho está dividido em três capítulos: no primeiro, é discutido o contexto sócio-histórico das comunidades cristãs, que favoreceu o surgimento do Apocalipse. No segundo, é feita uma análise do texto de Ap 17,1-18 do ponto de vista exegético e hermenêutico. Por fim, no terceiro, são discutidas as formas através das quais alguns símbolos descritos fazem críticas à opressão política do Império Romano.

Philosophy & Systematic Theology / D. Th. (Systematic Theology)

Text in Afrikaans / Summaries in Afrikaans and English / Die inhoud en vorm van 'n preek is 'n eenheid. Beide aspekte vorm deel van die teologiese teorie van die prediking. In hierdie studie word daar teoreties besin oor 'n bepaalde vorm van prediking. Dit behels 'n ondersoek na die literere vorm waarin die boodskap gestruktureer en verwoord word. Die Skrif bevat 'n verskeidenheid literere vorme wat deur Bybelskrywers aangewend is om die intensie van die teks effektief te kommunikeer. Elk van hierdie vorme besit 'n eiendomlike kommunikatiewe aard. Die ontwikkeling van die moderne literatuurwetenskap sedert die tagtigerjare van die twintigste eeu het stukrag verleen aan die insig dat die Bybel ook as 'n versameling godsdienstige literatuur bestudeer kan word. Dit het meegebring dat die intensie van die teks van die Bybel op 'n teologies verantwoordbare wyse, met inagneming van die historiese verbande, beter begryp kan word deur die gebruikmaking van insigte uit ander literatuur. As sodanig word erkende literere kunsvorme wat naas die logies-analitiese ook die emotiewe betrek, aanvaar. Die resultaat van hierdie ondersoek dui aan dat die preek as kunsvorm geevalueer en in die moderne preekteorie geregverdig kan word. Die proses van transformasie wat die moderne hermeneutiese benadering kenmerk; die veranderde beleweniswereld en verstaanshorison van die huidige hoorders asook die eiesoortige aard van Bybelse literatuur is vanuit 'n kommunikatiewe aanname in 'n kunsvorm binne die moderne homiletiese teorie haalbaar. Die teorie orienteer binne die kommunikatiewe handelingsteorie as meta-teorie wat ingestel is op dialogiese kommunikasie wat betekenisgewing deur waarnemerbetrokkenheid bevorder en 'n bepaalde denkwyse by die hoorders tot gevolg het. Die tradisionele vorm van prediking, gekenmerk deur absolute dominasie van die rede en intellektualisme uit die modernistiese tydvak, het teen die einde van die tweede millennium in ernstige diskrediet gekom. Die radikale verandering in die samelewing deur die moderniseringsproses met gepaardgaande paradigma verskuiwinge dwing die homiletiek om teoreties te herbesin. In hierdie studie word die preek as kunsvorm afgebaken tot die verhalende preekvorm, konseptueel ontwikkel en teoreties omskryf asook geplaas binne die moderne homiletiese teorie as komponent wat daarby pas. Die resultaat is verkry deur 'n vergelykende studie van gemeenskaplike wesenstrekke wat voorkom by erkende kunsvorme in die moderne kunsteorie; die verhalende kunsvorm in die moderne literere teorie met spesifieke verwysing na die Afrikaanse roman asook die verhalende preekvorm in die moderne homiletiese teorie. Deur hierdie vorm van prediking in die moderne preekteorie op te neem, kan 'n sinvolle bydrae gemaak word om die Christelike boodskap deur oortuiging sander enige vorm van dwang te kommunikeer. / In a sermon form and content are one. Both aspects form part of the theological theory of preaching. This theoretical survey investigates one of the various literary forms through which the biblical writers attempted to communicate the intention of the biblical text in the most effective way. Each of these forms possesses a distinctive communicative character. The development of modern literary theory since the eighties of the twentieth century was a propulsive force leading to the conviction that the Bible was also a collection of religious literature. This conviction implied that the intention of the biblical text could be more clearly understood in a theological justified manner within the historical context by using insights gained from other literature. Acknowledged literary art forms adhering to the emotive as well as the logic-analytical are embraced as such. In this study the sermon as an art form is limited to narrative preaching, developed as a concept; theoretically described and placed within the modern homiletical theory as a suitable component. Results are obtained by means of a comparative study of mutual features that are distinctive to acknowledged art forms in the modern theory of art; narrative art forms in modern literature theory specifically in the modern Afrikaans novel, as well as the narrative form of preaching in the modern homiletical theory. The modern homiletical theory is orientated within the communicative acts theory as meta-theory focusing on dialogical communication which promotes meaning through the involvement of the observer. The conclusions reached indicate that the sermon as an art form can be evaluated and justified within the modem homiletical theory. Taken up in this theory, it can prove significant in communicating the Christian message to the listeners in a convincing rather than compulsive manner. / Practical Theology / D.Th. (Practical theology)

Philosophy and Systematic Theology / D. Th. (Systematic Theology)

For those who have the courage to doubt, it can be said that the Bible which is highly regarded in Africa is not only an innocent book but also a guilty one because of the many social, political and religious evils that have bedevilled Africa from time to time and which it has condoned and has been used to sanction. Using postcolonial biblical criticism, and as a way of demonstrating that the entire Bible is another text of the empire, this thesis argues that imperial ideology promoted in Luke's socio-economic parables has contributed to another social evil i.e. the gap between the rich and the poor in Kenya. / Thesis (M.Th.)-University of KwaZulu-Natal, Pietermaritzburg, 2008.

Text in Afrikaans / Summaries in Afrikaans and English / Die inhoud en vorm van 'n preek is 'n eenheid. Beide aspekte vorm deel van die teologiese teorie van die prediking. In hierdie studie word daar teoreties besin oor 'n bepaalde vorm van prediking. Dit behels 'n ondersoek na die literere vorm waarin die boodskap gestruktureer en verwoord word. Die Skrif bevat 'n verskeidenheid literere vorme wat deur Bybelskrywers aangewend is om die intensie van die teks effektief te kommunikeer. Elk van hierdie vorme besit 'n eiendomlike kommunikatiewe aard. Die ontwikkeling van die moderne literatuurwetenskap sedert die tagtigerjare van die twintigste eeu het stukrag verleen aan die insig dat die Bybel ook as 'n versameling godsdienstige literatuur bestudeer kan word. Dit het meegebring dat die intensie van die teks van die Bybel op 'n teologies verantwoordbare wyse, met inagneming van die historiese verbande, beter begryp kan word deur die gebruikmaking van insigte uit ander literatuur. As sodanig word erkende literere kunsvorme wat naas die logies-analitiese ook die emotiewe betrek, aanvaar. Die resultaat van hierdie ondersoek dui aan dat die preek as kunsvorm geevalueer en in die moderne preekteorie geregverdig kan word. Die proses van transformasie wat die moderne hermeneutiese benadering kenmerk; die veranderde beleweniswereld en verstaanshorison van die huidige hoorders asook die eiesoortige aard van Bybelse literatuur is vanuit 'n kommunikatiewe aanname in 'n kunsvorm binne die moderne homiletiese teorie haalbaar. Die teorie orienteer binne die kommunikatiewe handelingsteorie as meta-teorie wat ingestel is op dialogiese kommunikasie wat betekenisgewing deur waarnemerbetrokkenheid bevorder en 'n bepaalde denkwyse by die hoorders tot gevolg het. Die tradisionele vorm van prediking, gekenmerk deur absolute dominasie van die rede en intellektualisme uit die modernistiese tydvak, het teen die einde van die tweede millennium in ernstige diskrediet gekom. Die radikale verandering in die samelewing deur die moderniseringsproses met gepaardgaande paradigma verskuiwinge dwing die homiletiek om teoreties te herbesin. In hierdie studie word die preek as kunsvorm afgebaken tot die verhalende preekvorm, konseptueel ontwikkel en teoreties omskryf asook geplaas binne die moderne homiletiese teorie as komponent wat daarby pas. Die resultaat is verkry deur 'n vergelykende studie van gemeenskaplike wesenstrekke wat voorkom by erkende kunsvorme in die moderne kunsteorie; die verhalende kunsvorm in die moderne literere teorie met spesifieke verwysing na die Afrikaanse roman asook die verhalende preekvorm in die moderne homiletiese teorie. Deur hierdie vorm van prediking in die moderne preekteorie op te neem, kan 'n sinvolle bydrae gemaak word om die Christelike boodskap deur oortuiging sander enige vorm van dwang te kommunikeer. / In a sermon form and content are one. Both aspects form part of the theological theory of preaching. This theoretical survey investigates one of the various literary forms through which the biblical writers attempted to communicate the intention of the biblical text in the most effective way. Each of these forms possesses a distinctive communicative character. The development of modern literary theory since the eighties of the twentieth century was a propulsive force leading to the conviction that the Bible was also a collection of religious literature. This conviction implied that the intention of the biblical text could be more clearly understood in a theological justified manner within the historical context by using insights gained from other literature. Acknowledged literary art forms adhering to the emotive as well as the logic-analytical are embraced as such. In this study the sermon as an art form is limited to narrative preaching, developed as a concept; theoretically described and placed within the modern homiletical theory as a suitable component. Results are obtained by means of a comparative study of mutual features that are distinctive to acknowledged art forms in the modern theory of art; narrative art forms in modern literature theory specifically in the modern Afrikaans novel, as well as the narrative form of preaching in the modern homiletical theory. The modern homiletical theory is orientated within the communicative acts theory as meta-theory focusing on dialogical communication which promotes meaning through the involvement of the observer. The conclusions reached indicate that the sermon as an art form can be evaluated and justified within the modem homiletical theory. Taken up in this theory, it can prove significant in communicating the Christian message to the listeners in a convincing rather than compulsive manner. / Philosophy, Practical and Systematic Theology / D.Th. (Practical theology)