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1	Consumer behaviors exhibited in Saturday morning television cartoons implications for consumer education, researchers, and parents / Pietrokowsky, Faye R. January 1983 (has links) Thesis (M.S.)--University of Wisconsin--Madison, 1983. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 96-103). Consumers. Cartooning.
2	Graphic dissent the editorial cartoon view of urban conflict, 1992-2001 / Osborne, Kristen J. January 2006 (has links) Thesis (Ph.D.)--University of Delaware, 2006. / Principal faculty advisor: Robert Warren, School of Urban Affairs & Public Policy. Includes bibliographical references. Cartooning Crisis management Art
3	On narrative design and a possible future for comics Wallain, Dale 15 July 2011 (has links) This report is a chronicle of my research and design practice at The University of Texas at Austin in pursuit of the MFA in Design. It traces my interest in visual narrative, specifically in the component relationships evident in a close study of comics as they relate to questions of dimensionality and form. Key elements in this trajectory include the application of humor, sequential illustration, paper engineering and the adaptation of texts to works of visual and dimensional narrative. Along with a documentation of my working methods and experience, an appropriately distilled version of my extensive study of literature, comics, diorama, and pop-up books can be found in the following pages. / text Comics Cartooning Pop-up Narrative Visual narrative Graphic novel Illustration Sequential Design Comic strip
4	Working the margins women in the comic book industry / Chenault, Wesley. January 2007 (has links) Thesis (M.A.)--Georgia State University, 2007. / Title from file title page. Marian Meyers, committee chair; Layli Phillips, Amira Jarmakani, committee members. Description based on contents viewed June 3, 2008. Includes bibliographical references (p. 120-123).
5	O sargento de milícias em requadros: o processo de quadrinização da obra de Manuel Antônio de Almeida Araujo, Cássia Helena Vassão 07 October 2013 (has links) Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-05-13T14:05:31Z No. of bitstreams: 1 cassiahelenavassaoaraujo.pdf: 5584182 bytes, checksum: 3d482ab44aadd2d627fbb30b2b540e63 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-06-27T20:46:46Z (GMT) No. of bitstreams: 1 cassiahelenavassaoaraujo.pdf: 5584182 bytes, checksum: 3d482ab44aadd2d627fbb30b2b540e63 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-06-27T20:47:12Z (GMT) No. of bitstreams: 1 cassiahelenavassaoaraujo.pdf: 5584182 bytes, checksum: 3d482ab44aadd2d627fbb30b2b540e63 (MD5) / Made available in DSpace on 2016-06-27T20:47:12Z (GMT). No. of bitstreams: 1 cassiahelenavassaoaraujo.pdf: 5584182 bytes, checksum: 3d482ab44aadd2d627fbb30b2b540e63 (MD5) Previous issue date: 2013-10-07 / A presente dissertação consiste na análise do processo de quadrinização de “Memórias de um sargento de milícias”, obra de Manuel Antônio de Almeida, objetivando evidenciar como o folhetim foi traduzido em imagens por Indigo e Bira Dantas. Para tal intuito, foi necessário, primeiramente, estabelecer a intrínseca relação entre imagem e escrita; conceituar história em quadrinhos; e, em seguida, traçar um histórico deste tipo de narrativa no mundo e no Brasil, a fim de mostrar como a sua linguagem, tão própria, foi sendo construída e desenvolvida, até o surgimento das primeiras obras baseadas em textos literários, inclusive a que constitui o objeto de estudo deste trabalho, produzida em 2007. Em um segundo momento, empreendeu-se uma reflexão sobre o folhetim, suas características, de que forma elas são perpetuadas nos quadrinhos e estabeleceu-se o tipo de tradução – a icônica – como a maneira que se dá a transcriação de uma obra literária em história em quadrinhos. Em um terceiro momento, a partir de teorias já engendradas especificamente sobre a obra de Manuel Antonio de Almeida, buscou-se traçar paralelos em relação aos quadrinhos. E, por fim, realizou-se uma observação pormenorizada da HQ a propósito do espaço, do tempo, dos personagens e do narrador quadrinizado. O referencial teórico dessa pesquisa envolve reflexões de Eisner (1999, 2008), McCLoud (1995, 2006, 2008), Ramos (2012), McLuhan (1964), Bakhtin (1996), Andrade (1972), Benjamin (2008), Candido (1970, 2012), DaMatta (2007), Nikolajeva; Scott (2011), Mendonça (2010), Plaza (2010), Serra (1997). / This dissertation consists of the analysis of the process of cartooning for "Memoirs of a militia sergeant," the work of Manuel Antonio de Almeida, aiming to show how the serial was translated into images by Indigo and Bira Dantas. For this purpose, first it was necessary to establish the intrinsic relationship between image and writing; conceptualize comic, and next, enable the historical scenarios of this kind of narrative in the world and in Brazil in order to show how their own language, was being built and developed, until the emergence of the first works based on literary texts, including what constitutes the object of this work, produced in 2007. In a second moment, it was developed a reflection on the serial, its characteristics, how they are perpetuated in the comics and it was established the transcreation of a literary work in comic strips throughout the iconic translation. In a third phase, from theories already engendered specifically on the work of Manuel Antonio de Almeida, it aims to compare parallels in relation to comics. And finally, was carried out a detailed analysis of the comics in relation to place, time, characters and the narrator in cartoons. The theoretical framework of this research involves reflections of Eisner (1999, 2008), McCloud (1995, 2006, 2008), Ramos (2012), McLuhan (1964), Bakhtin (1996), Andrade (1972), Benjamin (2008), Candido (1970, 2012), Da Matta (2007), Nikolajeva, Scott (2011), Mendoza (2010), Plaza (2010), Serra (1997). Quadrinhos Literatura clássica Quadrinização Transcriação Comics Classical literature Cartooning Transcreation
6	František Gellner. Text - obraz - kontext / František Gellner. Text - Image - Context Kořínková, Lucie January 2015 (has links) The Ph.D. thesis deals with the Czech author František Gellner. It deliberately endeavours not to exclude any of the segments of his both literary and visual work out of consideration, but to present them all in their heterogeneity, yet in mutual connections. Works of Gellner's art are therefore interpreted in novel ways, especially in consideration of the contexts of the period from which they origin (and above others those contexts that have become obscure and forgotten in the nearly hundred years since the original publication of Gellner's work). The first chapter summarizes the previous critical reception of Gellner's work and at the same time deals with this author's image in the Czech cultural milieu. Analysing some of Gellner's manuscripts, the second chapter aims to describe the specific type of the author's creativity. The third chapter is devoted to the problem of ambiguously constructed national identity of František Gellner and to the impact it had on the ways he dealt with the themes of Jewishness and anti-Semitism. The fourth chapter describes the various relations between Gellner's works and the periodicals these were prepared for. The next chapter is dedicated solely to Lidové noviny, as this was the newspaper periodical with which Gellner co-operated most intensely; the detailed...
7	Toward Early Modern Comics Thomas, Evan Benjamin January 2017 (has links) No description available. Literature Art History British and Irish Literature Comparative Literature Comics comic books comic strips graphic novels cartooning literature early modern England Renaissance England print history book history Shakespeare Spenser Milton Middleton Will Eisner Scott McCloud narrative theory critical race theory
8	Perceptions Of Cuteness And Beauty Jones, Danielle 01 January 2009 (has links) Upbringing and psychological make-up inspire individual norms for beauty and cuteness. The mannerist approach in my work is a product of the figural liberties found in cartooning, illustration and art history. By altering facial and bodily features, I relate the proportions of an infant to cuteness and innocence. However, I tailor the photographs to empower the subjects all the while mirroring trends in contemporary pop culture. I'm interested in themes of everyday life, vitality and emotion placed in obscure, imaginary or exaggerated venues. I fictionalize subjects of my reality to compel viewers to identify with and fancy emotions, circumstances, moods and relationships. The intent is to amplify, yet be truer to their existence and idiosyncrasies through figural adaptations. art artist digital painting digital painting photography manipulated photography cute cuteness beauty caricature quaint quaintness vintage mfa fine art fine arts illustration mannerist mannerism symmetry golden ration kawaii krutt pedagogy jocose transmogrification color quintessential character characteristics physiognomy proportions proportion infant idiosyncrasy idiosyncrasies idiosyncratic relationships norms facial face features innocence vulnerability empowering empower cartoon cartooning anime manga Art and Design

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