Khwaam Jam is an introspective installation of works that explore the perceptions of identity based on memory. Created through the exploration of my past and present, the works of Khwaam Jam utilize the principles and techniques of textile design and production while involving mixed media and new materials in a site-specific installation. This installation is intended to represent my memory on a large scale. The hanging pieces are the focal point of the exhibition and are the physical manifestation of my perception of the categorization and storage of my memories. Memories are the vessels through which we create our identity. An individual’s identity is not only created from the personal experiences of the individual, but also from the experiences of those linked to the individual, whether on an intimate or social level. This overlap of memories is what connects us and helps create both individual and social identities through a series of shared memories.

Kungsgärdets sjukhus got its name the fouth of january 1965 and is still in use today. In 1981 the hospital and became merged into Uppsala Västra sjukvårdsdistrikt and stopped being a independet fonds. Predecessor to Kungsgärdets sjukhus was Centralepidemisjukhuset, more specific its Longterm care after the Infektionskliniken had moved to Akademiska sjukhuset the first of september 1965. In the Kungsgärdets sjukhus material of archive several diffrent fonds are included: Tunåsens sjukhus, Wattholma sjukhem, Östra paviljongen and Landstingets verkstäder. Geriatriska klinik is also included in Kungsgärdets sjukhus, however it is not a fonds but a ward. However all this makes it very difficult to establish the provenance of Kungsgärdets sjukhus, because it is impossible to know how all these fonds and its material of archive affects Kungsgärdets sjukhus as a fonds specially since the other fonds have not been organized and catalogued, and There for it is difficult to know were the provenance and the truth of Kungsgärdets sjukhus is. Kungsgärdets sjukhus arrived at Landstingsarkivet in Uppsala län together with several other fonds at different times. The material of archive for Kungsgärdets sjukhus existed originally of 12 running metres, but afterwards it was down to 7,5 running metres. The material och archive existed of bound of books but mostly of folders. The material of archive was well-assorted which made the organizing and cataloguing relativly easy.

Onlinekataloge erlauben den Nutzern den Zugang zum Bestand einer Bibliothek; Normdaten bilden darin die Grundlage für zwei wesentliche Sucheinstiege: Die Recherche nach Personen und die inhaltliche Suche mit Schlagwörtern. Benutzeranalysen zeigen erwartungsgemäß, dass dies nach den Titelstichwörtern die am häufigsten gestellten Suchanfragen sind. Es wird aber auch deutlich, dass in beiden Fällen die Wahrscheinlichkeit eines Nulltreffer-Ergebnisses, d.h. das Scheitern der Suche, sehr hoch ist. Normdaten sollen eine effektive Recherche ermöglichen – aber wie effektiv gestaltet sich diese Recherche für den Benutzer tatsächlich? Als bibliothekarische Dienstleistung richtet sich der Onlinekatalog an den Nutzer, er sollte sich demnach an dessen Bedürfnissen und Kenntnissen orientieren. Viele Suchanfragen bei Recherchen mit Normdaten führen ins Leere, weil dem Benutzer die formalen Eingabevoraussetzungen ebenso fremd sind wie die der Erschließung zugrunde liegenden bibliothekarischen Regeln. Es zeigt sich auch, dass die Umsetzung neuer Recherchemöglichkeiten mit Normdaten alleine nicht genügt, auch die Darstellung im OPAC muss beim Vorwissen der Nutzer ansetzen. Diese erwerben ihre Recherchekompetenz vor allem bei Suchmaschinen wie Google, so dass Fachterminologie oder Unübersichtlichkeit im Onlinekatalog nur zusätzlich verwirren. Anhand verschiedener Anwendungsbeispiele soll der Vortrag zeigen, welche Probleme sich dem Benutzer bei der Recherche mit Normdaten stellen, aber auch, wie das Potential der Normdaten in Onlinekatalogen noch besser genutzt werden kann.

Among the numerous eighteenth-century composers of merit whose music remains virtually unknown and unavailable in modern editions, and whose names are absent from the many items of Baroque literature to date, is Andrea Zani (b. Casalmaggiore, 1696-d. Casalmaggiore, 1757). Yet his skill saw him ranked as a virtuoso, and his compositions were published in Vienna, Paris and Amsterdam, as well as his native Italy. Despite the fact that most of his output is extant and accessible either in manuscripts or early prints in the archives of Europe, the United States of America and the United Kingdom, no thorough study of these works has been made. The scant biographical information available on Zani lies in a succession of brief and lamentably incomplete accounts, traceable to one early nineteenth-century writing. A comprehensive study of Andrea Zani and his music has yet to be made. The objectives (and thus the structure) of this dissertation are to present a definitive performing edition of Zani’s entire output and to compile a biographical account that will substantially augment and correct much of the biographical information that is available. These objectives are interdependent. A biography may be illuminated by information found in music sources – dates of compositions or dates and places of publications, names of dedicatees (and even of specific occasions) are all indicators of avenues of research, and as this is undertaken, isolated facts gradually turn into an expanding and yet increasingly tightly-knit network of detail. The music itself may be illuminated by confirming its location within the lifetime of the composer and a growing understanding of the various circumstances surrounding the years in which it was written. When this is allied with a knowledge of the dissemination of his compositions, one is led toward a contemporary estimation of the composer and a measure of the sphere of his influence. One further element of this research is a thematic catalogue of Zani’s works. As a comprehensive description of his output, it provides a stand-alone reference volume for future studies of the man and/or his compositions. More widely, it will assist with the solution of problems of misattributions of compositions among Zani's contemporaries.

No description available.

In this study, hazardous waste inventory for Turkey is developed based on wastes identified as hazardous in European Waste Catalogue and Regulation on Control of Hazardous Wastes, Annex 7 Necessity of such inventory arises from importance of acquiring information on the amount of hazardous wastes generated and on their countrywide distribution for a sound hazardous waste management system for Turkey. Hazardous waste inventory is constructed by using waste generation factors obtained from literature which are coefficients that relate production with environmental emissions. Whenever possible, direct information obtained from generators was utilized. Both absolute and minor entries are covered. It is estimated that 4,940,000 &ndash / 5,110,000 t/yr of hazardous wastes are being generated in Turkey. 1,790,000 &ndash / 2,252,000 t/yr of these are classified as absolute entries and 3,146,000 &ndash / 3,160,000 t/yr of hazardous wastes are minor entries. It is observed that highest generation occurs from mining and thermal processes which involve high amounts of minor entries. Beside these industries highest generation occurs from wood preservation. Per capita hazardous waste generation is estimated as 30 &ndash / 77 kg/capita/yr which is in accordance with per capita generation range of EU. Highest hazardous waste generation occurs from Marmara Region with 527,730 t/yr followed by Aegean (524,580 t/yr), Central Anatolia (481,820 t/yr), Black Sea Region (277,850 t/yr), Mediterranean (211,580 t/yr), Southeast Anatolia (58,290 t/yr) and Eastern Anatolia (36,520 t/yr) excluding minor entries from mining industry and thermal processes. The trends in hazardous waste generation and GDP from manufacturing industry show the same trend. Contribution of regions are in the same order both in hazardous waste generation and GDP.

Dieses Buch erscheint anlässlich der Ausstellung Kurt Dornis - Bilder einer Stadt im Studio des Stadtgeschichtlichen Museums Leipzig 21. September bis 28. November 2010.

Thèse--École du Louvre. / Includes indexes.

The aim of this thesis was to analyze the use of multichannel retailing in Globus hypermarket in České Budějovice. Dispensation was done according to Levy and Weitz (2009) into three main channels {--} retail store, catalogue and the internet which were supplemented by some components of the communication mix. On the basis of the case studies and marketing situation analysis of Globus hypermarket in České Budějovice some measures were proposed to improve the competitive position of this company by the use of multichannel retailing. Partial proposals were devided by particular channels. One of them was also economically evaluate.

The focus of present thesis is the analysis of advertising press of ski centres. The thesis is divided into two parts; the first and theoretical part presents typical facets of advertising discourse, the second and practical part includes the analysis of French and Czech travel agencies catalogues, booklets and leaflets. The analysis focuses on the language means typically used for purposes of advertising discourse.