Made available in DSpace on 2016-04-27T17:26:53Z (GMT). No. of bitstreams: 1 Luisa Magoulas de Castro Duarte.pdf: 13581082 bytes, checksum: f2113f824b422c785bfcad07411f746d (MD5) Previous issue date: 2010-10-19 / The target of this dissertation is to gather a portion of visual arts production of the years 2000 and think it under the light of contemporary temporality, marked by the eclipse of utopias. After that, the work tries to emphasize its relations with the notions of the present, micro-politics and possibility, in contraposition to a modernity marked by the notions of future, impossible and macro. Analyzing the body of questions, the intention is to think how art reacts to a contemporary world situation, making us look at this same world in a different manner / O objetivo da dissertação é analisar uma parcela da produção em artes visuais dos anos 2000 e pensá-la à luz da temporalidade contemporânea, marcada pelo eclipse das utopias. A partir disso, buscou-se ressaltar as suas relações com as noções de presente, micro-política e possível, em contraposição a uma modernidade marcada pelas noções de futuro, utopia, impossível e macro. Ao analisar este corpo de questões se pretendeu pensar como a arte reage a uma situação de mundo contemporânea, nos fazendo olhar este mesmo mundo de maneira diferente

Essa tese discute o potencial das residências artísticas como ambientes de formação, criação e difusão, defendendo a compreensão de sua atuação, como forma ampliada de atender a uma necessidade de repensar os processos de ensino e aprendizagem em artes visuais, na contemporaneidade. Apresenta como objeto de estudo o Programa de residência artística da Fundação Armando Alvares Penteado FAAP, na Cité Internationale des Arts, em Paris e a criação e implantação da Residência Artística FAAP, em São Paulo, e seu respectivo programa de residência artística, para compreendê-los como plataformas atuantes na dimensão desses processos de formação artística. / This thesis discusses the potential of artistic residences as an environment for education, creation and diffusion, as it defends the understanding of their role as an expanded way to cater to the need of rethinking teaching and learning processes in the visual arts in a contemporary context. The object of study presented in this thesis is the artistic residence program of the Fundação Armando Alvares Penteado - FAAP at the Cité Internationale des Arts, in Paris, and the foundation of FAAPs artistic residence in São Paulo, with its respective artistic residence program, holding both these residences as thresholds that work in the scope of artistic education processes.

Essa tese discute o potencial das residências artísticas como ambientes de formação, criação e difusão, defendendo a compreensão de sua atuação, como forma ampliada de atender a uma necessidade de repensar os processos de ensino e aprendizagem em artes visuais, na contemporaneidade. Apresenta como objeto de estudo o Programa de residência artística da Fundação Armando Alvares Penteado FAAP, na Cité Internationale des Arts, em Paris e a criação e implantação da Residência Artística FAAP, em São Paulo, e seu respectivo programa de residência artística, para compreendê-los como plataformas atuantes na dimensão desses processos de formação artística. / This thesis discusses the potential of artistic residences as an environment for education, creation and diffusion, as it defends the understanding of their role as an expanded way to cater to the need of rethinking teaching and learning processes in the visual arts in a contemporary context. The object of study presented in this thesis is the artistic residence program of the Fundação Armando Alvares Penteado - FAAP at the Cité Internationale des Arts, in Paris, and the foundation of FAAPs artistic residence in São Paulo, with its respective artistic residence program, holding both these residences as thresholds that work in the scope of artistic education processes.

Prenant appui sur ma pratique plastique, cette thèse s’est développée en marge mon expérience subjective et vécu avec ma mère spirituelle, tout en étant ancrée dans la problématique de la période contemporaine. En ce sens, l’articulation entre mes œuvres plastiques, le patrimoine ancestral africain et l’art contemporain occidental reste un point central de médiation. De même, celles-ci s’articulent avec la magie africaine et la psychothérapie occidentale dans leur dimension thérapeutique. Ainsi donc, cette thèse intitulée « RITE ET POÉTIQUE DU DON DANS L’ART CONTEMPORAIN - Dépense, Dégoût, Destruction » a pour but d’examiner l’expression artistique du déchirement intérieur de mon histoire personnelle, développer des concepts artistiques de la pratique créatrice singulière. La première partie de la thèse situe mon œuvre poïétique dans le processus d’altérité qui mène à la naissance de concepts dans le champ de l’art contemporain, qui ont tendance à façonner la personnalité comme pédagogie d’intégration de l’apprentissage à l’individu. La seconde porte sur l’immatérialité artistique qui se révèle comme un procédé catalyseur du concept de performance. La troisième partie démontre les procédures plastiques d’aujourd’hui auxquelles l’artiste peut faire face en scrutant l’œuvre ritualisée. La quatrième est une mise en œuvre du vohou vohou comme processus de déconstruction d’une nouvelle identité artistique. Le don comme forme de re-création me permet de faire œuvre dans ma pratique picturale. C’est pourquoi, j’ai toujours revendiqué une dimension spirituelle qui apporte à l’œuvre son champ sacré. Plus proche de Michel-Ange ou de Marx Ernest par ma foi en l’art, je crée une œuvre allégorique, qui affirme efficacement la perte re-créatrice comme langage pictural dans l’art contemporain. / On the basis of my practice of plastic arts, this thesis developed alongside my subjective experience lived with my spiritual mother, while staying rooted in the problematics of the contemporary era. In this perspective, the meeting place between my works of art, the African ancestral heritage and the western contemporary art stands as a central point of mediation. These meeting elements also go along with the African magic and the western psychotherapy in their therapeutic dimension. Then, this thesis entitled « RITE AND POETICS OF GIFT IN CONTEMPORARY ART - Exhaustion, Disgust, Destruction » aims at examining the artistic expression of my heartrending personal history, and developing artistic concepts of the singular creative practice. The first part of the thesis identifies my poietic work in the process of otherness which leads to the creation of concepts in the field of contemporary art, which concepts tend to shape the personality as pedagogy for the integration of learning by the individual. The second part is about the artistic immateriality which appears as a catalytic process for the concept of performance. The third part exhibits the nowadays plastic procedures the artist can meet by examining a ritualized work. The fourth one is an implementation of the vohou vohou as a process of deconstruction of a new artistic identity. Gift as a form of re-creation enables me to paint. Therefore, I always claim a spiritual side which endows the work of art with a sacred dimension. Admirer of Michel-angel or Marx Ernest through my faith in art, I create an allegorical work, which effeciently affirms the re-creative loss as a painting style in contemporary art.