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A presente pesquisa examina a presença do racismo em uma escola pública municipal do estado de São Paulo identificando, em sua recorrência, a geração dos dispositivos de invisibilização de certos corpos e culturas nas séries iniciais do Ensino Fundamental. Tem no cotidiano escolar o seu lócus de atuação e, nas aulas de Educação Física, o seu foco prioritário de observação e análise. Acolhe também os demais ambientes escolares como espaços onde se perpetuam as relações desiguais de poder, produtoras dessa forma de discriminação racial. Analisa criticamente o fenômeno a partir de duas principais perspectivas: a primeira são os Estudos Culturais fundamentados em Hall (1997, 2000, 2006) e Silva (1996, 2000, 2004, 2008, 2010); e a segunda o multiculturalismo crítico a partir das ideias de McLaren (2000). No que tange ao racismo, os escritos de Munanga (2000, 2005, 2008), Telles (2003) e Carone e Bento (2007) compõem o suporte teórico orientador. O estudo tenciona o entendimento de alguns dos mecanismos de exclusão que desautorizam determinados sujeitos e todas as suas representações sócio-histórico-culturais. Identifica a presença de uma identidade-referência fundada no modelo branco, masculino e euro-estadunidense que há décadas permeia a construção das subjetividades de alunas e alunos, levantando a suspeita do desencadeamento do processo aqui conceituado invisibilização. Por ter no ambiente natural a sua fonte direta e mais importante de dados, sendo o pesquisador o instrumento principal e mantendo contato direto e afinado com a situação na qual os fenômenos ocorrem, levando em conta todas as perspectivas dos envolvidos e a imersão na realidade estudada, elegeu-se o estudo de caso como método. Para a análise de dados foi utilizada a hermenêutica crítica, dada a sua possibilidade de efetuar um aprofundamento na interpretação dos textos apreendidos na conjuntura e contexto pesquisados, entremeando os resultados imediatos de uma observação do legível e também o requisitado na intencionalidade dos seus produtores. Como resultados se destacam: 1) o entendimento por parte das(os) docentes e equipe gestora da falta de necessidade de ações equitativas para as(os) alunas(os) negras(os) por serem iguais enquanto seres humanos; 2) o entendimento de que não se deve levantar discussões que digam respeito ao comportamento racista, por conta dessa atitude estimular ainda mais o fenômeno; 3) a falta de interesse e preparo da escola para lidar com as questões raciais; 4) a existência de um processo coletivo de visibilização para a invisibilização das(os) alunas(os) negras(os) e suas culturas (corporais) nas aulas de Educação Física em específico, e nos demais espaços escolares, de uma maneira geral, regulado culturalmente; 5) a convicção de que a superação do racismo depende unicamente da vontade discente; 6) uma incidência mais sofisticada do fenômeno do racismo, fazendo com que docentes e equipe gestora reconheçam sua existência, sem, no entanto, o perceberem. Finalmente, chama a atenção para o multiculturalismo crítico como possibilidade insurgente tanto na desconstrução das hierarquias discentes vigentes na escola, quanto na contemplação das diferenças e dos diferentes. / This present research investigates the presence of racism in a municipal public school of the state of São Paulo, identifying, in its recurrence, the creation of invisibilization - rendering \"unseen\" - mechanisms for certain bodies and cultures in initial grades of Elementary School. School everyday life is the locus of investigation and the Physical Education classes are the central area of interest for observation and analysis. This research also deals with other school surroundings as environments where unequal power relations perpetuate, promoters of this way of racial discrimination. Critically analyzes the phenomenon as of two main perspectives: the first one are the Cultural Studies based on Hall (1997, 2000, 2006) and Silva (1996, 2000, 2004, 2008, 2010), and the second one is the Critical Multiculturalism, based on ideas of McLaren (2000). As to racism, the works of Munanga (2000, 2005, 2008), Telles (2003) and Carone and Bento (2007) form the guiding technical support. This study aims at understanding some mechanisms of exclusion that disempower certain subjects and all their socio-historic-cultural representations. Identifies the presence of an identity-reference based on the white, male and Euro-American model that for decades has permeated the construction of students\' subjectivity, raising the suspicion that those may be the trigger for the process herein conceived as invisibilization. The researcher, the main instrument, maintaining a direct contact and tuned in to the situation where the phenomena occur - considering the perspectives of all the involved and the immersion in the reality so studied -, and having inside the natural environment its most direct and important source of data, elected the \"case study\" method. Critical hermeneutics was chosen for data analysis given its possibility of deeper interpretation of the texts collected within the situation and context surveyed, interweaving the immediate results of the observation of the readable material and the intentionality of those who provided the material. Results to be highlighted: 1) Comprehension, by teachers and school management team, of unnecessary equitable actions for students because they are equal as human beings; 2) Understanding that racism behavioral discussions should not be raised, since this attitude stimulates the phenomenon even more; 3) Lack of interest and preparation of the school when dealing with racial questions; 4) Existence of a collective process that makes students \"unseeable\", culturally regulated; 5) Conviction that the overcoming of racism depends exclusively on students\' will; 6) A more sophisticated incidence of racism, that causes teachers and school management teams to recognize its existence, without perceiving it nevertheless. Finally, this study attracts the attention to Critical Multiculturalism as an insurgent possibility of deconstruction of teaching hierarchies in force in school, and also of contemplation of the differences and of the \'differents\'.

A presente pesquisa examina a presença do racismo em uma escola pública municipal do estado de São Paulo identificando, em sua recorrência, a geração dos dispositivos de invisibilização de certos corpos e culturas nas séries iniciais do Ensino Fundamental. Tem no cotidiano escolar o seu lócus de atuação e, nas aulas de Educação Física, o seu foco prioritário de observação e análise. Acolhe também os demais ambientes escolares como espaços onde se perpetuam as relações desiguais de poder, produtoras dessa forma de discriminação racial. Analisa criticamente o fenômeno a partir de duas principais perspectivas: a primeira são os Estudos Culturais fundamentados em Hall (1997, 2000, 2006) e Silva (1996, 2000, 2004, 2008, 2010); e a segunda o multiculturalismo crítico a partir das ideias de McLaren (2000). No que tange ao racismo, os escritos de Munanga (2000, 2005, 2008), Telles (2003) e Carone e Bento (2007) compõem o suporte teórico orientador. O estudo tenciona o entendimento de alguns dos mecanismos de exclusão que desautorizam determinados sujeitos e todas as suas representações sócio-histórico-culturais. Identifica a presença de uma identidade-referência fundada no modelo branco, masculino e euro-estadunidense que há décadas permeia a construção das subjetividades de alunas e alunos, levantando a suspeita do desencadeamento do processo aqui conceituado invisibilização. Por ter no ambiente natural a sua fonte direta e mais importante de dados, sendo o pesquisador o instrumento principal e mantendo contato direto e afinado com a situação na qual os fenômenos ocorrem, levando em conta todas as perspectivas dos envolvidos e a imersão na realidade estudada, elegeu-se o estudo de caso como método. Para a análise de dados foi utilizada a hermenêutica crítica, dada a sua possibilidade de efetuar um aprofundamento na interpretação dos textos apreendidos na conjuntura e contexto pesquisados, entremeando os resultados imediatos de uma observação do legível e também o requisitado na intencionalidade dos seus produtores. Como resultados se destacam: 1) o entendimento por parte das(os) docentes e equipe gestora da falta de necessidade de ações equitativas para as(os) alunas(os) negras(os) por serem iguais enquanto seres humanos; 2) o entendimento de que não se deve levantar discussões que digam respeito ao comportamento racista, por conta dessa atitude estimular ainda mais o fenômeno; 3) a falta de interesse e preparo da escola para lidar com as questões raciais; 4) a existência de um processo coletivo de visibilização para a invisibilização das(os) alunas(os) negras(os) e suas culturas (corporais) nas aulas de Educação Física em específico, e nos demais espaços escolares, de uma maneira geral, regulado culturalmente; 5) a convicção de que a superação do racismo depende unicamente da vontade discente; 6) uma incidência mais sofisticada do fenômeno do racismo, fazendo com que docentes e equipe gestora reconheçam sua existência, sem, no entanto, o perceberem. Finalmente, chama a atenção para o multiculturalismo crítico como possibilidade insurgente tanto na desconstrução das hierarquias discentes vigentes na escola, quanto na contemplação das diferenças e dos diferentes. / This present research investigates the presence of racism in a municipal public school of the state of São Paulo, identifying, in its recurrence, the creation of invisibilization - rendering \"unseen\" - mechanisms for certain bodies and cultures in initial grades of Elementary School. School everyday life is the locus of investigation and the Physical Education classes are the central area of interest for observation and analysis. This research also deals with other school surroundings as environments where unequal power relations perpetuate, promoters of this way of racial discrimination. Critically analyzes the phenomenon as of two main perspectives: the first one are the Cultural Studies based on Hall (1997, 2000, 2006) and Silva (1996, 2000, 2004, 2008, 2010), and the second one is the Critical Multiculturalism, based on ideas of McLaren (2000). As to racism, the works of Munanga (2000, 2005, 2008), Telles (2003) and Carone and Bento (2007) form the guiding technical support. This study aims at understanding some mechanisms of exclusion that disempower certain subjects and all their socio-historic-cultural representations. Identifies the presence of an identity-reference based on the white, male and Euro-American model that for decades has permeated the construction of students\' subjectivity, raising the suspicion that those may be the trigger for the process herein conceived as invisibilization. The researcher, the main instrument, maintaining a direct contact and tuned in to the situation where the phenomena occur - considering the perspectives of all the involved and the immersion in the reality so studied -, and having inside the natural environment its most direct and important source of data, elected the \"case study\" method. Critical hermeneutics was chosen for data analysis given its possibility of deeper interpretation of the texts collected within the situation and context surveyed, interweaving the immediate results of the observation of the readable material and the intentionality of those who provided the material. Results to be highlighted: 1) Comprehension, by teachers and school management team, of unnecessary equitable actions for students because they are equal as human beings; 2) Understanding that racism behavioral discussions should not be raised, since this attitude stimulates the phenomenon even more; 3) Lack of interest and preparation of the school when dealing with racial questions; 4) Existence of a collective process that makes students \"unseeable\", culturally regulated; 5) Conviction that the overcoming of racism depends exclusively on students\' will; 6) A more sophisticated incidence of racism, that causes teachers and school management teams to recognize its existence, without perceiving it nevertheless. Finally, this study attracts the attention to Critical Multiculturalism as an insurgent possibility of deconstruction of teaching hierarchies in force in school, and also of contemplation of the differences and of the \'differents\'.

The subject of this examination paper is the study of the teaching of history in today’s society that is characterized by multiculturalism and diversity. It starts with an interest in understanding how multiculturalism and diversity are treated in the secondary schools in Sweden. The study begun as an inductive work and has been achieved via analysis of teaching contents, perspectives and working methods. The data for this study was obtained through semi-structured interviews and a survey. The main method used for analysis is the inductive qualitative method Grounded Theory (GT). The qualitative method, Critical discourse analysis, (CDA) has also been used to analyze the political aspects of history curriculum. In order to understand the role of the teaching of history in our society - the different levels of historical consciousness, the acquisition of skills and abilities, the perspective in history’s teaching as well as the perception or influence of multiculturalism and diversity - this study has taken into consideration the participation of different people with different education levels. An interesting phenomenon has been noticed during the course of this study: a special relationship to diversity and multiculturalism found in young students enrolled in a high school program that combine courses of history with other courses related to history. I define this phenomenon as awareness of diversity and multiculturalism. The used survey confirms the occurrence of this phenomenon. The result indicates that the young individuals who have followed a certain combination of subjects, have positive attitudes toward diversity and multiculturalism, equivalent to teachers with master and PhD’s degree who have the mission to teach democracy as their profession. Finally, the study focused on analyzing how contents and didactics strategies in history-teaching can influence the development of consciousness about diversity and multiculturalism. This study has a political and a didactical dimension, the discussion of both those dimensions is done by using Gert Biesta’s concepts qualification, socialization, subjectification, and James A. Banks’s five-dimensional typology about multicultural education.

The primary question of this study is: How does the disruption of African art discourse influence a group of university students’ perceptions of African aesthetics? This inquiry developed from previous studies on the exclusion of modern and contemporary African art in Western art museums. Through the theoretical lens of Postcolonial Theory and Critical Multiculturalism, this research conceptualizes the dominance of traditional African art in art museums, art history, and art education as a Western hegemonic discourse that normalizes perceptions of Africa and African aesthetics as the fixed primitive Other. Thus, this research applied Action Research (AR) methodology coupled with Transformative Learning Theory (TL) to disrupt the discourse of African art; with the purpose of affecting positive changes in perceptions of African aesthetics. The participants for this study were 10 students in a course (Art 1301 Honors Art Appreciation) I instructed at the University of North Texas in the fall (September–December) 2013 semester. Data was collected, analyzed, and interpreted from participants’ assignments and my research journal. This study comprised a dual enquiry on: 1. Discourse and Meaning-making; and 2. Disruption and Transformation. First, the study analyzed students’ perceptions of African aesthetics from their learning experience of traditional African art in an art museum. The findings affirmed traditional African art at the museum as a discourse of Africa as the Other of the West. Secondly, the study analyzed how students’ perceptions were influenced from their experience (in my classroom) of learning histories of modern and contemporary African art that disrupt the authenticity of traditional African art. The findings revealed that 80% of participants developed positive transformations. This research demonstrates how art education grounded in critical theory and transformative learning subverted African art as the discourse of the Other, developed students’ understandings of the multiple realities of Africa and African aesthetics, and encouraged positive transformations in students’ perceptions of African aesthetics.

Made available in DSpace on 2016-04-27T14:30:51Z (GMT). No. of bitstreams: 1 Saulo Francoso.pdf: 1672134 bytes, checksum: bfa2fc87c12d7c977a100a2e7079ae81 (MD5) Previous issue date: 2011-12-14 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The document Orientações Curriculares e Proposição de Expectativas de Aprendizagem para o Ensino Fundamental Ciclo II (Curriculum Guidelines and Proposition of Learning Expectations for Elementary School) of Physical Education, developed in 2007 by Secretaria Municipal de Educação de São Paulo (Municipal Secretariat of Education in the city of São Paulo), presents this area of knowledge within the cultural concept. After the analysis of this document, we found that the conception defended by the curriculum has been strongly influenced by the theories of Critical Multiculturalism and Cultural Studies. Quality-natured, this work aims at investigating, through semi-structured interviews, the perception of five Physical Education teachers of the difficulties and possibilities in the development of classes based on the cultural perspective. By comparing the data obtained in the interviews with the multicultural curriculum theory, it was possible to understand the curriculum as a field of cultural production permeated with power relations, in which teachers face a constant struggle, in school life, to break boundaries in the viability of the official curriculum, since the formal education is hegemonic and still impregnated by the homogenizing, repetitive and monocultural practices. The main difficulties pointed out by the teachers refer to the resistance from students, other teachers and management professionals concerning the cultural curriculum in Physical Education. This resistance is caused due to different factors, such as: the lack of a political pedagogical project aimed at multicultural issues, the politics of deficient training held by the SME/SP (Municipal Secretariat of Education in the city of São Paulo), the misrepresentation by the students concerning the area of knowledge and the school rigid structure. These factors make teachers isolated, delimiting a frontier region that needs to be crossed. Nevertheless, in this interplay of forces, this research has identified several pedagogical potentialities for the cultural curriculum in Physical Education, which can stimulate the teachers and radical researchers productions, involved in the battle for a more equitable, democratic and caring education. Among them, we can highlight the students enhancement towards Physical Education and its importance in school curriculum, the legitimacy of multiple identities which color the classroom environment, the search for alliances with professionals from other areas, open spaces for the families and community in general, the putting down of oppressive relationships of any kind, as well as the possibility for the students to recognize themselves as producers of knowledge / O documento de Orientações Curriculares e Proposição de Expectativas de Aprendizagem para o Ensino Fundamental ciclo II de Educação Física, elaborado em 2007 pela Secretaria Municipal de Educação de São Paulo, apresenta a área de conhecimento dentro da concepção cultural. A partir da análise deste documento, identificamos que a concepção defendida pela proposta curricular possui forte influência dos campos teóricos do multiculturalismo crítico e dos Estudos Culturais. De cunho qualitativo, o presente trabalho procurou investigar, por meio de entrevistas semi-estruturadas, as percepções de cinco professores/as de Educação Física, acerca das dificuldades e possibilidades no desenvolvimento de aulas fundamentadas na perspectiva cultural. Ao confrontar os dados obtidos nas entrevistas com a teorização curricular multicultural, foi possível compreender o currículo como um campo de produção cultural permeado de relações de poder, onde no cotidiano escolar, os/as docentes travam uma constante luta para romper fronteiras na viabilização do currículo oficial; já que hegemonicamente, a educação formal ainda é impregnada por práticas homogeneizantes, reprodutoras e monoculturais. As principais dificuldades apontadas pelos/as docentes referem-se à resistência dos/as estudantes, de outros/as professores/as e de profissionais que ocupam cargos de gestão quanto ao currículo cultural da Educação Física. Essa resistência é ocasionada por diferentes fatores, como por exemplo: a ausência de um projeto políticopedagógico voltado às questões multiculturais, a política de formação deficitária da SME/SP, a representação enviesada que os/as estudantes possuem acerca da área de conhecimento e a estrutura rígida da instituição escolar. Esses fatores proporcionam um isolamento dos/as docentes, demarcando uma região fronteiriça que necessita ser cruzada. Entretanto, nesse jogo de forças, a pesquisa identificou inúmeras potencialidades pedagógicas do currículo cultural da Educação Física, que podem estimular produções de docentes e pesquisadores/as radicais, envolvidos/as na batalha por uma educação mais justa, democrática e solidária. Entre elas, podemos destacar a valorização dos/as alunos/as em relação à Educação Física e sua importância no currículo escolar, a legitimação das múltiplas identidades que colorem a paisagem das salas de aula, a busca de alianças junto aos/às profissionais de outras áreas, a abertura de espaços para as famílias e comunidade em geral, a desconstrução de relações opressoras de qualquer natureza e a possibilidade dos/as estudantes reconhecerem-se como produtores de conhecimento

Ethnocultural minority immigrant students carry diverse histories, perspectives, and experiences, which can serve as resources for critical reflection and discussion about social conflicts. Inclusion of diverse students’ identities in the curriculum requires acknowledgement and open discussion of diversity and conflictual issues. In democratic peacebuilding education, diverse students are encouraged to express divergent points of view in open, inclusive dialogue. This ethnographic study with a critical perspective examined how three teachers in urban public elementary school classrooms with ethnocultural minority first- and second-generation immigrant students (aged 9 to 13) implemented different kinds of curriculum content and pedagogy, and how those pedagogies facilitated or impeded inclusive democratic experiences for various students. In these classrooms, peers and teachers shared similar and different cultural backgrounds and migration histories. Data included 110 classroom observations of three teachers and 75 ethnocultural minority students, six interviews with three teachers, 29 group interviews with 53 students, document analysis of ungraded student work and teachers’ planning materials, and a personal journal. Results showed how diverse students experienced and responded to implemented curriculum: when content was explicitly linked to students’ identities and experiences, opportunities for democratic peacebuilding inclusion increased. Dialogic pedagogical processes that encouraged cooperation among students strengthened the class community and invited constructive conflict education. The implicit and explicit curriculum implemented in these three diverse classrooms also shaped how students interpreted democracy in the context of multiculturalism in Canada. Teaching students as though they were all the same, and teaching curriculum content as if it were neutral and uncontestable, did not create equitable social relations. Explicit attention to conflict provided opportunities to uncover the hidden curriculum and to acknowledge structures of power and domination, creating space for development of critical consciousness. Thus culturally relevant curricula and democratic learning opportunities encouraged social and academic engagement and resulted in the inclusion of a wider range of diverse students’ voices.

Ethnocultural minority immigrant students carry diverse histories, perspectives, and experiences, which can serve as resources for critical reflection and discussion about social conflicts. Inclusion of diverse students’ identities in the curriculum requires acknowledgement and open discussion of diversity and conflictual issues. In democratic peacebuilding education, diverse students are encouraged to express divergent points of view in open, inclusive dialogue. This ethnographic study with a critical perspective examined how three teachers in urban public elementary school classrooms with ethnocultural minority first- and second-generation immigrant students (aged 9 to 13) implemented different kinds of curriculum content and pedagogy, and how those pedagogies facilitated or impeded inclusive democratic experiences for various students. In these classrooms, peers and teachers shared similar and different cultural backgrounds and migration histories. Data included 110 classroom observations of three teachers and 75 ethnocultural minority students, six interviews with three teachers, 29 group interviews with 53 students, document analysis of ungraded student work and teachers’ planning materials, and a personal journal. Results showed how diverse students experienced and responded to implemented curriculum: when content was explicitly linked to students’ identities and experiences, opportunities for democratic peacebuilding inclusion increased. Dialogic pedagogical processes that encouraged cooperation among students strengthened the class community and invited constructive conflict education. The implicit and explicit curriculum implemented in these three diverse classrooms also shaped how students interpreted democracy in the context of multiculturalism in Canada. Teaching students as though they were all the same, and teaching curriculum content as if it were neutral and uncontestable, did not create equitable social relations. Explicit attention to conflict provided opportunities to uncover the hidden curriculum and to acknowledge structures of power and domination, creating space for development of critical consciousness. Thus culturally relevant curricula and democratic learning opportunities encouraged social and academic engagement and resulted in the inclusion of a wider range of diverse students’ voices.

Made available in DSpace on 2016-12-08T16:19:09Z (GMT). No. of bitstreams: 1 Katyuscia.pdf: 4562698 bytes, checksum: aa625942867cfad11f4ac32c8e4203b1 (MD5) Previous issue date: 2011-10-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research aims to investigate the construction of the pedagogical planning of two art teachers one from Caxias do Sul (RS) and another from Aracaju (SE) - as well as the didactic-pedagogical interactions between them, in a virtual learning environment (AVA), in a proposition of online art teaching, based on a critical multiculturalism approach. It also aims to explore which were the art contemporary thematic they propose. And, at last, it is intended, in this investigation, to observe the relevance of the focusing on the critic teaching practice as a need to overcome traditional methods and transform them, producing new knowledge about the practice online. For that, it was investigated the teaching practices of the teachers with their ninth year of elementary school students, in the experience: Virtual Learning Platforms: a path of inclusion through art - 2010, held at the Moodle platform, at the Center for Distance Education - UDESC. It was listed, among other authors, the writings of Peter McLaren (2000), regarding to the studies of critical multiculturalism, Silva s (2010) on Education Online, Rosa (2004), Gatti and Barreto (2009) in teacher training, Santaella (2003) and Domingues (1997 , 2002) in the dialogues between the Contemporary Art with the Information Technologies and Communication, and at last, we get close to the writings of Fonseca da Silva (2010), Pimentel (2010) and Biazus (2009) in their investigations about the art teaching and the contemporary technologies setting up the theoretical field of this study. In this research it was set up an approximation among the teacher training and the art teaching in contemporaneousness with the online education, as well as contemporary Art's relations with ICTs. Through a qualitative research, having as parameter the Content Analysis methodology proposed by Bardin (1977), Franco (2007), it was established as data collection instruments: the observation of the records of the forums, journals and chats within the virtual learning environment, from which the analysis was done. As main results of this investigation, it is highlighted the online education as one alternative to the art training and teaching; the critical multiculturalism focused in the transforming action aimed to democracy and social justice as a significant approach in the Brazilian art education, besides the enlargement of the art teaching concept. It is also attempted to the importance of training teachers to educate in the cyberspace. And to the availability in overcoming the challenges of planning and educating, faced by the teachers in the experience of online exchange between the two teacher s groups, understood through the interactions recorded in the AVA / Esta dissertação tem como objetivo investigar a construção do planejamento pedagógico de duas professoras de artes - uma de Caxias do Sul (RS) e outra de Aracaju (SE) - bem como as interações didático-pedagógicas entre elas, em um ambiente virtual de aprendizagem (AVA), numa proposta de ensino de arte online, embasada de um viés multicultural-crítico. Objetiva, também, explorar quais foram as temáticas contemporâneas de arte propostas por elas. E por fim pretende-se, nesta investigação, observar a relevância do enfoque da prática docente crítica como necessidade de superar formas tradicionais e de transformá-las, produzindo novos conhecimentos sobre a prática online. Para isso, investigaram-se as práticas docentes das professoras, com seus respectivos estudantes de nono ano do Ensino Fundamental, na experiência: Plataformas virtuais de aprendizagem: um caminho de inclusão por meio da arte - 2010, realizada na Plataforma Moodle do Centro de Educação a Distância UDESC. Elencamos, entre outros teóricos, os escritos de Peter McLaren (2000) no que tange aos estudos do Multiculturalismo-crítico, os de Silva (2010) sobre Educação online, Rosa (2004), Gatti e Barreto (2009) na formação de professores, Santaella (2003) e Domingues (1997, 2002) nos diálogos da Arte contemporânea com as Tecnologias de Informação e Comunicação, e por fim, nos aproximamos dos escritos de Fonseca da Silva (2010), Pimentel (2010) e Biazus (2009) em suas investigações sobre o ensino da arte e as tecnologias contemporâneas marcando o campo teórico desse estudo. Nesta pesquisa estabelece-se uma aproximação entre a formação do professor e o ensino de arte na contemporaneidade com a Educação online, bem como as relações da Arte contemporânea com as TICs. Por meio de uma pesquisa qualitativa, tendo como parâmetro a metodologia de Análise de Conteúdos proposta por Bardin (1977), Franco (2007), estabeleceram-se como instrumentos de coleta de dados: a observação dos registros nos fóruns, diários e chats dentro do AVA, a partir dos quais fez-se a análise. Como principais resultados dessa investigação destacam-se a Educação online como uma alternativa à formação e ao ensino de arte; o Multiculturalismo-crítico focado na ação transformadora com vistas à democracia e à justiça social, como um viés significativo na educação em arte brasileira, além da ampliação do conceito de ensino de arte. Atenta-se, também para a pertinência de formar professores para educar no ciberespaço. E para a disponibilidade em superar os desafios de planejar e educar, enfrentados pelas professoras na experiência de interações online entre as duas turmas, compreendido por meio das interações registradas no AVA

No description available.