Thesis (MA)--University of Stellenbosch, 2002. / ENGLISH ABSTRACT: In this thesis it is argued that the age-old philosophical "Problem of the Self' can benefit by being approached from the perspective of a relatively recent science, namely that of Complexity Theory. With this in mind the conceptual features of this theory is highlighted and summarised. Furthermore, the argument is made that the predominantly dualistic approach to the self that is characteristic of the Western Philosophical tradition serves to hinder, rather than edify, our understanding of the phenomenon. The benefits posed by approaching the self as an emergent property of a complex system is elaborated upon, principally with the help of work done by Sigmund Freud, Richard Dawkins, Daniel Dennett, and Paul Cilliers. The aim is to develop a materialistic conception of the self that is plausible in terms of current empirical information and resists the temptation see the self as one or other metaphysical entity within the brain, without "reducing" the self to a crude materialism. The final chapter attempts to formulate a possible foil against the accusation of crude materialism by emphasising that the self is part of a greater system that includes the mental apparatus and its environment (conceived as culture). In accordance with Dawkins's theory the medium of interaction in this system is conceived of as memes and the self is then conceived of as a meme-complex, with culture as a medium for memetransference. The conclusion drawn from this is that the self should be studied through narrative, which provides an approach to the self that is material without being crudely physicalistic. / AFRIKAANSE OPSOMMING: In hierdie tesis word daar aangevoer dat die relatiewe jong wetenskap van Kompleksiteitsteorie 'n nuttige bydra kan lewer tot die eeue-oue filosofiese "Probleem van die Self'. Met die oog hierop word die konseptueie kenmerke van hierdie teorie na vore gebring en opgesom. Die argument word gemaak dat die meerendeels dualistiese benadering van die Westerse filosofiese tradisie tot die self ons verstaan van die fenomeen belemmer eerder as om dit te bemiddel. Die voordele van dié nuwe benadering, wat die self sien as 'n ontluikende (emergent) eienskap van In komplekses sisteem, word bespreek met verwysing na veral die werke van Sigmund Freud, Richard Dawkins, Daniel Dennett en Paul Cilliers. Daar word beoog om In verstaan van die self te ontwikkel wat kontemporêre empiriese insigte in ag neem en wat die versoeking weerstaan om ongeoorloofde metafisiese eienskappe aan die self toe te ken. Terselfdetyd word daar gepoog om geensins die uniekheid van die self te "reduseer" na 'n kru materialisme nie. In die finale hoofstuk word daar gepoog om 'n teenargument vir die voorsiene beswaar van kru materialisme te ontwikkel. Dit word gedoen deur te benadruk dat die self gesien word as deel van 'n groter, komplekse sisteem, wat die masjienerie van denke en die omgewing (wat as kultuur gekonseptualiseer word) insluit. Insgelyks, in die teorie van Dawkins word die medium van interaksie in hierdie sisteem gesien as "memes", waar die self dan n meme-kompleks vorm, en kultuur die medium van meme-oordrag is. Daar word tot die konklusie gekom dat die self op 'n narratiewe manier bestudeer behoort te word, wat dan 'n benadering tot die self voorsien wat materialisties is, sonder om kru fisikalisties te wees.

The subject of this paper is the philosophy of comedy. It is an orientation through history of laughter and its connection to the essence of comedy. This investigation tries to pinpoint some characteristics of the comedian and the task of the comedian today, focusing primarily on comedy in the public sphere. This paper concludes that comedy could be something physical and biological, but also something political. Humor is general and something very common but also culturally unique. The purpose of this thesis is to investigate comedy as something highly spiritual, absolute human and animalistic. It also aims to connect comedy to the philosophical discipline and strengthen its bond to the academic field. This paper includes some theories of humor, from both an evolutionary, scientific perspective to a more philosophical and theological view. It also includes a political discussion of how one can joke about everything and why comedy is important today.

The purpose of this essay is to analyze the ideology of the cultural phenomenon, that is as political as it is controversial, the new atheism. By studying the ideas and values of four prominent new atheists, commonly referred to as the ‘four horsemen of the new atheism’, Richard Dawkins, Sam Harris, Christopher Hitchens, and Daniel Dennett, this study aims to, in some ways challenge, and in others, nuance, the categorization of the movement. Its adherents have often been labeled as, for example: ‘secular fundamentalists’, ‘evangelical’ and ‘radical secularists’. None of these designations are inherently wrong. But I think there is a more fitting term available: ‘societal secular maximalist’. This term is a modified version of ‘religious maximalism’, coined by the historian of religion at the University of Chicago, Bruce Lincoln. I argue that the new atheist ideology is not fundamentalistic because it admits fallibility if another theory where to disprove it within its own scientific discourse. Considering this fact, it does not hold is central ideological feature, most commonly a Darwinist theory of evolution, as absolute. Due to this, and some other factors, I argue that the societal secular maximalist categorization is more fitting because the scientific and humanistic views of the ‘four horsemen’ lay claim to all aspects of human existence, private and public, emotional, and factual along with the morals, ethics and aesthetics of our societies.

Topic of this thesis is Dennett's criticism of the philosophical notion of qualia. First, the notion of qualia and the meaning it acquires within philosophy are introduced. Then, four thought experiments are presented to serve as an argument in favor of existence of qualia along with Dennett's reaction to these thought experiments. After that, Dennett's criticism of qualia as immediately apprehensible, ineffable, intrinsic and private properties of conscious mental states is introduced while one of the most common objections to this criticism is emphasized - Dennett's conception of qualia is too narrow and we can preserve it in a moderate way. Subsequently, the thesis outlines such a modest concept - the concept of phenomenal consciousness. This thesis attempts to show that there is no place for phenomenal consciousness in Dennett's heterophenomenology and Multiple Drafts model and that Dennett is as skeptical about this term as he is about the notion of qualia. In the end, the thesis asks the question whether it is really necessary to give up the concept of phenomenal consciousness if we want to study consciousness scientifically - from the third-person point of view.

This diploma work analyzes the contemporary rise of the number of atheists in the United States of America, basing this presupposition on numerous nation-wide surveys, primarily conducted by Gallup Poll and Pew Research Center. It goes into depth on the definition of atheism and strictly delineates the meaning of this word and the use of its alternatives in the work. Given the fact that the thesis is written by a Czech author, it also provides necessary background covering the differences between Czech atheism and American atheism. Since the work is purposely not one of literary analysis but rather of socio-political and cultural nature, reasons for this decision are given in a separate subchapter analyzing Flannery O'Connor's novel Wise Blood. History of atheism in America is touched upon in the beginning of Chapter 3, but since the fundamental focus of this work is on the contemporary state of affairs, the roots of modern atheism in America are sought after mainly in the twentieth century. In particular, the greatest causes of the weakening of church's power and the rise of secularism (or atheism, for that matter) are given as following: Madalyn Murray O'Hair's fights against church's influence in public schools and against its public funding; the argument about the non-scientific nature of belief...

Ethnographic collections in western museums such as the Royal Albert Memorial Museum (RAMM) carry many meanings, but by definition, they represent an intercultural encounter. This history of this encounter is often lost, overlooked, or obscured, and yet it has bearing on how the objects in the collection have been interpreted and understood. This thesis uncovers the hidden history of one particular collection in the RAMM and examines the multiple meanings that have been attributed to the objects in the collection over time. The Richard Dennett Collection was made in Africa in the years when European powers began to colonise the Congo basin. Richard Edward Dennett (1857-1921) worked as a trader in the Lower Congo between 1879 and 1902. The collection was accessioned by the RAMM in 1889. The research contextualises the collection by making a close analysis of primary source material which was produced by the collector and by his contemporaries, and includes publications, correspondence, photographs and illustrations which have been studied in museums and archives in Europe and North America. Dennett was personally involved with key events in the colonial history of this part of Africa but he also studied the indigenous BaKongo community, recording his observations about their political and material culture. As a result he became involved in the institutions of anthropology and folklore in Britain which were attempting to explain, classify and interpret such cultures. Through examining Dennett’s history this research has been able to explore the Congo context, the indigenous society, and those European institutions which collected and interpreted BaKongo collections. The research has added considerably to the museum’s knowledge about this collection and its collector, and the study responds to the practical imperative implicit in a Collaborative Doctoral Project, by proposing a small temporary exhibition in the RAMM to explore these histories and meanings. In making this proposal the research considers the current curatorial debate concerning responsible approaches to colonial collections, and assesses some of the strategies that are being employed in museums today.